Scriptum Art Books v.o.f.: tekeningen, grafiek / drawings, graphic art
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Process. Design Drawings from the Rijksmuseum 1500 - 1900.
11 2022, (22 x 28 cm), 464 pp. English text numerous ills,, softcover
¶ Deze vernieuwende benadering toont de betekenis van de ontwerptekening. Process toont een omvangrijke en nooit eerder gepresenteerde verzameling ontwerptekeningen van artefacten uit de periode 1500-1900 uit de collectie van het Rijksmuseum. De ontwerptekeningen in deze publicatie worden vanuit een designperspectief gepresenteerd. Niet zozeer de herkomst en de toeschrijving van de tekeningen staan centraal (zoals tot nu toe gebruikelijk was bij dit soort tekeningen) maar de functie van de tekening binnen het proces van het ontwerpen, en de praktijk van de maker door de eeuwen heen. Deze vernieuwende categorisering ontstond na jarenlang onderzoek door professor Reinier Baarsen, senior conservator van het Rijksmuseum en geeft een unieke kijk op de context waarin de tekeningen tot stand kwamen. Volg van dichtbij hoe de ideeën voor allerlei spullen ontstaan, en maak kennis met de bedenkers, makers en opdrachtgevers. Vazen, stoelen, klokken, kachels, sleeën en koetsen worden getoond van de eerste schetsen in potlood tot compleet uitgewerkte kleurige presentatietekeningen.
¶ Deze vernieuwende benadering toont de betekenis van de ontwerptekening. Process toont een omvangrijke en nooit eerder gepresenteerde verzameling ontwerptekeningen van artefacten uit de periode 1500-1900 uit de collectie van het Rijksmuseum. De ontwerptekeningen in deze publicatie worden vanuit een designperspectief gepresenteerd. Niet zozeer de herkomst en de toeschrijving van de tekeningen staan centraal (zoals tot nu toe gebruikelijk was bij dit soort tekeningen) maar de functie van de tekening binnen het proces van het ontwerpen, en de praktijk van de maker door de eeuwen heen. Deze vernieuwende categorisering ontstond na jarenlang onderzoek door professor Reinier Baarsen, senior conservator van het Rijksmuseum en geeft een unieke kijk op de context waarin de tekeningen tot stand kwamen. Volg van dichtbij hoe de ideeën voor allerlei spullen ontstaan, en maak kennis met de bedenkers, makers en opdrachtgevers. Vazen, stoelen, klokken, kachels, sleeën en koetsen worden getoond van de eerste schetsen in potlood tot compleet uitgewerkte kleurige presentatietekeningen.
Scriptum Art Books v.o.f.Professional sellerBook number: 8207
€ 59.95 [Appr.: US$ 64.18 | £UK 51.5 | JP¥ 10157]
Catalogue: tekeningen, grafiek / drawings, graphic art
Het landschap van Rembrandt. Wandelingen in en om Amsterdam.
01 1998, (24,1 x 28,8 cm), 392 pp. Dutch text, numerous ills., hardcover with dustwrappers..
¶ Catalogus bij een expositie van landschapstekeningen en stadsgezichten van Rembrandt. Rembrandt was een begenadigd tekenaar en etser van stadsgezichten en landschappen. Onderzoek in de Amsterdamse archieven heeft aangetoond dat de meeste daarvan nauwkeurig zijn te lokaliseren in en rondom de stad waar hij het grootste deel van zijn leven heeft gewoond. In dit boek wordt Rembrandt met zijn vrienden en leerlingen gevolgd vanuit Amsterdam over de middeleeuwse dijkwegen naar de omliggende dorpen: langs het open IJ naar Diemen, langs de Amstel naar Ouderkerk, of naar de duinen bij Bloemendaal. Rembrandt portretteerde zowel de stad zelf - grachten, torens, het oude stadhuis - als de dorpsgezichten, landwegen, boerderijen en molens in de omgeving. Hij koos daarbij meestal de traditionele schilderachtige routes. Ook Jacob van Ruisdael en andere tijdgenoten hebben deze populaire plaatsen bezocht en getekend. Rembrandts eigen visie wordt daarom steeds vergeleken met de interpretaties van tijdgenoten en met andere historische bronnen. Rembrandts tekeningen komen daarbij naar voren als echte egodocumenten. Ze onthullen niet alleen zijn opvattingen over tekenkunst, maar ook wat hem aantrok of tegenstond in het landschap van zijn tijd. Tegelijkertijd kon Rembrandt met nauwelijks merkbare ingrepen een eenvoudig landschappelijk gegeven kenschetsen op een manier die het eeuwigheidswaarde geeft. Het landschap van Rembrandt is een standaardwerk zowel voor het Rembrandtonderzoek als voor de landschapsgeschiedenis van Amsterdam en omgeving.
¶ Catalogus bij een expositie van landschapstekeningen en stadsgezichten van Rembrandt. Rembrandt was een begenadigd tekenaar en etser van stadsgezichten en landschappen. Onderzoek in de Amsterdamse archieven heeft aangetoond dat de meeste daarvan nauwkeurig zijn te lokaliseren in en rondom de stad waar hij het grootste deel van zijn leven heeft gewoond. In dit boek wordt Rembrandt met zijn vrienden en leerlingen gevolgd vanuit Amsterdam over de middeleeuwse dijkwegen naar de omliggende dorpen: langs het open IJ naar Diemen, langs de Amstel naar Ouderkerk, of naar de duinen bij Bloemendaal. Rembrandt portretteerde zowel de stad zelf - grachten, torens, het oude stadhuis - als de dorpsgezichten, landwegen, boerderijen en molens in de omgeving. Hij koos daarbij meestal de traditionele schilderachtige routes. Ook Jacob van Ruisdael en andere tijdgenoten hebben deze populaire plaatsen bezocht en getekend. Rembrandts eigen visie wordt daarom steeds vergeleken met de interpretaties van tijdgenoten en met andere historische bronnen. Rembrandts tekeningen komen daarbij naar voren als echte egodocumenten. Ze onthullen niet alleen zijn opvattingen over tekenkunst, maar ook wat hem aantrok of tegenstond in het landschap van zijn tijd. Tegelijkertijd kon Rembrandt met nauwelijks merkbare ingrepen een eenvoudig landschappelijk gegeven kenschetsen op een manier die het eeuwigheidswaarde geeft. Het landschap van Rembrandt is een standaardwerk zowel voor het Rembrandtonderzoek als voor de landschapsgeschiedenis van Amsterdam en omgeving.
Scriptum Art Books v.o.f.Professional sellerBook number: 7598
€ 25.00 [Appr.: US$ 26.76 | £UK 21.5 | JP¥ 4236]
Catalogue: tekeningen, grafiek / drawings, graphic art
Rembrandt en zijn School. Tekeningen uit de collectie Frits Lugt.
Parijs 1997, 294 pp. Dutcht text, illustr. incl. over 100 colour reproductions, cloth.
¶ Catalogus bij de tentoonstelling van 100 tekeningen en een aantal brieven uit de collectie Lugt (Teylers museum, Haarlem).
¶ Catalogus bij de tentoonstelling van 100 tekeningen en een aantal brieven uit de collectie Lugt (Teylers museum, Haarlem).
Scriptum Art Books v.o.f.Professional sellerBook number: 1970
€ 25.00 [Appr.: US$ 26.76 | £UK 21.5 | JP¥ 4236]
Catalogue: tekeningen, grafiek / drawings, graphic art
Tekeningen uit het Nationalmuseum te Stockholm.
Parijs/Brussel/Amsterdam 1970-'71, 64 pp. Dutch text, 100 ills. plates, ppb.
¶ BOOKSALE Collectie van Graaf Tessin (1695-1770). Gezant van Zweden bij het Franse Hof. Tentoonstelling Musée du Louvre, Parijs/ Kon. Bibliotheek Albert I, Brussel/ Rijksmuseum- Amsterdam.
¶ BOOKSALE Collectie van Graaf Tessin (1695-1770). Gezant van Zweden bij het Franse Hof. Tentoonstelling Musée du Louvre, Parijs/ Kon. Bibliotheek Albert I, Brussel/ Rijksmuseum- Amsterdam.
Scriptum Art Books v.o.f.Professional sellerBook number: 1416
€ 10.00 [Appr.: US$ 10.71 | £UK 8.75 | JP¥ 1694]
Catalogue: tekeningen, grafiek / drawings, graphic art
Dutch drawings from the collection Dr. C. Hofstede de Groot.
Utrecht 1967, 252 pp. English text, 117 plates, watermarks, cloth.
¶ BOOKSALE An introduction and critical catalogue of the collection of 117 Dutch drawings. Each fully described. Including bibliography, index of persons, topograhical index, reproductions of watermarks.
¶ BOOKSALE An introduction and critical catalogue of the collection of 117 Dutch drawings. Each fully described. Including bibliography, index of persons, topograhical index, reproductions of watermarks.
Scriptum Art Books v.o.f.Professional sellerBook number: 1434
€ 15.00 [Appr.: US$ 16.06 | £UK 13 | JP¥ 2541]
Catalogue: tekeningen, grafiek / drawings, graphic art
Method & Practice. Dutch and Flemish Drawing Books 1600-1750.
Landau 1985, 373 pp. English text, some monochrome ills., cloth.
¶ The first specific attemt at describing and commenting upon the so-called drawing books, from wich young artists were supposed to learn. This is the revised English edition of the dissertation in Dutch (1979). The book consists of bibliographical descriptions of the drawing books and a commentary that demonstrates teh relations between the pictorial instruction and the contemporary art theory.
¶ The first specific attemt at describing and commenting upon the so-called drawing books, from wich young artists were supposed to learn. This is the revised English edition of the dissertation in Dutch (1979). The book consists of bibliographical descriptions of the drawing books and a commentary that demonstrates teh relations between the pictorial instruction and the contemporary art theory.
Scriptum Art Books v.o.f.Professional sellerBook number: 1422
€ 99.00 [Appr.: US$ 105.99 | £UK 85 | JP¥ 16773]
Catalogue: tekeningen, grafiek / drawings, graphic art
Old Master Drawings from Chatsworth.
London 1973, 50 pp. English text + 120 ills. on plates, ppb.
¶ BOOKSALE A loan exhibition from the Devonshire collection ( 120 drawings) exhibited in the Victoria and Albert Museum.
¶ BOOKSALE A loan exhibition from the Devonshire collection ( 120 drawings) exhibited in the Victoria and Albert Museum.
Scriptum Art Books v.o.f.Professional sellerBook number: 1421
€ 9.50 [Appr.: US$ 10.17 | £UK 8.25 | JP¥ 1610]
Catalogue: tekeningen, grafiek / drawings, graphic art
Kleur & Raffinement; tekeningen uit de Unicorno collectie.
Out of print Amsterdam/Dordrecht 1994, 160 pp. Dutch text, numerous ills., paperback.
¶ BOOKSALE Û 22,95 nu Û 12,50 Uitvoerig gedocumenteerde en rijk geïllustreerde publikatie van 80 tekeningen van Vlaamse en Nederlandse kunstenaars uit de 16e tot de 20e eeuw.
¶ BOOKSALE Û 22,95 nu Û 12,50 Uitvoerig gedocumenteerde en rijk geïllustreerde publikatie van 80 tekeningen van Vlaamse en Nederlandse kunstenaars uit de 16e tot de 20e eeuw.
Scriptum Art Books v.o.f.Professional sellerBook number: 951
€ 12.50 [Appr.: US$ 13.38 | £UK 10.75 | JP¥ 2118]
Catalogue: tekeningen, grafiek / drawings, graphic art
Drawn to Life. Master Drawings from the Age of Rembrandt in the Peck Collection at the Ackland Art Museum.
09 2022, 24,5 x 28 cm), 288 pp. English, 350 colour ills., hardcover and dutswrappers.
¶ This beautifully illustrated catalogue presents a selection of exceptional seventeenth-century Dutch drawings from the Peck Collection in the Ackland Art Museum at the University of North Carolina at Chapel Hill. Featuring many previously unpublished and rarely exhibited works, the catalogue brings together examples by some of the best-known artists of the era such as Rembrandt, Jacques de Gheyn II, Samuel van Hoogstraten, and Frans van Mieris. The collection was donated to the museum in 2017 by the late Drs. Sheldon and Leena Peck. The transformative gift is comprised of over 130 largely seventeenth- and eighteenth-century Dutch and Flemish drawings, establishing the Ackland as one of a handful of university art museums in the United States where northern European drawings can be studied in depth. Drawn to Life presents around 70 works from this exceptional and diverse group of drawings amassed by the Pecks over four decades. Featuring new research and fresh insights into seventeenth-century drawing practice, the catalogue and accompanyingexhibition celebrates the creativity and technical skills of Dutch artists who explored the beauty of the natural world and the multifaceted aspects of humanity. The catalogue features a broad selection of scenes of everyday life, landscapes, biblical and historical scenes, portraits, and preparatory studies, forming a dynamic and representative group of Dutch drawings made by some of the most outstanding artists of the period, including Abraham Bloemaert, Jacob van Ruisdael, Esaias van de Velde, Bartholomeus Breenbergh, Pieter Molijn, Aelbert Cuyp, Adriaen van Ostade, Ferdinand Bol, Nicolaes Maes, Jan Lievens, Gerard ter Borch, Adriaen van de Velde, Nicolaes Berchem, and Cornelis Dusart. Key sheets of remarkable quality by lesser known artists such as Guillam Dubois, Herman Naiwincx, Willem Romeyn, and Jacob van der Ulft, also comprise a core strength of the collection, and serve as a testament to the visual acuity of the Pecks as collectors. At the heart of the Peck Collection are several sheets by Rembrandt, including the sublime Noli me Tangere; a beautifully rendered late landscape, Canal and Boats with a Distant View of Amsterdam; and the superbly charming Studies of Women and Children, which was the last of Rembrandt's seventeen known drawings with an inscription in his own hand to reach a public collection. Meticulously researched and written by Robert Fucci, Ph.D., Drawn to Life introduces both scholars and drawings enthusiasts to the depth and beauty of the Peck Collection at the Ackland Art Museum.
¶ This beautifully illustrated catalogue presents a selection of exceptional seventeenth-century Dutch drawings from the Peck Collection in the Ackland Art Museum at the University of North Carolina at Chapel Hill. Featuring many previously unpublished and rarely exhibited works, the catalogue brings together examples by some of the best-known artists of the era such as Rembrandt, Jacques de Gheyn II, Samuel van Hoogstraten, and Frans van Mieris. The collection was donated to the museum in 2017 by the late Drs. Sheldon and Leena Peck. The transformative gift is comprised of over 130 largely seventeenth- and eighteenth-century Dutch and Flemish drawings, establishing the Ackland as one of a handful of university art museums in the United States where northern European drawings can be studied in depth. Drawn to Life presents around 70 works from this exceptional and diverse group of drawings amassed by the Pecks over four decades. Featuring new research and fresh insights into seventeenth-century drawing practice, the catalogue and accompanyingexhibition celebrates the creativity and technical skills of Dutch artists who explored the beauty of the natural world and the multifaceted aspects of humanity. The catalogue features a broad selection of scenes of everyday life, landscapes, biblical and historical scenes, portraits, and preparatory studies, forming a dynamic and representative group of Dutch drawings made by some of the most outstanding artists of the period, including Abraham Bloemaert, Jacob van Ruisdael, Esaias van de Velde, Bartholomeus Breenbergh, Pieter Molijn, Aelbert Cuyp, Adriaen van Ostade, Ferdinand Bol, Nicolaes Maes, Jan Lievens, Gerard ter Borch, Adriaen van de Velde, Nicolaes Berchem, and Cornelis Dusart. Key sheets of remarkable quality by lesser known artists such as Guillam Dubois, Herman Naiwincx, Willem Romeyn, and Jacob van der Ulft, also comprise a core strength of the collection, and serve as a testament to the visual acuity of the Pecks as collectors. At the heart of the Peck Collection are several sheets by Rembrandt, including the sublime Noli me Tangere; a beautifully rendered late landscape, Canal and Boats with a Distant View of Amsterdam; and the superbly charming Studies of Women and Children, which was the last of Rembrandt's seventeen known drawings with an inscription in his own hand to reach a public collection. Meticulously researched and written by Robert Fucci, Ph.D., Drawn to Life introduces both scholars and drawings enthusiasts to the depth and beauty of the Peck Collection at the Ackland Art Museum.
Scriptum Art Books v.o.f.Professional sellerBook number: 8191
€ 64.05 [Appr.: US$ 68.57 | £UK 55 | JP¥ 10852]
Catalogue: tekeningen, grafiek / drawings, graphic art
Jan de Bisschop and his icones & paradigmata. Classical Antiquities and Italian Dawings for Artistic Instruction in Seventeenth Century Holland. , Volume 1 + 2.
Doornspijk 1985, 2 volumes. Text volume 320 pp. + Facsimile volume: Engraved title, 4 pp., 50 plates, typogr. title, 4 pp., 50 plates, typogr. title, engraved title, 97 plates. Cloth bound with dustjacket.
¶ BOOKSALE A facsime edition of the editions 1668, 1669-1671 of the Icones and Paradigmata. Edited by Keith Andrews. Condition: New ! Reprinted in the facsimile-volume are the first edition of the Signorum veterum icones and the second edition of the Paradigmata graphices variorum artificium, Voor-Beelden der Teken-konst van verscheyde Meesters. Both works consist of text and a series of etchings reproducing works of art. Extensive discussions of all aspects of these are given in the text-volume, including comments on each of the works of art in question. The texts of the dedications are important inasmuch as they contain the first exposition to appear in print of the classicist theory of art in the Northern Netherlands, which was clearly derived from France. The works of art reproduced in the plates are either antique or Italian, sculpture in the Icones, drawings plus some sculpture in the Paradigmata . De Bisschop does not seem to have copied prints in making his plates and he hardly made any drawings of sculpture while he was in Rome himself, so that his choice of subjects for both works was determined in the first instance by the same criterion, i.e. the material available in the Northern Netherlands, whether actual sculpture or drawings of sculpture, drawings or copies of drawings. Notwithstanding this limitation the plates of the Icones are important in several respects. They belong among the documentary material for the post-antique history of the antique sculptures, some of them showing little known or even unknown sixteenth- and seventeenth-century states of preservation, others being the only or the earliest known reproductions of the works in question. In some instances, including works from the Arundel collection, the etchings may even be said to be of high documentary value. This also holds good for the now lost intermediary drawings which De Bisschop used as the immediate basis for his work, for without his publication we would know nothing of the drawings after the antique made by Jacques de Gheyn III in England and France and we would probably be equally ignorant of the fact that - among others- Poelenburgh, too, made careful drawings of antique sculptures. The Paradigmata is significant in similar ways. Each work of art reproduced in the Icones and Paradigmata is commented. No connected study has so far been made of the interest in works of art of the past in the Northern Netherlands or of the history of collecting in the Northern Netherlands.
¶ BOOKSALE A facsime edition of the editions 1668, 1669-1671 of the Icones and Paradigmata. Edited by Keith Andrews. Condition: New ! Reprinted in the facsimile-volume are the first edition of the Signorum veterum icones and the second edition of the Paradigmata graphices variorum artificium, Voor-Beelden der Teken-konst van verscheyde Meesters. Both works consist of text and a series of etchings reproducing works of art. Extensive discussions of all aspects of these are given in the text-volume, including comments on each of the works of art in question. The texts of the dedications are important inasmuch as they contain the first exposition to appear in print of the classicist theory of art in the Northern Netherlands, which was clearly derived from France. The works of art reproduced in the plates are either antique or Italian, sculpture in the Icones, drawings plus some sculpture in the Paradigmata . De Bisschop does not seem to have copied prints in making his plates and he hardly made any drawings of sculpture while he was in Rome himself, so that his choice of subjects for both works was determined in the first instance by the same criterion, i.e. the material available in the Northern Netherlands, whether actual sculpture or drawings of sculpture, drawings or copies of drawings. Notwithstanding this limitation the plates of the Icones are important in several respects. They belong among the documentary material for the post-antique history of the antique sculptures, some of them showing little known or even unknown sixteenth- and seventeenth-century states of preservation, others being the only or the earliest known reproductions of the works in question. In some instances, including works from the Arundel collection, the etchings may even be said to be of high documentary value. This also holds good for the now lost intermediary drawings which De Bisschop used as the immediate basis for his work, for without his publication we would know nothing of the drawings after the antique made by Jacques de Gheyn III in England and France and we would probably be equally ignorant of the fact that - among others- Poelenburgh, too, made careful drawings of antique sculptures. The Paradigmata is significant in similar ways. Each work of art reproduced in the Icones and Paradigmata is commented. No connected study has so far been made of the interest in works of art of the past in the Northern Netherlands or of the history of collecting in the Northern Netherlands.
Scriptum Art Books v.o.f.Professional sellerBook number: 7342
€ 149.00 [Appr.: US$ 159.52 | £UK 127.75 | JP¥ 25244]
Catalogue: tekeningen, grafiek / drawings, graphic art
Kabinet der Heerlijkste Tekenwerken.
01 2019, (23 x 29 cm), 224 pp. Dutch text, 200 illls., hardcover.
¶ Achttiende-eeuwse Nederlandse tekeningen uit de verzameling van de koninklijke Musea voor Schone Kunsten van België. Het verzamelen van prenten en tekeningen kende in de Noordelijke Nederlanden van de 18de eeuw een ongekende populariteit. In de tentoonstelling Kabinet der heerlijkste Tekenwerken, laten 80 werken op papier uit de collecties van de KMSKB de fascinerende verscheidenheid aan onderwerpen en technieken zien die de Nederlandse tekenkunst van toen typeert. De tentoongestelde tekeningen komen uit de verzameling van Jean de Grez, een Nederlander die vanuit Breda naar Brussel verhuisde. In 1911 schonk zijn weduwe de verzameling aan de Belgische Staat. De collectie, waarvan Arnoldus Josephus Ingen Housz aan het einde van de 18de eeuw de basis legde, telt in totaal 4250 tekeningen van de 16de tot de 19de eeuw. Zo'n 3600 werken behoren tot de Nederlandse School.
¶ Achttiende-eeuwse Nederlandse tekeningen uit de verzameling van de koninklijke Musea voor Schone Kunsten van België. Het verzamelen van prenten en tekeningen kende in de Noordelijke Nederlanden van de 18de eeuw een ongekende populariteit. In de tentoonstelling Kabinet der heerlijkste Tekenwerken, laten 80 werken op papier uit de collecties van de KMSKB de fascinerende verscheidenheid aan onderwerpen en technieken zien die de Nederlandse tekenkunst van toen typeert. De tentoongestelde tekeningen komen uit de verzameling van Jean de Grez, een Nederlander die vanuit Breda naar Brussel verhuisde. In 1911 schonk zijn weduwe de verzameling aan de Belgische Staat. De collectie, waarvan Arnoldus Josephus Ingen Housz aan het einde van de 18de eeuw de basis legde, telt in totaal 4250 tekeningen van de 16de tot de 19de eeuw. Zo'n 3600 werken behoren tot de Nederlandse School.
Scriptum Art Books v.o.f.Professional sellerBook number: 7596
€ 32.50 [Appr.: US$ 34.79 | £UK 28 | JP¥ 5506]
Catalogue: tekeningen, grafiek / drawings, graphic art
Breugel and Beyond. Netherlandish Drawings in the Royal Library of Belgium 1500-1800.
06 2022, (24 x 30,5 cm), 392 pp. English, numerous ills., hardcover.
¶ Awe-inspiring reference work on the Flemish and Dutch art of drawing from the sixteenth to the eighteenth century, with masterly drawings from the collection of the Royal Library of Belgium (KBR). The Royal Library of Belgium in Brussels houses the largest collection of drawings in the country. Among its highlights are works by leading artists of the Low Countries, including Pieter Bruegel I, Joris Hoefnagel, Hendrick Goltzius, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens. As the library's collection has been little studied up to now, it is largely unknown to scholars and the general public. To acquaint a wider audience with these important works of art, this richly illustrated publication brings together for the first time over one hundred master drawings from the Royal Library's vaults. Not only new art-historical insights are presented, but also numerous rediscovered drawings and revised attributions to artists such as Maarten van Heemskerck and Karel van Mander. This carefully researched book, written by thirty specialists in the field, aims to make a significant contribution to our knowledge of the history of Netherlandish drawing from the sixteenth to the eighteenth centuries.
¶ Awe-inspiring reference work on the Flemish and Dutch art of drawing from the sixteenth to the eighteenth century, with masterly drawings from the collection of the Royal Library of Belgium (KBR). The Royal Library of Belgium in Brussels houses the largest collection of drawings in the country. Among its highlights are works by leading artists of the Low Countries, including Pieter Bruegel I, Joris Hoefnagel, Hendrick Goltzius, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens. As the library's collection has been little studied up to now, it is largely unknown to scholars and the general public. To acquaint a wider audience with these important works of art, this richly illustrated publication brings together for the first time over one hundred master drawings from the Royal Library's vaults. Not only new art-historical insights are presented, but also numerous rediscovered drawings and revised attributions to artists such as Maarten van Heemskerck and Karel van Mander. This carefully researched book, written by thirty specialists in the field, aims to make a significant contribution to our knowledge of the history of Netherlandish drawing from the sixteenth to the eighteenth centuries.
Scriptum Art Books v.o.f.Professional sellerBook number: 8074
€ 64.50 [Appr.: US$ 69.05 | £UK 55.5 | JP¥ 10928]
Catalogue: tekeningen, grafiek / drawings, graphic art
The Renaissance of Etching.
11 2019, (22,9 x 26,7 cm), 304 pp., 237 colour ills.,, hardcover
¶ The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries. The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.
¶ The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries. The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.
Scriptum Art Books v.o.f.Professional sellerBook number: 7481
€ 65.00 [Appr.: US$ 69.59 | £UK 55.75 | JP¥ 11012]
Catalogue: tekeningen, grafiek / drawings, graphic art
Spiegel van Alledag: Nederlandse genreprenten 1550-1700.
Amsterdam/Gent 1997, 400 pp. Dutch text, numerous ills., clothbound.
¶ Rijk geïllustreerde en uitvoerig gedocumenteerde catalogus bij de tentoonstelling Rijksmuseum Amsterdam.
¶ Rijk geïllustreerde en uitvoerig gedocumenteerde catalogus bij de tentoonstelling Rijksmuseum Amsterdam.
Scriptum Art Books v.o.f.Professional sellerBook number: 1879
€ 35.00 [Appr.: US$ 37.47 | £UK 30.25 | JP¥ 5930]
Catalogue: tekeningen, grafiek / drawings, graphic art
The Drawings of Hans Holbein in the collection of His Majesty The King at Windsor Castle.
Oxford/London 1945, 62 pp. with 31 monochrome ills. + 85 monochrome plates, cloth.
¶ Catalogue of 87 drawings. With a table of references, index of names, full-page monochrome plates.
¶ Catalogue of 87 drawings. With a table of references, index of names, full-page monochrome plates.
Scriptum Art Books v.o.f.Professional sellerBook number: 1610
€ 49.95 [Appr.: US$ 53.48 | £UK 43 | JP¥ 8463]
Catalogue: tekeningen, grafiek / drawings, graphic art