Antiquariaat Goltzius: Prenten Prints prent
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Dit ´s VONDEL, tot dit uur van de Snaaren spant... (Portrait of Joost van den Vondel)
Half figure portrait of Joost van den Vondel, seated looking towards the left, holding a rolled paper in his hands. Beside him a table with books. Below text in Dutch by J. Nomsz:´ Dit ´s VONDEL, tot dit uur van de Snaaren spant... Neen, Febus heeft gedicht, wat VONDEL heeft geschreeven. / Y. MOMSZ´ l Engraving on paper with margins; platemark: 280 x 197, total: 345 x 244mm; state IV/4, Hollstein nr. 151. Some foxing along the margins. PP01V (Vondel)
Antiquariaat GoltziusProfessional sellerBook number: 59810
€ 172.50 [Appr.: US$ 198.77 | £UK 147.75 | JP¥ 29000]
De Milddaadigheid aan de dankbaare roomsche armen; by de eerste afgifte van brood, op den grond des geweezen schouwburgs te Amsterdam, den vyfden December
Allegory of the help provided by the city of Amsterdam to the poor Catholics on december the 5th 1787. Charitas sits on a throne with the arms of Amsterdam holding a cornucopia; beside her poor people, a man a woman and a child. Two putti are looking at a sheet of paper with a representation of the house of the indigents in Amsterdam situated on the Keisergracht 384. In the sky the eye of God. Titled above in the center:´DE / MILDDAADIGHEID / AAN / DE DANKBAARE ROOMSCHE ARMEN; / BY DE EERSTE AFGIFTE VAN BROOD, / OP DE GROND / DES GEWEEZEN SCHOUWBURGS / TE AMSTERDAM, / Den vyfden December.´ below the representation: ´´t WeLeer VerWoest tooneeL, ´t paLeIs Der poezIJ, / strekt V, behoeftIg MensCh! hIer tot een bakkerIJ. / J.F. Delfing´. Signed on the bottom left of the representation:´N.v.d. Meer Jan del. et sculp.´ on the bottom right:´F. J. v. Tetroode´. l Etching and copper engraving on paper; platemark: 273 x 203 mm, total: 286 x 215 mm; foxing and dirt on the margins and on the top; a stain on the left. PALL01
Antiquariaat GoltziusProfessional sellerBook number: 60180
€ 57.50 [Appr.: US$ 66.26 | £UK 49.25 | JP¥ 9667]
Op de inwyding van den nieuwen schouwburg te Amsterdam, Den vyftienden September
Plate with allegorical representation of the inauguration of the new theater of Amsterdam the 15th September 1774. The personification of Amsterdam holds a new beehive, in the foreground books with theatrical plays and towards the right two putti are holding a sheet with the representation of the new theater. In the background Apollo and the muses. Titled above:´OP DE INWYDING / VAN DEN / NIEUWEN SCHOUBURG / TE AMSTERDAM, / Den vyftienden September.´ and on the bottom two lines by Delfing:´thans saL De bIJ, op nIeVW, In febVS kVnstkoor zWeeVen, / et´t eeLste,´t WeLk ze´er Leest, Voor Wees en arMen geeVen. / J.F. Delfing´. Signed on the bottom left of the representation:´N.v.d. Meer Jan del. et fec.´ on the bottom right:´J. Smit Excudit´. l Etching and copper engraving on paper, broad margins; platemark: 266 x 197 mm, total: 434 x 575 mm. PALL01
Antiquariaat GoltziusProfessional sellerBook number: 60182
€ 92.00 [Appr.: US$ 106.01 | £UK 79 | JP¥ 15467]
Eijnfall Graffen Heinrichs von dem Berg In die Velawe Im Jahr 1624. Der Holländer Anzug Wider ihre Feindt Anno 1624.
Episodes from the Eight years war with the invasion by Count Hendrik van den Bergh of the Veluwe. Lettered above the three upper engravings: 'Eijnfall Graffen Heinrichs von dem Berg In die Velawe Im Jahr 1624.' and above the fourth below:' Der Holländer Anzug Wider ihre Feindt Anno 1624.' From the Theatrum Europaeum by Merian, 1635. l Four engraving in one sheet (two pages attached in the middle) with margins; platemark: 198 x 310 mm; total: 285 x 388 mm; traces of folding in the middle and on the margins. Some notes in pencil on the recto.
Antiquariaat GoltziusProfessional sellerBook number: 59788
€ 103.50 [Appr.: US$ 119.26 | £UK 88.75 | JP¥ 17400]
Catalogue: History prints Prenten Prints prent
Eijnfall Graffen Heinrichs von dem Berg In die Velawe Im Jahr 1624. Der Holländer Anzug Wider ihre Feindt Anno 1624.
Episodes from the Eight years war with the invasion by Count Hendrik van den Bergh of the Veluwe. Lettered above the three upper engravings: 'Eijnfall Graffen Heinrichs von dem Berg In die Velawe Im Jahr 1624.' and above the fourth below:' Der Holländer Anzug Wider ihre Feindt Anno 1624.' From the Theatrum Europaeum by Merian, 1635. l Four engraving in one sheet (two pages attached in the middle) with broad margins; platemark: 198 x 310 mm; total: 306 x 365 mm; traces of folding in the middle. Some stains on the top margin.
Antiquariaat GoltziusProfessional sellerBook number: 59806
€ 172.50 [Appr.: US$ 198.77 | £UK 147.75 | JP¥ 29000]
Catalogue: History prints Prenten Prints prent
Man sharpening knives
Lovely engraving of a man sharpening knives. The print had the monogram DC in the plate, and is signed W. Anderson Miltner. The margins are full, and in the margin underneath the picture is also a flower engraved. l Engraving on paper, 320x228 mm. Modern024
Antiquariaat GoltziusProfessional sellerBook number: 60229
€ 28.75 [Appr.: US$ 33.13 | £UK 24.75 | JP¥ 4833]
Catalogue: Prenten Prints prent
Woman with spinning wheel
Fine etching of an old woman sitting behind a spinning wheel. The woman wears a headscarf and a small pair of glasses. The print is signed in pencil by the artist. There are two inscriptions in the print, on the lower left 'W. A. Miltner' and on the lower right 'n. M'. The etching is printed on a sheet of thick paper with in the centre a piece of finer paper. These two sheets of paper were attached to each other before printing, so it is the original paper. l Etching on paper, 300x230mm. The paper had dark spots, slight discolouration, but not inside the print. Modern016
Antiquariaat GoltziusProfessional sellerBook number: 60222
€ 40.25 [Appr.: US$ 46.38 | £UK 34.5 | JP¥ 6767]
Catalogue: Prenten Prints Spinnewiel prent
Veduta del Colosseo dalla parte piu' rovinata
View on the Colosseum on the 'ruined' side. In the foreground some ruins getting over the frame with text. Inscribed on the bottom: 'Veduta del Colosseo dalla parte piú rovinata', signed on the bottom right:'Montagnú sculp.' l Copper engraving on paper, broad margins; platemark: 174 x 237 mm; total: 236 x 364 mm; some stains on the external margins, not affecting the plate. PT01R (Rome)
Antiquariaat GoltziusProfessional sellerBook number: 60018
€ 138.00 [Appr.: US$ 159.01 | £UK 118.25 | JP¥ 23200]
Catalogue: Prenten Prints prent
FRANCISCUS A MIERIS Pictor Leidensis
Portrait of the painter Frans van Mieris, after his self portrait. Inscribed below the image:"FRANCISCUS A MIERIS/ Pictor Leidensis". l Etching on paper, with margins; plate mark: 210 x 157 mm, total: 219 x 162 mm. State III/3. Hollstein vol. 14 (1956), p. 77, nr. 3 PP01M (Mieris)
Antiquariaat GoltziusProfessional sellerBook number: 59636
€ 287.50 [Appr.: US$ 331.28 | £UK 246.25 | JP¥ 48334]
Man finding salvation in the Church of Christ (Christ as the Good Samaritan)
A man on the left finds confort in the Church of Christ, represented with St. Peter at the center, while handing to the man the Bible. In the background church buildings. From the series of "Christ as the Good Samaritan", fourth plate, not numbered and not dated. Signed on foot of pillar on the lower left: 'HML.F' (HML interlaced).; at the bottom left of centre: 'MHeemskerck In' (MH interlaced); two Latin verses in lower margin:'ILLE NOMINOSA DVPLEX ARRAM DEPENDIT, VT HASTV[M] MENS CAPIAT CVLTVM DOCTA SALVTIS ITER'. l Engraving on paper, small margins; platemark: 201 x 243 mm, total: 204 x 249 mm; some dirt on the lower corners, some stains on the left part, traces of foldings on the bottom. PB01EL
Antiquariaat GoltziusProfessional sellerBook number: 59648
€ 230.00 [Appr.: US$ 265.02 | £UK 197 | JP¥ 38667]
Catalogue: Prenten Prints Religion prent
Vera effigies R.mi P. Joannis Neyen Antuerpiani, Ordini Sancti Francisci .... (Joannes Neyn, portrait of)
Portrait of Joannes Neyn, half-length to right, wearing a crucifix (resting on the table before him) and resting his hand on a skull, a winged hour-glass on a ledge beyond; fourth state with 'ordin. Holland.'; after Michiel Mierevelt. (New Hollstein, The Muller Dinasty, part II: Jan Harmensz Muller; nr. 60) Dated on op right corner of impression: "ÆTAT.XXXIIX. / MDC.IIX". Lettered in Latin in lower margin, in three lines: "Vera effigies ... / ... Legati.". Signed below and at right of inscription in lower margin: "M. à Mierevelt pinxit." and "J. Muller sculpsit" and "Cum privil Sexen. / Ordin. Holland." l Engraving on paper, trimmed on plate-mark, no margins, total: 323 x 218 mm; state IV/5. Small repaired hole on the tablecloth to the right. From Collection Ed Schultze (L. 906) PP01N (Neyen)
Antiquariaat GoltziusProfessional sellerBook number: 59640
€ 322.00 [Appr.: US$ 371.03 | £UK 275.75 | JP¥ 54134]
Vera effigies R.mi P. Joannis Neyen Antuerpiani, Ordini Sancti Francisci .... (Joannes Neyn, portrait of)
Half-length portrait of Joannes Neyn, wearing a crucifix (resting on the table before him) and resting his hand on a skull, a winged hour-glass on a ledge beyond; fourth state with 'ordin. Holland.'; after Michiel Mierevelt. New Hollstein 60 Dated on op right corner of impression: "ÆTAT.XXXIIX. / MDC.IIX". Lettered in Latin in lower margin, in three lines: "Vera effigies ... / ... Legati." Signed below and at right of inscription in lower margin: "M. à Mierevelt pinxit." and "J. Muller sculpsit" and "Cum privil Sexen. / Ordin. Holland." l Engraving on paper, with margins; plate mark: 324 x 235, total: 335 x 244 mm; state IV/5; almost flawless impression; New Hollstein 60, Bartsch 60
Antiquariaat GoltziusProfessional sellerBook number: 60628
€ 402.50 [Appr.: US$ 463.79 | £UK 344.75 | JP¥ 67668]
Personificaiton of Holland between Mars and Mercury
Frontispiece to the second volume of the History of Holland by J. Le Clerc, published in three volumes in 1730 (Geschiedenissen der Vereenigde Nederlanden). The personification of Holland is sitting holding arrows in her hands, on the left Mars and on the right Mercury. A lion is lying under the woman. On a drape hanging towards the lower part of the composition the title reads:'GESCHIEDENISSEN / DER / VEREENIGDE NEDERLANDEN / DOOR / MR. JEAN LE CLERC. / TOM II.' At the feet of Mars: 'G de Lairesse inv.'; at the feet of Mercury: 'I. v. Munnichuysen sculp.' l Etching and engraving on paper; margins; platemark: 297 x 186 mm; total: 345 x 222 mm. Some dirt and foldings on the very end margins, otherwise very fine impression. PLIT013
Antiquariaat GoltziusProfessional sellerBook number: 59664
€ 103.50 [Appr.: US$ 119.26 | £UK 88.75 | JP¥ 17400]
Arethuse, poursuivie par Alphée, est changée en fontaine (Arethusa pursued by Alpheus, and turned to a Fountain.)
From the 'Tafereel of beschryving van den prachtigen tempel der zang-godinnen...', also known as 'Le Temple des Muses' published in Amsterdam in 1733, containing histories drawn from Greek mythology, written by A.de la Barre de Beaumarchais with plates by Bernard Picart. The plates are all finely engraved and are composed with a central part dedicated to the illustration of the story and a larger one, framing the previous, inhabited with details inspired to the central plate. For the whole book see Booknr. 50936 [XXXII, p.86-88] Arethusa, a nymph, was taking a bath not noticing that Alpheus, the river god, was looking at her. He fell in love with the nymph and began chasing her. She asked for protection to Artemis who turned her into a stream. For Alpheus became so miserable, Zeus made his river flow into the same sea Arethusa ends. Lettered in four languages on the bottom: 'ARETHUSE, POURSUIVIE PAR ALPHÉE, EST CHANGÉE EN FONTAINE. / Arethusa pursued by Alpheus, and turned to a Fountain / Arethusa, duch Alpheus verfolgt, wirdt verändert in einen Brunnen. / Arethusa, door Alpheus vervolgt, werdt in een Fonteyn verandert'. On the bottom of the engraved frame on the left: 'B. Picart del. 1731' l Engraving on fine laid paper; internal platemark: 248 x 174 mm; external plate: 357 x 253 mm; total: 488 x 309 mm. Small damages on the lower border and some stains on the top border, yet the engraved part is flawless. PLIT013
Antiquariaat GoltziusProfessional sellerBook number: 59680
€ 230.00 [Appr.: US$ 265.02 | £UK 197 | JP¥ 38667]
Catalogue: Mythologie Prenten Prints prent
Clytie changée en tournesol (Clytia change'd into a Turnesole)
From the 'Tafereel of beschryving van den prachtigen tempel der zang-godinnen...', also known as 'Le Temple des Muses' published in Amsterdam in 1733, containing histories drawn from Greek mythology, written by A.de la Barre de Beaumarchais with plates by Bernard Picart. The plates are all finely engraved and are composed with a central part dedicated to the illustration of the story and a larger one, framing the previous, inhabited with details inspired to the central plate. For the whole book see Booknr. 50936 [XV, p. 37-38] The nymph Clytie, in love with Helios, jealous of his new lover Leucothea, run to the father of the latter telling him of his daughter's affair with the god. Orchamus (this is the name of the father) was so angry that he buried his own daughter alive in the sand. Helios became upset with Clytie and abandoned her definitely. So she stand in solitude in the desert among the rocks for nine days looking at the sun. After those days she was turned into a sunflower. Picart represents the nymph leaning against the rocks, naked, looking towards the sky where her lover Helios is riding his chariot in the clouds. a small putto is mourning together with the nymph who bears already the signs of her metamorphoses: upon her head are blossoming a couple of sun flowers. Signed on the lower left corner: 'B. Picart dir.' Lettered in four languages on the bottom: 'CLYTIE CHANGÉE EN TOURNESOL. / Clytia change'd into a Turnesole / Clytia in eine Sonne-blumme verändert. / Clytia in een Sonne-bloeme verandert '. On the bottom of the engraved frame on the left: 'B. Picart del. 1731' l Engraving on fine laid paper; lily watermark in the center; one plate engraving: platemark: 356 x 258 mm; total: 483 x 307 mm. PLIT013
Antiquariaat GoltziusProfessional sellerBook number: 59674
€ 230.00 [Appr.: US$ 265.02 | £UK 197 | JP¥ 38667]
Catalogue: Mythologie Prenten Prints prent
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