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First edition.
Inscribed and signed in full by the translator Basil Davenport on the front endpaper. Good .
First American edition.
Translated by Louis N. Parker.
L'Aiglon is based on the life of Napoleon's son, Napoleon II of France, Duke of Reichstadt. The title comes from a nickname for Napoleon II, the French word for a young eagle. The title role was created by Sarah Bernhardt in the play's premiere on 15 March 1900 at the Théà tre Sarah Bernhardt. In October of the same year, the play was presented in Parker's translation at New York's Knickerbocker Theatre with Maude Adams in the title role. The cast list for the New York production precedes this translation of the play. Very good.
First edition.
Aurania Rouverol was the pseudonym of Aurania Ellerbeck Rouveyrol, who was the creator of the characters for MGM's "Andy Hardy" films.
Rare. Good .
Sol Smith Russell [1848-1902] was a nineteenth-century American comedic actor who began performing as a boy during the Civil War. At the age of thirteen, soon after the outbreak of the war, he ran away from home to serve in the Union Army as a drummer boy. He tried to enlist as a musician but was unable to obtain the written consent of his parents. He soon became popular with the officers and soldiers by providing entertainment to break the dull routine of their daily camp life. Very good .
First edition. Scarce. Good .
Tommaso Salvini [1829-1915] was an Italian actor. In 1847 he joined the company of Adelaide Ristori and won his first success in tragedy playing the title role in Alfieri's Oreste opposite Ristore as Elettra. His most famous role was Othello, which he played for the first time at Vicenza in June 1856. He acted frequently in England and America, playing Othello to the Iago of Edwin Booth in 1886. When playing with an English-speaking company he always delivered his lines in Italian. His acting in Othello inspired the young Russian actor Constantin Stanislavski who saw him perform in Moscow and later wrote that Salvini was the "finest representative" of his own approach to acting. Good .
The featured playwright in this issue is Jean-Paul Sartre with an article by him, "Beyond Bourgeois Theatre"; an interview by Oreste F. Pucciani; and articles on "Les Sequestres d'Altona" and on the philosopher as dramatist. The issue also includes four short plays by Portuguese dramatist Gil Vicente [c. 1470-c. 1539], "Notes for a Production of Heartbreak House" by Harold Clurman, and articles on stage design by Morris Carnovsky and Mordecai Gorelik. The editor of the Review is Robert Corrigan. Good .
First edition, wraps issue. Very good .
Among the contents of this issue are an interview with Peter Schumann of The Bread & Puppet Theatre, a conversation about Bertolt Brecht between Joseph Chaikin and Erika Munk, a play "The Beggar" by Brecht, and articles on Brecht, Genet, and the Elizabethan stage. Very good .
Edited by Reinhold Netolitzky. This volume includes Wallenstein, Maria Stuart, Die Jungfrau von Orleans and Die Braut von Messina.
The text is in German. Very good .
Translated into English verse by the Rev. Edward Massie. First edition of the Massie translation.
The German text and the English translation are printed side-by-side. Good .
Review copy with a mechanically reproduced note from Bridges to Bonnie Marranca of Performance Magazine laid in. Very good .
First American edition. Very good .
Stated first edition.
The text is in German. Fine .
First American edition.
The Austrian journalist, actor and writer Franz von Schonthan (1849-1913) joined the Imperial Royal Navy as a cadet in 1867, serving 4 years. He went on to take private acting lessons making his debut at the Dessau Court Theater. Schonthan began writing while also performing with various ensemble companies, penning articles for various newspapers and magazines before tackling stage plays. His comedy "The Girl from Stranger" premiered on February 20, 1879 at Hamburg's Thalia Theater. Theodor Lebrun, the director of the First Berlin Comedy Theater, hired him on the spot to write for his Wallner Theater. Appointed head director of the Vienna City Theater, Schonthan unfortunately lost his position when the theater burnt down barely a year later. He retired to his estate, returning to writing for the editorial department of the Berliner Lustig Blatter and the Wiener Tagblatt in 1887. His contributed to the script for the German silent screen detective film "Where is Coletti?" just prior to his death. Good .
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