| found: 9 books |
Trois Trios Pour le Piano-Forte, Violon, Et Violoncelle. Composé Par Louis Van Beethoven. Op. 1eo. Prix. 12f. Original Engraved Sheet Music
Paris: Chez Naderman, circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 10 pages. This is the section for the Violino. Light to moderate stains. Expertise by Thierry BODIN - 01 45 48 25 31 Syndicat Français des experts Professionnels en Oeuvre d'Art Ludwig van Beethoven's Opus 1 is a set of three piano trios (written for piano, violin, and cello), first performed in 1795 in the house of Prince Lichnowsky, to whom they are dedicated.[The trios were published in 1795. François-Joseph Naderman est un compositeur, harpiste, facteur, éditeur de musique et professeur de harpe, né le 5 août 1781 à Paris où il est mort le 2 avril 1835. The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795, possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky, at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838, "The three trios by Beethoven (Opus 1) were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited, in particular Haydn, whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them, but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven, as he considered it to be the best one, and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious, jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did, however, confirm what Beethoven had mentioned, as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well. .
Wittenborn Art BooksProfessional sellerBook number: 16-3932
USD 400.00 [Appr.: EURO 372.5 | £UK 320.5 | JP¥ 62077]
Catalogue: Ephemera
Trois Trios Pour le Piano-Forte, Violon, Et Violoncelle. Composé Par Louis Van Beethovne. Op. 1eo. Prix. 12f. Original Engraved Sheet Music
Paris: Chez Naderman, circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 62 pages. First page defective with losses in lower right quadrant. Light to moderate stains. Stamp with text: Editeur du Musique du Roi. Expertise by Thierry BODIN - 01 45 48 25 31 Syndicat Français des experts Professionnels en Oeuvre d'Art Ludwig van Beethoven's Opus 1 is a set of three piano trios (written for piano, violin, and cello), first performed in 1795 in the house of Prince Lichnowsky, to whom they are dedicated.[The trios were published in 1795. François-Joseph Naderman est un compositeur, harpiste, facteur, éditeur de musique et professeur de harpe, né le 5 août 1781 à Paris où il est mort le 2 avril 1835. The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795, possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky, at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838, "The three trios by Beethoven (Opus 1) were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited, in particular Haydn, whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them, but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven, as he considered it to be the best one, and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious, jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did, however, confirm what Beethoven had mentioned, as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well. .
Wittenborn Art BooksProfessional sellerBook number: 16-3933
USD 1500.00 [Appr.: EURO 1396.5 | £UK 1201.5 | JP¥ 232790]
Catalogue: Ephemera
Trois Trios Pour le Piano-Forte, Violon, Et Violoncelle. Composé Par Louis Van Beethoven. Op. 1eo. Prix. 12f. Original Engraved Sheet Music
Paris: Chez Naderman, circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 10 pages. This is the section for the Violincello.[2], 17, [1] pages Very clean. Expertise by Thierry BODIN - 01 45 48 25 31 Syndicat Français des experts Professionnels en Oeuvre d'Art Ludwig van Beethoven's Opus 1 is a set of three piano trios (written for piano, violin, and cello), first performed in 1795 in the house of Prince Lichnowsky, to whom they are dedicated.[The trios were published in 1795. François-Joseph Naderman est un compositeur, harpiste, facteur, éditeur de musique et professeur de harpe, né le 5 août 1781 à Paris où il est mort le 2 avril 1835. The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795, possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky, at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838, "The three trios by Beethoven (Opus 1) were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited, in particular Haydn, whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them, but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven, as he considered it to be the best one, and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious, jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did, however, confirm what Beethoven had mentioned, as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well. .
Wittenborn Art BooksProfessional sellerBook number: 16-3935
USD 800.00 [Appr.: EURO 744.75 | £UK 640.75 | JP¥ 124155]
Catalogue: Ephemera
Second Concerto Pour Clavecin Où Forte-Piano, Deux Violons, Alto, Basse, Cors Et Hautbois Ad Libitum, å“Uvre 14e. Signed by the Publisher. First Edition
Paris: Naderman, circa 1795-97. Folio. 27 x 35.5cm, 17pp. New marbled wraps by the artisan binder Sasha Mosalov. Signed with stamp by Naderman. OCLC Number / Unique Identifier: 64026736. .
Wittenborn Art BooksProfessional sellerBook number: 51-5440
USD 175.00 [Appr.: EURO 163 | £UK 140.25 | JP¥ 27159]
Catalogue: Ephemera
Trois Sonates Pour le Clavecin Où le Forte-Piano Avec Accompagnement de Violon. , å“Uvre10e. Signed by the Publisher. First Edition
Paris: Naderman, circa 1795-97. Folio. 27 x 35.5cm, 17pp. New marbled wraps by the artisan binder Sasha Mosalov. Signed with stamp by Naderman. Jean-Henri Naderman (20 July 1734- 4 February 1799) was one of the leading harp-makers in Paris in the 18th century, and also a music publisher. Not in OCLC. .
Wittenborn Art BooksProfessional sellerBook number: 51-5441
USD 175.00 [Appr.: EURO 163 | £UK 140.25 | JP¥ 27159]
Catalogue: Ephemera
Trois Sonates Pour Clavecin Ou Forte Piano Avec Accompagnement de Violin Et Violoncelle : Oeuvre 84. First Edition. Signed by the Publisher
Paris: J. H. Naderman, circa 1800-02. Folio. 27 x 35.5cm, 33pp. New marbled wraps by the artisan binder Sasha Mosalov. Signed with ink stamp by the publisher. Not in OCLC. Jean-Henri Naderman (20 July 1734- 4 February 1799) was one of the leading harp-makers in Paris in the 18th century, and also a music publisher. .
Wittenborn Art BooksProfessional sellerBook number: 51-5436
USD 175.00 [Appr.: EURO 163 | £UK 140.25 | JP¥ 27159]
Catalogue: Ephemera
La Marguerite. Romance avec accompagnement de harpe ou piano dédiée à mademoiselle Estelle Langlais
Paris : Naderman [ca. 1820]. 3 gest. S. Gewicht/weight ca. 600 gr.
Musikantiquariat Paul van KuikProfessional sellerBook number: 66760
€ 19.80 [Appr.: US$ 21.27 | £UK 17.25 | JP¥ 3301]
Catalogue: Noten. Lieder (franzoesisch)
Keywords: lied, lieder, vokalmusik
Pot-pourri en duo pour harpe & piano
Paris : Naderman, PN 195 [1802-3]. Klavierstimme. 21 S. Gewicht/weight ca. 350 gr.
Musikantiquariat Paul van KuikProfessional sellerBook number: 46504
€ 65.00 [Appr.: US$ 69.83 | £UK 56 | JP¥ 10837]
Catalogue: Noten. Klavier (1-2haendig)
Keywords: harfenmusik, Klavier, klaviermusik
Pot-Pourri en duo pour harpe & piano
Paris : Naderman, PN 195 [ca. 1800]. Klavierstimme. 21 S. Gewicht/weight ca. 400 gr.
Musikantiquariat Paul van KuikProfessional sellerBook number: 51499
€ 40.00 [Appr.: US$ 42.97 | £UK 34.5 | JP¥ 6669]
Catalogue: Noten. Zupfinstrumente
Keywords: harfenmusik, Kammermusik
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