ERIK TONEN BOOKS: Belgische kunst voor 1830 ; Belgium art before 1830 ; Belgium art before 1830 ; Belgium art before 1830
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LAMBERT LOMBARD - Rennaissance et humanisme a Liege.
Antwerpen, Mercatorfonds, 1990., grand In-4 reliespleine toile blanche pour le dos, marron pour les plats, etui, 375pp. ISBN 9789061532408.
¶ Avec nombre illustrations en couleur. TEXT IN FRENCE.
¶ Avec nombre illustrations en couleur. TEXT IN FRENCE.
Erik Tonen BooksProfessional sellerBook number: 2568
€ 48.00 [Appr.: US$ 51.6 | £UK 40.75 | JP„ 8106]
Lambert Lombard Renaissance en humanisme te Luik
Mercatorfonds, Antwerpen, ALS NIEUW !, hardcover met goudstempeling, geplastificeerde stofomslag, 340 x 260 mm., 376 pp., 391 illustraties waarvan 250 in kleur. in foedraal ISBN 9061532418.
¶ Monografie. Rijk geillustreerd en tevens een studie over de renaissance en het humanisme in Luik. Belangrijke bijdrage tot het onderzoek betreffende de Vlaamse kunst van de 16e eeuw.
¶ Monografie. Rijk geillustreerd en tevens een studie over de renaissance en het humanisme in Luik. Belangrijke bijdrage tot het onderzoek betreffende de Vlaamse kunst van de 16e eeuw.
Erik Tonen BooksProfessional sellerBook number: 512
€ 35.00 [Appr.: US$ 37.63 | £UK 29.75 | JP„ 5911]
Keywords: 9789061532408 XVI Mumanisme schilderkunst Peinture peinture Gravures Tekeningen Drawings Dessins Vlaanderen Flandres Flanders
ANTOON VAN DYCK EN DE PRENTKUNST,
Antwerpen, Antwerpen Open/ Van Dyck 1999, 1999 softcover, geillustreerde kartonomslag, 240 x 300mm., 400pp., uitgebreide illustratie in z/w en kleur. ISBN 5425002621209.
¶ Verscheen naar aanleiding van de gelijknamige tentoonstelling in het Prentenkabinet Antwerpen 15 mei - 22 augustus 1999 en in het Rijksprentenkabinet Amsterdam 9 oktober 1999 - 22 augustus 1999. Het boek is in goede staat.
¶ Verscheen naar aanleiding van de gelijknamige tentoonstelling in het Prentenkabinet Antwerpen 15 mei - 22 augustus 1999 en in het Rijksprentenkabinet Amsterdam 9 oktober 1999 - 22 augustus 1999. Het boek is in goede staat.
Erik Tonen BooksProfessional sellerBook number: 55532
€ 15.00 [Appr.: US$ 16.13 | £UK 12.75 | JP„ 2533]
Keywords: graphique graphics belgian belge tekening drawing dessin / 1999 9058460134
ANTOON VAN DYCK EN DE PRENTKUNST
Antwerpen, Antwerpen Open/ Van Dyck, 1999 softcover, geillustreerde kartonomslag, 240 x 300mm., 400pp., uitgebreide illustratie in z/w en kleur. ISBN 9789058460134.
¶ Verscheen naar aanleiding van de gelijknamige tentoonstelling in het Prentenkabinet Antwerpen 15 mei - 22 augustus 1999 en in het Rijksprentenkabinet Amsterdam 9 oktober 1999 - 22 augustus 1999. Het boek is in goede staat.
¶ Verscheen naar aanleiding van de gelijknamige tentoonstelling in het Prentenkabinet Antwerpen 15 mei - 22 augustus 1999 en in het Rijksprentenkabinet Amsterdam 9 oktober 1999 - 22 augustus 1999. Het boek is in goede staat.
Erik Tonen BooksProfessional sellerBook number: 25872
€ 15.00 [Appr.: US$ 16.13 | £UK 12.75 | JP„ 2533]
Keywords: graphique graphics belgian belge tekening drawing dessin / 1999 9058460134
![Derez, M. e.a. [redactie en coördinatie], blinde hertog. Louis Engelbert van Arenberg & zijn tijd. 1750-1820](https://www.antiqbook.com/plaatjes/ton/55325.jpg "Click to enlarge")
blinde hertog. Louis Engelbert van Arenberg & zijn tijd. 1750-1820
Gemeentekrediet 1996, 1996 softcover, 206 pag., rijk geļllustreerd in kleur en zw/w., 25 x 29,5 cm.verder mooi. ISBN 5411572022591.
Erik Tonen BooksProfessional sellerBook number: 55325
€ 20.00 [Appr.: US$ 21.5 | £UK 17 | JP„ 3378]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre sičcle Artiste peintre photo fotografie ar
Tresor de lart Belge au XVIIe siecle. Memorial de lexposition dart ancien a Bruxelles en 1910- Jiun- Novembre.
Bruxelles, Bruxelles, Paris, G. Van Oest, 1910 Relie l'epoque, 366 pages text.
¶ Catalogue deuxiem edition.
¶ Catalogue deuxiem edition.
Erik Tonen BooksProfessional sellerBook number: 52992
€ 75.00 [Appr.: US$ 80.63 | £UK 63.5 | JP„ 12666]
JACOB JORDAENS (1593 - 1678). 2 DELEN.
Antwerpen, Gemeentekrediet, 1993 softcovers originele geillustreerde uitgeversomslag in kleur, 24.3x29.6 cm., 311 pp.+140 pp., geillustreerd in kleur en z/w. ISBN 905066119X.
¶ Deel 1 : Schilderijen en Wandtapijten. Deel II : Tekeningen en Prenten.
¶ Deel 1 : Schilderijen en Wandtapijten. Deel II : Tekeningen en Prenten.
Erik Tonen BooksProfessional sellerBook number: 11053
€ 45.00 [Appr.: US$ 48.38 | £UK 38.25 | JP„ 7599]
Keywords: (1593 1678) 1 2 Prentend Hans DE ' R A belgian belge schilderkunst peinture paintings 905066119X
Jacques Francart, Premier livre d'Architecture (1617).
Brussel, Paleis der Academien, 1998., softcover, originele uitgeversomslag, 18x26cm, 221 p., 17 afb. ISBN 9789065696809.
¶ Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone kunsten, n?° 65. Jacob Franquart was een Brabantse kunstenaar. Franquart genoot een korte opleiding van Peter Paul Rubens. Hij beoefende zowel de schilder-, teken-, dicht- als bouwkunst.
¶ Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone kunsten, n?° 65. Jacob Franquart was een Brabantse kunstenaar. Franquart genoot een korte opleiding van Peter Paul Rubens. Hij beoefende zowel de schilder-, teken-, dicht- als bouwkunst.
Erik Tonen BooksProfessional sellerBook number: 10288
€ 45.00 [Appr.: US$ 48.38 | £UK 38.25 | JP„ 7599]
Keywords: arts appliquees applied toegepaste Kunstnijverheid Kunstambachten architecture architectuur peinture painting schilderkunst sculpture beeldhouwkunst musique music muziek Architecture
Hugo van der Goes. Monografie / Nederlands.
Antwerpen, Mercatorfonds, 1998.**, Gebonden, met foudraal, linnen, vergulde bandstempel, rug versierd met vergulde titel, originele geillustreerde stofomslag in kleur, 25,5x33cm, 422pp, geillustreerd waarvan 300 in kleur en 100 z/w, bibliografie. Boek in zeer goede staat ! ** Hagelnieuw ! *** ISBN 9061534186.
¶ ** Hagelnieuw exemplaar !!!! *** I. Hoe zijn naam en faam tot ons gekomen. II. Biografie en levenskader. III. Het verloren oeuvre, gedocumenteerd door archief of oude literatuur. IV. Het bewaard gebleven oeuvre. Good condition text in Dutch.
¶ ** Hagelnieuw exemplaar !!!! *** I. Hoe zijn naam en faam tot ons gekomen. II. Biografie en levenskader. III. Het verloren oeuvre, gedocumenteerd door archief of oude literatuur. IV. Het bewaard gebleven oeuvre. Good condition text in Dutch.
Erik Tonen BooksProfessional sellerBook number: 12020
€ 135.00 [Appr.: US$ 145.14 | £UK 114.25 | JP„ 22798]
Keywords: 9789061534181 peinture painting schilderkunst belgie belgique flamand flemish vlaams vlaanderen flanders flandre gent gand
HUBERT EN JAN VAN EYCK.
Anvers, Fonds Mercator, 1980., 1980 Relie, avec emboitage d' editeur, demi-toile, titre dore sur les plats et dos, sous jacquette d' editeur illustre en couleur, 25x33,5cm, 399pp, illustre en couleur et n/b, catalogue, sources et bibliographie, index. dans un manteau solide ! ISBN X.
¶ Traduction francaise de Jacques Genoux. Une famille de peintres. Le retable de l' agneau mystique. Les oeuvres de Jan van Eyck au service du Prince. Les tableaux de Jan van Eyck 1432 - 1440. Les epigones anonyme.
¶ Traduction francaise de Jacques Genoux. Une famille de peintres. Le retable de l' agneau mystique. Les oeuvres de Jan van Eyck au service du Prince. Les tableaux de Jan van Eyck 1432 - 1440. Les epigones anonyme.
Erik Tonen BooksProfessional sellerBook number: 55454
€ 70.00 [Appr.: US$ 75.26 | £UK 59.25 | JP„ 11821]
Keywords: schilderkunst peinture painting belgie flemish flamand vlaams flandres flanders flandern vlaanderen dhaenens
Frans Francken and his milieu Old paths, new roads
ASP - Academic and Scientific Publishers, 2020 Paperback, 260 pages with illustrations, English/ D/ NL / FR ISBN 9789057187469.
¶ In May 2014 the Rubenianum in Antwerp hosted the conference Frans Francken and his Milieu, Old Paths, New Roads, on the initiative of dr. Ann Diels (Vrije Universiteit Brussel) and dr. Natasja Peeters (War Heritage Institute Brussels). Both researchers wanted to draw more attention to research into art in the Southern Netherlands during the late sixteenth century. Dedicating the symposium to one of the most productive history and portrait painters of that period, Frans Francken, opened the door to a range of research tracks. This conference collection includes thirteen essays by national and international specialists in sixteenth-century art of the Netherlands. The essays focus on various aspects of the work and life of the Antwerp history painter Frans Francken the Elder, the Francken dynasty, and his milieu. An artist's work and life knows many facets, and data have to be culled from many sources. By providing a mosaic of research methods and tracks, the essays makes an attempt to visualize the complexity and richness of the research field. This small selection from the realm of possibilities mainly wants to encourage further research. The book contains, among other writings, an art-historical overview of the study of late sixteenth-century art in the Southern Netherlands by Hans Vlieghe, a historiography and state of current research by the editors, a case study on the late sixteenth-century ?gothic revival? by Didier Martens, the restauration report of Frans Francken's famous "Schoolmasters? and Soapboilers? altarpiece" in Antwerp Cathedral by David Lainé, an in-depth building history reconstruction of Francken's house by Petra Maclot and an analysis of his books based on his post-mortem inventory by Ria Fabri, a dendrochronological riddle of the Road to Calvary in Dresden by Ursula Härting, and a study of the sensory aspect in history paintings by Ralph Dekoninck.
¶ In May 2014 the Rubenianum in Antwerp hosted the conference Frans Francken and his Milieu, Old Paths, New Roads, on the initiative of dr. Ann Diels (Vrije Universiteit Brussel) and dr. Natasja Peeters (War Heritage Institute Brussels). Both researchers wanted to draw more attention to research into art in the Southern Netherlands during the late sixteenth century. Dedicating the symposium to one of the most productive history and portrait painters of that period, Frans Francken, opened the door to a range of research tracks. This conference collection includes thirteen essays by national and international specialists in sixteenth-century art of the Netherlands. The essays focus on various aspects of the work and life of the Antwerp history painter Frans Francken the Elder, the Francken dynasty, and his milieu. An artist's work and life knows many facets, and data have to be culled from many sources. By providing a mosaic of research methods and tracks, the essays makes an attempt to visualize the complexity and richness of the research field. This small selection from the realm of possibilities mainly wants to encourage further research. The book contains, among other writings, an art-historical overview of the study of late sixteenth-century art in the Southern Netherlands by Hans Vlieghe, a historiography and state of current research by the editors, a case study on the late sixteenth-century ?gothic revival? by Didier Martens, the restauration report of Frans Francken's famous "Schoolmasters? and Soapboilers? altarpiece" in Antwerp Cathedral by David Lainé, an in-depth building history reconstruction of Francken's house by Petra Maclot and an analysis of his books based on his post-mortem inventory by Ria Fabri, a dendrochronological riddle of the Road to Calvary in Dresden by Ursula Härting, and a study of the sensory aspect in history paintings by Ralph Dekoninck.
Erik Tonen BooksProfessional sellerBook number: 54534
€ 34.99 [Appr.: US$ 37.62 | £UK 29.75 | JP„ 5909]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre sičcle Artiste peintre photo fotografie ar
Hans Memling. Catalogus. essays
S.l., Ludion, 1994 Softcover, 128pp., 23x28cm., ills. in kleur., goede staat. ISBN 9055440302.
¶ Essays bij de tentoonstelling "Hans Memling: vijf eeuwen werkelijkheid en fictie", Brugge, Groeningenmuseum, 12 augustus-15 november 1994.
¶ Essays bij de tentoonstelling "Hans Memling: vijf eeuwen werkelijkheid en fictie", Brugge, Groeningenmuseum, 12 augustus-15 november 1994.
Erik Tonen BooksProfessional sellerBook number: 46563
€ 20.00 [Appr.: US$ 21.5 | £UK 17 | JP„ 3378]
Keywords: vlaamse primitieven schilderkunst primifs flamands middeleeuwen moyen age middle ages Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouvea
Perkamenten Biblia regia Christoffel Plantijns zestiende-eeuwse meesterwerk in een koninklijke verpakking
Antwerp, Phoebus Focus XIII, 2019 Paperback, 86 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL ISBN 9789463883337.
¶ Phoebus Focus 13 - Perkamenten Biblia regia Christoffel Plantijns zestiende-eeuwse meesterwerk in een koninklijke verpakking.
¶ Phoebus Focus 13 - Perkamenten Biblia regia Christoffel Plantijns zestiende-eeuwse meesterwerk in een koninklijke verpakking.
Erik Tonen BooksProfessional sellerBook number: 56316
€ 22.50 [Appr.: US$ 24.19 | £UK 19.25 | JP„ 3800]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre sičcle Artiste peintre photo fotografie ar
Flemish Primitives V. Anonymous Masters.
Turnhout, Brepols, 2009 Hardback, original editor's jacket, english, 302 pp., 210 b/w ill. + 160 colour ill., 210 x 297 mm. ISBN 9782503530581.
¶ Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 5). The fifth volume examines all the works painted by anonymous masters. Most works of the 15th and early 16th centuries are not signed. Several of these works have not proved possible to attribute to a known painter or to a master with a provisional name. These works, labelled as anonymous, have been little studied until now, because they are in general thought to be of lesser quality, and because researchers have prioritised the study of more important masters. It is, however, becoming increasingly apparent that these reflect the ongoing production of the time in the Southern Netherlands. Beside the fact that these paintings represent the themes that enjoyed a certain popularity at the time, their study opens perspectives onto the socio-economic context and workshop practice. These paintings could be destined for a broad market and betray different working methods allowing for swift execution in several copies. Furthermore, two of these anonymous works, dating from around 1400 or a little bit later, rank amongst the rare representatives of pictorial production in the Southern Netherlands prior to the technical innovations introduced by the Flemish Primitives. This production is by convention called ?pre-Eyckian painting?.
¶ Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 5). The fifth volume examines all the works painted by anonymous masters. Most works of the 15th and early 16th centuries are not signed. Several of these works have not proved possible to attribute to a known painter or to a master with a provisional name. These works, labelled as anonymous, have been little studied until now, because they are in general thought to be of lesser quality, and because researchers have prioritised the study of more important masters. It is, however, becoming increasingly apparent that these reflect the ongoing production of the time in the Southern Netherlands. Beside the fact that these paintings represent the themes that enjoyed a certain popularity at the time, their study opens perspectives onto the socio-economic context and workshop practice. These paintings could be destined for a broad market and betray different working methods allowing for swift execution in several copies. Furthermore, two of these anonymous works, dating from around 1400 or a little bit later, rank amongst the rare representatives of pictorial production in the Southern Netherlands prior to the technical innovations introduced by the Flemish Primitives. This production is by convention called ?pre-Eyckian painting?.
Erik Tonen BooksProfessional sellerBook number: 25864
€ 149.00 [Appr.: US$ 160.19 | £UK 126 | JP„ 25162]
Keywords: : 9782503530581 belgian belge peinture schilderkunst
Age of Rubens Diplomacy, Dynastic Politics and the Visual Arts in Early Seventeenth-Century Europe
brepols, 2016 Softcover,IV+302 p., 81 b/w ill. + 21 colour ill., 210 x 297 mm Languages: English, French. ISBN 9782503549484.
¶ This thoroughly interdisciplinary collection of essays explores the multi-faceted relationship between international politics, diplomacy and the visual arts that developed during the early seventeenth century. Several chapters provide major re-evaluations of the career of Peter Paul Rubens as an artistdiplomat, based on previously neglected manuscript sources and a deepened analysis of the social and political environments in which he operated. Other contributors focus on Rubens's contemporary court artists, such as Anthony van Dyck, Guido Reni and Diego Velazquez. In addition to providing original interpretations of several important paintings and painting cycles, the volume examines such topics as the evolution of personified images of nationality, representations of dynastic marriages, the material culture of royal bridal trousseaus, the importance of details of costume and colour to the visual codes of baroque courts, and the roles played by artists within court societies. Ranging across Western Europe, from England to the Low Countries, France, Germany, Spain and Italy, these essays demonstrate conclusively the subtlety and complexity of visual communication within early baroque court societies, which enabled artists to convey complex political messages through paintings. The contributors to this volume display a variety of methodological approaches, demonstrating many different ways in which historical research can be fruitfully integrated with art historical analysis to generate new insights into both the visual culture and the politics of baroque Europe. Luc Duerloo is professor of early modern political history at the University of Antwerp. His current research focuses on the Court of the Archdukes Albert and Isabella, their international policies and artistic patronage. His monograph Dynasty and Piety: Archduke Albert (1598?1621) and Habsburg Political Culture in an Age of Religious Wars (2012) won the Filips van Marnix van Sint Aldegonde Prize for History, and was translated into Spanish as El archiduque Alberto: Piedad y politica dinastica durante las guerras de religion (2015). R. Malcolm Smuts is Professor Emeritus of History at the University of Massachusetts Boston. His publications include Court Culture and the Origins of a Royalist Tradition in Early Stuart England (1987), Culture and Power in England 1585?1685, and numerous articles and edited collections dealing with the political and cultural history of early modern England and Europe.
¶ This thoroughly interdisciplinary collection of essays explores the multi-faceted relationship between international politics, diplomacy and the visual arts that developed during the early seventeenth century. Several chapters provide major re-evaluations of the career of Peter Paul Rubens as an artistdiplomat, based on previously neglected manuscript sources and a deepened analysis of the social and political environments in which he operated. Other contributors focus on Rubens's contemporary court artists, such as Anthony van Dyck, Guido Reni and Diego Velazquez. In addition to providing original interpretations of several important paintings and painting cycles, the volume examines such topics as the evolution of personified images of nationality, representations of dynastic marriages, the material culture of royal bridal trousseaus, the importance of details of costume and colour to the visual codes of baroque courts, and the roles played by artists within court societies. Ranging across Western Europe, from England to the Low Countries, France, Germany, Spain and Italy, these essays demonstrate conclusively the subtlety and complexity of visual communication within early baroque court societies, which enabled artists to convey complex political messages through paintings. The contributors to this volume display a variety of methodological approaches, demonstrating many different ways in which historical research can be fruitfully integrated with art historical analysis to generate new insights into both the visual culture and the politics of baroque Europe. Luc Duerloo is professor of early modern political history at the University of Antwerp. His current research focuses on the Court of the Archdukes Albert and Isabella, their international policies and artistic patronage. His monograph Dynasty and Piety: Archduke Albert (1598?1621) and Habsburg Political Culture in an Age of Religious Wars (2012) won the Filips van Marnix van Sint Aldegonde Prize for History, and was translated into Spanish as El archiduque Alberto: Piedad y politica dinastica durante las guerras de religion (2015). R. Malcolm Smuts is Professor Emeritus of History at the University of Massachusetts Boston. His publications include Court Culture and the Origins of a Royalist Tradition in Early Stuart England (1987), Culture and Power in England 1585?1685, and numerous articles and edited collections dealing with the political and cultural history of early modern England and Europe.
Erik Tonen BooksProfessional sellerBook number: 49368
€ 99.99 [Appr.: US$ 107.5 | £UK 84.75 | JP„ 16886]
Keywords: Schilderkunst paint schilder Beaux Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés plastiques histoire livre sičcle Artiste peintre photo fotografie architectuur lifesty
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