LE CAIN, Errol; BRICUSSE, Leslie

An Original Pen, Ink and Monotone Drawing from "Christmas 1993 or Santa's Last Ride.

London: , 1987. Santa's Home LE CAIN, Errol, illustrator. BRICUSSE, Leslie. An original pen, ink and monotone drawing from "Christmas 1993 or Santa's Last Ride." [Santa's Home]. Image size: 7 3/4 x 10 inches. [Page 4]. "Our story starts on January One./A Brand New Year has just begun./Another Christmas has been kept./For one full week, the elves have slept,/Recovering from the Yule before,/And gathering strength for one Yule more." Matted, framed and glazed. In 1986 Leslie Bricusse showed David Brass a poem that he had written entitled Christmas 1993 or Santa's Last Ride. It described how difficult Santa's job of delivering gifts around the world had become in these modern times. David, who had known Leslie for many years, had the idea to create a book from the poem and introduced Errol Le Cain to Leslie Bricusse. The book was published in 1987 - unfortunately Errol Le Cain died just before the publication date. It was his last work. Errol John Le Cain (5 March 1941 - 3 January 1989) was a British animator and children's book illustrator. He won the 1984 Kate Greenaway Medal for Hiawatha's Childhood (Faber & Faber), recognizing the year's best children's book illustration by a British subject. Descended from a French-Canadian great-grandfather, Le Cain was born in Singapore but evacuated to Agra, India with his mother and other relations the following year to escape the Japanese invasion. His father was captured and interned in Changi Prison. Returning to Singapore after the war, he attended St.Patrick's Catholic school. With no formal art education, his talent was nevertheless evident from an early age, Le Cain was fascinated by cinema and made his first animated film, The Enchanted Mouse, with a friend's 8-mm camera at age 11. His next work, The Little Goatherd, was created with a 16-mm camera at age 15. This came to the attention of agents for British film distributor Pearl & Dean, who offered to pay his passage to London that year (1956) to pursue a career in animation for film and television. In 1965, Le Cain joined Richard Williams's animation studio and worked on a wide range of animation projects, including film titles for A Funny Thing Happened on the Way to the Forum, Casino Royale, and The Charge of the Light Brigade. His most important work with Richard Williams was for the unfinished (1964 to 1992) animated film The Thief and the Cobbler. Le Cain turned freelance in 1969, working on sets for BBC television productions, continuing with animation projects, and beginning his career as a children's book illustrator. Le Cain's first children's illustrations were published by Faber and Faber in a story he'd originally storyboarded for film, King Arthur's Sword (1968), which began a long association with Faber that continued to his death. His first book "made me aware of the scope and possibilities of children's book illustration, and now I am convinced this is the medium for me". Le Cain wrote 3 and illustrated 48 children's books during his lifetime, recognized for their richly decorative watercolours and masterful command of design and colour. His self-authored works were King Arthur's Sword (1968), The Cabbage Princess (1969) and The White Cat (1973). He was commended for the 1969, 1975, and 1978 Greenaway awards before winning the 1984 Medal and was commended again for 1987. The four commended books were The Cabbage Princess; Thorn Rose, or the Sleeping Beauty based on the version related by the Brothers Grimm; The Twelve Dancing Princesses, retold from the Brothers Grimm; and The Enchanter's Daughter by Antonia Barber. Leslie Bricusse (born 29 January 1931) is an English composer, lyricist, and playwright, most prominently working in musicals and also film theme songs. Bricusse was educated at University College School in London and Gonville and Caius College, Cambridge. While at Cambridge University, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. In the 1960s and 1970s, Bricusse enjoyed a fruitful partnership with Anthony Newley. They wrote the musical Stop the World - I Want to Get Off (1961) which was successful in London and on Broadway, and was made into a film version in 1966. Also in collaboration with Newley, Bricusse wrote The Roar of the Greasepaint—the Smell of the Crowd (1965) and Willy Wonka & the Chocolate Factory (1971), based on the children's book by Roald Dahl, and for which they received an Academy Award nomination for Best Original Song Score. Working solely as a lyricist, he collaborated with composer Cyril Ornadel on Pickwick (1963), based on Charles Dickens' The Pickwick Papers, a successful vehicle for Harry Secombe. Later collaborators included Henry Mancini (Victor Victoria in 1982) and John Williams (Hook in 1991). As composer and lyricist he scored the successful film Doctor Dolittle (1967), for which he received an Academy Award for Best Original Song ("Talk to the Animals"), and the less-successful Goodbye, Mr. Chips (1969). He currently lives in the United States, and is married to actress Yvonne Romain. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 04153

Catalogue: Original Art

Keywords: BRICUSSE, Leslie Christmas

LE CAIN, Errol; BRICUSSE, Leslie

An Original Pen, Ink and Monotone Drawing from "Christmas 1993 or Santa's Last Ride.

London: , 1987. Santa's Shampoo LE CAIN, Errol, illustrator. BRICUSSE, Leslie. An original pen, ink and monotone drawing from "Christmas 1993 or Santa's Last Ride." "Santa's Shampoo". Image size: 6 1/2 x 11 1/2 inches. [Page 26]. "They asked me if I'd go on TV?/And would I vote for GOP?/And would I use this new shampoo?/(They'd pay me lots of money to)." Matted, framed and glazed. In 1986 Leslie Bricusse showed David Brass a poem that he had written entitled Christmas 1993 or Santa's Last Ride. It described how difficult Santa's job of delivering gifts around the world had become in these modern times. David, who had known Leslie for many years, had the idea to create a book from the poem and introduced Errol Le Cain to Leslie Bricusse. The book was published in 1987 - unfortunately Errol Le Cain died just before the publication date. It was his last work. Errol John Le Cain (5 March 1941 - 3 January 1989) was a British animator and children's book illustrator. He won the 1984 Kate Greenaway Medal for Hiawatha's Childhood (Faber & Faber), recognizing the year's best children's book illustration by a British subject. Descended from a French-Canadian great-grandfather, Le Cain was born in Singapore but evacuated to Agra, India with his mother and other relations the following year to escape the Japanese invasion. His father was captured and interned in Changi Prison. Returning to Singapore after the war, he attended St.Patrick's Catholic school. With no formal art education, his talent was nevertheless evident from an early age, Le Cain was fascinated by cinema and made his first animated film, The Enchanted Mouse, with a friend's 8-mm camera at age 11. His next work, The Little Goatherd, was created with a 16-mm camera at age 15. This came to the attention of agents for British film distributor Pearl & Dean, who offered to pay his passage to London that year (1956) to pursue a career in animation for film and television. In 1965, Le Cain joined Richard Williams's animation studio and worked on a wide range of animation projects, including film titles for A Funny Thing Happened on the Way to the Forum, Casino Royale, and The Charge of the Light Brigade. His most important work with Richard Williams was for the unfinished (1964 to 1992) animated film The Thief and the Cobbler. Le Cain turned freelance in 1969, working on sets for BBC television productions, continuing with animation projects, and beginning his career as a children's book illustrator. Le Cain's first children's illustrations were published by Faber and Faber in a story he'd originally storyboarded for film, King Arthur's Sword (1968), which began a long association with Faber that continued to his death. His first book "made me aware of the scope and possibilities of children's book illustration, and now I am convinced this is the medium for me". Le Cain wrote 3 and illustrated 48 children's books during his lifetime, recognized for their richly decorative watercolours and masterful command of design and colour. His self-authored works were King Arthur's Sword (1968), The Cabbage Princess (1969) and The White Cat (1973). He was commended for the 1969, 1975, and 1978 Greenaway awards before winning the 1984 Medal and was commended again for 1987. The four commended books were The Cabbage Princess; Thorn Rose, or the Sleeping Beauty based on the version related by the Brothers Grimm; The Twelve Dancing Princesses, retold from the Brothers Grimm; and The Enchanter's Daughter by Antonia Barber. Leslie Bricusse (born 29 January 1931) is an English composer, lyricist, and playwright, most prominently working in musicals and also film theme songs. Bricusse was educated at University College School in London and Gonville and Caius College, Cambridge. While at Cambridge University, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. In the 1960s and 1970s, Bricusse enjoyed a fruitful partnership with Anthony Newley. They wrote the musical Stop the World - I Want to Get Off (1961) which was successful in London and on Broadway, and was made into a film version in 1966. Also in collaboration with Newley, Bricusse wrote The Roar of the Greasepaint—the Smell of the Crowd (1965) and Willy Wonka & the Chocolate Factory (1971), based on the children's book by Roald Dahl, and for which they received an Academy Award nomination for Best Original Song Score. Working solely as a lyricist, he collaborated with composer Cyril Ornadel on Pickwick (1963), based on Charles Dickens' The Pickwick Papers, a successful vehicle for Harry Secombe. Later collaborators included Henry Mancini (Victor Victoria in 1982) and John Williams (Hook in 1991). As composer and lyricist he scored the successful film Doctor Dolittle (1967), for which he received an Academy Award for Best Original Song ("Talk to the Animals"), and the less-successful Goodbye, Mr. Chips (1969). He currently lives in the United States, and is married to actress Yvonne Romain. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 04154

Catalogue: Original Art

Keywords: BRICUSSE, Leslie Christmas

LE CAIN, Errol; BRICUSSE, Leslie

An Original Black and White Silhouette Drawing from "Christmas 1993 or Santa's Last Ride.

London: , 1987. The Poor Old Reindeer Did their Best LE CAIN, Errol, illustrator. BRICUSSE, Leslie. An original black and white silhouette drawing from "Christmas 1993 or Santa's Last Ride." Image size: 5 x 11 3/4 inches. [Page 8]. "The poor old reindeer did their best,/But one got sick in Budapest/And very nearly wrecked the run/Of Christmas, 1881./But Santa stuck him in the sleigh,/And somehow coped with seven that day." Matted, framed and glazed. In 1986 Leslie Bricusse showed David Brass a poem that he had written entitled Christmas 1993 or Santa's Last Ride. It described how difficult Santa's job of delivering gifts around the world had become in these modern times. David, who had known Leslie for many years, had the idea to create a book from the poem and introduced Errol Le Cain to Leslie Bricusse. The book was published in 1987 - unfortunately Errol Le Cain died just before the publication date. It was his last work. Errol John Le Cain (5 March 1941 - 3 January 1989) was a British animator and children's book illustrator. He won the 1984 Kate Greenaway Medal for Hiawatha's Childhood (Faber & Faber), recognizing the year's best children's book illustration by a British subject. Descended from a French-Canadian great-grandfather, Le Cain was born in Singapore but evacuated to Agra, India with his mother and other relations the following year to escape the Japanese invasion. His father was captured and interned in Changi Prison. Returning to Singapore after the war, he attended St.Patrick's Catholic school. With no formal art education, his talent was nevertheless evident from an early age, Le Cain was fascinated by cinema and made his first animated film, The Enchanted Mouse, with a friend's 8-mm camera at age 11. His next work, The Little Goatherd, was created with a 16-mm camera at age 15. This came to the attention of agents for British film distributor Pearl & Dean, who offered to pay his passage to London that year (1956) to pursue a career in animation for film and television. In 1965, Le Cain joined Richard Williams's animation studio and worked on a wide range of animation projects, including film titles for A Funny Thing Happened on the Way to the Forum, Casino Royale, and The Charge of the Light Brigade. His most important work with Richard Williams was for the unfinished (1964 to 1992) animated film The Thief and the Cobbler. Le Cain turned freelance in 1969, working on sets for BBC television productions, continuing with animation projects, and beginning his career as a children's book illustrator. Le Cain's first children's illustrations were published by Faber and Faber in a story he'd originally storyboarded for film, King Arthur's Sword (1968), which began a long association with Faber that continued to his death. His first book "made me aware of the scope and possibilities of children's book illustration, and now I am convinced this is the medium for me". Le Cain wrote 3 and illustrated 48 children's books during his lifetime, recognized for their richly decorative watercolours and masterful command of design and colour. His self-authored works were King Arthur's Sword (1968), The Cabbage Princess (1969) and The White Cat (1973). He was commended for the 1969, 1975, and 1978 Greenaway awards before winning the 1984 Medal and was commended again for 1987. The four commended books were The Cabbage Princess; Thorn Rose, or the Sleeping Beauty based on the version related by the Brothers Grimm; The Twelve Dancing Princesses, retold from the Brothers Grimm; and The Enchanter's Daughter by Antonia Barber. Leslie Bricusse (born 29 January 1931) is an English composer, lyricist, and playwright, most prominently working in musicals and also film theme songs. Bricusse was educated at University College School in London and Gonville and Caius College, Cambridge. While at Cambridge University, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. In the 1960s and 1970s, Bricusse enjoyed a fruitful partnership with Anthony Newley. They wrote the musical Stop the World - I Want to Get Off (1961) which was successful in London and on Broadway, and was made into a film version in 1966. Also in collaboration with Newley, Bricusse wrote The Roar of the Greasepaint—the Smell of the Crowd (1965) and Willy Wonka & the Chocolate Factory (1971), based on the children's book by Roald Dahl, and for which they received an Academy Award nomination for Best Original Song Score. Working solely as a lyricist, he collaborated with composer Cyril Ornadel on Pickwick (1963), based on Charles Dickens' The Pickwick Papers, a successful vehicle for Harry Secombe. Later collaborators included Henry Mancini (Victor Victoria in 1982) and John Williams (Hook in 1991). As composer and lyricist he scored the successful film Doctor Dolittle (1967), for which he received an Academy Award for Best Original Song ("Talk to the Animals"), and the less-successful Goodbye, Mr. Chips (1969). He currently lives in the United States, and is married to actress Yvonne Romain. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 04155

Catalogue: Original Art

Keywords: BRICUSSE, Leslie Christmas

LE CAIN, Errol; BRICUSSE, Leslie

An Original Pen, Ink and Monotone Drawing from "Christmas 1993 or Santa's Last Ride.

London: , 1987. Santa's Job Back Then Was Fun LE CAIN, Errol, illustrator. BRICUSSE, Leslie. An original pen, ink and monotone drawing from "Christmas 1993 or Santa's Last Ride." Image size: 4 1/2 x 11 3/4 inches. [title-page vignette and page 5]. "The world has changed, there is no doubt,/Since Santa's reindeer first set out,/In crystal skies and sparkling snow,/So many thousand moons ago./And Santa's job back then was fun./The year, let's not forget, was One". Matted, framed and glazed. In 1986 Leslie Bricusse showed David Brass a poem that he had written entitled Christmas 1993 or Santa's Last Ride. It described how difficult Santa's job of delivering gifts around the world had become in these modern times. David, who had known Leslie for many years, had the idea to create a book from the poem and introduced Errol Le Cain to Leslie Bricusse. The book was published in 1987 - unfortunately Errol Le Cain died just before the publication date. It was his last work. Errol John Le Cain (5 March 1941 - 3 January 1989) was a British animator and children's book illustrator. He won the 1984 Kate Greenaway Medal for Hiawatha's Childhood (Faber & Faber), recognizing the year's best children's book illustration by a British subject. Descended from a French-Canadian great-grandfather, Le Cain was born in Singapore but evacuated to Agra, India with his mother and other relations the following year to escape the Japanese invasion. His father was captured and interned in Changi Prison. Returning to Singapore after the war, he attended St.Patrick's Catholic school. With no formal art education, his talent was nevertheless evident from an early age, Le Cain was fascinated by cinema and made his first animated film, The Enchanted Mouse, with a friend's 8-mm camera at age 11. His next work, The Little Goatherd, was created with a 16-mm camera at age 15. This came to the attention of agents for British film distributor Pearl & Dean, who offered to pay his passage to London that year (1956) to pursue a career in animation for film and television. In 1965, Le Cain joined Richard Williams's animation studio and worked on a wide range of animation projects, including film titles for A Funny Thing Happened on the Way to the Forum, Casino Royale, and The Charge of the Light Brigade. His most important work with Richard Williams was for the unfinished (1964 to 1992) animated film The Thief and the Cobbler. Le Cain turned freelance in 1969, working on sets for BBC television productions, continuing with animation projects, and beginning his career as a children's book illustrator. Le Cain's first children's illustrations were published by Faber and Faber in a story he'd originally storyboarded for film, King Arthur's Sword (1968), which began a long association with Faber that continued to his death. His first book "made me aware of the scope and possibilities of children's book illustration, and now I am convinced this is the medium for me". Le Cain wrote 3 and illustrated 48 children's books during his lifetime, recognized for their richly decorative watercolours and masterful command of design and colour. His self-authored works were King Arthur's Sword (1968), The Cabbage Princess (1969) and The White Cat (1973). He was commended for the 1969, 1975, and 1978 Greenaway awards before winning the 1984 Medal and was commended again for 1987. The four commended books were The Cabbage Princess; Thorn Rose, or the Sleeping Beauty based on the version related by the Brothers Grimm; The Twelve Dancing Princesses, retold from the Brothers Grimm; and The Enchanter's Daughter by Antonia Barber. Leslie Bricusse (born 29 January 1931) is an English composer, lyricist, and playwright, most prominently working in musicals and also film theme songs. Bricusse was educated at University College School in London and Gonville and Caius College, Cambridge. While at Cambridge University, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. In the 1960s and 1970s, Bricusse enjoyed a fruitful partnership with Anthony Newley. They wrote the musical Stop the World - I Want to Get Off (1961) which was successful in London and on Broadway, and was made into a film version in 1966. Also in collaboration with Newley, Bricusse wrote The Roar of the Greasepaint—the Smell of the Crowd (1965) and Willy Wonka & the Chocolate Factory (1971), based on the children's book by Roald Dahl, and for which they received an Academy Award nomination for Best Original Song Score. Working solely as a lyricist, he collaborated with composer Cyril Ornadel on Pickwick (1963), based on Charles Dickens' The Pickwick Papers, a successful vehicle for Harry Secombe. Later collaborators included Henry Mancini (Victor Victoria in 1982) and John Williams (Hook in 1991). As composer and lyricist he scored the successful film Doctor Dolittle (1967), for which he received an Academy Award for Best Original Song ("Talk to the Animals"), and the less-successful Goodbye, Mr. Chips (1969). He currently lives in the United States, and is married to actress Yvonne Romain. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 04157

Catalogue: Original Art

Keywords: BRICUSSE, Leslie Christmas

LE CAIN, Errol; BRICUSSE, Leslie

An Original Black and White Silhouette Drawing from "Christmas 1993 or Santa's Last Ride.

London: , 1987. T'was not the best of Christmas Eves" LE CAIN, Errol, illustrator. BRICUSSE, Leslie. An original black and white silhouette drawing from "Christmas 1993 or Santa's Last Ride." Image size: 5 1/4 x 16 1/4 inches; 133 x 412 mm. [Page 24]. "My trip across the USA/Did not exactly make my day./In Pittsburgh, I was mugged by thugs./In Boston, stopped for smuggling drugs./And New York's toys were snatched by thieves./'Twas not the best of Christmas Eves."" Matted, framed and glazed. In 1986 Leslie Bricusse showed David Brass a poem that he had written entitled Christmas 1993 or Santa's Last Ride. It described how difficult Santa's job of delivering gifts around the world had become in these modern times. David, who had known Leslie for many years, had the idea to create a book from the poem and introduced Errol Le Cain to Leslie Bricusse. The book was published in 1987 - unfortunately Errol Le Cain died just before the publication date. It was his last work. Errol John Le Cain (5 March 1941 - 3 January 1989) was a British animator and children's book illustrator. He won the 1984 Kate Greenaway Medal for Hiawatha's Childhood (Faber & Faber), recognizing the year's best children's book illustration by a British subject. Descended from a French-Canadian great-grandfather, Le Cain was born in Singapore but evacuated to Agra, India with his mother and other relations the following year to escape the Japanese invasion. His father was captured and interned in Changi Prison. Returning to Singapore after the war, he attended St.Patrick's Catholic school. With no formal art education, his talent was nevertheless evident from an early age, Le Cain was fascinated by cinema and made his first animated film, The Enchanted Mouse, with a friend's 8-mm camera at age 11. His next work, The Little Goatherd, was created with a 16-mm camera at age 15. This came to the attention of agents for British film distributor Pearl & Dean, who offered to pay his passage to London that year (1956) to pursue a career in animation for film and television. In 1965, Le Cain joined Richard Williams's animation studio and worked on a wide range of animation projects, including film titles for A Funny Thing Happened on the Way to the Forum, Casino Royale, and The Charge of the Light Brigade. His most important work with Richard Williams was for the unfinished (1964 to 1992) animated film The Thief and the Cobbler. Le Cain turned freelance in 1969, working on sets for BBC television productions, continuing with animation projects, and beginning his career as a children's book illustrator. Le Cain's first children's illustrations were published by Faber and Faber in a story he'd originally storyboarded for film, King Arthur's Sword (1968), which began a long association with Faber that continued to his death. His first book "made me aware of the scope and possibilities of children's book illustration, and now I am convinced this is the medium for me". Le Cain wrote 3 and illustrated 48 children's books during his lifetime, recognized for their richly decorative watercolours and masterful command of design and colour. His self-authored works were King Arthur's Sword (1968), The Cabbage Princess (1969) and The White Cat (1973). He was commended for the 1969, 1975, and 1978 Greenaway awards before winning the 1984 Medal and was commended again for 1987. The four commended books were The Cabbage Princess; Thorn Rose, or the Sleeping Beauty based on the version related by the Brothers Grimm; The Twelve Dancing Princesses, retold from the Brothers Grimm; and The Enchanter's Daughter by Antonia Barber. Leslie Bricusse (born 29 January 1931) is an English composer, lyricist, and playwright, most prominently working in musicals and also film theme songs. Bricusse was educated at University College School in London and Gonville and Caius College, Cambridge. While at Cambridge University, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. In the 1960s and 1970s, Bricusse enjoyed a fruitful partnership with Anthony Newley. They wrote the musical Stop the World - I Want to Get Off (1961) which was successful in London and on Broadway, and was made into a film version in 1966. Also in collaboration with Newley, Bricusse wrote The Roar of the Greasepaint—the Smell of the Crowd (1965) and Willy Wonka & the Chocolate Factory (1971), based on the children's book by Roald Dahl, and for which they received an Academy Award nomination for Best Original Song Score. Working solely as a lyricist, he collaborated with composer Cyril Ornadel on Pickwick (1963), based on Charles Dickens' The Pickwick Papers, a successful vehicle for Harry Secombe. Later collaborators included Henry Mancini (Victor Victoria in 1982) and John Williams (Hook in 1991). As composer and lyricist he scored the successful film Doctor Dolittle (1967), for which he received an Academy Award for Best Original Song ("Talk to the Animals"), and the less-successful Goodbye, Mr. Chips (1969). He currently lives in the United States, and is married to actress Yvonne Romain. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 04908

Catalogue: Original Art

Keywords: BRICUSSE, Leslie Christmas

LE CAIN, Errol; BRICUSSE, Leslie

An Unused/Unpublished Original Pen, Ink and Monotone Drawing from "Christmas 1993 or Santa's Last Ride.

London: , 1987. An Unused/Unpublished Original Pen, Ink and Monotone Drawing From "Christmas 1993 or Santa's Last Ride." LE CAIN, Errol, illustrator. BRICUSSE, Leslie. An unused/unpublished original pen, ink and monotone drawing from "Christmas 1993 or Santa's Last Ride." Image size: 5 1/2 x 11 3/4 inches. Santa on his sleigh, full of gifts, being pulled along by six reindeer. Matted, framed and glazed. In 1986 Leslie Bricusse showed David Brass a poem that he had written entitled Christmas 1993 or Santa's Last Ride. It described how difficult Santa's job of delivering gifts around the world had become in these modern times. David, who had known Leslie for many years, had the idea to create a book from the poem and introduced Errol Le Cain to Leslie Bricusse. The book was published in 1987 - unfortunately Errol Le Cain died just before the publication date. It was his last work. Errol John Le Cain (5 March 1941 - 3 January 1989) was a British animator and children's book illustrator. He won the 1984 Kate Greenaway Medal for Hiawatha's Childhood (Faber & Faber), recognizing the year's best children's book illustration by a British subject. Descended from a French-Canadian great-grandfather, Le Cain was born in Singapore but evacuated to Agra, India with his mother and other relations the following year to escape the Japanese invasion. His father was captured and interned in Changi Prison. Returning to Singapore after the war, he attended St.Patrick's Catholic school. With no formal art education, his talent was nevertheless evident from an early age, Le Cain was fascinated by cinema and made his first animated film, The Enchanted Mouse, with a friend's 8-mm camera at age 11. His next work, The Little Goatherd, was created with a 16-mm camera at age 15. This came to the attention of agents for British film distributor Pearl & Dean, who offered to pay his passage to London that year (1956) to pursue a career in animation for film and television. In 1965, Le Cain joined Richard Williams's animation studio and worked on a wide range of animation projects, including film titles for A Funny Thing Happened on the Way to the Forum, Casino Royale, and The Charge of the Light Brigade. His most important work with Richard Williams was for the unfinished (1964 to 1992) animated film The Thief and the Cobbler. Le Cain turned freelance in 1969, working on sets for BBC television productions, continuing with animation projects, and beginning his career as a children's book illustrator. Le Cain's first children's illustrations were published by Faber and Faber in a story he'd originally storyboarded for film, King Arthur's Sword (1968), which began a long association with Faber that continued to his death. His first book "made me aware of the scope and possibilities of children's book illustration, and now I am convinced this is the medium for me". Le Cain wrote 3 and illustrated 48 children's books during his lifetime, recognized for their richly decorative watercolours and masterful command of design and colour. His self-authored works were King Arthur's Sword (1968), The Cabbage Princess (1969) and The White Cat (1973). He was commended for the 1969, 1975, and 1978 Greenaway awards before winning the 1984 Medal and was commended again for 1987. The four commended books were The Cabbage Princess; Thorn Rose, or the Sleeping Beauty based on the version related by the Brothers Grimm; The Twelve Dancing Princesses, retold from the Brothers Grimm; and The Enchanter's Daughter by Antonia Barber. Leslie Bricusse (born 29 January 1931) is an English composer, lyricist, and playwright, most prominently working in musicals and also film theme songs. Bricusse was educated at University College School in London and Gonville and Caius College, Cambridge. While at Cambridge University, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. In the 1960s and 1970s, Bricusse enjoyed a fruitful partnership with Anthony Newley. They wrote the musical Stop the World - I Want to Get Off (1961) which was successful in London and on Broadway, and was made into a film version in 1966. Also in collaboration with Newley, Bricusse wrote The Roar of the Greasepaint—the Smell of the Crowd (1965) and Willy Wonka & the Chocolate Factory (1971), based on the children's book by Roald Dahl, and for which they received an Academy Award nomination for Best Original Song Score. Working solely as a lyricist, he collaborated with composer Cyril Ornadel on Pickwick (1963), based on Charles Dickens' The Pickwick Papers, a successful vehicle for Harry Secombe. Later collaborators included Henry Mancini (Victor Victoria in 1982) and John Williams (Hook in 1991). As composer and lyricist he scored the successful film Doctor Dolittle (1967), for which he received an Academy Award for Best Original Song ("Talk to the Animals"), and the less-successful Goodbye, Mr. Chips (1969). He currently lives in the United States, and is married to actress Yvonne Romain. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 04156

Catalogue: Original Art

Keywords: BRICUSSE, Leslie Christmas

COMPTE-CALIX, Francois Claudius

Keepsake de Costumes, le

Paris: Chez Aubert, 1853. Twenty Hand Colored Plates depicting the Costumes of Western Europe and North Africa COMPTE-CALIX, Francois Claudius. Le Keepsake de Costumes. Dessins de Compte Calix, gravés sur acier. Album offert aux abonées du journal Les Modes Parisiennes. Paris: [Chez Aubert], 1853. Folio 13 5/8 x 10 1/2 inches; 345 x 266 mm.). Twenty fine hand colored plates engraved on steel by Varin, Préval, Pelée, Ramus, Montaut d'Oléron, Girardet, Rebel Monnin, Portier, Desjardins and Metzmacher. All plates with original tissue guards. Publisher's pale blue paper wrappers. front cover printed in gold, most of the paper spine worn away but still sound. Minimal insect damage to fore-edge of first blank. Some marginal foxing to plate 12, light marginal foxing to a few other plates, otherwise an excellent example of this rather scarce costume book. This fine album was offered to subscribers of the newspaper Les Modes Parisiennes. The plates: 1. "Chef Arabe" An Arab chef from Algeria 2. "Femme Mauresque" A Moorish woman 3. "Paysanne" A peasant woman from the vicinity of Neuviller (Bas Rhin) 4. "Auberciste de Miesbach" An innkeeper from Miesbach (Germany, Bavaria) 5. "Costume de Tresnuzaghes" A costume from Tresnuzaghes (Sardinia) 6. "Pastora della Gallura" (Sardinia) 7. "Paysanne" A peasant woman from the vicinity of La Rochelle 8. "Femme des environs de Nimes" A woman from the vicinity of Nimes 9. "Jeune Fille de Brienz" A young girl from Brienz, canton of Bern (Switzerland) 10. "Marchand Juif" A Jewish merchant from Algeria 11. "Juive Mariée" A married Jewess from Algeria 12. "Jeune Fille Juive d'Alger" A young Jewish woman from Algiers (lightly foxed in blank margins) 13. Marchand de Tapis" A merchant from Tapis from Zell (Tyrol) 14. "Bergère de Jennbach" A shepherdess from Jennbach (Tyrol) 15. "Femme de Passau" A woman from Passau (Germany, Bavaria) 16. "Paysanne de Iffeldorf" A peasant woman from Iffeldorf (Germany, Bavaria) 17. "Rémouleur Arabe" An Arab grinder in Cairo 18. "Costume de Bosa" A man from Bosa (Sardinia) 19. "Femme de Ploaghe" A woman from Ploaghe (Sardinia) 20. "Boucher de Cagliari" The butcher from Cagliari (Sardinia). Colas 671; Gumuchian 1833; Hiler, p. 181; Not in Bobins, Lipperheide or Osborne. .

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Book number: 05572

Catalogue: Color-Plate Books

Keywords: Books in French Costume

CANIFF, Milton

Terry and the Pirates

New York: Random House , 1946. Inscribed by the Milton Caniff CANIFF, Milton. Terry and the Pirates. Adapted from the famous comic strip. New York: Random House, [1946]. First edition inscribed by the author. Small quarto ( 10 x 7 inches; 254 x 178 mm.).[vi], [1]-115, [1, blank]. With seventeen black & white illustrations in the text. Inscribed on the front free endpaper "For Richard Baker / Best Wishes / Milton Caniff / 7 January / 1947". Publisher's pictorial boards, pictorial dust jacket. A near fine copy. Milton Arthur Paul Caniff (1907-1988) was an American cartoonist known for the Terry and the Pirates and Steve Canyon comic strips. .

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Book number: 05858

Catalogue: Illustrated Books

Keywords: Inscribed Copies

CAPRA, Frank; SCHERLE, Victor LEVY, William T.

Films of Frank Capra, the

Secaucus, N.J.: The Citadel Press, 1977. Inscribed by Frank Capra CAPRA, Frank. The Films of Frank Capra. By Victor Scherle and William Turner Levy. Introduction by The Hon. William O. Douglas. Secaucus, N.J.: The Citadel Press, [1977]. First edition. Large quarto (11 x 8 1/2 inches; 280 x 216 mm.). [x], 278 pp. Illustrated throughout in black & white. Publisher's blue cloth over yellow boards. A fine copy in a near-fine, price-clipped pictorial dust jacket. Inscribed in brown ink on the front free endpaper "To [Walter?] affectionally - Frank" Frank Russell Capra (1897-1991) was an Italian-American film director, producer, and screenwriter who was the creative force behind some of the major award-winning films of the 1930s and 1940s. He directed It's a Wonderful Life in 1946. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 05838

Catalogue: Biography

Keywords: SCHERLE, Victor LEVY, William T Inscribed Copies Film

CARELESS, John [pseudonym]; RIVIÉRE & SON; [CHATTO, William Andrew]

Old English 'Squire, the

London: Printed for Thomas McLean, 1821. Scarce Copy With Earliest Watermarks Complete With Half-Title CARELESS, John [pseudonym]. [CHATTO, William Andrew]. The Old English 'Squire. "A Jovial Gay Fox-Hunter, Bold, Frank, and Free." A Poem in Ten Cantos. Illustrated with Plates, by One of the Family. London: Printed for Thomas McLean.. by Howlett and Brimmer, 1821. First edition, earliest issue, a Large Paper copy complete with half-title; scarce. Tall octavo (10 3/8 x 7 1/8 in; 263 x 181 mm ). viii, 136 pp. Twenty-four hand-colored aquatint plates, including frontispiece, watermarked "Whatman 1821". (The plates in Abbey's copy watermarked "Whatman 1823." Bound by Rivière & Son in full green crushed morocco, covers with French fillets, spine with five raised bands elaborately tooled and lettered in gilt in compartments, wide gilt decorated turn-ins, plum endpapers, top edge gilt, others uncut. Spine slightly sunned. With the armorial bookplate of sporting book collector Graham M. Adee on front paste-down. A fine copy. "The half-title is frequently missing" (Tooley). The story of the life of a somewhat debauched squire from birth until his bridle at marriage. "'John Careless, Esq.' is only known as the author of a rare colour-book, The Old English Squire, published by M'Lean in 1821, with twenty [i.e. 24] coloured plates 'by one of the family' in the style of Rowlandson. The literary matter differs from that of Combe and Mitford in being strongly influenced by the style of Walter Scott, wherever the galloping metre of Retaliation and Haunch of Venison is not used. Especially curious is the account of the collection of Old Masters, from which the Old English Squire bought his St Anthony preaching to the Fishes.." (Prideaux). "It is not certainly known who 'John Careless' was. He is sometimes said to have been 'Stephen Oliver' (a pseudonym of W.A. Chatto); but Chatto's poem of the same title was published in 1838 by 'Phiz.' His 'Old English Squire', with twenty-four aquatints colored by hand ('by one of the family'), is in fact something of a mystery, and, for the collector, rather an expensive one: it may cost £20, or even more. The reason of such a price (though there is the justification of rarity) lies in two features it possesses. One is the plates, which are attributed to Thomas Rowlandson, of which all that can be said is that they are utterly unworthy of the artist who in the same year completed the illustrations to 'Dr. Syntax's' three 'Tours.' However, these puzzles of authorship and illustration make the book interesting. And trashy though the verse is, it has yet one other great interest - that of life" (Sawyer and Darton, English Books 1475-1900). The stunning library of color-plate and sporting books collected by Capt. Graham M. Adee (USN, ret.) of Newport. R.I. was sold at Parke-Bernet Galleries in 1953. Tooley 128. Abbey, Life, 387. Prideaux pp. 305, 330. Schwerdt I, p. 95. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 02297

Catalogue: Color-Plate Books

Keywords: RIVIÉRE & SON [CHATTO, William Andrew] Fine Bindings Caricatures Nineteenth-Century Literature Poetry

CARELESS, John [pseudonym].; [CHATTO, William Andrew]

Old English 'Squire, the

London: Printed for Thomas McLean, 1821. Scarce Large Paper Copy in Original Boards From Chatto, Windless, and Careless, 1821 CARELESS, John [pseudonym]. [CHATTO, William Andrew]. The Old English 'Squire. "A Jovial Gay Fox Hunter, Bold, Frank and Free." A Poem, in Ten Cantos. Illustrated with Plates, by One of the Family. London: Printed for Thomas M'Lean by Howlett and Brimmer, 1821. First edition, first issue, a Large Paper copy. Large octavo (10 7/8 x 7 3/8 in; 277 x 184 mm). viii, 136 pp. Half-title, hand-colored aquatint frontispiece and twenty-three hand-colored aquatint plates. Plates watermarked "J. Whatman 1821." Plates in Abbey's copy watermarked 1823. Publisher's original boards, rebacked preserving original spine with paper label. Uncut. Upper hinge near invisibly repaired. Faint offsetting of plates. A fine copy. With the leather bookplate of Joseph Widener. Housed in a later red cloth slipcase. "The half-title is frequently missing" (Tooley) but it is present in this copy. Though no stranger to auction rooms it is scarcely encountered in the original boards. The last copy in original boards was seen at Phillips, March 14, 1991, with cracked joints and torn spine. There have been no large paper copies in original boards at auction since at least 1976. "'John Careless, Esq.' is only known as the author of a rare colour-book, The Old English Squire, published by M'Lean in 1821, with twenty coloured plates 'by one of the family' in the style of Rowlandson. The literary mater differs from that of Combe and Mitford in being strongly influenced by the style of Walter Scott, wherever the galloping metre of Retaliation and the Haunch of Venison is not used. Especially curious is the account of the collection of Old Masters, from which the Old English Squire bought his St Anthony Preaching to the Fishes, which he 'sent to the country, where it edified all, but most fishing gentry'" (Prideaux). William Andrew Chatto (1799-1864) was an English writer. In addition to "John Careless, Esq." he also used the pseudonym Stephen Oliver. He was editor in 1839-41 of the New Sporting Magazine, and in 1844 produced a penny daily comic illustrated paper entitled Puck, A Journalette of Fun. This paper, which he edited himself, had only a brief existence. His third son, Andrew Chatto (1840-1913), became a member of the publishing firm of Chatto & Windus. His epitaph, by his lifelong friend, Tom Taylor, described him as a "true-hearted and upright man." Joseph Early Widener (1871-1943) was a wealthy American art collector who was a founding benefactor of the National Gallery of Art in Washington, D.C. A major figure in Thoroughbred horse racing, he was head of New York's Belmont Park and builder of Miami, Florida's Hialeah Park racetrack. Born in Philadelphia, he was the second son of Hannah Josephine Dunton (1836-1896) and the extremely wealthy transportation and real estate magnate Peter A. B. Widener (1834-1915). Abbey, Life 387. Tooley 128. Prideaux, pp 305, 330. Schwerdt 1, p.95. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 02557

Catalogue: Color-Plate Books

Keywords: [CHATTO, William Andrew] Caricatures Hunting Nineteenth-Century Literature

CARLONI, Marco; SMUGLIEWICZ, Franciszek BRENNA, Vincenzo

Domus Aureus. Plate # 9

Rome: Ludovico Mirri, 1776-1778. Emperor Nero's Golden Palace The Domus Aureus CARLONI, Marco (1742-1796) after SMUGLIEWICZ, Franciszek (1745-1807) and BRENNA, Vincenzo (1745-1820). Detail of a fresco in the 'Domus Aureus'. Rome: Ludovico Mirri, [1776-1778]. Plate # 9. Original engraving with later hand coloring. Fine in a stunning gilt frame. Framed size: (31 1/2 x 21 inches; 800 x 533 mm.). Plate mark: (22 7/8 x 12 1/4 inches; 581 x 311 mm.). A fine plate from 'Vestigia delle terme di Tito e loro interne pitture' of an ancient fresco from the 'Domus Aureus', Nero's sumptuous imperial complex in Rome. The image depicts two male figures draped in blue/green robes admiring the frescoes and statues. The Domus Aurea (Latin, "Golden House") was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine and Esquiline Hills. It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. Designed by architects Severus and Celer. The magnitude and decadent extravagance of the impressive gold-covered, jewel bedecked palace was intended to glorify the Emperor's reign. Its rooms were filled with lavish furniture and its walls and ceilings covered with decorative late-Hellenistic murals by the renowned ancient artist Fabullus. Nero, who died in 68 AD before the Domus was totally completed. In 1480, practically forgotten, the Domus was excavated, and its subterranean passages and rooms thereafter became known as 'le grotte' (cave). Many of its original frescoes survived, and their motifs and ancient style of ornamentation, called 'grotteschi' (grotesque) after 'grotte', became extremely popular during the Renaissance, influencing many prominent artists such as Raphael, Michelangelo, Ghirlandio, and Pinturicchio. Published in 1776-1778, 'Vestigia delle terme di Tito e loro interne pitture' is an elaborate album of engravings depicting the stunning 'al fresco' and 'al stucco' murals of Nero's Domus Aureus. Carloni's beautifully rendered plates faithfully capture the ancient Roman grotesque style, which became a hallmark of Renaissance Art. https://archive.org/details/gri_33125008626216/page/37/mode/2up. .

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Book number: 05027

Catalogue: Architecture

Keywords: SMUGLIEWICZ, Franciszek BRENNA, Vincenzo Classical History Italian Literature Archaelogy Art

CARLONI, Marco; SMUGLIEWICZ, Franciszek BRENNA, Vincenzo

Domus Aureus. Plate # 41

Rome: Ludovico Mirri, 1776-1778. Emperor Nero's Golden Palace The Domus Aureus CARLONI, Marco (1742-1796) after Franciszek SMUGLIEWICZ (1745-1807) and BRENNA, Vincenzo (1745-1820). Detail of a fresco in the 'Domus Aureus'. Rome: Ludovico Mirri, [1776-1778]. Plate # 41. Original engraving with later hand coloring. Fine in a stunning gilt frame. Framed size: (32 x 21 inches; 813 x 533 mm.). Plate mark: (23 1/2 x 12 1/2 inches; 597 x 317 mm.). A fine plate from 'Vestigia delle terme di Tito e loro interne pitture' of an ancient fresco from the 'Domus Aureus', Nero's sumptuous imperial complex in Rome. The image depicts several fine frescoes and statues. The Domus Aurea (Latin, "Golden House") was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine Hill and Esquiline Hills. It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. Designed by architects Severus and Celer. The magnitude and decadent extravagance of the impressive gold-covered, jewel bedecked palace was intended to glorify the Emperor's reign. Its rooms were filled with lavish furniture and its walls and ceilings covered with decorative late-Hellenistic murals by the renowned ancient artist Fabullus. Nero, who died in 68 AD before the Domus was totally completed. In 1480, practically forgotten, the Domus was excavated, and its subterranean passages and rooms thereafter became known as 'le grotte' (cave). Many of its original frescoes survived, and their motifs and ancient style of ornamentation, called 'grotteschi' (grotesque) after 'grotte', became extremely popular during the Renaissance, influencing many prominent artists such as Raphael, Michelangelo, Ghirlandio, and Pinturicchio. Published in 1776-1778, 'Vestigia delle terme di Tito e loro interne pitture' is an elaborate album of engravings depicting the stunning 'al fresco' and 'al stucco' murals of Nero's Domus Aureus. Carloni's beautifully rendered plates faithfully capture the ancient Roman grotesque style, which became a hallmark of Renaissance Art. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 05028

Catalogue: Architecture

Keywords: SMUGLIEWICZ, Franciszek BRENNA, Vincenzo Classical History Italian Literature Archaelogy Art

CARLONI, Marco; SMUGLIEWICZ, Franciszek BRENNA, Vincenzo

Domus Aureus. Plate # 16

Rome: Ludovico Mirri, 1776-1778. Emperor Nero's Golden Palace The Domus Aureus CARLONI, Marco (1742-1796) after SMUGLIEWICZ, Franciszek (1745-1807) and BRENNA, Vincenzo (1745-1820). Detail of a fresco in the 'Domus Aureus'. Rome: Ludovico Mirri, [1776-1778]. Plate # 16. Original engraving with later hand coloring. Fine in a stunning gilt frame. Framed size: (27 1/4 x 23 1/2 inches; 692 x 597 mm.). Plate mark: (18 x 14 inches; 457 x 356 mm.). A spectacular plate from 'Vestigia delle terme di Tito e loro interne pitture' of an ancient fresco from the 'Domus Aureus', Nero's sumptuous imperial complex in Rome. The image depicts three women and one naked man. The women are dressed in red, gold and blue/green robes, two of them holding infants in their arms. The image is surrounded by a wonderful decorative border. The Domus Aurea (Latin, "Golden House") was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine and Esquiline Hills. It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. Carloni's beautifully rendered plates faithfully capture the grotesque style of the ancient frescoes, which was characterized by decorative borders filled with whimsical, often comical animals and foliage taken from both nature and the artist's imagination. The ornamental borders also served the practical functions of framing the central mythological, religious, or historical subject portrayed and separating the various murals in a single decorative scheme. Designed by architects Severus and Celer. The magnitude and decadent extravagance of the impressive gold-covered, jewel bedecked palace was intended to glorify the Emperor's reign. Its rooms were filled with lavish furniture and its walls and ceilings covered with decorative late-Hellenistic murals by the renowned ancient artist Fabullus. Nero, however, died in 68 AD before the Domus was totally completed. In 1480, practically forgotten, the Domus was excavated, and its subterranean passages and rooms thereafter became known as 'le grotte' (cave). Many of its original frescoes survived, and their motifs and ancient style of ornamentation, called 'grotteschi' (grotesque) after 'grotte', became extremely popular during the Renaissance, influencing many prominent artists such as Raphael, Michelangelo, Ghirlandio, and Pinturicchio. Published in 1776, 'Vestigia delle terme di Tito e loro interne pitture' is an elaborate album of engravings depicting the stunning 'al fresco' and 'al stucco' murals of Nero's Domus Aureus. Carloni's beautifully rendered plates faithfully capture the ancient Roman grotesque style, which became a hallmark of Renaissance Art. https://archive.org/details/gri_33125008626216/page/65/mode/2up. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 05029

Catalogue: Architecture

Keywords: SMUGLIEWICZ, Franciszek BRENNA, Vincenzo Classical History Italian Literature Archaelogy Art

CARLONI, Marco; SMUGLIEWICZ, Franciszek BRENNA, Vincenzo

Domus Aureus. Plate # 15

Rome: Ludovico Mirri, 1776-1778. Emperor Nero's Golden Palace The Domus Aureus CARLONI, Marco (1742-1796) after SMUGLIEWICZ, Franciszek (1745-1807) and BRENNA, Vincenzo (1745-1820). Detail of a fresco in the 'Domus Aureus'. Rome: Ludovico Mirri, [1776-1778]. Plate # 16. Original engraving with later hand coloring. Fine in a stunning gilt frame. Framed size: (28 x 23 3/4 inches; 711 x 603 mm.). Plate mark: (18 1/4 x 14 1/8 inches; 463 x 359 mm.). A fine plate from 'Vestigia delle terme di Tito e loro interne pitture' of an ancient fresco from the 'Domus Aureus', Nero's sumptuous imperial complex in Rome. A spectacular plate from 'Vestigia delle terme di Tito e loro interne pitture' of an ancient fresco from the 'Domus Aureus', Nero's sumptuous imperial complex in Rome. The image depicts three women, a naked man and a prancing horse. The women are dressed in blue, red and green robes, one of them standing by a child's chariot. The image is surrounded by a wonderful decorative border. The Domus Aurea (Latin, "Golden House") was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine and Esquiline Hills. It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. Carloni's beautifully rendered plates faithfully capture the grotesque style of the ancient frescoes, which was characterized by decorative borders filled with whimsical, often comical animals and foliage taken from both nature and the artist's imagination. The ornamental borders also served the practical functions of framing the central mythological, religious, or historical subject portrayed and separating the various murals in a single decorative scheme. Designed by architects Severus and Celer. The magnitude and decadent extravagance of the impressive gold-covered, jewel bedecked palace was intended to glorify the Emperor's reign. Its rooms were filled with lavish furniture and its walls and ceilings covered with decorative late-Hellenistic murals by the renowned ancient artist Fabullus. Nero, however, died in 68 AD before the Domus was totally completed. In 1480, practically forgotten, the Domus was excavated, and its subterranean passages and rooms thereafter became known as 'le grotte' (cave). Many of its original frescoes survived, and their motifs and ancient style of ornamentation, called 'grotteschi' (grotesque) after 'grotte', became extremely popular during the Renaissance, influencing many prominent artists such as Raphael, Michelangelo, Ghirlandio, and Pinturicchio. Published in 1776, 'Vestigia delle terme di Tito e loro interne pitture' is an elaborate album of engravings depicting the stunning 'al fresco' and 'al stucco' murals of Nero's Domus Aureus. Carloni's beautifully rendered plates faithfully capture the ancient Roman grotesque style, which became a hallmark of Renaissance Art. https://archive.org/details/gri_33125008626216/page/53/mode/2up. .

David Brass Rare Books (ABAA/ILAB)Professional seller

Book number: 05030

Catalogue: Architecture

Keywords: SMUGLIEWICZ, Franciszek BRENNA, Vincenzo Classical History Italian Literature Archaelogy Art