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 AL-GARADI, Ahmed Ibn Muhammad [and Eugen MITTWOCH]., Aus dem Jemen. Hermann Burchardts letzte Reise durch Südarabien. bearbeitet von Eugen Mittwoch...Leipzig, Deutsche Morgenländische Gesellschaft in kommission bei F.A. Brockhaus, [1926]. 4to. 28 plates with 55 photos, 1 map on page 9. Text is partially in Arabic. Original paper covers.
AL-GARADI, Ahmed Ibn Muhammad [and Eugen MITTWOCH].
Aus dem Jemen. Hermann Burchardts letzte Reise durch Südarabien. bearbeitet von Eugen Mittwoch...Leipzig, Deutsche Morgenländische Gesellschaft in kommission bei F.A. Brockhaus, [1926]. 4to. 28 plates with 55 photos, 1 map on page 9. Text is partially in Arabic. Original paper covers.
[4], 74 pp.First edition. Rare travelogue of Yemen, enriched with striking photographs. In Arabic and German parallel text. Prepared by Ahmed ibn Muhammad al-Garadi, the secretary, Arabic teacher and companion of the German explorer Hermann Burchardt (1857-1909), the book describes Burchardt’s travels in the south of the Arabian Peninsula, where he was ambushed and killed by gunmen in December 1909. Containing “important ethnographical information on crafts and the Jewish population”, the account also boasts a wealth of photographs “of great documentary value” (Speake), including city views and landmarks of Sanaa, Taizz, and Mocha, such as tower houses in Sanaa’s old town, the Ashrafiya Mosque, the Grand Mosque in Mocha, and the ruined palace of Sultan Hasan, as well as pictures of local children, a group of Jews studying scripture in the synagogue, several men sitting around a water pipe, bedouins, farmers, and workers. The images impressively portray the destitution of the Yemenite population in the early 20th century.In addition, the work includes annotations to the text of the travelogue, a list of examples of the Sanaa idiom, and an index prepared by the German orientalist Eugen Mittwoch, who also translated the Arabic text. Published as a festschrift for the Vierter Deutscher Orientalistentag in Hamburg.Covers are somewhat browned, some stains on front cover and spine, fore-edge of front cover slighty damaged, spine damaged, otherwise in good condition.l Speake, Literature of Travel and Exploration III, 1305. OCLC 907363736.
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Book number: ABC_46416
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 AL-JAZULI, Muhammad ibn Sulaiman., Dala'il al-khayrat. [= "Waymarks of benefits"].[Eastern Turkestan, now Xinjiang, China, early 17th century CE]. 4to (19 x 14 cm). Manuscript written in black ink on paper in Arabic script, with a red single- or double-line frame around each page, rubricated throughout, and two illustrations on pages 47 and 48) showing the "Ka'ba of Allah" (!) and the burial sites of the first three Rashidun Caliphs. The Arabic script is in the sini calligraphic style used in China, an archaic form mixing features of naskh and muhaqqaq. Contemporary(?) black, red and gold painted and lacquered leather over paper and cloth. The painted sides show floral designs in black and gold on a red background, in a black border with red wave designs. With remnants of leather on the brown cloth spine.
AL-JAZULI, Muhammad ibn Sulaiman.
Dala'il al-khayrat. [= "Waymarks of benefits"].[Eastern Turkestan, now Xinjiang, China, early 17th century CE]. 4to (19 x 14 cm). Manuscript written in black ink on paper in Arabic script, with a red single- or double-line frame around each page, rubricated throughout, and two illustrations on pages 47 and 48) showing the "Ka'ba of Allah" (!) and the burial sites of the first three Rashidun Caliphs. The Arabic script is in the sini calligraphic style used in China, an archaic form mixing features of naskh and muhaqqaq. Contemporary(?) black, red and gold painted and lacquered leather over paper and cloth. The painted sides show floral designs in black and gold on a red background, in a black border with red wave designs. With remnants of leather on the brown cloth spine.
[1], 337 pp.An extremely rare early 17th-century Turkestani example of the famous Sunni prayerbook “Dala’il al-khayrat”: an Arabic manuscript written in what is today Xinjiang, China.The Dala’il al-khayrat (“Waymarks of benefits” or “Proofs of good deeds”), an extensive book of poems in praise of the Prophet Muhammad, was compiled by the Moroccan Sufi scholar Muhammad ibn Sulaiman al-Jazuli (807-870 AH / 1405-1465 CE) and was quickly received throughout the Islamic world, functioning as a kind of Muslim catechism. The present manuscript, written in so distant an Islamic community as that of Eastern Turkestan, a territory dominated throughout by Mongols or Chinese, where Muslims were commonly viewed as strangers, gives striking evidence of the range and scope of a tradition lasting for almost six centuries: the utopia of Islam as the religion of oneness, aiming to unite all the Muslim peoples in a single community reaching from Europe to the Far East.Occasional notes and/or corrections in the margins. With 4 leaves (pp. 12-19) that were not originally part of the manuscript, consisting of Arabic text (which is also rubricated) written on lilac-lined (printed) white paper with Chinese characters in the head margins of the pages. The numbering in Western Arabic numerals is most likely not contemporary, since the inserted pages are included in the consecutive page-numbering. With some annotations, some in Chinese characters on the front paste-down. The spine is worn, without affecting the integrity of the binding, the boards are somewhat worn but the painted designs remain clearly visible, edges somewhat frayed, the leaves are somewhat browned and stained, mainly finger staining in the bottom outer corners, showing the manuscript's popularity in extensive use. Otherwise the text is still very clearly legible and the whole is altogether well preserved.
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 Al JASIM, Mohammed Ali Redha., Muqadimat a'iqtisadiyat al-mamlakat al-'arabiat al-Sa'udia [= An introduction to the economics of Saudi Arabia].Cairo, The Arab League, 1972. Small 4to. Illustrated with 3 maps. Original printed buff wrappers.
Al JASIM, Mohammed Ali Redha.
Muqadimat a'iqtisadiyat al-mamlakat al-'arabiat al-Sa'udia [= An introduction to the economics of Saudi Arabia].Cairo, The Arab League, 1972. Small 4to. Illustrated with 3 maps. Original printed buff wrappers.
246 pp.First and only edition of a scarce and important analysis of the Saudi Arabian oil economy, featuring authoritative data and illustrated by three maps, published on the eve of the 1973 Oil Crisis and the Saudi government's takeover of ARAMCO. Mohammed Ali Redha Al-Jasim was a Saudi academic who authored several pioneering studies on Saudi economy during the 1960s and 1970s. Entirely in Arabic, the work employs the latest official data, combined with Dr. Al-Jasim's skilled analysis, to provide an authoritative insight into the nature of the world's most dynamic petroleum industry and its effects upon Saudi Arabia's national ambitions. Illustrated with numerous tables and three intriguing maps, the work is an invaluable source for anyone interested in the modern development of the global petroleum industry and the economic history of Saudi Arabia in particular.Slight wear to spine and edges of covers; internally clean and crisp. A very good copy.l WorldCat 4771175724 / 235989266.
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Book number: LA7F3BDO5X2C
€  1500.00 [Appr.: US$ 1605.87 | £UK 1285.5 | JP¥ 254077]
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 AL-SUYUTI, Abd al-Rahman ibn Abi Bakr., De proprietatibus, ac virtutibus medicis animalium, plantarum, ac gemmarum, tractatus triplex.Paris, Sébastien et Gabriel Cramoisy, 1647. 8vo. With 2 woodcut headpieces, a woodcut tailpiece and woodcut decorate initials, plus decorations built up from arabesque typographic ornaments. Set in roman and italic type with a few words in Greek, Hebrew, Arabic and Syriac. Contemporary vellum with manuscript spine label (faded).
AL-SUYUTI, Abd al-Rahman ibn Abi Bakr.
De proprietatibus, ac virtutibus medicis animalium, plantarum, ac gemmarum, tractatus triplex.Paris, Sébastien et Gabriel Cramoisy, 1647. 8vo. With 2 woodcut headpieces, a woodcut tailpiece and woodcut decorate initials, plus decorations built up from arabesque typographic ornaments. Set in roman and italic type with a few words in Greek, Hebrew, Arabic and Syriac. Contemporary vellum with manuscript spine label (faded).
[24], 179, [17] pp.First Latin translation of a three-part pharmacological treatise on the nature and effect of medicines gained from animals, vegetables, and minerals (including some quite superstitious material), published under the name of the mediaeval Egyptian polymath Abd al-Rahman Al-Suyuti, whose “versatility stands out as unique in the history of Arabic literature” (Brockelmann, GAL II, p. 144), but probably assembled from various Arabic sources. The first part, covering animals, is likely Al-Suyuti’s own "Diwan al-Hayawan", translated by Abraham Ecchellensis after a manuscript in Cardinal Mazarin’s library; the authors and manuscript sources of the following two parts remain unidentified. The notes at the end include a few words set in Greek, Hebrew, naskh Arabic and serto Syriac type. Sébastien Cramoisy had been appointed director of the Imprimerie Royale in 1640 and was assisted there by his younger brother Gabriel. Although the present book nowhere uses the words “Imprimerie Royale”, it calls Cramoisy “Regis & Reginae Regentis Architypographum” and notes its royal privilege. The Arabic and Syriac type are probably those of Savary de Brèves, which he brought to Paris in 1614. In 1641, Cramoisy had bought matrices for roman and italic types cut by Jean Jannon in Sédan, later mistakenly attributed to Claude Garamont, but he appears never to have used the romans and here not even the italics. The book it therefore set mostly in types by Claude Garamont and Robert Granjon.18th-century French note on lower flyleaf; handwritten duplicate note and stamp on the title-page. Some browning; insignificant paper flaws in pp. 103-106, merely affecting the pagination; small edge tear in p. 151; chip in the foot margin of the second to last leaf (in the index, not touching the text).l Krivatsy 11586. Choulant 389. Wellcome II, 2. Ebert I, 9151. Krüger, Bibliographia botanica 35. Catalogue of the Library of the Medical and Chirurgical Society of London 145.
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Book number: L7NAT5ZJHYWV
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 AL-ZAMAKHSHARI, Abu al Qasim Mahmoud ibn Omar (Joseph von HAMMER-PURGSTALL, ed.)., Samachschari's Goldene Halsbänder. Als Neujahrsgeschenk arabisch und deutsch.Vienna, widow of A. Strauss, 1835. 8vo. With two identical plates showing the golden necklace around a calligraphic Arabic inscription, the necklace hand-coloured in gold and the inscription in blue, as a frontispiece for both the Arabic and the German text (on the first and the last page). The Arabic title is incorporated into a printed circular medallion with decorative points at the head and foot on the first page, and the main Arabic text opens on the back of the same leaf with an elaborate headpiece. Text set in German and Arabic. Contemporary green calf (spine faded to brown), with a gold- and blind-stamped frame on each board.
AL-ZAMAKHSHARI, Abu al Qasim Mahmoud ibn Omar (Joseph von HAMMER-PURGSTALL, ed.).
Samachschari's Goldene Halsbänder. Als Neujahrsgeschenk arabisch und deutsch.Vienna, widow of A. Strauss, 1835. 8vo. With two identical plates showing the golden necklace around a calligraphic Arabic inscription, the necklace hand-coloured in gold and the inscription in blue, as a frontispiece for both the Arabic and the German text (on the first and the last page). The Arabic title is incorporated into a printed circular medallion with decorative points at the head and foot on the first page, and the main Arabic text opens on the back of the same leaf with an elaborate headpiece. Text set in German and Arabic. Contemporary green calf (spine faded to brown), with a gold- and blind-stamped frame on each board.
[1], [1 blank], 54 pp. (German text); 27, [1] ll. (Arabic text).First edition of a collection of proverbs written by Abu al Qasim Mahmoud ibn Omar al-Zamakhshari (1074-1143), a medieval Muslim theologian, linguist, poet and interpreter of the Quran from a region in Central Asia, present-day southwest Turkmenistan, in the original Arabic with a German translation. He was nicknamed “Jar Allah” (God's neighbour) and is best known for his work Al-Kashshaf, an interpretation and linguistic analysis of Quranic expressions. Al-Zamakhshari was a Mu'tazilite scholar of the Islamic Golden Age. The present first edition of his work was published as a New Year's gift for the friends and fellow orientalists of the editor-translator, Freiherr Joseph von Hammer-Purgstall. His translation of the text also appeared in two annotated editions, published in Leipzig in 1835 and in Stuttgart in 1836."[His] contributions to oriental studies were extraordinary, not only through their sheer volume, but also because he was often the first to deal with the subjects on which he wrote so extensively. Although most of his works are outdated now, he played a major role in the development of Western knowledge about the classical civilizations of the Middle East during the Islamic period." (Encyclopaedia Iranica XI, pp. 644-646).Binding shows minor signs of wear around the spine and corners of the boards, slightly foxed throughout. Otherwise in good condition.l Catalogue of Arabic printed books in the British Museum (vol 1, 1894), 14578.a.2; Goedeke vol. 7, p. 766, no. 90; Zenker vol. 1, 1347. About the author: J. T. P. de Bruijn, “Hammer-Purgstall, Joseph Freiherr von”, Encyclopaedia Iranica, XI/6, pp. 644-646 (http://www.iranicaonline.org/articles/hammer-purgstall).
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Book number: ABC_47142
€  2500.00 [Appr.: US$ 2676.45 | £UK 2142.25 | JP¥ 423461]
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 ALAMANNI, Luigi., Opere toscane. Venice, heirs of Lucantonio Giunta (colophons: printed by Peter Schoeffer the younger), 1542. 2 volumes bound as 1. 8vo. With 2 title-pages, each with the same woodcut Giunta device, and a full-page woodcut showing a larger version of the same device on the last printed page of vol. 2. Set in an Aldine-style italic. 18th-century gold-tooled mottled calf.
ALAMANNI, Luigi.
Opere toscane. Venice, heirs of Lucantonio Giunta (colophons: printed by Peter Schoeffer the younger), 1542. 2 volumes bound as 1. 8vo. With 2 title-pages, each with the same woodcut Giunta device, and a full-page woodcut showing a larger version of the same device on the last printed page of vol. 2. Set in an Aldine-style italic. 18th-century gold-tooled mottled calf.
[16], 431, [1 blank]; 295, [7] pp.Third edition of frequently satirical poetry and plays written in (mostly blank) Italian verse by the Florentine statesman, poet and playwright Luigi Alamanni (1495-1556). He and his contemporary Giangiorgio Trissino pioneered the use of blank verse in Italian poetry. The French King François I (1494-1547), who promoted Renaissance Italian ideas and fashions in France, had been allied with the Medici in Florence, but when Giulio de' Medici (from 1523 Pope Clement VII) and François I fell out in 1521, Luigi Alamanni, whose family had long supported the Medici, took François's side and plotted against Giulio. As a result Luigi had to flee to France, living part of the time in Lyon and frequenting François's court in Paris. He returned to Florence when the Medici fell in 1527 but fled again when they regained power in 1530. As a result, he wrote most of his works in France.The book was printed for the Giunti heirs by Peter Schoeffer the younger (ca. 1475/80-1547), the son of Gutenberg's assistant, who began printing in Mainz, but printed in Venice in 1541 and 1542. With an early owner's inscription at the foot of the title-page. The first page and last page are very slightly browned and one page has torn at the foot along the gutter fold, but the book is still in very good condition, most leaves fine. With the front board detached, the back hinge worn, a vertical crack down the spine, and the right half of the spine label lost.l BMC STC Italian, p. 12; Camerini, Annali dei Giunti 465; EDIT 16, CNCE 600; Gamba, Serie testi lingua Italiana (1839), 15; USTC 808166; cf. Adams A406-A407 (1532-1533 Lyons ed.).
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Book number: L25AT529DCM4
€  1750.00 [Appr.: US$ 1873.52 | £UK 1499.75 | JP¥ 296423]
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 ALAMGIR II, Muhammad 'Aziz al-Daulah (Emperor of Hindustan)., Nova e curiosa relaçam da embaixada, que mandou o Graõ Mogor, ao Rey de Inglaterra. Tirada de varias cartas fidedignas, que fizeraõ varios aleado aos correspondentes, que tem nesta cidade.Lisbon, 1757. 4to. With a woodcut vignette on title-page and a woodcut tailpiece. Modern morocco with gold-tooled title on front cover.
ALAMGIR II, Muhammad 'Aziz al-Daulah (Emperor of Hindustan).
Nova e curiosa relaçam da embaixada, que mandou o Graõ Mogor, ao Rey de Inglaterra. Tirada de varias cartas fidedignas, que fizeraõ varios aleado aos correspondentes, que tem nesta cidade.Lisbon, 1757. 4to. With a woodcut vignette on title-page and a woodcut tailpiece. Modern morocco with gold-tooled title on front cover.
7, [1 blank] pp.Rare important diplomatic exchange between India and England in the midst of the Seven Years' War. The present Portuguese publication transcribes diplomatic letters sent by the Great Mughal Emperor of India to King George II of England in 1757. In that year the British had seized control of Bengal, concluding the Bengal War. This diplomatic exchange was important for the Portuguese because they were allied with the British and had a significant presence in India.Some corners repaired, minor water stains in the margins. Otherwise in good condition.l Cat. Coimbra Uni. 1968, item 1717; WorldCat (5 copies).
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Book number: ABC_45909
€  2500.00 [Appr.: US$ 2676.45 | £UK 2142.25 | JP¥ 423461]
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 ALBERDINGK THIJM, Catharina & Josephus Albertus ALBERDINGK THIJM., Notice de mes souvenirs d'un voyage à Paris, écrite pour mes chers enfans.Amsterdam, 1838. Small 8vo. Manuscript in French, written in ink in a regular and readable hand on 7 quires of writing-paper, some with a slight green cast.With: ALBERDINGK THIJM, Josephus Albertus. Decemberliedtjen op tantes feest, in 1878. Manuscript poem, signed J.A.Th. 4to. Folded.Loose quires in a contemporary red morocco portfolio with gold-tooled title and ornamental frames on covers, richly gold-tooled turn-ins and silk paste-downs. With 3 pairs of green silk ties.
ALBERDINGK THIJM, Catharina & Josephus Albertus ALBERDINGK THIJM.
Notice de mes souvenirs d'un voyage à Paris, écrite pour mes chers enfans.Amsterdam, 1838. Small 8vo. Manuscript in French, written in ink in a regular and readable hand on 7 quires of writing-paper, some with a slight green cast.With: ALBERDINGK THIJM, Josephus Albertus. Decemberliedtjen op tantes feest, in 1878. Manuscript poem, signed J.A.Th. 4to. Folded.Loose quires in a contemporary red morocco portfolio with gold-tooled title and ornamental frames on covers, richly gold-tooled turn-ins and silk paste-downs. With 3 pairs of green silk ties.
135, [4 blank]; 4 pp.Album with manuscripts in French and Dutch from the notable Amsterdam literary family Alberdingk Thijm. More than half gives a full account, in French, of a tourist trip to Paris in 1838 by Mrs. Catharina Alberdingk Thijm (1793-1864) and her friends. Without their children they enjoyed the amusement and culture of fashionable Paris. It starts with their departure from Amsterdam, on Monday, 25 June 1838, with a Van Gendt & Loos diligence (stage coach). They changed coaches in Rotterdam at five o'clock in the morning, and at Zwijndrecht boarded a steamer for Paris, still quite a novelty, as the author notes. She makes many interesting comments, for instance quoting epitaphs of tombstones, and at one point noting that the beautiful promenades of the Boulevard d'Italiens and the Rue Richelieu offer no shade, because the trees had been cut down to serve as barricades in the Revolution of July 1830. The account ends with the author returning home after a stay of about six weeks in Paris, and with notes about her intention to present her children with her journal, hoping they will kindly overlook any faults in construction or otherwise.Extra inserted is a manuscript poem in Dutch by Josephus Albertus Alberdingk Thijm (1820-1889), Catharina’s son, written at the occasion of a party given in honour of an old aunt, dated December 1878, and signed with the initials J.A.Th.The Alberdingk Thijm family produced some of the foremost Dutch writers of the 19th-century. The author of the present poem, Josephus Albertus was a Romantic poet and must have been one of the children for whom Catharina wrote her travel account. He was the father of the writers Catharina and Karel (pseudonym Lodewijk van Deyssel).In very good condition.
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Book number: 4966
€  1750.00 [Appr.: US$ 1873.52 | £UK 1499.75 | JP¥ 296423]
Keywords: [403A2955597B] AUTOGRAPHS, DOCUMENTS & MANUSCRIPTS|[403A2955597B] AUTOGRAPHS, DOCUMENTS & MANUSCRIPTS -> [C351C9CFA94C] Manuscripts & Documents|[80CBADC1D9E8] CARTOGRAPHY & EXPLORATION|[80CBADC1D9E8] CARTOGRAPHY & EXPLORATION -> [F94AEB0D1632] Voyages & T

 [ALBERT I of Monaco]. DAUTZENBERG, Philippe & Henri FISCHER., Mollusques provenant des campagnes de l'Hirondelle et de la Princesse-Alice dans les Mers du Nord.Monaco, Imprimerie de Monaco, 1912. Large 4to (34 x 26.5 cm). With 2 maps and 11 coloured plates. Modern cloth.
[ALBERT I of Monaco]. DAUTZENBERG, Philippe & Henri FISCHER.
Mollusques provenant des campagnes de l'Hirondelle et de la Princesse-Alice dans les Mers du Nord.Monaco, Imprimerie de Monaco, 1912. Large 4to (34 x 26.5 cm). With 2 maps and 11 coloured plates. Modern cloth.
[3], [1 blank], 629, [1 blank], [1] pp.First and only edition of fascicule XXXVII, devoted to molluscs, of the scientific results of most of the 28 oceanographic cruises completed by Prince Albert I of Monaco (1848-1922) between 1885 and 1915. Fascicule XXXVII describes the molluscs found during the cruises of 1887, 1898, 1899, 1904, 1906 and 1907, during which the ships Hirondelle I, Princesse Alice I and Princesse Alice II travelled to Newfoundland, Iceland, the North Sea and the coasts of Norway and Svalbard. The findings were described in exquisite detail by the malacologists Philippe Dautzenberg (1849-1935) and Henri Fischer (1865-1916). As befits a publication by a scientist who never lacked funding, the Mollusques monograph is beautifully printed on high quality paper and illustrated with beautiful colour-printed illustrations.With a few minor spots and the text pages next to the plates discoloured due to the ink and paper used for the plates; a very good copy.l For Albert of Monaco: Adler, Neptune’s laboratory, pp. 60-73; DSB I, pp. 92-93; not in: Arctic bibliography.
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Book number: K88GCE34FR2M
€  600.00 [Appr.: US$ 642.35 | £UK 514.25 | JP¥ 101631]
Keywords: [5091845FC46C] NATURAL HISTORY|[5091845FC46C] NATURAL HISTORY -> [55B2EF53B570] Shells & other Invertebrates|

 ALBERTI, Lodewyk and Ludwig Gottlieb PORTMAN., [Drop-title:] Zuid-Afrikaansche gezichten.Amsterdam, Evert Maaskamp, [1810]. Oblong 1mo (45 x 60 cm). Letterpress text leaf and 4 large aquatint plates coloured by a contemporary hand, engraved by Ludwig Gottlieb Portman after drawings by Jacob Smies and Christopher Howen. Contemporary stiff, marbled paper wrappers, kept in a modern green half morocco clamshell box.With: (2) ALBERTI, Lodewyk. De Kaffers aan de zuidkust van Afrika, natuur en geschiedkundig beschreven.Amsterdam, Evert Maaskamp, 1810. 8vo. With engraved title-page, aquatint folding plan, with coastal view, of Algoa Bay, and 2 stipple-engraved plates, all but the title-page coloured by a contemporary hand. Contemporary gold-tooled calf; rebacked, with new endpapers.(3) ALBERTI, Lodewyk. Description physique et historique des Cafres, sur la côte méridionale de l'Afrique ...Amsterdam, Evert Maaskamp, 1811. 8vo. With the same plan and 2 plates as ad. 2, also coloured by a contemporary hand. Contemporary gold-tooled calf, richly gold-tooled spine.
ALBERTI, Lodewyk and Ludwig Gottlieb PORTMAN.
[Drop-title:] Zuid-Afrikaansche gezichten.Amsterdam, Evert Maaskamp, [1810]. Oblong 1mo (45 x 60 cm). Letterpress text leaf and 4 large aquatint plates coloured by a contemporary hand, engraved by Ludwig Gottlieb Portman after drawings by Jacob Smies and Christopher Howen. Contemporary stiff, marbled paper wrappers, kept in a modern green half morocco clamshell box.With: (2) ALBERTI, Lodewyk. De Kaffers aan de zuidkust van Afrika, natuur en geschiedkundig beschreven.Amsterdam, Evert Maaskamp, 1810. 8vo. With engraved title-page, aquatint folding plan, with coastal view, of Algoa Bay, and 2 stipple-engraved plates, all but the title-page coloured by a contemporary hand. Contemporary gold-tooled calf; rebacked, with new endpapers.(3) ALBERTI, Lodewyk. Description physique et historique des Cafres, sur la côte méridionale de l'Afrique ...Amsterdam, Evert Maaskamp, 1811. 8vo. With the same plan and 2 plates as ad. 2, also coloured by a contemporary hand. Contemporary gold-tooled calf, richly gold-tooled spine.
[1] l. text + 4 plates; [8], VIII, [4], 260, [1], [1 blank] pp.; XII, [4], 255, [1 blank] pp.Very rare album with four beautiful hand-coloured aquatint views to Alberti's ethnographic monograph on the Xhosa people ("Kaffers"), of South Africa, together with both the first edition, in Dutch, as the first edition of the French translation of this monograph. Even though the plates are mentioned in the preface of the text volume, they are rarely found together. All the plates are brightly coloured and remarkably fresh and lively, evoking the beauty of the African landscape and the culture of the Xhosa. Lodewyk Alberti (1768-1812) came to the Netherlands in 1784 as lieutenant in the Dutch army, and left for the Cape in 1802. He successfully kept the peace between Xhosas, Khoisan and European colonists, but conflicts flared up soon after he left in 1806. He describes the situation and climate of Caffria, as well as the appearance and physical strength of the Xhosa, but mainly focuses on their culture.Ad 1: small tear in the text leaf of atlas, but restored, plates fine except for a tiny blemish on the first plate; ad 2: slightly browned, and recased, as noted; ad 3; some sentences marked in pencil the margins and an occasional annotation, plates slightly browned and binding rubbed along the extremities. Very good set.l Bobins collection 68; Gay 3153 (text only); Mendelssohn I, p. 17-18; Landwehr, Coloured plates 217-218.
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 ALBERTI, Giuseppe Antonio., I giuochi numerici fatti arcani palesati.Bologna, Bartolomea Borghi, 1747. 16mo. With 16 full-page engraved plates and many woodcut illustrations and diagrams in text. 19th-century half cloth, marbled sides.
ALBERTI, Giuseppe Antonio.
I giuochi numerici fatti arcani palesati.Bologna, Bartolomea Borghi, 1747. 16mo. With 16 full-page engraved plates and many woodcut illustrations and diagrams in text. 19th-century half cloth, marbled sides.
[7], 314, [2 blank] pp.Antonio Giuseppe Alberti (1712-1768) was a hydraulic architect and a road engineer in the city of Bagnacavallo. He is best known for this handbook on mathematics and conjuring, containing puzzles, tricks with cards and dice and problems relating to the theory of numbers and sleight of hand, here in the rare first edition. Alberti was the first in Italy to publish on this subject. He was inspired by the Spanish work of Pablo Minguet é Yrol, Engaños á ojos vistas y diversion de trabajos mundanos, fundada en lícitos juegos de manos, que contiene todas las diferencias de los cubiletes, y otras habilidades muy curiosas, demostradas con diferentes láminas, para que los pueda hacer facilmente cualquier entretenido (1733). This was Spain's most popular conjuring book. Both were printed many times into the 19th century.Slightly browned; spine repaired. In good condition.l Caillet I, 145 "rare"; Honeyman 47; Poggendorff I, col. 23; Riccardi I, p. 15.
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Book number: 22433
€  3500.00 [Appr.: US$ 3747.03 | £UK 2999.25 | JP¥ 592845]
Keywords: [439A0DC5CB7B] HORSES, HUNTING, SPORT & GAMES|[439A0DC5CB7B] HORSES, HUNTING, SPORT & GAMES -> [A49A4D0F2EFC] Games, Magic & Sports|[E51AD6E3D609] SCIENCE & TECHNOLOGY|[E51AD6E3D609] SCIENCE & TECHNOLOGY -> [A03733D4D802] Astronomy & Mathematics|

 ALBERTUS MAGNUS (pseudo)., Liber secretorum ... De virtutibus herbarum: & animalium quorundam. Eiusdemq[ue] liber De mirabilibus mundi: & etiam de quibusdam effectibus causatis a quibusdam animalibus &c.(Colophon: Venice, Johan Baptist Sessa, 12 February 1502). Small 4to (21 x 15.5 cm). With a large woodcut portrait of the author at his desk. Gold-tooled maroon morocco (ca. 1870/90?) for James Carnegie, 9th Earl of Southesk (1827-1905), gilt edges.
ALBERTUS MAGNUS (pseudo).
Liber secretorum ... De virtutibus herbarum: & animalium quorundam. Eiusdemq[ue] liber De mirabilibus mundi: & etiam de quibusdam effectibus causatis a quibusdam animalibus &c.(Colophon: Venice, Johan Baptist Sessa, 12 February 1502). Small 4to (21 x 15.5 cm). With a large woodcut portrait of the author at his desk. Gold-tooled maroon morocco (ca. 1870/90?) for James Carnegie, 9th Earl of Southesk (1827-1905), gilt edges.
16 ll.Rare early edition (one of perhaps four or five early editions with the main text set in a roman type) of two works written ca. 1300 by an unidentified follower of Albertus Magnus concerning the extraordinary properties (magical, astrological, medicinal, etc.) of 16 plants, 45 minerals or gems and 18 animals (including many birds), and concerning the "wonders of the world". The first includes means to become invisible, feel no pain, arouse love, interpret dreams and make prophesies. The second includes mental manipulation of matter, cures for diseases, magic made with fire or light, means of breaking charms, and seeing the future in dreams. The woodcut is remarkable for its depiction of both numerous books with bosses, clasps, etc., and numerous accoutrements, such as a wedge-shaped book stand, a copy stand in the form of a four-sided pyramid on a pedestal, pens, ink wells and penknives. Senna used it again in 1504 on the title-page of John Pecham's Perspectiva communis. Though this edition, like many others, attributes the works to Albertus Magnus (ca. 1194?-1280) on the title-page and at the end of the texts, the attribution is believed to be spurious. An attribution to his follower Henry of Saxony (d. ca. 1378) has also been challenged.With a faded inscription in red ink below the colophon, in a 16th-century italic hand. With the engraved armorial bookplate of James, Earl of Southesk, on the front pastedown. With a short worm trail at the head of the last 2 leaves, and a small marginal chip (repaired) and tear, neither approaching the text, but otherwise in very good condition. The binding shows some small minor blemishes and its spine is slightly faded, but it is otherwise fine. A rare early edition of a popular book of botanical, mineral and zoological wonders.l Earl of Southesk sale, Sotheby, 18 October 1954, 255 (this copy); EDIT16 CNCE 29555 (2 copies); Honeyman 51 (this copy); KVK & WorldCat (5 copies).
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 [ALBUM AMICORUM - AUSTRALIA - INDIA]. DICKEN, Charles Shortt and DICKEN FAMILY., [Album containing illustrations and photographs of Australia and India]. [Illustrated title-page:] Contributions thankfully received.Australia [and England and India?], 1870s. Oblong album (ca. 23 x 30 cm). With 36 albumen prints, including 14 photographs of Australia. These include houses, churches, buildings in Springsure, Queensland around 1870, photos of Charles with his horse, a wonderful picture of an "Alligator killed in the Mackay River" and "bottle trees near Taroon", 5 photographs of India: Bengal Camp Delhi, multiple group photos in Darjeeling, a group photo in front of the government house in Calcutta, and the crew of the H.M.S. Narcissus, 17 photographs of Gibraltar, America, Switserland, art pieces and the Dicken family. Further with 24 watercolour paintings of flowers, landscapes and people, including two of the Taj Mahal, and 17 coloured pencil and ink drawings of people. The drawings and paintings are almost all signed S. P. D. or F. E. D., who were likely members of the Dicken family. Most photographs and art pieces are captioned in pencil or brown ink, several leaves are decorated with additional drawings or dried plants. Contemporary maroon cloth, embroidered with yellow flowers. Comes in a custom-made black-cloth clamshell box (internally covered in burgundy cloth), with a black morocco title-label on the spine, lettered in gold, and a folding liner of the same burgundy cloth.
[ALBUM AMICORUM - AUSTRALIA - INDIA]. DICKEN, Charles Shortt and DICKEN FAMILY.
[Album containing illustrations and photographs of Australia and India]. [Illustrated title-page:] Contributions thankfully received.Australia [and England and India?], 1870s. Oblong album (ca. 23 x 30 cm). With 36 albumen prints, including 14 photographs of Australia. These include houses, churches, buildings in Springsure, Queensland around 1870, photos of Charles with his horse, a wonderful picture of an "Alligator killed in the Mackay River" and "bottle trees near Taroon", 5 photographs of India: Bengal Camp Delhi, multiple group photos in Darjeeling, a group photo in front of the government house in Calcutta, and the crew of the H.M.S. Narcissus, 17 photographs of Gibraltar, America, Switserland, art pieces and the Dicken family. Further with 24 watercolour paintings of flowers, landscapes and people, including two of the Taj Mahal, and 17 coloured pencil and ink drawings of people. The drawings and paintings are almost all signed S. P. D. or F. E. D., who were likely members of the Dicken family. Most photographs and art pieces are captioned in pencil or brown ink, several leaves are decorated with additional drawings or dried plants. Contemporary maroon cloth, embroidered with yellow flowers. Comes in a custom-made black-cloth clamshell box (internally covered in burgundy cloth), with a black morocco title-label on the spine, lettered in gold, and a folding liner of the same burgundy cloth.
[50] ll.Album amicorum of a settler in Australia and his family, with rare photographs of Queensland (Australia) and India in the 1870s.The photographs in the album are extraordinary, especially those of the small town of Springsure. In 1841, the first photograph was taken in Australia, of Bridge Street in Sydney. While explorers and early colonists quickly became a subject of interest for Australian photographers, photographs of early settlements are quite rare. The photographs of the government house in Calcutta and the crew of the H.M.S. Narcissus in the album are also of historical interest. Together with the numerous drawings, paintings and poems, the album offers a fascinating insight into life in Queensland in the late 19th century.Charles Shortt Dicken (1841-1902) was born in India. He was a lieutenant for the Royal Irish Fusiliers, before he settled in Queensland in 1864. He entered the mounted police in 1866 and worked as a police magistrate until he was appointed secretary in the office of the Agent-General for Queensland in London in 1880. When he retired from this position in 1891, he received the title C.M.G, Companion in the Order of Saint Michael and Saint George. This is awarded to those who render extraordinary or important non-military service to the United Kingdom in a foreign or Commonwealth country. In the final years of his life, he contributed to The British Empire series, a series of four volumes which aimed to offer trusthworthy information about the colonies and settlement of the British Empire. Dicken was a co-author of volume IV - Australasia, published in 1900.The cloth is worn at the head of the spine and shows a few small holes on the boards, revealing the leather album beneath. The illustration of the "execution of Mary, Queen of Scots" is missing on leaf [12]. Some of the dried plants are falling off. The edges and corners of the leaves show some signs of wear, the leaves slightly browned. Overall in good condition, the photographs, artworks and other decorations are very well preserved.l Mennel, P., Dictionary of Australasian biography, p. 132; The Daily Telegraph, november 15, 1902, p. 4.
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€  12500.00 [Appr.: US$ 13382.26 | £UK 10710.75 | JP¥ 2117305]
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 [ALBUM AMICORUM & SCRAPBOOK - THE NETHERLANDS]., [Album amicorum of a Miss van Boetzelaer (?)].Heerenveen, 1831-1849. Oblong 4to. Manuscript with many contributions in French and English, a single contribution in Dutch and a four-line verse in German, mainly written in the same hand, probably of the owner of this album. With 45 mounted or occasionally loosely inserted drawings, paintings and prints in various formats, some coloured by contemporary hands. Contemporary gold- and blind-tooled brown morocco, each board richly decorated with frames and an oblong lozenge-shaped centrepiece, gilt edges.
[ALBUM AMICORUM & SCRAPBOOK - THE NETHERLANDS].
[Album amicorum of a Miss van Boetzelaer (?)].Heerenveen, 1831-1849. Oblong 4to. Manuscript with many contributions in French and English, a single contribution in Dutch and a four-line verse in German, mainly written in the same hand, probably of the owner of this album. With 45 mounted or occasionally loosely inserted drawings, paintings and prints in various formats, some coloured by contemporary hands. Contemporary gold- and blind-tooled brown morocco, each board richly decorated with frames and an oblong lozenge-shaped centrepiece, gilt edges.
[96] ll.A beautiful example of a richly decorated and illustrated album amicorum, a book of poetry and a scrapbook in one. Alba amicorum were a popular and pleasant pastime at this time, as the first sentence of the album immediately makes clear: "Albums are all the rage, and scrap-books too". Although the album contains many poems by various poets, possibly mostly copied by the owner of the album herself, a girl from a noble family, probably Miss van Boetzelaer (?), the album also contains many contributions by others, particularly women. Examples are F. Testa, Adèle B., J. van Winter, H.v.W., A. van der Goes, H.G. v.d. G., J.C. van Beresteyn, H.J.B., C.B., A. de Schwartzenberg et Hohenlansberg, H. Repelaer van Driel, A.G. v. B. en A. de la B. The contributors probably made the drawings and watercolours to accompany their written entries and the owner mounted them in the album herself. Some of the most remarkable among the richly illustrated contributions are a loosely inserted mountain landscape in watercolour by Johannes van Ravenswaay (1815-1849), a bouquet with flowers in gouache by Wilhelma van Boetzelaer (an English teacher at the royal military academy at Breda) and another bouquet by A.J. Taets d'Amerongen née de Boetzelaer. Another beautiful drawing of three hummingbirds is executed in gouache and decorated with gold by Suzette van B., who wrote several contributions for this album. Also beautiful are a still life with fruits drawn by Mimi Stratenus, two gouaches of butterflies on pith paper by C. Bicker Borski and Christine van Berestyn, and gouache paintings of a rose by Elisa Hanbury and a butterfly by Dorothée Palland Sandberg. Also mounted in this album are engraved portraits of William Shakespeare (1564-1616) and Pierre Corneille (1606-1684), probably reflecting the poetic tastes of the album’s owner. This album is not only a beautiful example of the alba amicorum culture among noble women, which flourished for centuries, but also a book for a woman made primarily by women, reflecting an important part of the culture of noble women in the first half of the 19th century.Some occasional spotting and browning, and the large number of insertions has overfilled the binding, so that it bulges slightly , but otherwise in good condition. A very interesting album amicorum with many contributions, drawings and prints by women, in a beautiful contemporary binding.
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Book number: 6723
€  3850.00 [Appr.: US$ 4121.74 | £UK 3299 | JP¥ 652130]
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 ALCIATO, Andrea., Los emblemas … traducidos en rhimas Españolas. ...Lyon, Guillaume Rouille [printed by Macé Bonhomme], 1549. 8vo (18.5 x 12.5 cm). With an elaborate woodcut architectural frame; 210 emblems (200 with woodcuts); nearly every page in one of about 34 different richly decorated woodcut frames. Early 18th-century (Spanish?) sheepskin parchment.
ALCIATO, Andrea.
Los emblemas … traducidos en rhimas Españolas. ...Lyon, Guillaume Rouille [printed by Macé Bonhomme], 1549. 8vo (18.5 x 12.5 cm). With an elaborate woodcut architectural frame; 210 emblems (200 with woodcuts); nearly every page in one of about 34 different richly decorated woodcut frames. Early 18th-century (Spanish?) sheepskin parchment.
256, [6] pp.Rouille issue of the first Spanish edition of the first emblem book, by the legal scholar Andrea Alciato (1492-1550) in Milan, first published in Latin at Augsburg in 1531 with only 104 emblems (97 with woodcuts), but greatly expanded up to the author's death. The present edition has more emblems and more woodcuts than any earlier edition, also more than the French and Italian editions by the same publishers in the same year and more than the competing editions by De Tournes. It brings the work nearly to its definitive form. Alciato not only produced a work that was to continue through hundreds of editions over the centuries, he invented a whole new genre, the emblem book, which combines allegorical images with a brief motto that aims to give the core of the idea and explanatory text (here in verse), the combination of text and image intended to give more meaning to both and to encourage contemplation by the reader.In most respects, the present Spanish edition follows the 1548 Latin edition but Bernardino Daza who translated it into Spanish claimed to have followed a printed copy with corrections in Alciato's hand, making the present Spanish text an essential source for the author's intentions, rather than just a translation.With several early owners' inscriptions, some struck through; a ca. 1815 bookseller's engraved on salmon-coloured paper; and an engraved armorial bookplate. Lacking the final blank leaf R4. As in many copies, the descender of the 9 in the imprint date "1549" has not printed, so that the date looks like "1540". Occasional and mostly marginal stains and a few marginal reinforcements. In spite of these defects, most leaves are in good or very good condition.l Adams, Rawles & Saunders F029; Baudrier 9, p. 167; Fairfax Murray (French) 9; Green, Andrea Alciati 36; Iberian books 63018; Landwehr, Romanic emblem books, 40; USTC 342602; cf. Adams A614 (Bonhomme issue); Jammes, Emblèmes 5 (Bonhomme issue); Mortimer (French) 15 (1549 French ed.); Palau 6061 (Bonhomme issue); Praz, p. 250 (1548 & 1550 Latin eds.).
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Book number: M1SG2M288WEP
€  18000.00 [Appr.: US$ 19270.46 | £UK 15423.5 | JP¥ 3048919]
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