Author: Buchloh, B. H.
Title: Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955-1975
Description: Cambridge, MIT Press, 2000. Hardcover. Black casebound book. There is a dust jacket with the title in white down a gray spine. Pages: (6), viii-xxxiii, (3), 2-592. Contains a plethora of black-and-white images. "Michael Asher and the conclusion of modernist sculpture (1980) -- Beuys : the twilight of the idol, preliminary notes for a critique (1980) -- Marcel Broodthaers : open letters, industrial poems (1987) -- The museum and the monument : Daniel Buren's Les Couleurs / Les Formes (1981) -- Memory lessons and history tableaux : James Coleman's archaeology of spectacle (1995) -- Monuments of history in the work of Dan Graham (1978) -- Hans Haacke : memory and instrumental reason (1988) -- Hantaï/Villeglé and the dialectics of painting's dispersal (1999) -- Plenty or nothing : from Yves Klein's Le Vide to Arman's Le Plein (1998) -- Knight's moves : situating the art/object (1986) -- Structure, sign, and reference in the work of David Lamelas (1997) -- Parody and appropriation in Francis Picabia, Pop, and Sigmar Polke (1982) -- Readymade, photography, and painting in the painting of Gerhard Richter (1977) -- Process sculpture and film in Richard Serra's work (1978) -- Spero's other traditions (1996) -- Villeglé : from fragment to detail (1991) -- Andy Warhol's one-dimensional art, 1956-1966 (1989) -- Robert Watts : animate objects, inanimate subjects (2000) -- The posters of Lawrence Weiner (1986). VG/VG: Exlibrary book. Stamps on top and bottom text blocks. Stamp on front free end page. Stamp on back free end page. Due date card on back pasted end page. Sticker on the dust jacket at the base of the spine.

Keywords: American Art ; Neo-Avantgarde ; ;


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