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Glass Art. Reflections of the Centuries
. The Glasmuseum Hentrich in Düsseldorf's Museum Kunst Palast, one of the world's most wide-ranging glass collections, is the basis for this generously illustrated exploration of glass art from prehistory to the present, written by the collection's longtime director, Helmut Ricke. Glass was the first man-made material, and nearly every civilization made use of its flexibility, resilience, and variety. Brimming with colorful images from the collection as well as maps and drawings, this book covers all periods of glassmaking from pre-Roman, Roman, Islamic, Mediaeval, Renaissance and Baroque times, the nineteenth century and up to the 1990s. It includes stunning examples of enameled and cut glass, as well as elaborate works from Persia, India and China, all of which influenced the Art Nouveau period, widely considered the heyday of decorative glass. A detailed appendix provides background information on the mechanics of glass, including smelting, refining, and manufacturing. A valuable resource for anyone interested in this ancient medium, this magnificent catalog highlights a world-famous collection of glass art. 2002, 384 pages, 363 colour illustrations, 89 b/w illustrations, Hardcover in dust jacket, still in shrink wrapper. size: 270 x 210 mm. (ISBN: 978379132793) .
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Book number: F1204-3
GBP 19.50 [Appr.: EURO 21.75 US$ 24.86 | JP¥ 2747]
Catalogue: Winter Art
Keywords: Glass Art 978379132793

0. 1931. mit vielen Bildern.Berlin, Rowohlt, 1931; c. 18.5 x 17 cm.; 66, [ii] pp. with numerous illustrations by the author; publisher's illustrated boards; about one-third of the front and the back board is a little darkened or embrowned, the front free endpaper has been excised, small, neat ownership entry on half-title, edges slightly rubbed here and there. A good, fresh copy of the First Edition.
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Book number: IS00582
GBP 65.00 [Appr.: EURO 72.5 US$ 82.87 | JP¥ 9157]
Keywords: Ianweb Ian Modern German Literature Satire Humour Rare

Danish Greenland.
0. 1877. Its People and its products. Edited by Dr.Robert Brown. With Illustrations by the Eskimo, and a Map. London, Henry S.King & Co. 1877; xvii, 468pp. with frontispiece, plates, & large folding map; contemporary magenta calf, spine gilt in compartments with raised bands, green morocco lettering piece, gilt arms on front board, marbled endpapers and edges, corners rubbed at tips, very slight wear to front hinge, map creased and a little torn, without loss. First edition in English, of which Rink himself writes in his preface: "My Danish Original in this its English dress has been so much altered that it must be considered a new book." The binding, by Bickers & Son, is a prize binding for the City of London Freemen's Orphan School. The presentation plate on the front paste-down has been removed, which has left the marbled endpaper there imperfect.
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Book number: IS00821
GBP 90.00 [Appr.: EURO 100.25 US$ 114.74 | JP¥ 12680]
Catalogue: Anthropology
Keywords: Ianweb Ian Antiquarian Travel Rare Travel Greenland Polar Arctic Denmark Inuit Eskimos Prize Bindings Illustrated Ethnology

The Plays
0. 1825. in Nine Volumes. EIGHT volumes only [of nine], London, William Pickering, Chancery Lane, 1825; approx. 3.1 ins x 1.7 ins; each volume c. 300 pp. with 33 copper-engraved plates, and a few wood-engraved circular vignettes; contemporary maroon morocco, spines panelled in gilt with raised bands, lettered in gilt with the titles of the plays within one of the panels. triple gilt rule to boards, all edges gilt; several plates slightly or marginally embrowned, a few more than the others, text clean; Volume I lacks general title (discarded by the binder); Volume III lacks the final leaf (the last two pages of "A Winter's Tale"), title-page of Vol.IX long ago mended with neat stitching; bindings a little rubbed at extremities, a little darkened, bottom corner of rear board of Volume III scratched; generally very attractive in its miniature morocco binding, though a little used, and internally clean, but missing Volume II as well as the one leaf of Volume III. Spielman 456. "The illustrated edition of the Pickering Shakespeare is rare in itself as only a small number of the sets was issued with the engraved frontispieces". He quotes Sheringham, writing in "The Connoisseur" [Nov. 1902]: "The plates of the Shakespeare in particular, 38 in number, were all lost, and the later copies of course are without them." The plates were engraved after Thomas Stothard - except for that of Puck, which is after Sir Joshua Reynolds' already celebrated painting.Since there are usually four plates in each of our volumes, we guess that our Volume IX, with only three plates, may be short of one plate.
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Book number: IS001078
GBP 400.00 [Appr.: EURO 445.5 US$ 509.96 | JP¥ 56354]
Keywords: Ianweb Antiquarian Rare Miniature Books Illustrated Shakespeare English Literature Drama Miniature Bindings

. Illustrated with wood engravings by Hellmuth Weissenborn. in three-quarter red morocco. The Acorn Press, 1982 One of an edition of 350 copies printed at the Whittington Press. Each sonnet is preceded by one of Weissenborn's fine coloured wood engravings. Weissenborn, a German-born artist, immigrated to England in 1939 and illustrated fifteen books for the Whittington Press. An exquisite edition The press printed this volume on loose sheets for the Acorn press and these were bound into full red leather by special order only at the time.( private press ).
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Book number: F0034
GBP 250.00 [Appr.: EURO 278.5 US$ 318.73 | JP¥ 35221]
Catalogue: Leather
Keywords: Bibliophile Private Press Weblists2 Limited( Private Press )

Das Stundenbuch Des Kardinals Alessandro Farnese Mit Den Miniaturen Von Guilio Clovio. Im Besitz Der Piermont Morgan Library New York.
. Eingeleitet and erlaeutert von Webstrer Smith. Facsimile edition gilt lettering spine, in velvet binding, with blind embossed decorations using the engravings on the insides of the boards of the original in the Pierpont Morgan library. on front- and backcover, 174pp. [II], 64 full colour pages in facsimile, In illustrated slipcase. [introduction in German]
¶ Alessandro Farnese (5 October 1520 - 2 March 1589), an Italian cardinal and diplomat and a great collector and patron of the arts, was the grandson of Pope Paul III (who also bore the name Alessandro Farnese), and the son of Pier Luigi Farnese, Duke of Parma.
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Book number: F2258KET
GBP 12.50 [Appr.: EURO 14 US$ 15.94 | JP¥ 1761]
Catalogue: Art
Keywords: Ketterer Art Facsimiles

Bunte Steine. Ein Festgeschenk.
0. 1921. Mit Kupfern von F.Staeger. Munchen, 1921; 562pp. with additional etched title-page and 5 full-page etchings; publisher's half cloth over marbled boards, top edges green; spine slightly dull with two miniscule darker marks, and slightly flattened, two early German ownership entries on front f.e.p. A very good copy of a charmingly illustrated edition.
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Book number: IS00414
GBP 30.00 [Appr.: EURO 33.5 US$ 38.25 | JP¥ 4227]
Keywords: Ianweb German Illustrated German Literature Austrian Literature Nineteenth Century Children's Books Ian

The Works,
0. 1760. Accurately Revised in Twelve Volumes, Adorned with Copper-Plates. With Some Account of the Author's Life, and Notes, Historical and Explanatory by John Hawksworth. 12 volumes, London, Printed for C. Bathurst, C. Hitch .. 1760; contemporary (probably publisher's original) calf, spine with raised bands and simple gilt rules, gilt numbering; slight silver-fish damage to the corners of approx. five endpapers and the extreme outer corner of first two leaves of Volume IX. An excellent set , though further volumes were published. The title-pages are printed in red and black, and there are fine plates by and after J.C.Müller in Volume I, engraved maps to "Gulliver", and four pages of engraved music at the end of Volume VII. The bindings are almost immaculate. There is no obvious sign that there were ever lettering pieces in the upper compartments, though it's possible that there were.
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Book number: IS002134TRAVE
GBP 450.00 [Appr.: EURO 501.25 US$ 573.71 | JP¥ 63398]
Keywords: Ianweb Swift 18th Century Literature Satire Illustrated Books Bindings Antiquarian

Life of Benjamin Robert Haydon,
0. 1853. Historical Painter, from his Autobiography and Journals. Second Edition. Three volumes, London, 1853; xvi, 419, viii, 407, viii, 419 pp. AN EXTRA-ILLUSTRATED COPY with scores of plates from Victorian and earlier sources, mostly portraits; bound by Riviere & Son in early 20th century brown half morocco over cloth boards, spines gilt in compartments with raised bands,exremities a little rubbed; plates to Volumes I and II damp-stained, mostly in the margins (see below), a few light marginal pencil marks. Today Haydon is better remembered for his remarkable diary and tragic end than for the historical painting he tried desperately to promulgate. His writings are replete with anecdotes, of contemporaries, artistic and others, records of encounters and friendships, and trenchant, if controversial, criticisms and judgements (a large number of the people referred to or portrayed are illustrated through the plates that have been added by the binder). Many of the plates added to the first two volumes damp-stained but mostly in the margins: many of the plates were window-mounted, and it is then ususally only the mounts that display marks; the text in these volumes is not stained, though it is very slightly rippled at the outer edge. Volume III is unaffected by stains. The plates comprising the extra illustrations are the usual mixture for the time of binding of mostly steel-engraved, or copper-engraved, portraits and views, usually relating to the text opposite which they are bound in, some common, some scarce. They would be hard to assemble nowadays.
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Book number: IS002118
GBP 165.00 [Appr.: EURO 184 US$ 210.36 | JP¥ 23246]
Catalogue: Art
Keywords: Ianweb Art History Extra-Illustrated Books Grangerised Books Portraits Autobiographies 19th Century Romanticism Antiquarian Riviere Bindings

On the Nature of Time a Biopragmatic Perspective on Language, Thought, and Reality
. ( Acta Universitatis Upsaliennsis - Studia Slavica Upsaliensia volume 48. ) Uppsala, 2014, 480pp. illustrated hardback.
¶ This book is a synthesis of more than three decades of research into the concept of time and its semiotic nature. If traditional philosophy - and philosophy of time should be no exception - in the shadow of advancing biology can be said to have reached an impasse, one important reason for this, in harmony with Wittgenstein's vision, appears to have been its lack of appropriate tools for explicating language. The present theory of time proceeds, accordingly, from the exploration of temporal expressions in language as an evolutionary fact. It derives in a hypothetical, coherent feedback process of hierarchically or dered distinctions the semantics of time from its biologically dictated perceptual and cognitive-pragmatic origins. The corresponding abductive-regulative model is anchored in the assumption of biological rhythmization as the very foundation of perception and mental/physical action. Under- stood to originate in space and spatial perspective, time reveals itself as an instrument for temporal perspective on motion (events and situations) in a process of analysis, i.e. discontinuation of chaos made divisible and continuous by the rhythmical screen. Whereas tradition- al philosophy of time paid attention almost exclusively to the temporal category of tense , the biopragmatic model sees strong evidence in the perspectival nature of time for ascribing the decisive, and probably universal, role in temporal analysis to the linguistic category of aspect . Aspect may, according to the present findings, be assumed to partake already of change- of-state and cause-effect analysis without which man's adaptation to new situations - and precondition for survival - would be inconceivable. The proposed model of space/time cogni-tion, inspired by Hegelian dialectics, Heidegger-Gadamer's hermeneutic circle and Peircean logic, makes Kantian a priori superfluous and liberates time from its enigmatic appearance. For the first time in temporal studies it thus appears possible to derive hypothetically linguistic expressions of time all the way from pre-temporal, homogeneous continuity effected by biological rhythmization, via pre-temporal metonymic (Gestalt), chunk-wise partitioning - as a general precondition for the perception and, based on primary metaphorization, the cognition of things, space and motion - to temporal analysis/discontinuation proper, primarily by aspectual perspective, and the subsequent synthesized, heterogeneous continuity of temporally ordered events. The conception of time, so disastrous for modern temporal logic, i.e. as moving object assigned extension, divisible continuity ( ? linearity') and direction, can be shown to have emerged as a result of secondary metaphorization.
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Book number: F2881
GBP 38.00 [Appr.: EURO 42.5 US$ 48.45 | JP¥ 5354]
Catalogue: Slavic
Keywords: Semiotics Linguistics

0. 1896. Texte Grec et Traductionde M. Andre Bellessort. Precede d'une lettre de M. Anatole France .. Illustrations de Georges Bellenger gravees par E.Froment. Paris, Edouard Pelletan, 1896; 48, [iv] pp.; title in red and black, text printed within an ornamental border, illustrated throughout with wood-engravings; publisher's printed wrappers; splits to front inner hinge, light spotting throughout. Printed in an edition of 350 copies, this is No. 187, printed for Monsieur H.Dubois, on vellum paper "a la cuve dee papeteries du Marais"; A bibliophile edition of this pseudo-Theocratic poem, which is rather a restrained erotic fantasy.( private press ).
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Book number: IS002349
GBP 50.00 [Appr.: EURO 55.75 US$ 63.75 | JP¥ 7044]
Keywords: Frenchall Ianweb French Finde Siecle French Illustrated Books Erotica Edouard Pelletan Classics Ancient Greek Classical Greek French Translations Bibliphile Editions Limited Editions Private Press Anatole France

The Seasons
. W. Suttaby, Stationers Court. 1808. Frontis & Illustrated title page. On the front board the year 1807 is printed. Includes, The Life of Thomson. XIV, [3], 18-168 pages. Interior remains tight and complete. No backstrip. size: 80 x 149 mm. in the original brown paper covered printed boards (corners bumped )
¶ James Thomson (11 September 1700 - 27 August 1748) was a Scottish poet and playwright, known for his masterpiece The Seasons and the lyrics of Rule, Britannia!. He wrote Spring in 1728 and finally Autumn in 1730, when the set of four was published together as The Seasons. During this period he also wrote other poems, such as to the Memory of Sir Isaac Newton, and his first play, The Tragedy of Sophonisba (1729). The latter is best known today for its mention in Samuel Johnson's Lives of the English Poets, where Johnson records that one 'feeble' line of the poem - "O, Sophonisba, Sophonisba, O!" was parodied by the wags of the theatre as, "O, Jemmy Thomson, Jemmy Thomson, O!".
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Book number: F2444KI
GBP 45.00 [Appr.: EURO 50.25 US$ 57.37 | JP¥ 6340]
Keywords: Rare English Literature

Reiner Musterbuch: Faksimile Ausgabe Im Originalformat Des Musterbuches Aus Codex Vindobonensis 507 Der Osterreichischen Nationalbibliothek
. Graz: Akadem Druck- u. Verlagsanstalt, 1979. 2 volumes in slip case. Graz 1979. Complete colour facsimile edition of the 26 pages (13 fol.) of the Musterbuch in original size (241 x 158 mm). All pages with Romanesque pendrawings. Binding: full leather for the facsimile volume (with a faint small spot in lower part of front panel ), cloth for the commentary volume. All folios are cut according to the original.The facsimile volume in the same format as the original. the commentary volume 54 text pages (in German) and 8 plates in colour and b/w, A fine set . The Musterbuch dates from the 1st half of the 13th century,
¶ Generations of medieval artists patterned their great works on cartoons and sketches compiled in so-called Model Books. The Model Book of Rein, named after the Cistercian abbey at Rein near Graz in Styria where it was made, is probably the finest of all. The first medieval Model Book this is the work of an anonymous artist who, on 13 pages, carefully illustrated scenes of everyday life, created animal depictions, a series of initial alphabets, as well as patterns for floor tiles and glass windows. The codex was produced in the 13th century and the copy in Rein thus constitutes the oldest surviving Model Book of this size in medieval art. The Model Book commences with 12 scenes taken from medieval daily life. The precisely executed genre pictures represent typical farm duties, different arts and crafts, as well as hunting and fishing scenes and activities of monastic life.These pictures are followed by three different alphabets, ranging from a simple majuscule alphabet to a lavishly illustrated initial alphabet including animals skilfully hidden in the expressive interlace. The books continues with 48 real and fabulous creatures, plants, and stones. Especially the birds deserve particular mention due to their complicated posture and movements and it is assumed that they could have been destined for use in initials. The same applies to the sketches showing multi-lobed, scroll-like leaves enclosing ensembles of flowers and fruit. The Model Book ends with sumptuous ornaments designed for use in floor tiles and glass windows with interlace modelled in the style of Greek mosaics. ( CODICES SELECTI, Vol. LXIV). (ISBN: 320101088X) .
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Book number: F2532KET
GBP 75.00 [Appr.: EURO 83.75 US$ 95.62 | JP¥ 10566]
Catalogue: Medieval
Keywords: Medieval Illustrated Ketterer 320101088x

Clocks: Their Origin and Development 1320-1880. 2 Volumes.
. Wilsele, Belgium, 1st. edition, 2004, 1032 pages and about 950 colour illustrations. bibliography, index; .small-folio sized, immaculate new set in box and still in shrink wraps.( 25 x 33.1 cm )
¶ A completely rewritten and vastly expanded version of an earlier publication in Dutch (Vehmeyer, Antieke Uurwerken - Een familienverzameling, 1994, 624 pages ) this work is therefore vastly more accessible to most collectors. It is basically a detailed history of the mechanical clock in Europe, illustrated primarily with examples from the extraordinary collection of the author's family. The 1994 edition showed 233 clocks in detail; the 2004 edition has grown to 330 clocks so shown. Therefore, the book is also a massive collection catalogue. Each clock in the family collection is catalogued on two (or more) large (13x10 inches) pages, with about half a page of text describing maker, dial, movement and case, half a page of colour photos of details, and a large, full page colour picture of the clock facing the initial page. The clocks are arranged by country (52 from Germany, 109 from the Netherlands, 94 from England, 83 from France. ). Within each country, they are in chronological order. Part I comprises a comprehensive introduction to the origins of clockmaking, while Part II presents a comparative horological history of the leading European clockmaking countries: Germany, England, France, Italy and last but not least, the Netherlands. The book has a lot more to offer than just historical and technical facts about clocks. On the basis of the Vehemeyer family collection of more than 350 clocks, which are illustrated at the end of each relevant chapter, it gives insight into the relative importance of each country and the mutual influence these countries exerted on each other. Owing to its large number of beautifully produced photographs of both the exterior and very often also the interior of the various artefacts, as well as the explanatory accompanying texts, which follow a set pattern, this book will prove to be of interest to both laymen and specialist alike. 9053494316 / ISBN-13: 978-9053494318. Very heavy set, postage for about 9 KG. (ISBN: 9053494316) .
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Book number: F2831-5
GBP 235.00 [Appr.: EURO 261.75 US$ 299.6 | JP¥ 33108]
Catalogue: Clocks
Keywords: Clocks Uhr Klok 9053494316

Candide Ou L'optimisme.
0. 1935. Illustrations de Brunelleschi. Paris: Gibert Jeune, 1935; 165pp. with sixteen colour-printed plates and twenty-three text illustrations; publisher's illustrated wrappers; small chip at head of spine, prelims very slightly spotted, slight darkening of margins. Numbered copy.
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Book number: IS00412
GBP 24.00 [Appr.: EURO 26.75 US$ 30.6 | JP¥ 3381]
Keywords: Frenchall Ianweb Ian French Illustrated Eighteenth Century Literature Satire Enlightenment Erotica

Die Alpenpflanzen
0. Deutschlands und der Schweiz in colorierten Abbildungen nach der Natur und in natuerlicher Groesse mit einem erlaeuterndem Text. III. Band. Muenchen, Christian Kaiser, n.d. [c. 1860]; c. 12 x; 12, 8 pp. with 108 hand-coloured plates of Alpine flowers in their actual size; publisher's green bevelled fine-grained cloth, front board gilt to an Alpine-floral design, spine ornamented in gilt; neat contemporary signature - "Ellen E. Swale 1861" - on front free endpaper, plates 67 and 68 detached and both a little discoloured and worn in extreme margins. A very good copy of this single volume of a series of four volumes in all, with delicately and meticulously hand-coloured lithographs. Now scarce.
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Book number: IS00636
GBP 50.00 [Appr.: EURO 55.75 US$ 63.75 | JP¥ 7044]
Catalogue: Ian
Keywords: Ianweb Ian Antiquarian Botany Flowers Illustrated German Alpine Switzerland Swiss

Signette. Deutsche Drucker- Und Verlegerzeichen 1457-1600
. Hannover, Schluetersche Verlagsanstalt und Druckerei, 1984, 306pp. 393 illustrations. Fine copy in dust jacket. With Wendland's signed handwritten dedication to the Hamburg publisher Friedrich Wittig, dated 17-2-1984. loosely inserted is Gerd Schulz's review in the Börsenblatt of 11.7.1984
¶ General history followed by pages of reproductions of printers' and publishers' marks along with biographical sketches of their owners. / Die hier vorgelegte Auswahl der schönsten und interessantesten deutschen Drucker- und Verlegerzeichen ermöglicht dem Betrachter einen ganz ungewöhnlichen Einblick in die Druckgeschichte des 15. und 16. Jahrhunderts. Die Signete spiegeln Frömmigkeit, Strebsamkeit und Fleiß, Berufsstolz, Eitelkeit, Gelehrsamkeit und Bildung, Kunstverständnis, Geschmack und Schmuckbedürfnis wider.
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Book number: F3073
GBP 24.50 [Appr.: EURO 27.5 US$ 31.24 | JP¥ 3452]
Catalogue: Publishing
Keywords: Printing Publishing Illustrated Signed

National Nursery Rhymes and Nursery Songs Set to Original Music Set to Original Music By J.W. Elliott, with Illustrations Engraved By the Brothers Dalziel.
. George Routledge and Sons . [1870 ].. 4to.112 [3] pp. All Page Edges Gilt. Illustrated by the Dalziel Bros. Half title page. 3 pp. of advertisements. Contemporary gilt stamped dark green cloth, ink inscr. on first e.p dated Christmas 1880. Text block split in the internal centre of the spine, top and bottom of spine rather worn. tears i n spine. See: Osborne Catalogue, p. 95: "The illustrations are engraved after F.A. Fraser, W. Small, Ernest Griset, Thomas Dalziel, J.B. Zwecker, E.G. Dalziel, J. Mahoney, C. Green, A.B. Houghton, H.S. Marks, G.J. Pinwell, Arthur Hughes and others. The words of nine of the songs are by M.L. Elliott." Printed by the Dalziel Bros./Camden Press. One of the rarer "Sixties" Dalziels. Includes 54 children's favorites such as "Jack and Jill," "Twinkle, Twinkle, Little Star," "Ding, Dong, Bell," "The Death and Burial of Cock Robin," "The Spider and the Fly," and "Humpty Dumpty.
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Book number: F3166
GBP 14.95 [Appr.: EURO 16.75 US$ 19.06 | JP¥ 2106]
Catalogue: Illustrated
Keywords: Music Illustrated

Das Römische Carneval
. München, O. C. Recht-Verlag, n.d. (around 1920) Facsimile of the edition Weimar and Gotha (in Commission bey Carl Wilhelm Ettinger) 1789. With Title vignette by J.H. Lips and 20 hand coloured plates after the coloured copper engravings of Georg Melchior Kraus after drawings by Goethe und Johann Georg Schütz.This text was later included in <> and was published in a special edition at the Easter Fair 1789 - IBA 1982, see: Sarkowski2 605 (Ausgabe Leipzig 1966). Printed in offset by H.F. Jütte , hand colouring by Georg Schauer.This is number 473 of a limited edition of 1000 copies. red paper coverd boards with title labels pasted to spine and front board. binding worn at the edges, very occ. foxing in margins of the text. [ST].
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Book number: F1787
GBP 45.00 [Appr.: EURO 50.25 US$ 57.37 | JP¥ 6340]
Catalogue: Illustrated
Keywords: Bibliophile German Literature Illustrated

Feste Gegenstände (German Transl. Of Solid Objects)
. and Susanne Melchert: Aus dem Haushaltsbuch / Orientalische Karten. Short story by Virginia Woolf and 2 stories in pictures by Susanne Melchert. 2001, 40pp. Bibliophile numbered edition limited to 140 copies only, format: 276 x 190 mm. signed by the artist, boards covered in coloured paper, 21 coloured and 5 monochrome illustrations with one original added print in 5 colours.( private press ).
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Book number: 090002
GBP 45.00 [Appr.: EURO 50.25 US$ 57.37 | JP¥ 6340]
Keywords: Bibliophile Private Press Wim Meeuws Rare Illustrated Limited Editions Private Press English Literature Virginia Woolf Art German

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