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Lacas Mexicanas, Colección Uso Y Estilo: Museo Franz Mayer
Museo Franz Mayer y Artes de México, México. 1997. (ISBN: 9686533567). Hardcover, with dust jacket. Book, Spanish text with all texts translated to English at the end.; Hardcover (with dust jacket); 23 x 23 cm; 0.53 Kg.; 81 pages with colour illustrations; Used with signs of wear on the interior and exterior.;Includes texts with the following subjects: Origins and forms of Lacquerware; Pre-Hispanic lacquerwork: A long-standing debate; Oriental and European Influences and Mexican Lacquerware.; The majority of the pieces show in this book are from the collection of the Franz Meyer Museum, there are however some pieces from other collections, which are properly identified. Good/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessional sellerBook number: 703B
€ 30.00 [Appr.: US$ 32.15 | £UK 25.75 | JP¥ 5003]
Catalogue: Collections and Exhibitions
Keywords: 9686533567 mexican lacquerware,oriental,europe
Global by Design: Chinese Ceramics from the R. Albuquerque Collection (Hardcover)
Jorge Welsh Research & Publishing, London and Lisbon. 2016, 1st Edition. (ISBN: 9780993506802). Hardcover, with dust jacket. Book, English text; Hardcover; 240 pages with 220 colour illustrations; 24.1 x 30.6 cm; 1.8 kg; Catalogue for the exhibition held at the Metropolitan Museum of Art, "Global by Design: Chinese Ceramics from the R. Albuquerque Collection", focusing on Chinese ceramics of the late 16th to the 18th century, a period during which they became a global luxury, transforming both the European ceramic industry and also the styles of dining and drinking. The exhibition comprises 48 entries with 60 exquisite and unusual pieces from an important Brazilian private collection, never exhibited before, exploring the way in which 18th-century artists, when faced with the global idioms that had developed at the time, made artistic choices that allowed them to create an endless range of spectacular and visually imaginative works. This presentation will challenge the tradition of cataloguing Chinese ceramics as domestic or trade items. Besides exploring the trade in Chinese ceramics within Asia, the exhibition focus on the development of shapes and designs that reflect the history of exchange between China and the Islamic world as well as the period - the late 16th century - when works reflecting both the Chinese and Islamic traditions were introduced and incorporated into Europe and the Americas. Introduction by Denise Patry Leidy, Brooke Russell Astor Curator of Chinese Art, of the Metropolitan Museum of Arts, and entries by Maria Antónia Pinto de Matos, director of the Tile Museum in Lisbon and expert in Chinese export ceramics. The same author, Maria Antónia Pinto de Matos, has written The RA Collection: A Collector's Vision published by Jorge Welsh Books in 2011. The reference book on Chinese export porcelain, a three-volume boxed set of hardcover books containing more than 900 illustrations, is a work of art in itself. The 1200 pages include chapters on earthenware, stoneware, porcelain of the Song, Yuan, Ming and Qing dynasties, works with Western shapes and decoration and armorial Chinese export porcelain in the RA Collection. New/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessional sellerBook number: BOOK6HC
€ 100.00 [Appr.: US$ 107.17 | £UK 85.5 | JP¥ 16677]
Catalogue: Our Publications
Keywords: 9780993506802 chinese ceramics,china,metropolitan musum of art exhibition,ra collection of chinese ceramics Chinese Ceramics Collections and exhibitions
Global by Design: Chinese Ceramics from the R. Albuquerque Collection (Paperback)
Jorge Welsh Research & Publishing, London and Lisbon. 2016, 1st Edition. (ISBN: 9780993506819). Soft cover. Book, English text; Paperback; 240 pages with 220 colour illustrations; 23.8 x 29.9 cm; 1.5 kg; Catalogue for the exhibition held at the Metropolitan Museum of Art, "Global by Design: Chinese Ceramics from the R. Albuquerque Collection", focusing on Chinese ceramics of the late 16th to the 18th century, a period during which they became a global luxury, transforming both the European ceramic industry and also the styles of dining and drinking. The exhibition comprises 48 entries with 60 exquisite and unusual pieces from an important Brazilian private collection, never exhibited before, exploring the way in which 18th-century artists, when faced with the global idioms that had developed at the time, made artistic choices that allowed them to create an endless range of spectacular and visually imaginative works. This presentation will challenge the tradition of cataloguing Chinese ceramics as domestic or trade items. Besides exploring the trade in Chinese ceramics within Asia, the exhibition focus on the development of shapes and designs that reflect the history of exchange between China and the Islamic world as well as the period - the late 16th century - when works reflecting both the Chinese and Islamic traditions were introduced and incorporated into Europe and the Americas. Introduction by Denise Patry Leidy, Brooke Russell Astor Curator of Chinese Art, of the Metropolitan Museum of Arts, and entries by Maria Antónia Pinto de Matos, director of the Tile Museum in Lisbon and expert in Chinese export ceramics. The same author, Maria Antónia Pinto de Matos, has written The RA Collection: A Collector's Vision published by Jorge Welsh Books in 2011. The reference book on Chinese export porcelain, a three-volume boxed set of hardcover books containing more than 900 illustrations, is a work of art in itself. The 1200 pages include chapters on earthenware, stoneware, porcelain of the Song, Yuan, Ming and Qing dynasties, works with Western shapes and decoration and armorial Chinese export porcelain in the RA Collection. New/No Jacket.
Jorge Welsh Works of Art LdaProfessional sellerBook number: BOOK6PB
€ 50.00 [Appr.: US$ 53.59 | £UK 42.75 | JP¥ 8339]
Catalogue: Our Publications
Keywords: 9780993506819 chinese ceramics,china,metropolitan musum of art exhibition,ra collection of chinese ceramics Chinese Ceramics Collections and exhibitions
Chinese Art
Faber and Faber Limited, London. 1935, 1st Edition. Hardcover. Book, English text.; Hardcover (without dust jacket); 17 x 25 cm; 1.1 Kg; 397 with black-and-white illustrations thoughout.; Used book with signs of wear on the exterior and interior. Ex-libris stamped on the rear of the front cover. Good readable copy.; "We do not aim in this book at doing more than supply a very short introduction to the history of Chinese Art and a series of illustrations of each period of that history. Such is the long and complicated development of the various branches of the Arts which have thrived in China, that it would not be possible in a hundred and forty plates to give anything but the briefest glimpse of a civilization which has so many sides, and our selection of those plates must therefore be arbitrary and leave many gaps. In the same way our introductory essay only skims the surface of the subject, though the notes to the plates contain more detailed supplementary information. But the arrangement of so many Western museum having been based on a principle of division by material, and the system of all books on Chinese Art written in English having hitherto followed that principle, we have thought it worth while to put together a sequence of illustrations by periods; for there can be no question but that the appreciation of the culture of a particular epoch depends, to a large extent, on the inter-relation of the various branches of Art, and their dependence on the intellectual and material standards of that epoch. It is easier, therefore, to get some insight into the importance of the particular period, with which one is concerned, by a small group of plates showing picked pieces of the highest quality in every branch of the Arts, than by having to pursue the thread of one's investigation through a series of chapters dealing with various materials. Our selection has been governed to a certain extent by the fact that there are no coloured plates in this book. The examples of Sung ceramics, for instance, have been chosen primarily with a view to their form, and it is for this reason that the tz'u chou wares are more strongly represented than their more aristocratic cousins the chun, ko or kuan yao, while the most famous of all, ju yao, does not appear at all. For the same reason we have reproduced very few jades and no example of eighteenth-century self colour porcelain. The selection of paintings and the accompanying notes are by Mr. Basil Gray; of the remainder and their notes by Mr Leigh Ashton; in the introductory matter the same division holds good." excerpt from the preface. Fair/No Jacket.
Jorge Welsh Works of Art LdaProfessional sellerBook number: 630B
€ 25.00 [Appr.: US$ 26.79 | £UK 21.5 | JP¥ 4169]
Catalogue: Asian Art
Keywords: china,chinese art,porcelain,paintings,ceramics,jades Chinese Ceramics Chinese Art
As Companhias Das Indias E a Porcelana Chinesa de Encomenda
Fundacao Cultural do Estado da Bahia, Brazil. 1986, 1st Edition. Hardcover, with dust jacket. Book, Portuguese (Brazillian) text; Hardcover (with dust jacket); 256 pages with colour and black and white illustrations; 22 x 30 cm; 1.6 Kg; Used book with signs of wear, namely a small tear at the top of the front cover and scuffs on the dust jacket. The dust jacket is now protected with e clearcover. Written dedication from a previous owner on front free endpaper. Special print of 2,000 copies for Ceramica Aruan, Sao Paulo, Brazil.; First book in portuguese dealing with the East India Companies and Chinese Porcelain made for export. The work is split in four main chapters: "Chinese Porcelain", "The East India Companies: Chinese Porcelain", "The West trade with China" and "The East India Companies: Chinese Porcelain and the Brazil". Reference work in Portuguese text on the field. Good/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessional sellerBook number: 880B
€ 150.00 [Appr.: US$ 160.76 | £UK 128.25 | JP¥ 25016]
Catalogue: Chinese Ceramics
Keywords: brazil,chinese porcelain,china,chinese ceramics,porcelana chinesa,brasil,companhia das indias,east india companies,reference Chinese Art Asian Art
Réceptacles
Éditions Dapper. 1997. (ISBN: 9782906067370). Hardcover, with dust jacket. Book, French text; Hardcover (with dust jacket); 25.1 x 33 cm, 2.433 Kg; 344 pages with colour and black-and-white illustrations; Signs of wear on the dust jacket, namely on the bottom of the spine. The interior is in good condition; Catalogue for the exhibition of African receptacles held at the Dapper Museum in Paris from October 1997 to March 1998.;Emblematic of the richness and profoundness of the cultural and social life in black Africa, receptacles stand as secular evidence of exceptional creations, not only in terms of the creativity of their shapes, but also in terms of their strongly diversified use. Some of these receptacles preserve the nourishment of men, others have substances that conserved and enhanced beauty and health, while others conceal and exalt the power of kings, or gather offerings to the gods. Boxes, cups, vases, jars, spoons, snuff boxes, carved pipes, and statuettes evoke an infinity of daily or ritual actions: annointments of the body, offerings of boiled cereals, millet beer, palm oil or wine, smokey dreams that give access to another time, another place. This book also presents earlier vessels, that are both remarkable and unique, and that testify to Europe's attraction for the productions commissioned in Africa as early as the 16th century: boxes and salts made of ivory or ostrich eggs often engraved with motifs that follow the commissioner's taste. However, it is within the intimacy of the more personal artworks, created to satify the community's needs, with clean designs, materials and scarcely decorated, that the african artists enclose the flavours of the world. Good/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessional sellerBook number: ABE110
€ 55.00 [Appr.: US$ 58.94 | £UK 47.25 | JP¥ 9173]
Catalogue: African Art
Keywords: 9782906067370 africa,african art,receptacles
The Early Chinese Empires: Qin and Han
The Belknap Press of Harvard University Press, Cambridge, Massachusetts and London, England. 2007. (ISBN: 9780674024779). Hardcover, with dust jacket. Book, English text.; Hardcover (with dust jacket).; 16 x 24.5 cm 0.62 Kg.; 321 pages.; Used with minor signs of wear. As new. The dust jacket is now protected with a clearcover.; In 221 BCE the first Emperor of Qin unified the lands that would become the heart of a Chinese empire. Though forged by conquest, this vast domain depended for its political survival on a fundamental reshaping of Chinese culture. With this informative book, we are present at the creation of an ancient imperial order whose major features would endure for two millennia. Mark Edward Lewis highlights the key challenges faced by the court officials and scholars who set about governing an empire of such scale and diversity of peoples. He traces the drastic measures taken to transcend, without eliminating, these regional differences: the invention of the emperor as the divine embodiment of the state; the establishment of a common script for communication and a state-sponsored canon for the propagation of Confucian ideals; the flourishing of the great families, whose domination of local society rested on wealth, landholding, and elaborate kinship structures; the demilitarization of the interior; and the impact of non-Chinese warrior-nomads in setting the boundaries of an emerging Chinese identity. The first of a six-volume series on this history of imperial China, The Early Chinese Empires illuminates many formative events in China's long history of imperialism . events whose residual influence can still be discern today. As New/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessional sellerBook number: 695B
€ 40.00 [Appr.: US$ 42.87 | £UK 34.25 | JP¥ 6671]
Catalogue: Asian History
Keywords: 9780674024779 china,history,qin dynasty,han dynasty,the geography of empire,a state organized for war,the paradoxes of empire,imperial cities,rural society,the outer world,kinship,religion,literature,law
Christie's Hong Kong, Important Chinese Snuff Bottles from the J & J Collection, Part 1, Sunday 25 April 2004
Christie's Hong Kong. 2004. Hardcover. Book, English text; Hardcover (without dust jacket, as issued); 21.8 x 27.7 cm; 1.022 Kg; 190 pages with lots from 801 to 808 all with colour illustration.; Signs of wear. Minimal edgeworn. No markings, writing or highlighting on the interior except for one page that shows signs of have been bent.; Auction catalogue.; Foreword by James Li and introduction by Hugh Moss; “The elevation to art of the Chinese snuff bottle began at the Court of the Kangxi Emperor in the late seventeenth century. Addicted to snuff throughout the dynasty, the rulers of the Middle Kingdom fostered the habit, devising exquisite, highly artistic containers in which to keep their precious powder in perfect condition and readily to hand. Naturally, snuffing became widespread among the Official Class and, as that vast body of highly literate civil servants was posted around the Empire and as they returned to their homes after the service, they spread the habit far and wide. By the mid-Qing period addiction to snuff had spread throughout the Empire, and, encouraged by Imperial example, two Imperial trends spread with it: the production of artistic containers to hold the snuff; and collecting snuff bottles, usually in far greater numbers than function alone required. Although the production of fine snuff bottles become wide-spread by the latter part of the eighteenth century, reaching far beyond the Court, Imperial demand continued to the end of the dynasty in 1911. Initially a great deal of this production came out of the Imperial workshops located at the Court (within the Forbidden City, in the Imperial City which enclosed it, and at the Yuanming yuan – the Imperial Gardens to the West of Beijing). The Imperial glass manufactory, set up in 1796 with the help of Kilian Stumpft and his fellow Missionaries, was probably responsible for well over half of all Imperial snuff bottles produced during the eighteenth century, sometimes responding to orders as large as five hundred bottles for distribution as fits on a single, festive occasion. Glass and other hard-stones, including jade, were carved at the Court lapidary workshop, while others were produced in workshops for lacquer, wood, ivory and – among the jewels of eighteenth century Imperial production – enamels on metal and glass. The Court was also supplied by distant Imperial facilities at Guangzhou, Suzhou, Yangzhou, Jingdezhen, and elsewhere. Orders placed around the country, combined with regular tribute from high officials in all the major artistic centres, swelled the Imperial collection and, in part, provided the enormous number of gifts distributed by the Court every year. A great deal of this production was specifically ordered by the Emperor, or produced in response to his taste, reflecting Imperial predilection, style and designs. This large body of snuff bottles, despite difficulties in universal identification, is all Imperial to some extent. There may be a difference in importance and appeal between an enamelled metal bottle, specifically ordered by the Emperor, designed by artist in the Imperial Academy of art, painted by either a Chinese, Court-artist or a Jesuit missionary, and designated as having been made “By Imperial Command” and a plain jade miniature meiping (‘prunus-blossom vase’) carved only with mask handles of an Imperial style and produced for the Court, perhaps even at a distant facility. Both, however, are properly Imperial. Indeed, for all we know the enamelled bottle may have been made as a gift to an official and barely, if at all, brushed the Emperor’s palm, while the unassuming jade bottle might have nested in it regularly over the years.” excerpt from the introduction by Hugh Moss. Good.
Jorge Welsh Works of Art LdaProfessional sellerBook number: ABE99
€ 50.00 [Appr.: US$ 53.59 | £UK 42.75 | JP¥ 8339]
Catalogue: Auction Catalogues
Keywords: CHINESE SNUFF BOTTLES, AUCTION CATALOGUE
Important Jade Carvings from the Somerset de Chair Collection , 27 November 2014
Bonhams Hong Kong Limited. 2014. Hardcover. Book, English and Chinese text; Hardcover (cloth); auction catalogue from Bonhams Hong Kong sale, Thursday 27 November 2014; 92 pages; 15 lots with colour illustration and two folding plates; 22 x 27.4 cm; 0.686 Kg; Used book in very good condition. No writing or highlighting in the interior; Articles by Colin Sheaf, Bonhams Chairman, United Kingdom and Asia; Roger Keverne; and Carol Michaelson.; “The Somerset de Chair jades represent the finest group of Ming and Qing jade carvings that Bonhams has ever offered at auction.” excerpt from the article by Colin Sheaf. Very Good/No Jacket.
Jorge Welsh Works of Art LdaProfessional sellerBook number: ABE78
€ 20.00 [Appr.: US$ 21.43 | £UK 17.25 | JP¥ 3335]
Catalogue: Auction Catalogues
Keywords: JADE CARVINGS, CHINA
Immortality
Linda Wrigglesworth, Ltd. London. 2005. Soft cover. Book, English text; 16 x 21.8 cm; 0.182 Kg; 13 loose leaf cards with: text by Linda Wrigglesworth and Gary Dickinson; 22 colour plates, each with caption and text; and price list; Asian textile dealer catalogue; Used with signs of wear, namely edgeworn on the top left front cover. The interior is in very good condition.; “The rich symbolism on our collection of costume and textiles in this catalogue represent the universal wish for long life and immortality and are imbued with the sincerity of the original owner’s beliefs” excerpt from the text accompanying the catalogue by Linda Wrigglesworth and Gary Dickinson. Good.
Jorge Welsh Works of Art LdaProfessional sellerBook number: ABE68
€ 35.00 [Appr.: US$ 37.51 | £UK 30 | JP¥ 5837]
Catalogue: Dealer Catalogues
Keywords: ASIAN TEXTILES, LINDA WRIGGLESWORTH,EPHEMERA
The Stonewares of Yixing. From the Ming Period to the Present Day: With an Index of Potters, Artistic Collaborators and Collectors Compiled by Lai Suk Yee and Ip Wing Chi
Sotheby's Publications by Philip Wilson Publishers Ltd. 1986, 1st Edition. (ISBN: 0856671819). Hardcover, with dust jacket. Book, English text; Hardcover (with dust jacket); 20 x 28 cm; 1.3 Kg; 288 pages with 223 illustrations, including 8 in colour.; Used book with signs of wear on the exterior and interior. The spine of the dust jacket is faded, as well as the top of the front cover.The dust jacket is now protected with a clearcover.; Despite its beauty, individuality and variety of design, the red or brown unglazed stoneware produced at Yixing in Jiangsu Province has received less attention than other branches of Chinese ceramic art. The Yixing potters have always specialised in the making of teapots, whose use became widespread during the Ming period as a result of the innovation of making tea from rolled leaves, rather than using it in the fine-ground, powdered form in which it had previously been supplied. From the early sixteenth century onwards until the present day these potters have continually explored a wide diversity of shapes and styles - chiefly the geometric, segmented or naturalistic. Demand for their wares came not only from elsewhere in the East but also from European countries, which imported them and where they were imitated by such potters as Ary de Milde in Holland, The Elers brothers in England and the Meissen master Bottger. In The Stonewares of Yixing, Dr. K.S. Lo has produced a much-needed comprehensive, fully illustrated study of the subject. He describes the special clays of the region and outlines past and present methods of potting, firing and decoration. In the main part of his book he traces the development of Yixing pottery throughout the period, beginning in the late sixteenth century, discussing the earliest potters by name and then, in turn, those whose work survives. He sets his subject in the context of contemporary patronage - which, in this case, came not from the Imperial Court bu from men of letters, wealthy merchants and the middle-ranking officials - and analyses the influences of Chinese traditions in calligraphy, painting and design. He also pays due attention to such special aspects of Yixing pottery as Gongju teapots, pots decorated in enamel or encased in pewter or other metals, export wares, and apart from teapots, the miscellaneous objects (ranging from utilitarian items, such as flower pots, to articles for the scholar's desk and figurines) which have been produced at the potteries. The illustrations show not only the wares themselves (including specially drawn diagrams of some of the more important standard shapes), but the inscriptions and seals used by the potters and shop marks. There is a comprehensive index compiled by Lai Suk and Ip Chang Chi, in English and Chinese, of Yixing potters, their artistic collaborators and collectors, with dates. Good/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessional sellerBook number: 839B
€ 450.00 [Appr.: US$ 482.27 | £UK 384.75 | JP¥ 75048]
Catalogue: Chinese Art
Keywords: 0856671819 yixing pottery,ming period,potters,early qing period,yixing ware,gogju teapots,yixing export wares Asian Art Chinese Ceramics
Christie's London Fine Chinese Snuff Bottles: The Dwyer Collection 12 October 1987
Christie's London. 1987. Soft cover. Book, English text; Paperback; 20x25, 5 cm; 0, 217 kg; 57 pages with 241 lots with colour illustrations.; Used with minor signs of wear on the exterior and interior. Very good condition overall; Catalogue from the Auction held at Sotheby's London on the 12 October 1987 with 241 snuff bottles lots from the private collection of Edmund F. Dwyer. Very Good/No Jacket.
Jorge Welsh Works of Art LdaProfessional sellerBook number: 566B
€ 40.00 [Appr.: US$ 42.87 | £UK 34.25 | JP¥ 6671]
Catalogue: Auction Catalogues
Keywords: snuff bottles,auction catalogue,dwyer collection
Japanese Paintings, Prints and Works of Art, Sotheby's London, June 1994
Sotheby's New Bond Street, London. 1994. Soft cover. Book, English text; Paperback ; 21.1 x 27.1 cm; 0.540 Kg; 174 pages with 658 lots with black-and-white and colour illustrations, all with caption.; Used in good condition with signs of wear in the cover and back cover. The rear of the front cover shows a yellow mark. Edgeworn.; Auction catalogue for the sale LN4356 held at Sotheby's New Bond Street, London on the 16th and 17th of June 1994 including Paintings and Screens, Prints, Illustrated books, Netsuke, Ojime, Inro, Lacquer and Furniture, Swords, Guns, Swords, Guns, Sword Fittings, Sculpture, Porcelain, Decorative Arts, Satsuma Earthenware and Pipe cases. Good/No Jacket.
Jorge Welsh Works of Art LdaProfessional sellerBook number: 302ABE
€ 25.00 [Appr.: US$ 26.79 | £UK 21.5 | JP¥ 4169]
Catalogue: Auction Catalogues
Keywords: PAINTINGS,SCREENS,PRINTS,ILLUSTRATED BOOKS,NETSUKE,OJIME,INRO,PORCELAIN,LACQUER,FURNITURE,SATSUMA EARTHENWARE,PIPE CASES,SCULPTURE,SWORDS,GUNS
Japanese Prints, Paintings and Works of Art, Sotheby's London, June 1997
Sotheby's New Bond Street, London. 1997. Soft cover. Book, English text; Paperback ; 21.3 x 27.2 cm; 0.429 Kg; 112 pages with 453 lots with colour and black and white illustrations, all with caption.; Used in good condition with signs of wear in the cover and back cover.Edgeworn.; Auction catalogue for the sale LN7378 held at Sotheby's New Bond Street, London on the 18th of June 1997 including Inro, Netsuke, Lacquer, Kiseruzutsu, Okimono, Metalwork and Enamel, Porcelain, Satsuma, Paintings and Screens, Prints, Surimono, Tsuba and other Fittings, Swords and other Weapons. Good/No Jacket.
Jorge Welsh Works of Art LdaProfessional sellerBook number: 303ABE
€ 25.00 [Appr.: US$ 26.79 | £UK 21.5 | JP¥ 4169]
Catalogue: Auction Catalogues
Keywords: PAINTINGS,SCREENS,PRINTS,ILLUSTRATED BOOKS,NETSUKE,OJIME,INRO,PORCELAIN,LACQUER,FURNITURE,SATSUMA EARTHENWARE,PIPE CASES,SCULPTURE,SWORDS,GUNS
Maestros Modernos Del Museo Thyssen-Bornemisza
Fundación Colección Thyssen-Bornemisza, Spain. 1992. (ISBN: 8488474040). Hardcover, with dust jacket. Book, Spanish text.; Hardcover (with dust jacket).; 25 x 31 cm.; 4 Kg.; 707 pages with colour illustrations.; Used with signs of wear on the exterior and interior. Chip on the dust jacket.; Includes previous owner sticker on the rear of the front cover of the dust jacket.; Catalogue raisonné of all the collection of Thyssen-Bornemisza Museum in the XIX and XX centuries in North America and Europe. Includes an introduction to the Baron Hans Heinrich Thyssen-Bornemisza. Good/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessional sellerBook number: 702B
€ 50.00 [Appr.: US$ 53.59 | £UK 42.75 | JP¥ 8339]
Catalogue: Collections and Exhibitions
Keywords: 8488474040 Thyssen-Bornemisza Museum,painting,modern masters Generic Books
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