12 gezichten uit Noord-Holland, Ie en IIe serie.

Ouderkerk a/d Amstel, Gebr. De Grauw, 1894, complete set of 2 volumes. Oblong leparello, first volume last two views loose, 24 lithograph views of this province. Lithographs by Gebr. Braakensiek, Amsterdam. In this edition: Prins Hendrikkade Amsterdam, Gezicht op de Zaan Zaandam, De Waag Monnikendam, Binnenhuis Marken, Dam Edam, Hoorn, Medenblik (medemblik), Enkhuizen, Grote Straat Alkmaar, Amsterdamsche Poort Haarlem, Kerkbrink en Raadhuis Hilversum, Marguette Beverwijk, Singel Amsterdam, Stadhuis Haarlem, Passage Zandvoort, Kanaal IJmuiden, Beemsterbrug Purmerend, Zaandam, Wormerveer, Assenburg Beverwijk, Gezicht op Schagen, Gezicht op Den Helder, Torenlaan Hilversum, Medenblik. Scarce.

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Book number: 67313

Catalogue: Prints

12 gezichten uit Zeeland, Ie en IIe serie.

Ouderkerk a/d Amstel, Gebr. De Grauw, 1894, complete set of 2 volumes. Oblong leparello, 24 lithograph views of this province. Lithographs by Gebr. Braakensiek, Amsterdam. In this edition: I: Groote Markt Middelburg, Stadhuis Veere, Goes, Zierikzee, Dorpsstraat Kruiningen, Herv. Kerk Sas vanGent, Middelburg, Eind Langstraat Oostburg, Zirikzee, Groote Kerkstraat Schoondijke, Dorpstraat Hoofdplaat, Iersekendam Ierseke, II: Stadhuis Middelburg, Vlissingen, Zierikzee, Kasteel Westhoven op Walcheren, Herv. Kerk Kruiningen, Oostsluis Terneuzen, Haven Middelburg, Kaaipoort Aardenburg, Hulst, Herv. Kerk Zaamslag, Breskens, Steiger met gekalkte pannen, Ierseke. Scarce.

Antiquariaat GoltziusProfessional seller

Book number: 67318

Catalogue: Prints

12 gezichten uit Utrecht, Ie en IIe serie.

Ouderkerk a/d Amstel, Gebr. De Grauw, 1894, complete set of 2 volumes. Oblong leparello, 24 lithograph views of this province. Lithographs by Gebr. Braakensiek, Amsterdam. In this edition: I: Domplein Utrecht, Kasteel Loenersloot, Paleis der Koningin Soestdijk, Huis van den Burgemeester Soest, Gezicht op Breukelen, Pupillenschool Nieuwersluis, Gezicht op Maarsen, Oudegracht Utrecht, Monnikendam Amersfoort, Neer-Langbroek, Doorn, Amerongen, II: Domtoren Utrecht, Oudegracht Utrecht, Laantje Amersfoort, Amerongen, Leersum, Rhenen, Kasteel Wijk bij Duurstede, IJselstein, Jutfaas, Abcoude, Zeist, De Bilt. Scarce.

Antiquariaat GoltziusProfessional seller

Book number: 67319

Catalogue: Prints

12 gezichten uit Groningen.

Ouderkerk a/d Amstel, Gebr. De Grauw, 1894, oblong leparello, 12 lithograph views of this province. Lithographs by Gebr. Braakensiek, Amsterdam. In this edition: De Beurs Groningen, Winschoten, Bedum, Veendam, Markt Groningen, Wildervank, Ned. Herv. Kerk Appingedam, Marktstraat Delfzijl, Zeuderhaven Groningen, Delfzijl, Zuidbroek, Oude Pekela Scarce.

Antiquariaat GoltziusProfessional seller

Book number: 67320

Catalogue: Prints

12 gezichten uit Drenthe.

Ouderkerk a/d Amstel, Gebr. De Grauw, 1894, oblong leparello, 12 lithograph views of this province. Lithographs by Gebr. Braakensiek, Amsterdam. In this edition: Assen, Hoofdstraat Meppel, Gedeelte van de Haven Koevorden, Zuiderbrug Hoogeveen, Assen, Frieschestraat Koevorden, Herv. Kerk Emmen, Tol Zuidlaren, Assen, Station Koekange, Kluizenaarshut Tinaarloo, Herv. Kerk Ruinerwolde. Scarce.

Antiquariaat GoltziusProfessional seller

Book number: 67322

Catalogue: Prints

12 gezichten uit Gelderland. IIe serie.

Ouderkerk a/d Amstel, Gebr. De Grauw, 1894, oblong leparello, 12 lithograph views of this province. Lithographs by Gebr. Braakensiek, Amsterdam. Second volume of 2. In this edition: Panorama Arnhem, Groote Markt Nijmegen, Panorama Wageningen, Herv. Kerk Lochem, Oranjenassauoord, De Steeg, Kroonnburgertoren Nijmegen, Wageningen, Herv. Kerk Apeldoorn, Rozendaal, Kasteel Doorwerth, Duizendjarige Eik Heelsum. Scarce.

Antiquariaat GoltziusProfessional seller

Book number: 67324

Catalogue: Prints

Almanakprent Leidsch Studentencorps 1853/ Almanac print

Lithograph print by C.C. Last/P.W.M. Trap as published in the almanac of Leidsch Studentencorps (LSC) for the year 1853. appr. 41x45cm. One repaired tear in left side/corner, as shown on photograph. This print shows the "exciting" and structured life of an organised student living with his parents and a circle of smaller plates showing the real student life: alcohol. hangovers, fights, women and late night activities.

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Book number: 70674

Catalogue: Prints

Amsterdam in vroeger dagen.

Ouderkerk a/d Amstel, Gebr. De Grauw, [1894], oblong leparello, 12 lithograph views of Amsterdam. Lithographs by Gebr. Braakensiek, Amsterdam. In this edition: Mozes- en Aaronkerk, Damrak, Leidsche Poort, St Anthonie's Waag, Het Park, Schreierstoren, Amstel jachtclub, De Oudekerk, De Westerkerk, Pijpenmarkt, Oude Teetuinen, De Zuiderkerk. Scarce.

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Book number: 67325

Catalogue: Prints

Before the woods.

Figures sitting in front of the entrace to the woods, with a dog. Signed on the bottom left: 'K. Vinci (?) fecit 3'. From an unknown series. On the top left collector's mark, not in Lugt. Hand written at the bottom: '5' in pencil and: 'N. 50' in brown ink. l Etching on paper with broad margins; plate mark: 138 x 119 mm, total: 217 x 202 mm.

Antiquariaat GoltziusProfessional seller

Book number: 63274

Catalogue: Biology Categories Categorieën, Etching Landscapes Prenten, Prints

BERTHOLDE. Engraved from an Original Picture (dwerg hofnar Bertholde, de dwerg van Normandie).

Engraving portraying Bertholde, a dwarf prime minister to Alboinus, King of Lombardy (c.530-572). This plate was in 'The London Magazine' (c.1753), where he is described as follows: "[He had] a large head, as round as a football, adorned with red hair, very straight, and which had a great resemblance to the bristles of a hog; an extremely short forehead, furrowed with wrinkles; two little blear eyes, edged round with a border of bright carnation, and over-shadowed by a pair of large eyebrows, which upon occasion might be made use of as brushes; a flat red nose, resembling an extinguisher; a wide mouth, from which proceeded two long crooked teeth, not unlike the tusks of a boar, and pointing to a pair of ears like those which formerly belonged to Mydas; a lip of a monstrous thickness, which hung down on a chin that seemed to sink under the load of a beard, thick, straight, and bristly; a very short neck, which nature had adorned with a kind of necklace, formed of ten or twelve small wens. The rest of his body was perfectly agreeable to the grotesque appearance of his visage; so that, from head to foot he was a kind of monster, who by his deformity and the hair with which he was covered had a greater resemblance to a bear half licked into form than to a human creature. But though nature had treated him so ill with respect to his body, she had recompensed him by the subtlety, the agreeableness, and the solidity of the mind she had united to it."Inscribed at bottom: 'BERTHOLDE./ Engraved from an Original Picture'.l Engraving on paper, mounted on laid paper, in passepartout; total (picture) 183 x 103 mm; framing line in black ink on mount.

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Book number: 63588

Catalogue: Categories Categorieën, Country seats History Portraits Portretten, Prenten, Prints

Boerhaave: portrait

Extract from a calender: Hermannus Boerhaave with text in Dutch 19th century. 9,5x9,5cm. Herman Boerhaave (31 December 1668 - 23 September 1738) was a Dutch botanist, chemist, Christian humanist, and physician of European fame. He is regarded as the founder of clinical teaching and of the modern academic hospital and is sometimes referred to as "the father of physiology," along with Venetian physician Santorio Santorio (1561-1636). Boerhaave introduced the quantitative approach into medicine, along with his pupil Albrecht von Haller (1708-1777) and is best known for demonstrating the relation of symptoms to lesions. He was the first to isolate the chemical urea from urine. He was the first physician to put thermometer measurements to clinical practice. His motto was Simplex sigillum veri: 'Simplicity is the sign of the truth'. He is often hailed as the "Dutch Hippocrates"

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Book number: 69127

Catalogue: Prints

H. Boerhaave: portrait

Lithograph portrait possibly by L. Springer of Herman Boerhaave. 22x15cm including margins, Herman Boerhaave (31 December 1668 - 23 September 1738) was a Dutch botanist, chemist, Christian humanist, and physician of European fame. He is regarded as the founder of clinical teaching and of the modern academic hospital and is sometimes referred to as "the father of physiology," along with Venetian physician Santorio Santorio (1561-1636). Boerhaave introduced the quantitative approach into medicine, along with his pupil Albrecht von Haller (1708-1777) and is best known for demonstrating the relation of symptoms to lesions. He was the first to isolate the chemical urea from urine. He was the first physician to put thermometer measurements to clinical practice. His motto was Simplex sigillum veri: 'Simplicity is the sign of the truth'. He is often hailed as the "Dutch Hippocrates"

Antiquariaat GoltziusProfessional seller

Book number: 69128

Catalogue: Prints

Boerhaave: portrait

Engraved portrait, 12,5x8cm, no margins, pasted on later paper, of Herman Boerhaave (31 December 1668 - 23 September 1738) who was a Dutch botanist, chemist, Christian humanist, and physician of European fame. He is regarded as the founder of clinical teaching and of the modern academic hospital and is sometimes referred to as "the father of physiology," along with Venetian physician Santorio Santorio (1561-1636). Boerhaave introduced the quantitative approach into medicine, along with his pupil Albrecht von Haller (1708-1777) and is best known for demonstrating the relation of symptoms to lesions. He was the first to isolate the chemical urea from urine. He was the first physician to put thermometer measurements to clinical practice. His motto was Simplex sigillum veri: 'Simplicity is the sign of the truth'. He is often hailed as the "Dutch Hippocrates". Muller 505g.

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Book number: 69130

Catalogue: Prints

BOLDINGH, HONDIUS, LEEUWARDEN Litho `Gezigt op den ingang van de stedelijke begraafplaats, Leeuwarden', met randschrift in pen `Reinier Jan Boldingh, geboren te Hoorn 8 maart 1838. Overleden te Leeuwarden 14 mei 1862. Begraven 17 mei afd. 1 regel 3 nr. 20'. In originele lijst uit de tijd. Voorts: grafstuk, vervaardigd o.m. van haar, voorstellende een grafmonument met de tekst `P.S.H. geb. 7 Sep. 1833 ovl. 1 juni 1887' en `M.B. geb. 7 Febr. 1868 ovl. 3 juli 1887'. Op verso het etiket `W. Ooms, kunsthaarwerker en graveur te Hoorn. Voorts verklaring van de letters: `Petronella Suzanna Hondius (gehuwd met Heiman Hendrik Boldingh, een broer van grootvader Claas Boldingh) en hun dochtertje Maria'. In eigentijds ovalen lijstje.

m0070. Rechtsonder mist een stukje van het glas. Very intricate hairwork by Hoorn master W. Ooms. Wolterus Adrianus Ooms, engraver, born Hoorn 25 augustus 1832, died Hoorn 6 oktober 1906. See also: Karin Wester, Haar als liefdevol kunstobject, Klein en fijn als blijvende herinnering, Oud Hoorn, 2004.

Antiquariaat GoltziusProfessional seller

Book number: 10995

Catalogue: Death Great Prints United Kingdom

Centsprent: Hier ziet gij, lieve Jeugd! een overschoon Tafreel, / Van Genoveva’s deugd, en hoe God haar beloonde, / Hoe zij Onschuldig leed, en werd in haar regt hersteld. / Nadat zij Zeven jaar een Wildernis bewoonde ... No. 22.

Catchpenny print. Children’s print presenting twelve moments in the life of Genoveva, married to earl Siegfried. When falsely accused of infidelity she was sent away to live in the forest. She remained virtuous and pious and was rewarded by God, who brought her husband back to her. The story of Genoveva was mostly printed in the form of books, such as ‘de Historie van Genoveva, huisvrouw van Siegfried’. The woodblocks Ulrich used for the current print were probably originally also used to illustrate books. These images have a clear popular character as is visible from the style of the figures, which are strongly reminiscent of theatre puppets.The series of Ulrich’s children’s prints was advertised in Nieuwsblad voor den Boekhandel on December 7 1836: “Een geheel nieuw soort van kinderprenten. Op schrijfpapier best gekleurd ƒ7,00; dito zwart ƒ5,00; op ordinair papier, gekleurd ƒ 3,20; dito zwart ƒ 3,00. 25 Riem gelijk nemende één tot premie. Deze Prenten laten zich door de aardige rijmpjes, benevens de goede spelling, bijzonder boven alle andere soorten van dien aard, voor de Kinderen aanbevelen, dewijl de Schoolmeesters gerust deze op hunne Scholen kunnen gebruiken.”Rotterdam, J. B. Ulrich, (1816 – 1849), numbered ‘no 22.’ in the bottom left corner.l Twelve woodcut illustrations (each ca 60 x 80 mm) on paper; hand coloured with orange and blue; under each image a 4-line verse in letterpress; total: 415 x 330 mm; Pro Patria watermark; folded twice, small restorations on the vertical fold on the verso.De Meyer p. 320, Boerma p. 833 (Ulrich 22).

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Book number: 63123

Catalogue: Centsprenten, Middeleeuwen, Middle Ages Popular prints Prenten, Prints Vrouwen, Women Woodcuts