Author: McCormick, John
Title: American & European Literary Imagination, 1919-1932
Description: New Brunswick [NJ], Transaction Publishers. Reprint, orig.wrappers. 23x15cm, xiii,256 pp, PAPERBACK. A reprint of the 1971 edition (titled 'The Middle Distance'), with a new introduction by the author.. Minor rubbing. VG. ¶ Western culture is composed of a subtle and complex mixture of influences:religious, philosophical, linguistic, political, social and sociological. American culture is a particular strain, but unless European antecedents and contemporary leanings are duly noted, any resulting history is predestined to provincialism and distortion. Comparative literary history begins with that truism firmly in mind, then under the difficult heading of influence proceeds to refine, to define and to judge. In his account of American literature during the period 1919 to 1932, McCormick deals with the work of artists who wrested imaginative order from a world in which the abyss was never out of sight. McCormick's volume is intended as a critical, rather than encyclopaedic history of literature on both sides of the Atlantic between the end of World War I and the political and social crises that arose in the 1930s. Although he emphasizes American writers, the emergence of a vital and distinctly modern American literature is located in the cultural encounter with Europe and the rejection of national bias by the major figures of the period. McCormick deals with Gertrude Stein and the mythology of the "lost generation", the tensions and ambivalence of traditionalism and modernity in the work of Sherwood Anderson and F. Scott Fitzgerald, the effect and qualities of Hemingway's style as compared to that of Henry de Montherlant, and the provincial iconoclasm of Sinclair Lewis juxtaposed with the more telling satire of Italo Svevo...." - Publisher's description

Keywords: Comparative Literature, Literary Criticism, , , , , , ,