Scriptum Art Books v.o.f.: Schilderkunst- algemeen / Painting general
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Italienische Kunst. Eine neue Sicht auf ihre Geschichte. (Band 1 + 2).
1988 (16,7 25 cm), 2 vols. German text, 382 + 475 pp., numerous b/w. ills., paperback.
¶ Aus dem Inhalt Band.1: Willibald Sauerländer: Vom Wagnis, die Kunstbetrachtung aus dem musealen Käfig zu befreien; Enrico Castelnuovo und Carlo Ginzburg: Zentrum und Peripherie; Alessandro Conti: Die Entwicklung des Künstlers; Massimo Ferretti: Fälschungen und künstlerische Tradition; Bruno Toscano: Geschichte der Kunst und Formen des religiösen Lebens; Band 2: Salvatore Settis: Ikonographie der italienischen Kunst 1100 - 1500: eine Linie; Giovanni Previtali: Die Periodisierung der italienischen Kunstgeschichte; Luciano Bellosi: Die Darstellung des Raums; Enrico Castelnuovo: Kunst der Städte, Kunst der Höfe zwischen dem 12. und 14. Jahrhundert; Giovanni Romano: auf dem Weg zur 'modernen Manier': von Mantegna zu Raffael; Federico Zeri: Renaissance und Pseudo-Renaissance. Both very fine copies.
¶ Aus dem Inhalt Band.1: Willibald Sauerländer: Vom Wagnis, die Kunstbetrachtung aus dem musealen Käfig zu befreien; Enrico Castelnuovo und Carlo Ginzburg: Zentrum und Peripherie; Alessandro Conti: Die Entwicklung des Künstlers; Massimo Ferretti: Fälschungen und künstlerische Tradition; Bruno Toscano: Geschichte der Kunst und Formen des religiösen Lebens; Band 2: Salvatore Settis: Ikonographie der italienischen Kunst 1100 - 1500: eine Linie; Giovanni Previtali: Die Periodisierung der italienischen Kunstgeschichte; Luciano Bellosi: Die Darstellung des Raums; Enrico Castelnuovo: Kunst der Städte, Kunst der Höfe zwischen dem 12. und 14. Jahrhundert; Giovanni Romano: auf dem Weg zur 'modernen Manier': von Mantegna zu Raffael; Federico Zeri: Renaissance und Pseudo-Renaissance. Both very fine copies.
Scriptum Art Books v.o.f.Professional sellerBook number: 4400
€ 5.00 [Appr.: US$ 5.36 | £UK 4.5 | JP¥ 834]
Catalogue: Schilderkunst- algemeen / Painting - general
De grote verandering. Revoluties in de Russisiche Schilderkunst 1895-1917.
2013, (25,5 x 30,3 xm), 190 pp. Dutch text, numerous colour ills., hardcover.
¶ Catalogus bij de tentoonstelling in het Bonnefantenmuseum te Maastricht van een kleine negentig schilderijen van Russische kunstschilders uit de periode van 1895 tot 1917. De schilderijen zijn afkomstig uit het Russische Staatsmuseum en het Tretjakov Museum te Moskou. Ze geven een beeld van de non-figuratieve en experimentele schilderkunst in het Rusland in de laatste decennia voor de Revolutie van 1917, met schilders als Kandinsky, Malevitsj, Borisov-Moesatov, Serov en Bakst. Na inleidingen over de avant-garde in Rusland, de kunstenaarsgroep Boebnovyj Valet en de schilders Vroebel en Filonov volgt de catalogus van 87 schilderijen, met kleurenafbeeldingen, afgedrukt op één of twee pagina's en met korte begeleidende teksten. Een lijst van tentoongestelde werken en een tijdlijn van 1870 tot de Oktoberrevolutie besluiten dit boek in groot formaat. Het geeft een indruk van een interessante periode in de Russische schilderkunst waarover nog relatief weinig bekend is in West-Europa.
¶ Catalogus bij de tentoonstelling in het Bonnefantenmuseum te Maastricht van een kleine negentig schilderijen van Russische kunstschilders uit de periode van 1895 tot 1917. De schilderijen zijn afkomstig uit het Russische Staatsmuseum en het Tretjakov Museum te Moskou. Ze geven een beeld van de non-figuratieve en experimentele schilderkunst in het Rusland in de laatste decennia voor de Revolutie van 1917, met schilders als Kandinsky, Malevitsj, Borisov-Moesatov, Serov en Bakst. Na inleidingen over de avant-garde in Rusland, de kunstenaarsgroep Boebnovyj Valet en de schilders Vroebel en Filonov volgt de catalogus van 87 schilderijen, met kleurenafbeeldingen, afgedrukt op één of twee pagina's en met korte begeleidende teksten. Een lijst van tentoongestelde werken en een tijdlijn van 1870 tot de Oktoberrevolutie besluiten dit boek in groot formaat. Het geeft een indruk van een interessante periode in de Russische schilderkunst waarover nog relatief weinig bekend is in West-Europa.
Scriptum Art Books v.o.f.Professional sellerBook number: 5710
€ 34.95 [Appr.: US$ 37.44 | £UK 30.25 | JP¥ 5829]
Catalogue: Schilderkunst- algemeen / Painting - general
Matisse und die Fauves.
September 2013, (23,5 x 28,5 cm), 328 pp. German text, 246 colour and 2 b/w., ills, hardcover.
¶ Katalog zur Ausstellung Matisse und die Fauves, Albertina Wien 20-09-2013 / 12-01-2014. Mit leuchtenden Farben und pastosem Pinselstrich sorgte eine Gruppe von zwölf jungen Künstlern auf dem dritten Pariser Herbstsalon 1905 für einen Rieseneklat. Von dem konservativen Kritiker Louis Vauxcelles wurden sie gar als 'Bestien' tituliert. Heute steht der Begriff des Fauvismus für einen kurzen, aber in der Kunst des 20. Jahrhunderts sehr einflussreichen Stil. Der umfassende Katalog vereint neben rund 120 Gemälden, Zeichnungen und Aquarellen auch Bronzen, Keramiken und Holzobjekte, wobei der Schwerpunkt auf Henri Matisse (1869-1954), dem Wegbereiter und Hauptvertreter des Fauvismus, liegt. Mit wissenschaftlich fundierten Texten wird die Epoche intensiv beleuchtet. Angefangen vom Einfluss van Goghs, Cézannes und Gauguins als künstlerische Wegbereiter bis hin zu den späteren Auswirkungen der Fauves auf die Maler der Brücke und des Blauen Reiters - sehr empfehlenswert!
¶ Katalog zur Ausstellung Matisse und die Fauves, Albertina Wien 20-09-2013 / 12-01-2014. Mit leuchtenden Farben und pastosem Pinselstrich sorgte eine Gruppe von zwölf jungen Künstlern auf dem dritten Pariser Herbstsalon 1905 für einen Rieseneklat. Von dem konservativen Kritiker Louis Vauxcelles wurden sie gar als 'Bestien' tituliert. Heute steht der Begriff des Fauvismus für einen kurzen, aber in der Kunst des 20. Jahrhunderts sehr einflussreichen Stil. Der umfassende Katalog vereint neben rund 120 Gemälden, Zeichnungen und Aquarellen auch Bronzen, Keramiken und Holzobjekte, wobei der Schwerpunkt auf Henri Matisse (1869-1954), dem Wegbereiter und Hauptvertreter des Fauvismus, liegt. Mit wissenschaftlich fundierten Texten wird die Epoche intensiv beleuchtet. Angefangen vom Einfluss van Goghs, Cézannes und Gauguins als künstlerische Wegbereiter bis hin zu den späteren Auswirkungen der Fauves auf die Maler der Brücke und des Blauen Reiters - sehr empfehlenswert!
Scriptum Art Books v.o.f.Professional sellerBook number: 5727
€ 45.00 [Appr.: US$ 48.21 | £UK 38.75 | JP¥ 7505]
Catalogue: Schilderkunst- algemeen / Painting - general
Mask in present-Day Art | Maske in der Kunst der Gegenwart.
09-2019, (24,2 x 32,6 cm), 304 pp. English and German text, 256 ills., hardcover.
¶ Masks evoke scenes of carnival or African tribal rites, we may be thinking of death masks of famous people, theatre and fashion, cosplay, disguise, and of protection. They represent some of the most ancient and most controversial objects of our cultural history. Today's artists look beyond the mere object, they are interested also in the social, cultural, and political meanings of masks. This book, published in conjunction with an exhibition at Aargauer Kunsthaus Aarau in fall 2019, explores their appearances in contemporary art. Artists at all times have been attracted by masks and their symbolism. Through works by distinguished Swiss and international artists and concise texts the book demonstrates manifold approaches to the topic of masks. With contributions by Yasmin Afschar, Daniel Berndt, Hendrik Bündtge, Emily Butler, Wendy Chang, Michelle Cotton, Peter Fischer, Claire Hoffmann, Olivier Kaeser, Melitta Kliege, Susanna Koeberle, Elsy Lahner, Leo Lencsés, Bettina Mühlebach, Lena Nievers, Lucia Rey, Hermant Sareen, Jörg Scheller, Madeleine Schuppli, Angela Strecken, and Thomas D. Trummer.
¶ Masks evoke scenes of carnival or African tribal rites, we may be thinking of death masks of famous people, theatre and fashion, cosplay, disguise, and of protection. They represent some of the most ancient and most controversial objects of our cultural history. Today's artists look beyond the mere object, they are interested also in the social, cultural, and political meanings of masks. This book, published in conjunction with an exhibition at Aargauer Kunsthaus Aarau in fall 2019, explores their appearances in contemporary art. Artists at all times have been attracted by masks and their symbolism. Through works by distinguished Swiss and international artists and concise texts the book demonstrates manifold approaches to the topic of masks. With contributions by Yasmin Afschar, Daniel Berndt, Hendrik Bündtge, Emily Butler, Wendy Chang, Michelle Cotton, Peter Fischer, Claire Hoffmann, Olivier Kaeser, Melitta Kliege, Susanna Koeberle, Elsy Lahner, Leo Lencsés, Bettina Mühlebach, Lena Nievers, Lucia Rey, Hermant Sareen, Jörg Scheller, Madeleine Schuppli, Angela Strecken, and Thomas D. Trummer.
Scriptum Art Books v.o.f.Professional sellerBook number: 7401
€ 58.95 [Appr.: US$ 63.15 | £UK 50.75 | JP¥ 9831]
Catalogue: Schilderkunst- algemeen / Painting - general
Swiss Pop Art. Forms and Tendencifes of Pop Art in Switzerland 1962-1972.
06 2017, (20 x 29 cm), 552 pp. 254 colour ills. + 63 b/w. ills., hardcover.
¶ The exhibition Swiss Pop Art at Aargauer Kunsthaus in spring 2017 is the first-ever comprehensive overview of Pop Art in Switzerland. For the Swiss art scene in the 1960s and early 1970s, this international movement was of pivotal importance. Artists such as Susi and Ueli Berger, Fernando Bordoni, Carl Bucher, Emilienne Farny, Bendicht Fivian, Franz Gertsch, Margrit Jäggli, Urs Lüthi, Markus Müller, Markus Raetz, and Peter Stämpfli took up the trends coming from the US and Britain with great interest. Impressed by the Pop Art movement's provocative images and new motifs, they created works that sometimes borrowed strongly from their models, yet also using them to develop their own artistic language. This new book coincides with the exhibition, exploring the particularities of Swiss forms of Pop Art and looking not only at visual art but also examining various links to design, art in public space, photography, film, fashion, and music. Featuring a wealth of works by Swiss protagonists of the Pop Art movement, it offers as well an illustrated chronology of the period that was politically, socially, and artistically exceptionally lively in Switzerland as much as in many other countries. [POP-ART]
¶ The exhibition Swiss Pop Art at Aargauer Kunsthaus in spring 2017 is the first-ever comprehensive overview of Pop Art in Switzerland. For the Swiss art scene in the 1960s and early 1970s, this international movement was of pivotal importance. Artists such as Susi and Ueli Berger, Fernando Bordoni, Carl Bucher, Emilienne Farny, Bendicht Fivian, Franz Gertsch, Margrit Jäggli, Urs Lüthi, Markus Müller, Markus Raetz, and Peter Stämpfli took up the trends coming from the US and Britain with great interest. Impressed by the Pop Art movement's provocative images and new motifs, they created works that sometimes borrowed strongly from their models, yet also using them to develop their own artistic language. This new book coincides with the exhibition, exploring the particularities of Swiss forms of Pop Art and looking not only at visual art but also examining various links to design, art in public space, photography, film, fashion, and music. Featuring a wealth of works by Swiss protagonists of the Pop Art movement, it offers as well an illustrated chronology of the period that was politically, socially, and artistically exceptionally lively in Switzerland as much as in many other countries. [POP-ART]
Scriptum Art Books v.o.f.Professional sellerBook number: 7602
€ 60.00 [Appr.: US$ 64.27 | £UK 51.75 | JP¥ 10006]
Catalogue: Schilderkunst- algemeen / Painting - general
Een feest van kleur. Post-impressionisten uit particulier bezit.
Zwolle 1989 (22,5 x 28,5 cm), 260 pp. Dutch text, 96 ills. (colour & b/w., clothbound/d-jacket.
¶ Catalogue from the exhibition at the Noordbrabants Museum in 's-Hertogenbosch on post-impressionist paintings from private collection.
¶ Catalogue from the exhibition at the Noordbrabants Museum in 's-Hertogenbosch on post-impressionist paintings from private collection.
Scriptum Art Books v.o.f.Professional sellerBook number: 3204
€ 32.50 [Appr.: US$ 34.82 | £UK 28 | JP¥ 5420]
Catalogue: Schilderkunst- algemeen / Painting - general
Erotic Art of the Masters. The 18th., 19th. & 20th centuries.
1980, (23 x 30 cm), 224 pp. English text, numerous colour ills., hardcover / dustjacket.
¶ BOOKSALE 2018: 35,00 NOW Û 17,50 A well illustrated survey of 18th, 19th and 20th century erotic art.
¶ BOOKSALE 2018: 35,00 NOW Û 17,50 A well illustrated survey of 18th, 19th and 20th century erotic art.
Scriptum Art Books v.o.f.Professional sellerBook number: 5653
€ 17.50 [Appr.: US$ 18.75 | £UK 15.25 | JP¥ 2918]
Catalogue: Schilderkunst- algemeen / Painting - general
The Robert Devereux Collection of Post-War British Art in aid of the African Arts Trust.
2010, (21 x 27 cm), 3 volumes in portfolio: Volume 1: 148 pp. over 50 ills. Volume 2: 192 pp., over 162 ills., Volume 3: 144 pp., over 115 ills.
¶ Auction catalogues Sotheby's London Three volumes (416 lots) auctioned in London November 2, 3 and 4, 2010. The three volume set of gray softcovers marked in bright yellow lettering along spine and front cover. Profusely filled with British Post-War artists works on full and half page display though volumes 1 (148 pp. ) volume 2 (192 pp. ) volume 3 (144 pp.). Well documented including artists biographies. Port-folio slightly torn. All three catalogues like new.
¶ Auction catalogues Sotheby's London Three volumes (416 lots) auctioned in London November 2, 3 and 4, 2010. The three volume set of gray softcovers marked in bright yellow lettering along spine and front cover. Profusely filled with British Post-War artists works on full and half page display though volumes 1 (148 pp. ) volume 2 (192 pp. ) volume 3 (144 pp.). Well documented including artists biographies. Port-folio slightly torn. All three catalogues like new.
Scriptum Art Books v.o.f.Professional sellerBook number: 5200
€ 45.00 [Appr.: US$ 48.21 | £UK 38.75 | JP¥ 7505]
Catalogue: Schilderkunst- algemeen / Painting - general
Rarities of These Lands. Art, Trade, and Diplomacy in the Republic.
03-2021, ( x cm), 336 pp. English text, numerous ills., hardcover.
¶ A vivid account of Dutch seventeenth-century art and material culture against the backdrop of the geopolitics of the early modern world The seventeenth century witnessed a great flourishing of Dutch trade and culture. Over the course of the first half of the century, the northern Netherlands secured independence from the Spanish crown, and the nascent republic sought to establish its might in global trade, often by way of diplomatic relations with the Ottoman Empire and other Muslim powers. Central to the political and cultural identity of the Dutch Republic were curious foreign goods the Dutch called rarities. Rarities of These Lands explores how these rarities were obtained, exchanged, stolen, valued, and collected, tracing their global trajectories and considering their role within the politics of the new state. Claudia Swan's insightful, engaging analysis offers a novel and compelling account of how the Dutch Republic turned foreign objects into expressions of its national self-conception. Rarities of These Lands traces key elements of the formation of the Dutch Republic-artistic and colonialist ventures alike-offering new perspectives on this momentous period in the history of the Netherlands and its material culture.
¶ A vivid account of Dutch seventeenth-century art and material culture against the backdrop of the geopolitics of the early modern world The seventeenth century witnessed a great flourishing of Dutch trade and culture. Over the course of the first half of the century, the northern Netherlands secured independence from the Spanish crown, and the nascent republic sought to establish its might in global trade, often by way of diplomatic relations with the Ottoman Empire and other Muslim powers. Central to the political and cultural identity of the Dutch Republic were curious foreign goods the Dutch called rarities. Rarities of These Lands explores how these rarities were obtained, exchanged, stolen, valued, and collected, tracing their global trajectories and considering their role within the politics of the new state. Claudia Swan's insightful, engaging analysis offers a novel and compelling account of how the Dutch Republic turned foreign objects into expressions of its national self-conception. Rarities of These Lands traces key elements of the formation of the Dutch Republic-artistic and colonialist ventures alike-offering new perspectives on this momentous period in the history of the Netherlands and its material culture.
Scriptum Art Books v.o.f.Professional sellerBook number: 7880
€ 69.95 [Appr.: US$ 74.93 | £UK 60.25 | JP¥ 11665]
Catalogue: Schilderkunst- algemeen / Painting - general
Exactitude. Hyperrealist painting today.
2009, (26,5 x 32,8 cm), 360 pp. English text, 550 ills. (545 in colour), hardcover with dustjacket.
¶ This breathtaking volume will be relished by anyone, especially anyone interested in art in the 21st century. Realism, and so Exactitude, has played an important role in art history ever since the beginnings of the use of perspective in art. Here, John Russell Taylor charts artists' endeavours to re-create the smallest detail, dating back to centuries before photography to the present day. This book has been published to complement a series of shows at the Plus One Gallery in London of contemporary artists working in a figurative, hyperrealist style called Exactitude. Such works show wide diversity - including still lifes, extreme close-ups, large-scale cityscapes, landscapes and commercial packaging. Among the artists included are Pedro Campos, Clive Head, Ben Johnson, David Ligare, Cynthia Poole, John Salt, Cesar Santander, Ben Schonzeit and Tjalf Sparnaay, who come from all around the world, but are united here by their meticulous approach to their work, whether depicting, among many different subjects, American diners, book spines, portraits or car engines. [hedendaags realisme, contemporary realism].
¶ This breathtaking volume will be relished by anyone, especially anyone interested in art in the 21st century. Realism, and so Exactitude, has played an important role in art history ever since the beginnings of the use of perspective in art. Here, John Russell Taylor charts artists' endeavours to re-create the smallest detail, dating back to centuries before photography to the present day. This book has been published to complement a series of shows at the Plus One Gallery in London of contemporary artists working in a figurative, hyperrealist style called Exactitude. Such works show wide diversity - including still lifes, extreme close-ups, large-scale cityscapes, landscapes and commercial packaging. Among the artists included are Pedro Campos, Clive Head, Ben Johnson, David Ligare, Cynthia Poole, John Salt, Cesar Santander, Ben Schonzeit and Tjalf Sparnaay, who come from all around the world, but are united here by their meticulous approach to their work, whether depicting, among many different subjects, American diners, book spines, portraits or car engines. [hedendaags realisme, contemporary realism].
Scriptum Art Books v.o.f.Professional sellerBook number: 5805
€ 49.95 [Appr.: US$ 53.51 | £UK 43 | JP¥ 8330]
Catalogue: Schilderkunst- algemeen / Painting - general
Schilders van Parijs 1870-1940: de verzameling Oscar Ghez
2004 (24,5 x 28 cm), 208 pp. Dutch text, numerous ills. in colour, clothbound/d-jacket.
¶ Parijs was in de eerste helft van de twintigste eeuw het epicentrum van de internationale kunstwereld waar alle grote kunstenaars verbleven. Niet alleen Europeanen, ook Japanners en Amerikanen wisten de lichtstad te vinden en waren toonaangevend binnen de avant-gardistische kunststromingen. Schilders van Parijs biedt een fascinerend overzicht van de kunstenaars die van 1880 tot 1940 Parijs bevolkten aan de hand van de collectie Oscar Ghez. Deze privé-collectie volgt de ontwikkelingen van de moderne kunst op de voet: het impressionisme, neo-impressionisme, post-impressionisme, School van Pont-Aven, fauvisme, kubisme, Ecole de Paris en surrealisme zijn vertegenwoordigd. Oscar Ghez toonde op jeugdige leeftijd al grote interesse voor kunst. Geboren in Tunesië, opgegroeid in Marseille en Rome, en gevlucht naar New York, keerde de joodse industrieel in 1945 terug naar Frankrijk en startte met verzamelen met een grote voorliefde voor figuratief werk en een neus voor kwaliteit. Met bijna zevenduizend stukken geldt zijn verzameling tot de grootste ter wereld. De collectie onderscheidt zich niet alleen door de enorme omvang, maar bevat tegelijkertijd sleutelwerken van uiteenlopende kunstenaars als Gustave Caillebotte, Tamara de Lempicka, Edouard Vuillard en Foujita. Zeer bijzonder is een serie bronzen beelden van André Derain.
¶ Parijs was in de eerste helft van de twintigste eeuw het epicentrum van de internationale kunstwereld waar alle grote kunstenaars verbleven. Niet alleen Europeanen, ook Japanners en Amerikanen wisten de lichtstad te vinden en waren toonaangevend binnen de avant-gardistische kunststromingen. Schilders van Parijs biedt een fascinerend overzicht van de kunstenaars die van 1880 tot 1940 Parijs bevolkten aan de hand van de collectie Oscar Ghez. Deze privé-collectie volgt de ontwikkelingen van de moderne kunst op de voet: het impressionisme, neo-impressionisme, post-impressionisme, School van Pont-Aven, fauvisme, kubisme, Ecole de Paris en surrealisme zijn vertegenwoordigd. Oscar Ghez toonde op jeugdige leeftijd al grote interesse voor kunst. Geboren in Tunesië, opgegroeid in Marseille en Rome, en gevlucht naar New York, keerde de joodse industrieel in 1945 terug naar Frankrijk en startte met verzamelen met een grote voorliefde voor figuratief werk en een neus voor kwaliteit. Met bijna zevenduizend stukken geldt zijn verzameling tot de grootste ter wereld. De collectie onderscheidt zich niet alleen door de enorme omvang, maar bevat tegelijkertijd sleutelwerken van uiteenlopende kunstenaars als Gustave Caillebotte, Tamara de Lempicka, Edouard Vuillard en Foujita. Zeer bijzonder is een serie bronzen beelden van André Derain.
Scriptum Art Books v.o.f.Professional sellerBook number: 3426
€ 25.00 [Appr.: US$ 26.78 | £UK 21.5 | JP¥ 4169]
Catalogue: Schilderkunst- algemeen / Painting - general
Icons of Art: The 20th. Century.
Munich/New York 1997, 216 pp. English text, 300 ills., clothb./d-jacket.
¶ BOOKSALE Û 29,95 NOW Û 12,50 This book provides a chronological summary of 20th. Century art with full-colour illustration of the artists' most important works, comparative pictures and succint biographies of some hundred artists. Ramsj
¶ BOOKSALE Û 29,95 NOW Û 12,50 This book provides a chronological summary of 20th. Century art with full-colour illustration of the artists' most important works, comparative pictures and succint biographies of some hundred artists. Ramsj
Scriptum Art Books v.o.f.Professional sellerBook number: 2653
€ 12.50 [Appr.: US$ 13.39 | £UK 10.75 | JP¥ 2085]
Catalogue: Schilderkunst- algemeen / Painting - general
Keywords: Ramsj
The Monkey in Art.
Woodbridge 1994, 128 pp. English text, 121 ills., clothbound.
¶ This delightful and engaging book travels around the world and throughout history, from ancient Egypt to eighteenth century France and beyond, to tell the story of the monkey's role in art. Most illustrations in colour.
¶ This delightful and engaging book travels around the world and throughout history, from ancient Egypt to eighteenth century France and beyond, to tell the story of the monkey's role in art. Most illustrations in colour.
Scriptum Art Books v.o.f.Professional sellerBook number: 848
€ 22.65 [Appr.: US$ 24.26 | £UK 19.5 | JP¥ 3777]
Catalogue: Schilderkunst- algemeen / Painting - general
Artists' Invitations 1965-1985.
2019, (17 x 24 cm), 512 pp. English /Italian text, numerous ills., paperback.
¶ This book aims to illustrate a little-known aspect of '60s, '70s, and '80s art, the 'artist's invitation,' namely the material (be it a card or piece of paper) printed for the specific purpose of documenting an exhibition. The criterion employed to choose the material was that of privileging the participation of the artist him- or herself in the creative process that led to the object's production. The artistic context on which this book focuses is that of Minimalism, Conceptual Art, Land Art, Pop Art, Fluxus, and Actionism, including Spanish and South American art, the importance of which warrants a new critical attention for the historical and political significance these movements had in their respective sites. The materials considered here come almost entirely from the collections of Bruno and Alessandra Tonini, Christoph Schifferli, Giorgio Colombo (Milan), and the Lafuente Archive (Santander).
¶ This book aims to illustrate a little-known aspect of '60s, '70s, and '80s art, the 'artist's invitation,' namely the material (be it a card or piece of paper) printed for the specific purpose of documenting an exhibition. The criterion employed to choose the material was that of privileging the participation of the artist him- or herself in the creative process that led to the object's production. The artistic context on which this book focuses is that of Minimalism, Conceptual Art, Land Art, Pop Art, Fluxus, and Actionism, including Spanish and South American art, the importance of which warrants a new critical attention for the historical and political significance these movements had in their respective sites. The materials considered here come almost entirely from the collections of Bruno and Alessandra Tonini, Christoph Schifferli, Giorgio Colombo (Milan), and the Lafuente Archive (Santander).
Scriptum Art Books v.o.f.Professional sellerBook number: 7539
€ 59.95 [Appr.: US$ 64.22 | £UK 51.5 | JP¥ 9998]
Catalogue: Schilderkunst- algemeen / Painting - general
Plein feux sur les collections. Peinture et Poesie. Les peintres vus par les poetes.
06 2018, (24 x 29 cm), 544 pp. French text, numerous colour ills., hardcover.
¶ De Courbet, Marquet, Dufy Éa Desnoyer, Combas Di Rosa, Viallat É Une expérience singulière : 235 tableaux parmi les plus beaux et les plus importants du musée Paul-Valéry de Sète ; en regard 235 poèmes inédits venus du monde entier, une façon d'appréhender l'Ïuvre et la faire résonner. Pour Baudelaire, les poètes deviennent naturellement, fatalement critiques. Ils ne sont ici ni historiens ni critiques d'art. Le poème n'est pas un savoir ou un commentaire mais une Ïuvre d'art, une manière de voir le tableau autrement que par les clefs habituelles. Poésie et peinture avaient partie liée à l'âge classique : des images pour les yeux. Grâce aux 235 poètes qui ont répondu à la commande, le recueil a tout de l'inattendu, d'Adonis à James Sacré, de Jean-Luc Parant à Salah Stétié. Un corpus important de peintures duXVIIesiècle à nos jours où l'on trouve des toiles surprenantes rarement montrées, beaucoup d'Ïuvres à thèmes sétois. Avec les indispensables données historiques. Avec une clef originale : la poésie
¶ De Courbet, Marquet, Dufy Éa Desnoyer, Combas Di Rosa, Viallat É Une expérience singulière : 235 tableaux parmi les plus beaux et les plus importants du musée Paul-Valéry de Sète ; en regard 235 poèmes inédits venus du monde entier, une façon d'appréhender l'Ïuvre et la faire résonner. Pour Baudelaire, les poètes deviennent naturellement, fatalement critiques. Ils ne sont ici ni historiens ni critiques d'art. Le poème n'est pas un savoir ou un commentaire mais une Ïuvre d'art, une manière de voir le tableau autrement que par les clefs habituelles. Poésie et peinture avaient partie liée à l'âge classique : des images pour les yeux. Grâce aux 235 poètes qui ont répondu à la commande, le recueil a tout de l'inattendu, d'Adonis à James Sacré, de Jean-Luc Parant à Salah Stétié. Un corpus important de peintures duXVIIesiècle à nos jours où l'on trouve des toiles surprenantes rarement montrées, beaucoup d'Ïuvres à thèmes sétois. Avec les indispensables données historiques. Avec une clef originale : la poésie
Scriptum Art Books v.o.f.Professional sellerBook number: 7673
€ 67.50 [Appr.: US$ 72.31 | £UK 58 | JP¥ 11257]
Catalogue: Schilderkunst- algemeen / Painting - general
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