Author: Chateaubriand, [François-René de].
Title: Génie du christianisme : et Défense du Génie du christianisme.
Description: Nouvelle édition revue avec soin sur les éditions originales. Avec notes et éclaircissements par Chateaubriand. Suivis des extraits critiques par M. de Fontanes. Préface de l'édition de 1826. Paris : Garnier frères, [c1830]. Reprint. Contemp. morocco binding. iv,749,[2] pp. 8vo. (Oeuvres de Chateaubriand). French text. With 4 plates. Gilt edges & Gilt decorated spine. Browning & foxing. Mailorder only - Alleen verzending mogelijk. Book condition : very good. - François-René de Chateaubriand (1768-1848) was a French writer, politician, diplomat and historian who has had a major impact on French literature of the nineteenth century. The Genius of Christianity, or Beauties of the Christian Religion (French: Le Génie du christianisme, ou Beautés de la religion chrétienne) is written during his exile in England in the 1790s as a defense of the Catholic faith, then under attack during the French Revolution. It was first published in France in 1802, after Chateaubriand returned to France following Napoleon's general amnesty for émigrés who had fled the Revolution. Napoleon, who had recently signed the Concordat with the pope, initially made use of Chateaubriand's book as propaganda to win support among French Catholics. Within five years, he would quarrel with the author and send him into internal exile. In The Genius of Christianity, Chateaubriand defends the wisdom and beauty of Christianity against the attacks on it by French Enlightenment philosophers and revolutionary politicians. The book had an immense influence on nineteenth-century culture and not just on religious life. In fact, it might be said its greatest impact was on art and literature: it was a major inspiration for the Romantic movement. The book emerged from Chateaubriand's attempt to understand the causes of the French Revolution, which had led to the deaths of many of his friends and family members. Sometime in the late 1790s, Chateaubriand had reverted to the Catholic faith of his childhood. He felt that France had lost its way during the Enlightenment period, when leading intellectuals, such as Voltaire, were hostile to traditional religion. In the work, Chateaubriand aims to prove Christianity comes from God, because it is excellent. With that objective in mind, he is particularly interested in the artistic contributions of the Christian religion, comparing them with ancient and pagan civilizations. The principal theme of the book is that only Christianity is able to explain progress in arts and letters.

Keywords: THEOLOGY,