The Works of William Hogarth
0. 1821. (Including "The Analysis of Beauty"), elucidated by Descriptions Critical, Moral, and Historical .. to which is prefixed Some Account of his Life. Two volumes, London, R.Scholey, 1821; vi, [vi], 203, [iv], 96pp. + " The Analysis of Beauty" with unnumbered pages, with title-page vignettes and 86 plates; nineteenth-century half deep blue morocco over blue marbled boards, blue marbled endpapers, rebacked with matching buckram; slight rubbing to extremities of the boards and one or two small chips, marginal loss to Plate IX, but a well-bound set, professionally repaired, the contents clean. One of several handbooks to the engraved versions of Hogarth's paintings which appeared after his lifetime. Plates 54 and 55 have not been bound in, and the letterpress for "Before and After" implies they may have been deliberately omitted; there is no plate 84, but this is probably not called for, as the letterpress at this point directs the reader to the title-page vignette for the illustration; the numeration of the plates is eccentric, with plates one would expect in the first volume bound [correctly] in the second, but the plates are otherwise complete. The pages of "The Analysis of Beauty" are unnumbered, but page numbers are given in the margins of the text. apparently referring to the pagination of the first edition.This is a very interesting association copy. The front paste-down of each volume bears a decorative bookplate by Provost Blondel (Paris) of a flowery wreath with interwined initials we have not deciphered and the motto "Jamais Cesder". Inscriptions on the bookplates show that the book once belonged to the English author W.Somerset Maugham, and that he gave it as a present to the American writer Glenway Wescott. Wescott, a friend of Katherine Anne Porter and Thornton Wilder as well as of Maugham, was a widely read and admired novelist in the first half of the twentieth century, and lived in Paris for much of his life. He presented this set to the art historian Edgar Wind, who had fled Germany and had posts in the United States in the 1940s (he later became the first Professor of the History of Art at Oxford.) The inscriptions, all written in ink in the margins of the ex-libris, read: "Edgar Wind ex dono Glenway Wescott ex dono W.Somerset Maugham" and "with G.W.'s affection to E.W. - and thanks for his analyses of the spring of 1942 -".
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Keywords: Ianweb Association Copies Ex-Libris Signatures Hogarth Art History Eighteenth Century Satire Antiquarian Rare 18th Century Illustrated Books Bookplates Glenway Wescott Edgar Wind W. Somerset Maugham American Literature