Antiquariaat Goltzius: Prenten Prints prent
found: 118 books on 8 pages. This is page 5
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Hondius, Hendick I (1573-ca. 1649)
[15] Henri met de Bles (Pictorum aliquot celebrium, præcipué Germaniæ Inferioris, effigies; series title)
Portrait of Henri met de Bles. In the background to the left an owl in a niche and on the right a landscape. 15th plate of the series; I part. Monogrammed on the left: 'Hh ex.' Inscription on the bottom: 'HENRICO BLESIO, BOVINATI, PICTORI./ Pictorem urbs dederat Dionatum Eburonia, Pictor / Quem proximis dixit poeta versibus / Illum adeo artificem patriae situs ipse, magistro / Aptissimus, vix edocente fecerat. / Hanc laudem invidit vicinae exile Bovinum, / Et rura doctum pingere Henricum dedit / Sed quantum cedit Dionato exile Bovinum / Ioachime, tantum cedit Henricus tibi.' Copy in reverse to Cock's 1572. l Engraving with margins; plate mark: 208 x 123, total: 230 x 146; some dirt and foxing in the region of the text; Hollstein 137; New Hollstein (Hondius) 96
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Book number: 60086
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Hondius, Hendick I (1573-ca. 1649)
[20] De Guglielmo Caio, Bredano Pictore (Pictorum aliquot celebrium, præcipué Germaniæ Inferioris, effigies; series title).
Portrait of Willem Key wearing a hat. In the background to the right a painted portrait leaning against a wall. 2oth plate of the series; I part. Monogrammed on the table in the foreground left: 'Hh. ex.' Inscription on the bottom: 'DE GUILIELMO CAIO, BREDANO, / PICTORE. / Quas hominum facies, ut eos te cernere credas / Expressit Caii pingere docta manus, / (Si tamen excipias unum, me iudice, Morum) / Culpari Belgae nullius arte timent.' Copy in reverse direction to Cock 1572. l Engraving trimmed on plate mark; total: 200 x 120 mm; small lacuna on the top right corner repaired with a piece of engraving attached on the back; some small stains; Hollstein 142; New Hollstein (Hondius) 101
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Book number: 60106
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Hondius, Hendick I (1573-ca. 1649)
[22] Francisco Floro Anverpiano Pictori (Pictorum aliquot celebrium, præcipué Germaniæ Inferioris, effigies; series title
Portrait of Frans Floris. In the background Adam and Eve chased from Eden. 22nd plate of the series; I part. Monogrammed in the lef foreground: 'Hh. ex.' Inscription on the bottom: 'FRANCISCO FLORO ANVERPIANO, PICTORI / Si pictor quantum natura, Flore, valebas, / Tantum adiunxisses artis et ipse tibi, / Dum tibi multa libet potius, quam pingere multum / Nec mora te limae iusta, laborque iuvat :/ Cedite clamarem, pictores, omnibus oris / Quos vel avi, nostri vel genuêre patres'. l Engraving with margins; plate mark: 205 x 126, total: 254 x 166 mm; in outstanding conditions; Hollstein 144; New Hollstein (Hondius) 103
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Book number: 60108
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Hondius, Hendick I (1573-ca. 1649)
[47] Ioannes Vredemannus Frisius Leovardiensis.(Pictorum aliquot celebrium, præcipué Germaniæ Inferioris, effigies; series title)
Portrait of Hans Vredeman de Vries with compass in his hand. 47th plate of the series. Signed on the top left: 'Hh form. Cum privil.' Inscription on the bottom: 'IOANNES VREDEMANNUS FRISIUS. LEOVARDIENSIS. / Pictorum summus, celebrat quos Optica virtus, / Friso : probant artem Regia tecta tuam. / Cum tua sint Opera haec varii subnixa Columnis / Spectabit longo tempore posteritas'. Number '46'in brown ink on top right margin. l Engraving with broad margins; plate mark: 197 x 118 mm, total: 290 x 184 mm; Hollstein 169, New Hollstein 110
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Book number: 60122
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Hondius, Hendick I (1573-ca. 1649)
[3] Dirck Bouts (Pictorum aliquot celebrium, præcipué Germaniæ Inferioris, effigies; series title)
Portrait of Dirck Bouts, seated on a chair with brushes in his hand. 3rd plate of the series; I part. Inscription on the bottom: 'THEODORO HARLEMIO PICTORI / Huc et ades, Theodore, tuam quoque Belgica semper / Laude nihil ficta tollet ad astra manum, / Ipsa tuis rerum genitrice expressa figuris / Te Natura sibi dum timet arte parem'. '3' added in pen on the bottom left. Copy in reverse direction to Cock 1572. On the verso collectors' marks: 'Kupferstich Sammlung Der Konigl Museen' L.1606, L.2482 and Karl Ferdinand Friedrich von Nagler L. 2529. l Engraving with margins; plate mark: 192 x 119 mm, total: 200 x 129; damaged on the external left margin; Hollstein 125; New Hollstein (Hondius) 84
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Book number: 60078
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Hove, Frederick Hendrick van den (1628-1698) after Visscher, Cornelis II (1628/29-1658)
Mr IACOB CORNELISZ DIENAER DER GEMEINTE CHRISTI.... (portrait of Jacob Cornelisz. van Daalen)
Portrait of Jacob Cornelisz. van Daalen (1608-1663) preacher and surgeon in Amsterdam. He is sitting on a chair looking towards right with a booklet in his left hand. On the left of the composition a couple of opened books: one is showing a print with a standing body evidencing the muscles, while the on the other rests a piece of paper with Dutch inscription. Hanging from the table another piece of paper with two lines after the Gospel of Luke. Lettered on the bottom:'Mr IACOB CORNELISZ DIENAER DER GEMEINTE CHRISTI., EN CHIRURGYN BINNEN / AMSTERDAM GEBOREN TOT ROTTERDAM, A. MDCVIII / Siet hier het Beeltnis... en Lichaemi te genesen.' Signed on the bottom left: 'C.de Visscher ad vivum delineavit' and on the right:'F. H. van den Hoove sculpsit'. l Engraving on paper with small margins; platemark:381 x 298 mm , total: 389 x 302 mm; some foxing; on the verso collector's marks of the Museum der bildenden Künste Leipzig from 1956 (L.1669f and L. 1669e); State II/2; Hollstein 10; Le Bl. 11; W. 1; M. 113
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Book number: 60258
€  402.50 [Appr.: US$ 432.17 | £UK 340 | JP¥ 68193]

 
Jozef Israels (1835 - 1911)
Child in crib
Between 1835 - 1911. Etching depicting a child in a crib. Behind the crib is a chair with a small dog on it. The etching is wild and dark. It is signed inside the plate. l Etching on paper. The etching is in good condition, there is no coloration and the margins are full. The etch is covered in a two-part passé-partout. De etsen van Jozef Israëls : een catalogus, H.J. Hubert, p. 38, cat.nr. 22
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Book number: 60260
€  224.25 [Appr.: US$ 240.78 | £UK 189.5 | JP¥ 37993]

 
Jacque, Charles Émile (1813-1894), after A. (?) Ribera
St. Anthony abbot
St. Anthony abbot holding his chest with the right hand, pointing with the thumb to the T embroidered on his cloth. Signed on the bottom: 'ARibera 1620'l Etching on paper; platemark: 120 x 110 mm, small margins; total: 126 x 115. PB01SS(Anthony)
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Book number: 59622
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 Johannes Mattheus Graadt van Roggen, (1867- 1959), Coastal landscape "Rochers Rouges" Riviera 1928-1929
Johannes Mattheus Graadt van Roggen, (1867- 1959)
Coastal landscape "Rochers Rouges" Riviera 1928-1929
1928-1929, Very rare dry needle etching, there are only three prints. Third state. This one is in black ink, but it also exists in red. The etching shows a shore with rocks. In the lower left is the monogram of the artist, it is also signed in pencil. The print is covered in a firm passé-partout. The depicted rockformation is presumed to be in Bretagne (France) but written on back is "Riviera". See also: Mia van Regteren Altena, J.M. Graadt van Roggen als grafisch kunstenaar, 1948.l dry point etching on paper, in passé-partout. , passé-partout: 349x300 mm print:171x217 mm. Modern018
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Book number: 60224
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Johannes Mattheus Graadt van Roggen, (1867- 1959)
'In Rust'
Etching of a Dutch farmer, leaning on a cane. The man is standing in a pasturage, wearing a hat, cape and clogs. Under the plate is a stamp ''Gedrukt door den etser'. It is signed in pencil by the artist, and is noted to be the 18th print out of 25. See also: Mia van Regteren Altena, J.M. Graadt van Roggen als grafisch kunstenaar, 1948. l Etching on paper, passé-partout: 322x498 mm print: 257x218mm. Modern014
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Book number: 60220
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Jungwierth, Franz Xaver (1720-1790) after Piazzetta, Giovanni Battista (1683-1754)
Head of a Boy
Boy turning towards the left holding a pick in his hand. From a series of study heads from Piazzetta, c. 1735. Lettered on the bottom:"I. B. Piazzetta delineavit/ 1/ F. X. Iungwierth Sc. Mon./ Cum Gratia et Privilegio Sacrae Caesareae Majestatis/ Iohann Christian Leopold excudit Augustae Vindebicorum"l Etching on paper, broad margins; platemark: 143 x 98 mm; total: 218 x 154 mm. PG014
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Book number: 59630
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Kessel, Theodor van (ca. 1620- after ca. 1660), after Hecke, Jan van den I (1619/20-1684)
ALCUNE / ANIMALI / desegnate per / Giovanni vanden Hecke / et Intagl[ia]te per / Theod. van Kessel / An. 1654
Six plates from the collection of figures of animals designed by Jan van den Hecke and engraved by Theodor van Kessel. The plates are not numbered. The first plate is the frontispiece of the collection. It is titled on the left: 'ALCUNE / ANIMALI / desegnate per / Giovanni vanden Hecke / et Intagl[ia]te per / Theod. van Kessel / An. 1654', above the title: 'G. Quineau Exc. in de Raamsteg'. In the other plates are: two donkeys; three goats in a landscape; four dogs in the foreground with a skull and on the background on the left the body of a man hangs from the gallows; a horse in a landscape; again two donkeys.l Etchings on paper with margins: 1) platemark: 75 x 102 mm; total: 83 x 110 mm; 2) platemark: 73 x 105 mm; total: 80 x 113 mm; 3) platemark: 75 x 105 mm; total: 82 x 112 mm; 4) platemark: 75 x 105 mm; total: 82 x 111 mm; 5) platemark: 75 x 105 mm; total:
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Book number: 59714
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Lastman, Nicolaes (1585/87-1625) after Quast, Pieter Jansz. (1605/6-1647)
MUNDUS VULT DECIPI
A soldier is standing in the center being mocked by seven personages surrounding him, three on the left and four on the right respectively. The inscription above reads 'MUNDUS VULT DECIPI', meaning that 'the world wants to be deceived'; this soldier, then, is being deceived by these grotesque figures. On the background a landscape with a village on the top of the hill. This same plate was reused in 1720 in 'Tafereel der Dwaasheid' as nr. 67, where lines of text are added as dialog between the personages. Signed on the bottom: 'P. Q. delin.'; 'C.L. sculp.'; 'Carolus Allard excudit cum privil: / Ord: Holl: et West fr:'. Lettered in French at the feet of the soldier:'Voici le Guerrier, object de raillerie / De la sagesse et non pas moins de la folie. / Courage feminin anime le heros, / Et en temps de danger ne se tient en repos. / L'Urinal, que voilá, indique les miseres, / Qui même aux innocens arrivent à la guerre.' On the bottom verses in Dutch:'Diogenes ontstak bij dag-licht zijn Lantaren, / En om te zoeken waar recht-schapen menschen waren, / Quam op de Markt, daar volk van alle soorten stond, / Die hij, elk na haar aard, berispend heeft doorgrond. / De Wijsgeer, bezig om den waaren mensch t'ontdekken, / Bevond de Waereld valsch, en voorst een Kooy vol Gekken.'l Engraving on paper with small margins; platemark: 300 x 382 mm; total: 317 x 390 mm; paper evenly yellowed. PALL01
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Book number: 59776
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Macé, Claude (1631-1670), after Carracci, Annibale (1560-1609)
Landscape with figures [Recueil de 283 estampes gravées... serie title]
River landscape with figures on the left. In the center a bridge on the river, mountains towards the right, a city on the left. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux... que Mons. Evrard Jabach de Cologne... possédait' or Cabinet Jabach. Everhard Jabach (1618-1695) was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis, Pietro da Cortona, Titian, Campagnola turned into print by Macé, Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:', numbered '34.E', signed on the right bottom:'Massé. Sculp. Cum privuil Regis.'l Etching on fine laid paper with margins; platemark: 283 x 401 mm, total: 290 x 419 mm; in very good conditions
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Book number: 59782
€  138.00 [Appr.: US$ 148.17 | £UK 116.75 | JP¥ 23381]

 
Unknown maker
ANTONIVS ALBICIVS NOBILIS FLORENTINVS
Bust portrait of Antonio Albizzi in an oval. Antonio Albizzi (lat : Antonius Albicius) was an Italian jurist and genealogist, born in Florence in 1547. In 1576 he was in the service of Cardinal-Archduke Andreas of Austria. In 1585 he converted to Lutheranism and spent the rest of his life in the Protestant Imperial City of Kempten, where he died in 1626. His most famous work was Principum Christianorum Stemmata (Augsburg 1612), an unusual collection of engravings showing the family trees of the leading royal and noble houses of Europe of that time (and unusually also including the genealogy of the Turkish Emperors). The fine decorative engravings include family trees, portraits and coats of arms and are set against the backdrop of City views and panoramas closely copied from the Civitates Orbis Terrarum by Georg Braun & Franz Hogenberg (1572-1618). Lettered on the oval frame: 'ANTONIVS ALBICIVS NOBILIS FLORENTINVS'; on the bottom: 'Haec est ALBITII, Regum qui Stemmata scripsit. / Atque Ducum, artificis prodita imago manu. / Nobilitatis uti scriptor quoq[ue] Nobilis esset; / Nobilis hic genere est, Scriptore, et ingenio'. l Engraving on laid paper; on the verso text in letterpress; total: 193 x 127 mm
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Book number: 59784
€  69.00 [Appr.: US$ 74.09 | £UK 58.5 | JP¥ 11690]

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