Jorge Welsh Works of Art Lda: Collections and Exhibitions
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Made in China: Export Porcelain from the Leo and Doris Hodroff Collection at Winterthur
Winterthur Publications, Winterthur. 2005, 1st Edition. (ISBN: 0912724641). Hardcover, with dust jacket. Book, English text; Hardcover (with dust jacket); 22.5 x 29.5 cm; 1.3 Kg; 208 pages with colour illustrations; Used with signs of wear on the exterior and interior. The dust jacket has wear marks on the front cover, spine and rear cover, namely signs of have been slightly ben on the top left side of the front cover and also on the top right side of the rear cover. The interior has an Ex-library stamp on the front free endpaper. The remaining interior looks as new.; This sumptuous, full-color catalogue highlights 117 exquisite export porcelain objects from the extensive Leo and Doris Hodroff Collection at Winterthur. Authors Ronald Fuchs and David Howard ground their presentation with an introductory overview of the manufacture of porcelain, the history of the China Trade, and the importance of export porcelain in European and American history and material culture. Individual catalogue entries - each allotted a full page or spread - are grouped according to function: dining wares, drinking wares, household and personal utensils, and decorative wares. Each grouping is preceded by a short essay that places the objects within an historical context. An illustrated appendix addresses the coats of arms found on many of the objects, and an extensive bibliography offers supplementary readings. Good/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 1058B
€ 25.00 | CHF 24]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 0912724641 china,porcelain,ceramics,chinese porcelain,chinese ceramics,ming dynasty,qing dynasty,delaware,david sanctuary howard Chinese Art Chinese Ceramics
China Trade Porcelain: Patterns of Exchange. Additions to the Helena Woolworth Mccann Collection in the Metropolitan Museum of Art
The Metropolitan Museum of Art, New York. 1974, 1st Edition. (ISBN: 0870990896). Hardcover, with dust jacket. Book, English text; Hardcover (with dust jacket); 22.5 x 28 cm; 0.9 Kg; 134 pages with black and white illustrations.; Used with signs of wear, namely on the dust jacket. Interior in very good condition. The dust jacket is now protected with a clearcover.; At the crest of the long commerce between China and the West in the mid-to late eighteenth century, Chinese porcelain was eagerly acquired by Western rulers, statesmen, leading families, and others alert for the novel. Its primary appeal was that it could be designed to order, and when it came off the trade ships a season or two later, many of the pieces - sometimes entire dinner sets - were decorated with family armorials, images still topical, or designs more or less freely reproduced from drawings or engravings sent to China the year before. Recent interest in China trade porcelain has brought to light significant new examples of this ware. The present study deals with fifty-two pieces or groups of pieces added since 1955 to the Metropolitan Museum's well-known Helena Woolworth McCann Collection of China Trade Porcelain. Dating from the early sixteenth to the mid-nineteenth century, these tapersticks, cups, pitchers, plates, dishes, and tureens tell us a good deal about the growth of European interest in the ware, how Western tastes in design changed, how the makers' skills and techniques took them from blue-and-white ware through grisaille and famille rose painting to polychrome plus gilt, and how the shapes of porcelain reflected in some cases the direct influences of European metalwork and glassware. All fifty-two additions to the collection are comprehensively illustrated - nearly a quarter of them are shown in color - and numerous views of comparable pieces in other collections are included, as well as the original pictorial sources for many of the painted decorations. Good/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 748B
€ 30.00 | CHF 29]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 0870990896 met,metropolitan museum of art,helena woolworth maccann collection,porcelain,china Chinese Ceramics Chinese Art
Chinese Export Porcelain
The Metropolitan Museum of Art, New York. 2003. Soft cover. Book, English text; Paperback (stapled); 60 pages with colour illustrations.; 22 x 28.2 cm; 0.245 Kg; As new showing signs of shelf wear and our logo glued to the front free endpaper. Edgeworn.; Reprint of the The Metropolitan Museum of Art Bulletin, v. 60, no. 3 (Winter, 2003).; Catalogue for the exhibition "Chinese Export Porcelain at The Metropolitan Museum of Art," held at the Museum from January 14 to July 13, 2003. ; "By the eighteenth century trade between China and Europe had expanded from a quest for spices to embrace tea, textiles, silver, and porcelain. Porcelain was incidental to the success of this trade, constituting 6 percent or less of the value of East India Company cargoes. But the quantity of exported porcelains - some 300 million pieces are believed to have reached England over two centuries - ensured a lasting influence on Western taste and ceramics history. Several hundred thousand blue and white porcelains received yearly in ports from London to Gothenburg graced shelves, cabinets, and dinner and tea tables, as the novelty of the material impelled its reinvention by fledgling European porcelain factories. An entirely new aesthetic-part Western, part Asian-emerged with private traders, who gave rein to their individual tastes by ordering, directly from China, specially designed porcelains painted with armorials, views, or timely images based on drawings and prints. Today, part of the appeal of Chinese export porcelain lies in the biographical and historical contexts of these orders, which provide a personal element that is particular to the porcelain trade. The foundation of the Museum's collection of Chinese export porcelain for the European trade was the Helena Woolworth McCann Collection of about four thousand pieces, which was formed in the late 1930s in Europe and the United States and focused on eighteenth-century armorial services. Half of the collection was lent to the Metropolitan in 1946, and 414 pieces were given to the Museum in 1951 by the Winfield Foundation, established by the McCann family. By agreement with the foundation, and in collaboration with the Museum of Fine Arts, Boston, the remainder of the McCann Collection was dispersed among twenty-four American museums. Subsequent additions, for the most part generously supported by the Winfield Foundation, have been made with a view to illustrating more of the stylistic and cultural interactions between China and Europe that have come to light over two decades of ever-widening scholarship. No single collection, donor, or collector stands out among our American-market porcelains. Works with important American connections were bought during the 1930s, 1940s, and 1950s. What is consistent in the pattern of acquisitions is that a number of significant porcelains were not "collected" per se but cherished and passed down from generation to generation of family members, who felt, ultimately, that the best place for their heirlooms to be cared for and appreciated was at the Metropolitan Museum. I refer in particular to superb examples given by Verplanck descendants and to three great American-market punch bowls made for John Lamb, Benjamin Eyre, and Ebenezer Stevens, as well as to the large Paine service, a gift from the family. The authors of this Bulletin are Alice Cooney Frelinghuysen, Anthony W. and Lulu C. Wang Curator of American Decorative Arts, and Clare Le Corbeiller, curator emerita in the Department of European Sculpture and Decorative Arts, who retired from the Museum in 2000. We are delighted to have her contribution to this issue and to note that she maintains a strong presence at the Metropolitan. Through her impeccable curatorial practices and numerous important acquisitions, and as a stimulating mentor to colleagues and students, she has made a lasting mark on this institution as well as on the field of decorative arts. " excerpt from Director's note by Philippe de Montebello. As New/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 297ABE
€ 25.00 | CHF 24]
Katalog: Collections and Exhibitions
Sonstige Stichworte: ceramics,porcelain,china,asian art,metropolitan museum of art Chinese Art Chinese Ceramics
Presenca Portuguesa Na Asia: Testemunhos. Memorias. Coleccionismo
Fundacao Oriente, Lisboa. 2008, 1st Edition. (ISBN: 9789727850907). Soft cover. Book, Portuguese text; Paperback; 455 pages with colour illustrations.; Limited edition of 1000 copies.; 23.4 x 33.3 cm; 2.673 Kg; Used with signs of wear on the exterior, namely a tiny scratch on the right side of the front cover. The spine has two small tears, one at the top and the other at the bottom, and is slightly faded. Interior with minor signs of wear and in good condition overall. The hinge is slightly loose but the binding is still firm.; A catalogue for the permanent collection of the Museu do Oriente in Lisbon, which focuses on the presence of Portugal in Asia.; "When we began programming the exhibition modules, we understood that the collection of more than 1000 objects related to the Portuguese presence in Asia was almost unstudied. As such, the making of this catalogue was the indispensable occasion to do so. In general, it may be said that the goal was achieved, although many segments of the collection still require deeper studies, as evidenced by the Chinese terracotta and some aspects of legacies in deposit." excerpt of an introductory text by Fernando António Baptista Pereira. Good/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 1043B
€ 70.00 | CHF 67]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 9789727850907 asia,portugal,art,japan,china,exhbition Asian Art
Le Bleu Des Mers: Dialogues Entre la Chine, la Perse Et L'Europe
5 Continents Editions, Milan. 2017, 1st Edition. (ISBN: 9788874397747). Soft cover. Book, French text; Paperback; 21.5 x 27 cm; 1,1 kg; 216 pages with 153 colour illustrations.; Catalogue from the exhibition held at Fondation Baur, Musée des Arts D'Extrême-Orient from the 23 November 2017 to 25 February 2018.; Responding to the interest in the relations between the Far East, Asia and Europe, this exhibition reconsiders the exportation of Chinese blue-and-white porcelain whose commerce was popularised during the 17th century by the Dutch East India Company. This century is known for having been the Golden Age of the Low Countries. Its successful maritime dealings with the Indies made the newly-fledged Republic of the United Provinces one of Europe's greatest commercial powers. And its openness to different modes of thought also attracted many writers, thinkers and scholars, creating a cultural centre in which the arts and literature flourished. The middle class of merchants made wealthy by trade with the Indies were primarily those who commissioned works of art and bought exotic curios. Naturally, this commerce with the East affected the life and art of the United Provinces, with Chinese porcelain in particular exerting a strong influence on interior decoration. These wares were also included as symbols of wealth in still-life paintings and Vanities, works that reflect the use of this precious tableware and its impact on daily life. When the supply of porcelain wares shrank drastically as a consequence of political strife in China at the end of the Ming dynasty (1368-1644), Chinese ceramics were temporarily replaced by Japanese and Persian copies. For centuries, Persia had imported porcelain from China, wares that had inspired its potters and painters of miniatures. The exhibition showed dialogues between still-life paintings that feature items of blue-and-white porcelain, highly prized by an expanding Europe ready to embrace the exotic, and the porcelain wares by which the paintings were inspired, as well as their copies in Persian faience, and miniatures from the Islamic world that include images of these ceramics. New/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 593B
€ 80.00 | CHF 76.5]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 9788874397747 chinese ceramics,blue and white porcelain,porcelain wares,persian faince Chinese Ceramics
Japanese Paintings in the Linden-Museum Stuttgart: A Selection from the Baelz Collection (2 Volumes in Slipcase)
Linden Museum Stuttgart, Germany. 1991. (ISBN: 3000036024). Hardcover. Book, English text.; Hardcover (cloth in slipcase). 24 x 32.5 x 10 cm.; 5.8 Kg.; 366 pages (text volume) plus 495 pages (plate volume).; 2 VOLUMES IN SLIPCASE, ONE WITH TEXT AND THE OTHER WITH PLATES.; Used with signs of wear on the exterior of the slipcase, which show wear signs throughout, namely some blue marks on the exterior of the slipcase. Interior of both volumes in very good condition.; "The inventory, compiled in 1893 or slightly later, of the paintings collected by Erwin Baelz contains 3,131 items, and includes 463 mounted hanging scrolls and 2,668 unmounted hanging scrolls, handscrolls, drawing books for instructions and single-sheet drawings. This huge amount of visual material has survived almost completely, despite two world wars. After an appraisal, roughly half of the items were further researched and examined to establish their authenticity. For the catalogue, a further selection was made according to quality and historical interest. We have tried to include all authentic scrolls and drawings which are either signed or have inscriptions identifying them as copies after well-known masters. Among anonymous works, nearly all the Buddhist paintings and handscrolls have been included. Unsigned anonymous drawings ascribed to different schools of painting have been selected in view or their quality and iconographic significance, Works which could be clearly identified as fakes have only been included when they may be helpful for the reconstruction of the lost ouevre of a master artist. A few items have been included from two bequests to the Linden-Museum, those of Anna and Christian Trumpf and of professor Jakob Fisher, where they complement works from the Baelz collection. The catalogue contains 875 entries of some 1,200 single items, which occasionally form part of a series, of diptychs, triptychs or of several handscrolls or picture albuns. The main significance of this collection of paintins is its sheer quantity, which allows a comprehensive overview of the various stylistic developments and schools of Japanese painting during the middle and late Edo period (1603-1868) and early Meiji era (1868 to 1912). An important point of reference is the fact that all objects must date from before 1893, the year they entered the collection of the former Koniglich Wurt-tembergisches Landes-Gewerbemuseum in Stuttgart. Of particular interest is the large number of unmounted drawings, sketches and copies (mekuri), which provide valuable documentary material on the organization of painting workshops, the training of pupils and the production methods of painting masters during the late Edo period, subjects which have been very little researched." excerpt from the introduction by Doris Croissant. Good/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 1017B
€ 200.00 | CHF 190.5]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 3000036024 japan,japanese art,japanese paintings,signatures and sealsreligious paintings,edo period secular paintings,meiji era paintings,handscrolls,chinese paintings,korean paintings Asian Art Japanese Art
Persia and China: Safavid Blue and White Ceramics in the Victoria and Albert Museum, 1501-1738
La Borie. 2002, 1st Edition. (ISBN: 0953819612). Hardcover, with dust jacket. Book, English text; Hardcover (with dust jacket); 25.5 x 32.5 cm; 2.5 kg; 314 pages with black and white illustrations and a few in colour.; Minor signs of wear on the dust jacket. Signed by the author with dedication to a previous owner on front free endpaper. The remaining interior looks as new.; Persia and China is the first catalogue of blue and white Persian ceramics of the Safavid dynasty. It is a catalogue raisonné of the collection in the Victoria and Albert Museum, the largest in the world, consisting of over 500 ceramics mainly from the 17th and 18th centuries. General Sir Richard Murdoch Smith was the first to recognize the need to create a comprehensive Islamic Persian collection for what was then known as the South Kensington Museum. The largest part of the collection was put together during the period he spent in Persia from 1865 to 1885 and subsequently as director of the Royal Scottish Museum in Edinburgh. Murdoch Smith was also the first to grasp the importance of the position of Persia on the sea route between western Europe and eastern Asia, and its impact on the production of Persian ceramics. This present study deals with the changing relations between the designs and shapes of Safavid blue and white ceramics and their models, both from the Far East and Europe. Yolande Crowe has written extensively on the architecture and decorative arts of Islam. A particular preoccupation has been the relationship between these arts and their Chinese prototypes, especially the blue and white porcelains of Jingdezhen. She has also worked on archaeological material from Islamic sites in Afghanistan and Iran. Near Fine/Dust Jacket Included.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 1078B
€ 400.00 | CHF 381]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 0953819612 islamic art,persia,china,victoria and albert museum,blue and white persian ceramics,safavid dynasty Islamic Art
Hokusai
Reunion des musees nationaux, Paris, France. 2014, 1st Edition. (ISBN: 9782711861828). Hardcover. Book, French text.; Hardcover (without dust jacket - as issued).; 25 x 30 cm; 2.7 Kg.; 416 pages with colour illustrations.; Used with minor signs of wear. Minor tear on front right side of the front cover. Interior as new.; Catalogue from the exhibition held at the Galeries Nationales du Grand Palais (Paris) from October 1, 2014 to January 18, 2015 to celebrate the 200 years since the publication of the first 'Hokusai Manga'. The exhibition included approximately 700 Hokusai pieces. Good/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 758B
€ 70.00 | CHF 67]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 9782711861828 japanese prints,japan,floating world,ukiyoe,hokusai Asian Art Japanese Art
Illustrated Catalogue of Ch'Ing Enamelled Wares in the Percival David Foundation of Chinese Art
School of Oriental and African Studies, Percival David Foundation of Chinese Ar, London. 1958. Soft cover. Book, English text.; Paperback.; 15,5 x 24,5 cm; 0.2 Kg; 56 pages plus addendum with 16 pages, with black and white illustrations.; Used with signs of wear on the interior and exterior.; Section 2 of the catalogue series depicting the collection of the Percival David Collection.; "This catalogue, the second of its series by the present writer, is a record of the enameled Ch'ing porcelain and glass displayed on the ground floor of the Percival David Foundation of Chinese Art. It does not, however, include the few pieces of enameled Ch'ing ware shown on the second floor and placed there especially in order to afford the student an opportunity of viewing them together with similarly decorated Ming-marked objects." excerpt from the introduction by Sheila David, March, 1958. Good/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 688B
€ 30.00 | CHF 29]
Katalog: Collections and Exhibitions
Sonstige Stichworte: china,porcelain,ceramics,collections Chinese Ceramics Chinese Art
Heroes of the Stage and Beauties of the Night. Masterpieces of the Japanese Woodblock Printing from the Otto Riese and Johann Georg Geyger Collections / Helden Der Bühne Und Schönheiten Der Nacht. Meisterwerke Des Japanischen Holzschnitts Aus Den Sammlungen Otto Riese Und Johann Georg Geyge
Museum fur Angewandte Kunst Frankfurt. 2009, 1st Edition. (ISBN: 9783879099771). Hardcover. Book, English and German text; Hardcover.; 28 x 32.5 cm.; 2.4 Kg.; 336 pages with 477 colour and 17 black and white illustrations.; Used with minor signs of wear on the exterior and interior.; Catalogue from the exhibition Heroes of the Stage and Beauties of the Night. Masterpieces of the Japanese Woodblock Printing from the Otto Riese and Johann Georg Geyger Collections held at Museum fur Angewandte Kunst Frankfurt, from the 19th February to the 10th of May 2009.; The Japanese woodcut is one of the rare forms of cultural expression that only attain immortality after being transferred into another culture. Created between the sixteenth and eighteenth centuries, the ukiyo-e woodcut has only been counted among the most influential Japanese contributions to world art since the late nineteenth century. Painters like Monet and Van Gogh succumbed to its charm, followed by numerous artists and collectors all over the world. The subject of this publication are one of the most important German ukiyo-e collections, which present all of the great artists and themes of this genres, including theather prints, scenes from the red light districts, and topographical landscapes - from the early phases through to the classic masters of courtesan and actor's portraits, Utamaro and Sharaku, and including the great names of later years like Hokusai and Hiroshige. 235 woodcuts offer a representative survey of the most important chapters of this great Japanese art form. Very Good/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 937B
€ 75.00 | CHF 71.5]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 9783879099771 ukiyo-e,japan,japanese art,floating world Asian Art Japanese Art
Shibata Zeshin: Masterpieces of Japanese Lacquer from the Khalili Collection
Kibo Fundation in association with the National Museums of Scotland. 1997, 1st Edition. (ISBN: 1874780099). Soft cover. Book, English text:; Paperback.; 28 × 22 cm; 0.4 Kg; 80 pages with colour illustrations.; Used with minor signs of wear on the exterior. Interior as new.; Catalogue from the exhibition of 70 works from the Khalili Collection, shown at the Ivy Wu Gallery, Royal Museum of Scotland, 1997 (April - October).; "It is with great pleasure that we welcome the opportunity to extend our coverage of Japanese art by presenting this exhibition of masterpieces by Shibata Zeshin from the collection of Dr Nasser D. Khalili. Zeshin was one of the greatest artists of nineteenth-century Japan and is celebrated above all for his works in lacquer. This is the world's largest group of lacquers by Shibata Zeshin, and we are delighted to be the venue for its first ever public showing." excerpt from the Director's Preface, by Mark Jones, Director, National Museums of Scotland. Near Fine/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 919B
€ 125.00 | CHF 119]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 1874780099 japan,japanse lacquer,khalili collection Japanese Art Asian Art
Chinese Export Porcelain, Antique Tankards: The Eckenhoff Collection
Solins Group LLc. 2011, 1st Edition. Hardcover. Book, English text.; Hardcover (withouth dust jacket - as issued).; 38 x 29.5 cm; 1.8 Kg.; 99 pages with colour images for each tankard.; Brand new with minor handling signs.; Privately printed. This publication records the private collection of Chinese Export Porcelain, Antique Tankards from The Eckenhoff Collection. New/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 753B
€ 360.00 | CHF 342.5]
Katalog: Collections and Exhibitions
Sonstige Stichworte: chinese export porcelain,tankards,the eckenhoff collection,blue and white porcelain Chinese Ceramics Chinese Art
Chinese Hardwood Furniture in Hawaiian Collections
Honolulu Academy of Arts. 1996. Soft cover. Book, English text; Paperback; 23 x 27.5 cm; 0.423 Kg; 100 pages with black-and-white illustrations.; Used book with signs of wear on the exterior. The interior is in good condition apart from price and reference sticker glued to the top rear of the front cover.; Catalogue from the exhibition shown at the Honolulu Academy of Arts January 16 to February 14, 1982, focused on Chinese furniture pieces drawn entirely from collections in Hawaii, including 91 pieces from the Yuan, Ming and Ch'ing periods. Good/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 451B
€ 40.00 | CHF 38.5]
Katalog: Collections and Exhibitions
Sonstige Stichworte: chinese furniture,exhibition,hawaiian collections Chinese Art
Chinese Furniture from the MIMI and Raymond Hung Collection (2 Volumes in Slipcase)
Privately Published, New York. 0, 1st Edition. (ISBN: 1588860892). Hardcover. Book, English and Chinese text.; Hardcover (cloth in slipcase).; 26 x 30 cm ; 3.8 Kg.; 2 VOLUMES IN SPLICASE from the Chinese Furniture collection from Mimi and Raymond Hung.; Volume I with one hundred pieces. 262 pages with colour illustrations. Catalogue by Robert Hatfield Ellsworth, Nicholas Grindley and Anita Christy, Privately Published, New York, 1996. Volume II with one hundred and three pieces. Catalogue by Robert Hatfield Ellsworth. Privately Published, New York, 2005.; Used with signs of wear on the slipcase, which show wear signs on the spine, front and back cover, and on the bottom and top. Interior in very good condition with minor signs of wear.; "When we began to collect in 1985, we were told that there were very few books available on Chinese furniture that would help us understand and select authentic pieces. We learned that the most important work had been written by Mr. Robert Ellsworth of New York, who had formed his collection from the late 1950s though the early 1970s. His book Chinese Furniture: Hardwood Examples of the Ming and Early Ch'ing Dynasties was published in 1971. In 1982 he organized and exhibition of Chinese hardwood furrniture in Hawaiian collections for the Honolulo Academy of Arts and wrote the accompanying catalogue; he had also written occasional articles on Chinese furniture. We immediately acquired his publications and began reading them and admiring the pieces. We were delighted to find that despite the many social and dynastic changes in China's history, some of the Chinese arts were being preserved by an American collector and dealer. Our collection consists of over one hundred pieces, most of which are included in this catalogue. We find our Chinese furniture to be both functional and beautiful. Because we live with our collection in a very tactile way - our children sleep in the beds, we eat our meals on a large painting table, we sit in the chairs and ch'uangs - we have developed an intimate familiarity with the proportions of Ming and early Ch'ing furniture, with what feels and looks right and what does not. The first piece we bought, a long huang hua-li table (no. 66) is still with us; other pieces have come and gone over the years. With the help of many educated friends and dealers, we have refined our connoisseurship so that we are now more easily able to distinguish the good from the bad." excerpt from the Volume I preface by Mimi and Raymond Hung 1996.; "Many of the smaller, but no less important pieces in this volume are a tribute to Mimi and the knowledge she has accumulated over fifteenth years. Mimi is ardently committed to this field and has worked very hard to put together the group of scholar's objects and personal furnishings. Her expertise and connoisseurship has grown steadily. Both Mimi and Raymond have accomplished the building of a collection which is probably unique and, at the same time, take great pleasure in living with their treasures whether in their homes of offices." excerpt from the Volume II preface by Robert Hatfield Ellsworth, 2015. Good/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 952B
€ 200.00 | CHF 190.5]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 1588860892 china,chinese furniture Chinese Art Asian Art
Liang Yi Collection (3 Volumes in Slipcase)
United Sky Resources Limited, Hong Kong. 2007. (ISBN: 9889943549). Hardcover. Book, English and Chinese text.; Hardcover (in slipcase); 22 x 30 cm.; 2.6 Kg.; Used with signs of wear on the exterior of the slipcase and on the hardcover volumes. The slipcases shows edgewear. Minor signs of wear on the interior.; 3 VOLUMES IN SLIPCASE.; Catalogue from the 'Liang Yi Collection' museum, includes entries on 193 objects from the Museum's classical Chinese furniture collection, plus four essays covering the topics of the material huanghuali and zitan; the art of baibaoqian inlay; and hardwood brush pots.; Volume I - Huanghuali and Huanghuali Furniture: Sources, History and Distribution. Includes appendix with Historical References and Evidence. 175 pages with 70 entries, all with colour illustrations. Volume II - Zitan: The Noble Hardwood Family of Exotic, Abstruse Origins. 125 pages with 45 catalogue entries all with colour illustrations.; Volume III - Small Objects. Including catalogue essays: Elegant Empty Containers. Hardwood Brushpots and The Zhouzhi Tradition: Inlaid Hardwood Furnishings of the Late Ming and Qing Dynasties. Very Good/No Jacket.
Jorge Welsh Works of Art LdaProfessionelle VerkäuferBuchzahl: 946B
€ 200.00 | CHF 190.5]
Katalog: Collections and Exhibitions
Sonstige Stichworte: 9889943549 stools and chairs,beds,tables and stands,cabinets,screens,screens and lampstands,brushpots,zhouzi inlay objects Asian Art
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