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 [DANCE]. [CONCANEN, EDWARD, ET AL], Read's Characteristic National Dances;
[DANCE]. [CONCANEN, EDWARD, ET AL]
Read's Characteristic National Dances;
London: Read & Co.. Ackermann & Co., [1853]. A Presentation Copy Thirteen Fine Hand-Colored Steel Engraved Plates Showing The Folk Dances of Many Lands [DANCE]. [CONCANEN, Edward. FROST, Thomas. MASON, R.H. & LOWNDES, Mrs.]. Read's Characteristic National Dances; Including a Series of Tales by Popular Authors. London: Read & Co.. Ackermann & Co. n.d. [1853]. First edition. Presentation Copy. Quarto (10 7/8 x 8 1/4 in; 276 x 210 mm). [4], 101, [1, blank] pp. Thirteen hand-colored steel engraved plates heightened with gum arabic, including frontispiece and lithographed title. Plates dated Nov. 1, 1853. Publisher's crimson morocco-grained cloth (designed by John Leighton, b. 1822 - d. 1912), recased. Paneled in gilt in an arboreal motif, the front cover pictorially gilt-stamped with a scene of dancing around a maypole, rear cover with a large arabesque lozenge. All edges gilt. Spine extremes strengthened. Neat ink presentation inscription on front free-endpaper "Mrs. W.V. Patten. / with R.H. Mason's most Kind regards. / [flourish] / Decr. 8th. 1853. / [flourish]". R.H. Mason was the author of four of the chapters in this book: The Irish jig; The Mexican jarabe dance; The Chinese sun & moon dance, and The Turkish saraband. "The origin of the accomplishment of dancing has never been traced; probably it is coeval with legs and feet, for there is not a nation on the face of the broad earth but what can manage to knock up a hop of some kind or another; and the inhabitants of all climes, each in a way of their own, adopt it as a recreation or introduce it in solemn ritual.." (address to the reader). ""The title vignette shows a group around a fire dancing an English folk dance, the Sir Roger de Coverley, the following plate the Highland Fling, and from there the dancing progresses across Europe to India and China figuratively speaking," H. Mandeville. The authors described the dances depicted, Mrs Lowndes specifically describing the Swiss folk dance. This work has been called an elegantly illustrated "gift book" whose intention was to suggest that national (folk) dance could express true feeling better than more "artificial" forms of dance, which seems possibly to contravene contemporary thought on theatrical dance, which was in the ascendant at this time." (Bobins III, 888). "Realistic engravings illustrate a point in each of the twelve tales" (Niles & Leslie). Little is known about Edward Concanen beyond that OCLC records five books authored by him, all, as here, published by Read & Co. Other contributing writers include Thomas Frost, Mrs. Lowndes (Hannah Maria Jones), and R.H. Mason. The Plates: 1. Frontispiece - The May-pole dance. (T. Frost) 2. Engraved title. 3. The Highland fling. (E. Concanen) 4. The Irish jig. (R.H. Mason) 5. Minuet de la Cour. (T. Frost) 6. The Spanish fandango. (E. Concanen) 7. The Neapolitan dance. (E. Concanen) 8. The Swiss dance. (Mrs. Lowndes) 9. The Grecian dance. (E. Concanen) 10. The Mexican jarabe dance. (R.H. Mason) 11. The Chinese sun & moon dance. (R.H. Mason) 12. The Turkish saraband. (R.H. Mason) 13. The Hindostanee shawl dance. (T. Frost) Bobins, III, 888; Magriel, p. 53; Niles & Leslie II, p. 441. .
David Brass Rare Books (ABAA/ILAB)Professional seller
Book number: 02806
USD 4500.00 [Appr.: EURO 3777.75 | £UK 3253.25 | JP¥ 487800]
Keywords: Caricatures Dance

 ACKERMANN, RUDOLPH, Characters in the Grand Fancy Ball Given by the British Ambassador Sir Henry Wellesley, at Vienna, at the Conclusion of the Carnival 1826;
ACKERMANN, RUDOLPH
Characters in the Grand Fancy Ball Given by the British Ambassador Sir Henry Wellesley, at Vienna, at the Conclusion of the Carnival 1826;
London: Printed for R. Ackermann, 1828. Ackermann's "Characters in the Grand Fancy Ball" [ACKERMANN, Rudolph]. Characters in the Grand Fancy Ball Given by the British Ambassador Sir Henry Wellesley, at Vienna, at the Conclusion of the Carnival 1826; in Thirteen Highly Coloured Plates: with a Description of the Entertainments on that Occasion. London: Printed for R. Ackermann, 1828. Small quarto (9 7/16 x 7 1/2 inches; 240 x 190 mm.). 16 pp. Thirteen hand-colored engraved plates. Original printed stiff wrappers expertly rebacked with tan calf. Wrappers slightly soiled and a little worn at corners. Minimal edge wear and marginal soiling. Inserted ownership leaf inscribed March 1850. An excellent copy of a very rare book. Housed in a felt-lined, half red morocco clamshell case, spine ruled in gilt, black morocco gilt lettering label. "To the year 1828 belongs the Characters in the Grand Fancy Ball given by the British Ambassador, Sir Henry Wellesley, at Vienna, 1826. The book appeals to many by its thirteen plates (line engravings, tinted by hand) and descriptive text of the dresses worn by the many people of rank and distinction, who formed quadrilles composed of characters from the novels of Sir Walter Scott and La Motte Fouqué. 'The profusion of jewels and precious stones displayed on this occasion was almost incredible. The grandeur of the whole, the high rank of the co-operating persons, the assemblage of the flower of the highest nobility, of female beauty, and of noble manly forms, the brilliant armour and weapons, the succession of characters of the East and of the West, of history and of romance-all served to heighten the impression of this extraordinary fête, which can never be erased from the memory of those who had the good fortune to be present'" (Martin Hardie, p. 116). Martin Hardie, pp. 116 and 314. Not in Abbey or Tooley. .
David Brass Rare Books (ABAA/ILAB)Professional seller
Book number: 03945
USD 2250.00 [Appr.: EURO 1889 | £UK 1626.75 | JP¥ 243900]
Keywords: Costume Dance History

 ACKERMANN, RUDOLPH, Characters in the Grand Fancy Ball Given by the British Ambassador Sir Henry Wellesley, at Vienna, at the Conclusion of the Carnival 1826;
ACKERMANN, RUDOLPH
Characters in the Grand Fancy Ball Given by the British Ambassador Sir Henry Wellesley, at Vienna, at the Conclusion of the Carnival 1826;
London: Printed for R. Ackermann, 1828. Ackermann's "Characters in the Grand Fancy Ball" [ACKERMANN, Rudolph]. Characters in the Grand Fancy Ball Given by the British Ambassador Sir Henry Wellesley, at Vienna, at the Conclusion of the Carnival 1826; in Thirteen Highly Coloured Plates: with a Description of the Entertainments on that Occasion. London: Printed for R. Ackermann, 1828. Small quarto (9 3/8 x 7 1/2 inches; 238 x 191 mm.). 16 pp. Thirteen hand-colored engraved plates. Later quarter black roan over original tan printed wrappers. Covers slightly stained, front cover with two small areas of abrasion just affecting lettering. An excellent copy housed in a custom made, felt-lined half black morocco clamshell case, spine with five raised bands, decoratively ruled and lettered in gilt in compartments. "To the year 1828 belongs the Characters in the Grand Fancy Ball given by the British Ambassador, Sir Henry Wellesley, at Vienna, 1826. The book appeals to many by its thirteen plates (line engravings, tinted by hand) and descriptive text of the dresses worn by the many people of rank and distinction, who formed quadrilles composed of characters from the novels of Sir Walter Scott and La Motte Fouqué. 'The profusion of jewels and precious stones displayed on this occasion was almost incredible. The grandeur of the whole, the high rank of the co-operating persons, the assemblage of the flower of the highest nobility, of female beauty, and of noble manly forms, the brilliant armour and weapons, the succession of characters of the East and of the West, of history and of romance-all served to heighten the impression of this extraordinary fête, which can never be erased from the memory of those who had the good fortune to be present'" (Martin Hardie, p. 116). Martin Hardie, pp. 116 and 314. Not in Abbey or Tooley. .
David Brass Rare Books (ABAA/ILAB)Professional seller
Book number: 03949
USD 2500.00 [Appr.: EURO 2098.75 | £UK 1807.5 | JP¥ 271000]
Keywords: Costume Dance History

 ACKERMANN, RUDOLPH, History of the University of Cambridge, Its Colleges, Halls, and Public Buildings, A.
ACKERMANN, RUDOLPH
History of the University of Cambridge, Its Colleges, Halls, and Public Buildings, A.
London: Printed for R. Ackermann, by L. Harrison and J.C. Leigh, 1815. Complete with the Portraits of the Founders ACKERMANN, R[udolph]. A History of the University of Cambridge, Its Colleges, Halls, and Public Buildings. London: Printed for R. Ackermann, by L. Harrison and J.C. Leigh, 1815. First edition, complete with the engraved portraits of the Founders. Two large quarto volumes (13 3/16 x 11 1/16 inches; 334 x 281 mm.). viii, [2, list of plates], [ix]-xii, 296, [6, index]; [4], 324, [8, index] pp. Engraved portrait of the Duke of Gloucester and seventy-nine hand-colored plates (sixty-four aquatint views and fifteen engravings of university figures in academic costume) by Stadler, Havell, Agar, Bluck, Hill, and Reeve after Pugin, Westall, Mackenzie, Uwins, and Pyne. Plates watermarked 1812. Late 19th century half black morocco over brown cloth boards. Crimson morocco spine labels lettered in gilt. All edges marbled (top edge darkened). Some offsets from plates to text only. An excellent copy with early watermarks. "The fine aquatints, with their somewhat old-world flavour, are well suited to reproduce the spirit and to recall the antique associations of the old quads and courts.. "These two books [Ackermann's History of Oxford and History of Cambridge] are among the finest ever executed. A. Pugin, F. Nach, F. Mackenzie, and W. Westall were associated in the drawings, which are worthy even of the splendid architectural monuments they commemorate, while the engraving was carried out by such masters of aquatint as J. Bluck, J.C. Stadler, F.C. Lewis, D. Havell and others of like reputation. The result was the production of plates of unequaled merit in their particular line" (Prideaux, pp. 125-6). Abbey, Scenery, 79-80. Prideaux, pp. 125-126 and 332. Tooley 4. .
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Book number: 01869
USD 7500.00 [Appr.: EURO 6296 | £UK 5422 | JP¥ 813000]
Keywords: Color-Plate Books English History Topography Views

 ACKERMANN, RUDOLPH; PUGIN, AUGUSTUS CHARLES, ARTIST, History of the Colleges of Winchester, Eton, and Westminster;, the
ACKERMANN, RUDOLPH; PUGIN, AUGUSTUS CHARLES, ARTIST
History of the Colleges of Winchester, Eton, and Westminster;, the
London: Printed for and Published by R. Ackermann, 1816. Ackermann's History of the Colleges One of Fifty Large Paper Copies [ACKERMANN, Rudolph, publisher]. The History of the Colleges of Winchester, Eton, and Westminster; with the Charter-House, the Schools of St. Paul's, Merchant Taylors, Harrow, and Rugby, and the Free-School of Christ's Hospital. London: Printed for and Published by R. Ackermann, 1816. First edition, One of Fifty Large-Paper Copies. Large quarto (16 1/8 x 12 5/8 inches; 410 x 321 mm.). vi, [1, "Arrangement of Plates"], [1, blank], 56; 72; 27, [1, blank]; 32; 34; 22; 40; 34; 43, [1, blank] pp. With forty-eight hand-colored plates (forty-five aquatint and three engraved), including four costume plates and forty-four views by Havell, Stadler, Bluck, and others, after Westall, Mackenzie, Pugin, and others. First gathering of text of Eton College misbound as pp. 3/4; [1], 2; 7/8; 5/6, but complete. Abbey's first state of Plate 6 ("Winchester College, from the Meadow"), dated "Jany. 1, 1815"; Abbey's first state of Plate 23 ("Westminster School Room"), with the masters bareheaded; Abbey's third state "as usual in large paper copies" of Plate 26 ("Charter House, from the Play Ground"), printed direct (with no overslip), depicting thirteen boys and masters playing cricket (instead of washerwomen). Text watermarked J. Whatman 1811 and 1816, plates watermarked J. Whatman 1811. A few small fore and lower marginal tears, most of which have been expertly repaired, a few tiny rust spots, mainly marginal, some very light water-staining to the lower margins of a few text leaves, pp. 5/6 of Westminster School with expert and almost invisibly repaired six-inch tear, a few small expert repairs to upper and lower corners. A full listing of all these minor imperfections can be supplied upon request. Mid to late twentieth century three-quarter red morocco over cockerel boards ruled in gilt. Spine with five raised bands, decoratively tooled and lettered in gilt, cockerel end-papers, all edges rough gilt. Housed in a red cloth slipcase. A spectacular and exceptionally rare Large-Paper Copy - only the third that we have seen in over fifty years. The last Large Paper Copy to appear at auction was the Spitz copy at Christie's, London (27th May, 2015 - lot 3) which fetched £6,250 (approximately $9,000). "Originally issued in 12 monthly parts, with 4 plates to each part, the first appearing 1 Jan. 1816.. On completion it was issued in quarto boards at 7 guineas or in the parts complete for £7. 4s. Fifty copies were printed on large paper at 1 guinea per part and on completion issued in atlas quarto for 12 guineas. Twenty-five copies were printed with the plates uncoloured India proof impressions." (Tooley, pp. 8/9). Abbey, Scenery 438; Tooley 3; Prideaux, pp. 126 and 332. .
David Brass Rare Books (ABAA/ILAB)Professional seller
Book number: 04460
USD 9500.00 [Appr.: EURO 7975 | £UK 6867.75 | JP¥ 1029800]
Keywords: PUGIN, Augustus Charles, artist English History Topography Views

 ACKERMANN, RUDOLPH; COMBE, WILLIAM, History of the Abbey Church of St. Peter's Westminster
ACKERMANN, RUDOLPH; COMBE, WILLIAM
History of the Abbey Church of St. Peter's Westminster
London: R. Ackermann, 1812. One of the Quintessential English Regency Color-Plate Books Ackermann's Westminster with Eighty-One Magnificent Hand Colored Aquatint Plates ACKERMANN, Rudolph. COMBE, William. The History of the Abbey Church of St. Peter's Westminster, Its Antiquities and Monuments. In Two Volumes. London: R. Ackermann, 1812. First edition. Two large folio volumes (13 3/8 x 11 inches; 340 x 280 mm.). [iii]-xviii, [ii], 330, [vi, index]; [iii-iv], 275, [1, blank], [iv, index] pp. (pp. 204/205 repeated with asterisks). Complete with both half-titles. Text by William Combe. Portrait of William Vincent (uncolored), engraved Plan of Westminster Abbey (uncolored), one hand-colored line engraving and eighty hand colored aquatint plates. Uncolored line engraving on page 151 in volume one. Plates watermarked "J. Whatman 1808". Contemporary half russia over marbled boards, smooth spines decoratively ruled and lettered in gilt, Marbled endpapers, all edges marbled. Joints neatly repaired, some wear to corners and top of the spine of volume I. A tall copy. Some sporadic foxing (moderate at times) to the text, offsetting (from plates to text only) and toning. Plate 10 with very small (1/4 inch) stain on fore-margin; plate F with small paper-flaw affecting 1/4 inch blank corner, & plate 59 with light foxing to top blank margin. Overall a really nice copy with the colored plates generally very bright and fresh of this monumental work on the Abbey Church of St. Peter's Westminster. One of the quintessential English Regency color-plate books. Ackermann's Abbey Church of St. Peter's Westminster is a superbly illustrated study of one of the "most interesting edifices in the British Empire. Its remote antiquity, its edificial beauty, the character and variety of its architecture, as well as the ornament it affords to the metropolis, give it a superior distinction" (introduction). "In The History of the Abbey Church of St. Peter's Westminister, Ackermann employed a variety of artists used to bring out in the plates the luster of stained glass windows and the 'dim religious light' of the chapels" (Penn Special Collections exhibition). Among the illustrators were F. Mackenzie, A. Pugin, J. Bluck, and T. Sutherland. Although described on the added title-page as a "Companion and Continuation of The Microcosm of London," the work stands on its own merits as one of Ackermann's most ambitious and successful topographical color-plate books; Combe's text, which unashamedly exudes a sense of national pride, is both interesting and informative. Ackermann's Westminster was originally issued in wrappers in sixteen parts, and on completion in boards at £15.00. Large-paper copies have the portrait of William Vincent on India Paper. The finest copy is preserved and may be seen in a glass case in Westminster Abbey; the letterpress is printed on vellum, with all the original drawings mounted and bound in. (Tooley) Abbey, Scenery, 213; Tooley 2; Prideaux p. 331. .
David Brass Rare Books (ABAA/ILAB)Professional seller
Book number: 04939
USD 2850.00 [Appr.: EURO 2392.5 | £UK 2060.5 | JP¥ 308940]
Keywords: COMBE, William Architecture London Views

 ACKERMANN, RUDOLPH; COMBE, WILLIAM; PUGIN, AUGUSTUS; ROWLANDSON, THOMAS, Microcosm of London; or, London in Miniature, the
ACKERMANN, RUDOLPH; COMBE, WILLIAM; PUGIN, AUGUSTUS; ROWLANDSON, THOMAS
Microcosm of London; or, London in Miniature, the
London: R. Ackermann's Repository of Arts, 1808. With Nine (Possibly Ten) of Abbey's Twelve Key Plates in Their First "Luminous" State [ACKERMANN, R[udolph]. The Microcosm of London; or, London in Miniature]. London: R. Ackermann's Repository of Arts, [1808-1810]. First edition, early issue, with nine (possibly ten) of Abbey's twelve key plates in their first state. Text watermarked 1806-1807 and plates watermarked 1805-1808, and with the errata uncorrected, except for that reading "coustom" for "custom" on p. 218 of Volume I (see Abbey, Scenery, p. 138). Three large quarto volumes (12 7/8 x 10 11/16 inches; 327 x 271 mm.). iv, 1, contents], [1, blank], [3]-231, [1, blank]; [iii]-vi, [1, contents], [1, blank], 239, [1, blank]; [iii]-iv, [1, contents], [1, publisher's note], 280, [6, index and errata] pp. Half-titles. present. Woodcut title and engraved dedication leaf in each volume. With 104 hand-colored aquatint plates, including fifty-four by J. Bluck, twenty-nine by J.C. Stadler, ten by T. Sutherland, ten by J. Hill, and one by Harraden, after Rowlandson and Pugin. First state of Abbey's key plates 1, 3, 4, 5, 6, 7, 9, and 10, with plate 8 uncertain as noted by Abbey. Contemporary full tree calf. Gilt-tooled borders. Spines neatly rebacked to period style. Five compartments with crimson and green morocco labels and gilt ornaments. Four gilt-tooled raised bands. Some offsetting to opposing leaves. An extraordinary copy of a book scarcely seen with all half-titles and nine (possibly ten) of the twelve key plates in first state. "The [book's] striking feature is not so much the text (though the third volume is notable as the work of W. Combe) but the coloured illustrations, in this case the combined work of Pugin and Rowlandson..The pictures in this book cover all the well-known public buildings of London-churches, banks, prisons, theatres, etc.-capitally portrayed by Pugin..The great metropolis, with its high life and low, its light and its shade, could have had no one better fitted [than Rowlandson] to portray its inmates. The spirited figures that he adds to Pugin's backgrounds show that his talents were not limited to the ludicrous and grotesque. With the happiest faculty for expressing character, he is equally at home amid a serious discussion of naval policy at the Admiralty Board-Room, or among the excited, gambling crowd of the Royal Cockpit. At Westminster Abbey or Bridewell, the College of Physicians or Billingsgate, everywhere he has seized on the essential features and the typical frequenters of the place..The book is a living and delightful record of the old metropolis of [two] hundred years ago, the London of Lamb, Jane Austen, Dickens, and Thackeray, of places and incidents that are now mere memories" (Martin Hardie, pp. 101-102). "The 'Microcosm of London' is one of the great colour-plate books, and a carefully selected copy should form the corner stone of any collection of books on this subject. The plates by Rowlandson and Pugin present an unrivaled picture of London in early 19th century, of historic value, as many of the buildings no longer exist" (Tooley). Early impressions are particularly prized: "original impressions of these splendid plates have a luminous quality entirely absent from later printings" (Abbey). Abbey, Scenery, 212. Adams, London Illustrated, 99. Martin Hardie, pp. 100-103. Prideaux, pp. 121-124 and 348. Tooley 7. .
David Brass Rare Books (ABAA/ILAB)Professional seller
Book number: 04936
USD 13500.00 [Appr.: EURO 11332.75 | £UK 9759.5 | JP¥ 1463401]
Keywords: COMBE, William PUGIN, Augustus ROWLANDSON, Thomas English History London Views

 ACKERMANN, RUDOLPH, Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, the
ACKERMANN, RUDOLPH
Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, the
London: R. Ackermann, 1809-18. A Presentation Run of Ackermann's "Repository of Arts" With 747 Plates, including 45 Plates with Fabric Samples Affixed [ACKERMANN, Rudolph, publisher]. The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics. Series 1, Volumes I-XIV (January, 1809-December, 1815) and Series 2, Volumes I-VI (January, 1816-December, 1818). London: R. Ackermann, 1809-1818. Series I, volume I is a presentation copy from Rudolph Ackermann to his good friend Joshua Watson. First editions. Twenty octavo volumes bound in ten (9 1/4 x 5 5/8 inches; 236 x 144 mm.). Text in double columns. Series One (volumes I-XIV) with 406 colored plates (some folding) including aquatint views, fashion plates, and furniture designs and 79 uncolored plates (mainly 'Needlework and Muslin Patterns'). In addition there are 45 (of 62) "Allegorical Woodcut" plates, with 152 (of 175) fabric samples affixed. Series Two (volumes I-VI) with 172 colored plates (some folding) including aquatint views, fashion plates, and furniture designs and 45 uncolored plates. Contemporary half red straight-grain morocco over marbled boards. Spines with five raised bands, decoratively tooled and lettered in gilt, marbled edges. With the bookplate of Maxine and Joel Spitz on front paste-downs. Slight wear to bindings. An excellent run of this historically important periodical with the first fourteen (and best) volumes with a very high proportion of the 'fabric samples' present. Provenance: Purchased from Marshall Field, 6 January 1930. Volume I is a presentation copy from Rudolph Ackermann to his good friend Joshua Watson ('Allow me the pleasure of presenting you with my annual Forget me Not', he writes in a tipped in, 2-page letter, dated Strand 29 December 1823) full text of letter below. "The name of Ackermann is intimately associated with the 'Repository of Arts, Literature, Fashions, Manufactures, &c.' which at once became so successful that before the end of the first year (1809) it obtained 3,000 subscribers. It regularly appeared until 1828, when forty volumes had been produced in monthly 3s. 6d. parts, under the editorship of F. Shoberl. Wm. Combe was a large contributor, and Rowlandson supplied many of the plates. The illustrations of fashions, mostly by well-known artists, supply valuable materials for the history of costume" (D.N.B.) "Strand 29 Dec 1823. My Dear Sir, Allow me the pleasure of presenting you with my annual Forget me not, as also with a little favourite child of mine, called Parables, just ready for starting in the World. Now as this youth is educated in the Path of Virtue, Morality, and Religion, I anticipate without fear its kindest reception by so good a man as my friend Mr. Watson, whose fostering hand will lead it the right way on its starting, and protect it on its way, and when once so introduced will easily recommend itself to all good Society, & flourish. Please accept the usual compliments of the season. I remain, My Dear Sir, Your most obliging, R. Ackermann. To Joshua Watson Esq." Joshua Watson, a public benefactor and counsellor of the Church of England was a good friend of Rudolph Ackermann. Abbey, Life, 212. Colas 2541. Hiler, p. 745. Lipperheide 4598. Martin Hardie, pp. 110-112. Tooley 8. .
David Brass Rare Books (ABAA/ILAB)Professional seller
Book number: 03336
USD 7500.00 [Appr.: EURO 6296 | £UK 5422 | JP¥ 813000]
Keywords: Costume Sets (Bound)

 ACKERMANN, RUDOLPH, Series Containing Forty-Four Engravings in Colours of Fashionable Furniture, a;
ACKERMANN, RUDOLPH
Series Containing Forty-Four Engravings in Colours of Fashionable Furniture, a;
London: Published by R. Ackermann, 1823. The Extremely Scarce Second Series [ACKERMANN, Rudolph]. A Series Containing Forty-Four Engravings In Colours of Fashionable Furniture. London: R. Ackermann, 1823. First edition. Small quarto. [2], 52, 4, [as adverts.] pp. Forty-four hand-colored line, stipple or aquatint engraved plates, watermarked 1821-22, each printed with caption-title, imprinted "Ackermann's Repository of Arts" and dated to a month in 1822. Publisher's quarter crimson roan over drab boards, original printed pale green paper title label ("Upholsterer's and Cabinet-Maker's Repository"), gilt rules to spine. Roan and boards a little worn at extremities, internally clean. An remarkable copy of a very rare Ackermann title. Housed in an early twentieth-century red cloth clamshell case. No copies have appeared at auction since ABPC began indexing results in 1923. OCLC records only six copies in institutional holdings worldwide. A selection of plates and notes taken from Ackermann's Repository of Arts, and second in a series: Abbey records an Ackermann title, Upholsterer's and Cabinet-Maker's Repository, c. 1830, with seventy-six plates dated 1809-1815 but watermarked 1827-30. "Upholsterer's and Cabinet-Maker's Repository" appears on the title-label to the volume under notice but not the title-page. In the Preface to this copy it is written, "The Publisher.. trusts with confidence that they will prove equally interesting with the First Series, containing seventy-six Designs, which has sometime been before the pubic." Thus the Preface to this, the Second Series, belies Abbey who does not note this Second Series and mis-dates the First Series. Cf. Abbey, Life, 1. Not in Tooley, Hardie, or Prideaux. .
David Brass Rare Books (ABAA/ILAB)Professional seller
Book number: 02271
USD 4800.00 [Appr.: EURO 4029.5 | £UK 3470 | JP¥ 520320]
Keywords: English History

 ADAM, ALBERT, ILLUSTRATOR; ROSTAING, JULES, Jardin Des Plantes En Estampes, le
ADAM, ALBERT, ILLUSTRATOR; ROSTAING, JULES
Jardin Des Plantes En Estampes, le
Paris: Maison Martinet - Hautecoeur, Frères, 1860. With Twenty-Four Superb Hand Colored Lithograph Plates Depicting All Species of Animals [ADAM, Albert, illustrator]. ROSTAING, Jules. Le Jardin Des Plantes en Estampes. Dessiné et Lithographié par A. Adam. Accompagné d'une histoire De Tous Les Animaux Que Possède La Ménagerie par Jules Rostaing. Paris: Maison Martinet - Hautecoeur, Frères, [1860]. First edition. Large oblong quarto (10 3/16 x 13 1/2 inches; 259 x 343 mm.). [iv], 30, [1, table], [1, blank] pp. Twenty four superb hand-colored lithograph plates, heightened with gum arabic and with multiple images. Some light foxing to text leaves only, the plates bright and clean. Publisher's black pebble-grain cloth, front cover pictorially stamped and lettered in gilt, lower cover with center blind-stamped decoration, yellow coated end-papers, front inner hinge expertly and almost invisibly repaired. Neat early ink inscription on front fly-leaf dated 1860. The wonderful hand-colored plates depict Bison, Deer, Moose, Antelope, Lama, Goats, Birds, Giraffe, Buffalo, Elephant, Hippopotomus, Rhino, Camel, Zebra, Donkey, Lion, Tiger, Leopard, Jackal, Wolves, Hyena, Orang-Outang, Monkeys, Dogs, Birds of Prey, Crocodile, Snakes, Gazelle, and People. Albert ADAM (1833-1900) was the son of Caricaturist and lithographer Jean Victor Adam (1801-1867) whom he often assisted with his commissions. OCLC locates just one copy - The Morgan Libary, NY (Gordon Ray copy). Unknown to Denise, Bibliography of the Jardin des Plantes. .
David Brass Rare Books (ABAA/ILAB)Professional seller
Book number: 04374
USD 2500.00 [Appr.: EURO 2098.75 | £UK 1807.5 | JP¥ 271000]
Catalogue: Children's Books
Keywords: ROSTAING, Jules Color-Plate Books Books in French Natural History

 ADAM, ALBERT, Tribulations Parisiennes Et Campagnardes
ADAM, ALBERT
Tribulations Parisiennes Et Campagnardes
Paris: Hautecoeur Frères, 1840. Parisian and Country Tribulations The Humorous Side of Distress, Trouble, Misery, Anguish, Agony, Grief and Wretchedness.. ADAM, Albert, illustrator. Tribulations Parisiennes et Campagnardes. Par Albert Adam. Paris: Hautecoeur Frères, [ca. 1840]. First edition. Folio (12 7/8 x 9 7/8 inches; 328 x 251 mm.). Lithographed pictorial title-page and Thirty-two plates hand-colored lithograph plates heightened with gum arabic, on sixteen sheets. Several of the plates have more than one image depicted. Tiny piece of lower corner of title-page and plate 10 torn away, small piece of lower inner margin of plate 16 torn away - nothing affecting any images. Some light marginal soiling and toning otherwise an excellent copy of this extremely scarce title. Bound to contemporary style in full dark green straight-grain morocco. Covers elaborately decorated in gilt and blind, spine with five raised bands decoratively tooled and lettered in gilt in compartments, decorative gilt turn-ins, gold marbled end-papers. This is the first time in over fifty years that I have seen this very amusing title which depicts the humorous side of distress, trouble, misery, anguish, agony, grief and wretchedness.. especially plate 12 (the top image) "Arrcheur de Dents sans douleur" (pain-free teeth remover). The Plates: 1. Un Chien emporté / Culbute à la Marche 2. Désagrément du Macdam / Le Pot de fer et le Pot de terre 3. Une Famille d'Allemands / Touché !!! / Deux blaguers / Il l'aura . il l'aura pas! / Le Repas 4. Ces Messieurs s'amusant.. / C'est celle-là ! qui est une bête de premier mérite 5. Une branche de salut / Une belle Famille 6. Un accident imprévu / Marchands d'oranges etc 7. Voiture à l'usage des amateurs de culbutes / Le Dejeuner interrompu 8. Arrosement public et gratis / La Ruade 9. Gentlemans au Bois / Visite désagréable 10. Train de plaisir à l'heure / [not titled] 11. Départ du Roulage / Position très désagréable 12. Arrcheur de Dents sans douleur / Le bon père de Famille 13. Concurrence monstre. - Route de Passy / Cheval qui a un défaut marquant 14. Une glissade / [not titled] 15. L'Artiste culbuté / Cheval antropophage 16. Un Mosieur qui n'a pas l'habitude etc / Noouvelle course au Clocher Very scarce: According to OCLC there are just five copies located in libraries and institutions worldwide (Morgan Library, NY; UCLA, CA; Library of Congress, DC; Clark Art Institute, MA, and Harvard Univ. Houghton Library, MA). Albert ADAM (1833-1900) was the son of Caricaturist and lithographer Jean Victor Adam (1801-1867) whom he often assisted with his commissions. .
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Book number: 04860
USD 5500.00 [Appr.: EURO 4617 | £UK 3976.25 | JP¥ 596200]
Keywords: Books in French Caricatures

 ALDRIDGE, ALAN, Sir Maximus Mouse
ALDRIDGE, ALAN
Sir Maximus Mouse
: , 1973. The Cheese Tycoon At Home in the Cheddar Bank Original Art From "The Butterfly Ball" ALDRIDGE, Alan. Sir Maximus Mouse. Original Art, Plate No. 19 from The Butterfly Ball and the Grasshopper's Feast. N.p. 1973. 25 x 19 1/4 inches (64 x 49 cm) matted and glassed in frame; oval image 18 x 12 1/2 inches (46 x 31.5 cm). An original airbrushed acrylic painting illustrating a character from artist Alan Aldridge's modern children's classic, The Butterfly Ball and The Grasshopper's Feast, with verses by William Plomer and nature notes by Richard Fitter, originally published in London by Jonathan Cape, 1973. It is one of twenty-eight illustrations created for the book. Accompanied by a first edition copy of the book. That huge new block, in EC4, Of the Cheddar Bank they built last June Has a secret fat, on the fourteenth floor, For Sir Maximus Mouse, the Cheese Tycoon. There he sits in his cozy room With a ticker-tape, in view of St. Paul's To watch how the market rises and falls. His whiskers twitch at the hint of a broom, His whiskers droop at the hint of a slump in his Hundred-and-twenty super-companies. As a cat will watch a mouse, he stares At the ups and downs of shocks and shares, A prince among mice and millionaires. "Knock, knock," says the grandfather clock, "Money's not all, money's not all - He has quite forgotten the Butterfly Ball!" Alan Aldridge (b. 1943) is an English artist, graphic designer and illustrator. Aldridge first worked as an illustrator at The Sunday Times Magazine. After executing some freelance book covers, he became the art director for Penguin Books. In 1968 he established his own graphic-design firm, INK, which created imagery for the Beatles and their Apple Corps. He was responsible for a great many album covers during the 1960s and 1970s, influencing the graphic style of the period. His work was characterized by flowing, cartoon-like designs with soft airbrushing. He is possibly best known for the children's illustrated book, The Butterfly Ball and the Grasshopper Feast, a series of illustrations of anthropomorphic insects and other creatures, which he created in collaboration with William Plomer. It was based on William Roscoe's poem of the same name but was motivated by John Tenniel's assertion to Lewis Carroll it was impossible to draw a wasp in a wig. Aldridge also created the artwork for Elton John's Captain Fantastic and the Brown Dirt Cowboy (1975). .
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Book number: 02535
USD 14500.00 [Appr.: EURO 12172.25 | £UK 10482.25 | JP¥ 1571801]
Catalogue: Original Art

 ALEXANDER, WILLIAM, Costume of the Russian Empire, the
ALEXANDER, WILLIAM
Costume of the Russian Empire, the
London: Printed for W. Miller, 1803. Seventy-Three Fine Hand-Colored Stipple Engravings of The Russian Empire With Descriptions Derived From Authentic Sources [ALEXANDER, William]. The Costume of the Russian Empire, illustrated by a series of seventy-three engravings. With descriptions in English and French. London: Printed for W. Miller, 1803. First edition, later issue. Folio (13 13/16 x 10 1/8 inches; 350 x 257 mm.). [xviii], 73 leaves of text. Text printed in English and French. Seventy-three hand colored stipple-engravings. Plates watermarked J. Whatman 1817, text watermarked 1811. A few plates with minor marginal discoloration and light offsetting onto facing text leaves. Full contemporary red straight-grain morocco. Covers decoratively tooled in gilt and blind, spine with three wide and shallow raised bands, decoratively tooled and lettered in gilt in compartments, decorative gilt board-edges and turn-ins, all edges gilt. With the armorial bookplate of Holcombe Ingleby on front paste-down. Minor rubbing to lower joint. A n excellent copy. "In the two former works of a similar nature to the present, - the Costume of Turkey, and the Costume of China, - the utility and advantage of such publications have been sufficiently dilated upon; and the approbation with which they have been honoured has evinced, that the opinion, the Publisher had formed of their value, was not ill-founded. This present work possesses all the advantages, which the former ones embraced, and has the further merit of rather a more systematic arrangement. The Russian empire is of an extent unknown to other modern nations, and hardly equalled by that of the Romans in the summit of their power. It embraces within its limits, nations the most various, with countries and climates the most opposite.. The authenticity of the present work is undoubted, being in fact copied from a series of engravings begun at Petersburg in 1776, and finished in 1779.. The descriptions to the plates have been derived from the most authentic sources, more particularly from Professor Müller's "Description de toutes les Nations de l'Empire de Russie -- Voyage en Sibérie, par D'Auteroche -- Description de Kamtshatka, par M. Kracheninnikow --Plescheëf's Survey of the Russian Empire -- Pallas's Travels through the Southern Parts of Russia -- Saür's Account of Commodore Billing's Expedition to the Northern Parts of Russia," &c. &c. as well as from information procured from several gentlemen, who have been resident for some time in different parts of that empire." (Preface). "The fourth in the series of costume books issued by William Miller. The plates for this book are closely copied, but somewhat enlarged, from a book by J.G. Georgi published by Carl Wilhelm Müller in St. Petersburg, four volumes, 4to, 1776-80, under the patronage of the Empress. The text to this English edition is said to be by William Alexander." Abbey) Abbey, Travel, 244. .
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Book number: 03460
USD 3500.00 [Appr.: EURO 2938.25 | £UK 2530.25 | JP¥ 379400]
Keywords: Books in French Costume Voyages and Travels

 ALEXANDER, WILLIAM, Picturesque Representations of the Dress and Manners of the English
ALEXANDER, WILLIAM
Picturesque Representations of the Dress and Manners of the English
London: Printed for John Murray.. by W. Bulmer and Co. 1814. With Fifty Hand Colored Aquatint Plates Depicting a Huge Range of Social Types ALEXANDER, William. Picturesque Representations of the Dress and Manners of the English. Illustrated in fifty coloured engravings, with descriptions. London: Printed for John Murray.. by W. Bulmer and Co. 1814. Small quarto (8 15/16 x 6 1/8 inches; 227 x 156 mm.). [iv], Fifty hand colored aquatint plates, each with an accompanying leaf of text. Plates watermarked "J. Whatman Turkey Mills ---9" which we would estimate to be 1819. Contemporary full maroon straight-grain morocco, covers elaborately bordered in gilt and blind, spine with four raised bands, decoratively tooled and lettered in gilt in compartments, gilt boards edges and turn-ins, all edges gilt. A fine, albeit slightly later copy of this fascinating work. This extraordinary work covers a huge range of social types from 'The Sovereign' to a chimney sweep, a judge to the licensed man that watered and fed the horses pulling the hackney carriages. The images and related text on the lower classes in general and the street vendors in particular are probably the most interesting. They picture and describe people who do not appear in conventional histories of the period, and offer a window into real life on the streets at the beginning of the 19th century. Colas notes that the plates are engraved from earlier images by William Henry Pyne, presumably those published in his The Costume of Great Britain (London: 1804, 60 plates). Pyne's work was evidently a major source for this work, as a comparison of the titles to the plates shows, but there are also a significant number of military subjects that are not in Pyne's work, suggesting a variety of sources. The plates have been executed with a refreshing liveliness and freedom that is not usually seen in books of this type, but which is typical of William Alexander's etched and engraved work. This volume is part of a series, all of which were published uniformly in 1814 and include: Picturesque Representations of the Dress and Manners of the Austrians Picturesque Representations of the Dress and Manners of the Chinese Picturesque Representations of the Dress and Manners of the Russians Picturesque Representations of the Dress and Manners of the Turks Colas II, 2357; Lipperheide Gca 21; Tooley 374. .
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Book number: 03779
USD 1250.00 [Appr.: EURO 1049.5 | £UK 903.75 | JP¥ 135500]
Keywords: Costume

 ALEXANDER, WILLIAM; MOLEVILLE, BERTRANDE DE, Picturesque Representations of the Dress and Manners of the Austrians
ALEXANDER, WILLIAM; MOLEVILLE, BERTRANDE DE
Picturesque Representations of the Dress and Manners of the Austrians
London: Printed for John Murray.. by W. Bulmer, 1814. With Fifty Hand-Colored Engraved Plates ALEXANDER, William. Picturesque Representations of the Dress and Manners of the Austrians. Illustrated in fifty coloured engravings. With descriptions. London: Printed for John Murray.. by W. Bulmer, 1814. Octavo (9 5/16 x 6 1/2 inches; 238 x 165 mm.). [iv], xv, [i, blank], [100] pp. Fifty hand-colored engraved plates, each with a leaf of descriptive letterpress. Plates with imprint: Pub'd June 1, 1813, by J. Murray, Albemarle Street. Contemporary half black straight-grain morocco over marbled boards, smooth spine ruled and lettered in gilt, expertly and almost invisibly rebacked to style. Minimal foxing and very slight offsetting from plates to text only. Early ink signature on front blank. An excellent copy with the plates watermarked J. Whatman 1811. The plates are copies in reduced size of those in Bertrande de Moleville's Costume of the Hereditary States of the House of Austria (1804). Cf. Hiler. William Alexander (1767-1816) was an English painter, illustrator and engraver. The hallmarks of his work, usually executed in watercolors, were clearness and harmony of color, simplicity and taste in composition, grace of outline, and delicacy of execution. He accompanied the Macartney Embassy to China in 1792. His other principal works were: Views of Headlands, Islands, etc. taken during the Voyage to China (1798); drawings based on Daniells' sketches, for Vancouver's Voyage to the North Pacific Ocean (1798); and the descriptive plates to Sir John Barrow's Travels in China (1804), and Voyage to Cochin China (1806). In 1804 he published Picturesque Representations of the Dress and Manners of the Austrians, and in 1805 The Costume of China, illustrated by 48 colored engravings. These works were so well-received that in 1814 he re-published these books in small format. Colas 78; Hiler, p. 16; Lipperheide 832. .
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Book number: 04958
USD 1950.00 [Appr.: EURO 1637 | £UK 1409.75 | JP¥ 211380]
Keywords: MOLEVILLE, Bertrande de Costume Voyages and Travels Women Fashion

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