Vüe perspective du berceau merveilleux qui est dans le jardins du gouverneur a Pondichery ville des Indes Orientales sur la côte de Coromandel

Daumont, Paris. ca. 1750-1770. 28 x 41,5 cm. Handcoloured etching. No title on the print. Original title: Vüe perspective du berceau merveilleux qui est dans le jardins du gouverneur a Pondichery ville des Indes Orientales sur la côte de Coromandel. The print is pasted to cardboard. The small loop on the side indicates that this print was prepaired for viewing through a Opticalbox. Some age related discolouration and light damp stains. The carboard edges are scuffed. Overall state is fair/good.l A hand coloured view of the corridor of the governor's garden in Pondicherry.

Antiquariaat GoltziusVendeur professionnel

N° du livre: 62009

Catalogue: Handcoloured Optical Print

Vue d’un Jardin Superbe à Coromandel

Daumont, Paris. ca. 1750-1770. 28 x 41,5 cm. Handcoloured etching. No title on the print. Original title: Vue d’un Jardin Superbe à Coromandel. The print is pasted to cardboard. The small loop on the side indicates that this print was prepaired for viewing through a Opticalbox. Some age related discolouration and light damp stains. The carboard edges are scuffed. Overall state is fair/good.l A hand coloured view on the governor's garden in the East Dutch-Indies. In the front fountains are depicted and in the back large archway's with vines growing around them.

Antiquariaat GoltziusVendeur professionnel

N° du livre: 62010

Catalogue: Handcoloured Optical Print

De waterramp van 1855. Geschetst in 24 afbeeldingen naar de natuur geteekend en geetst door leden der Maatschappij Arti et Amicitiae.

Complete set of 24 etchings concerning the floods of 1855. The drawings were made at the spot by members of Arti et Amicitia in Amsterdam. The floods of 1855 were caused by broken dikes in the middle of the Netherlands on 5 March 1855. The Gelderse Vallei and het Land van Maas en Waal were stricken but the water reached a large part of the Netherlands. 13 lives were lost. In 19th century folder (Eigen Haard premie-album). All plates 34x40cm, etchings 14x23cm appr., some edges are crumbling, some soiling and staining. On some plates the location and name of the maker are added in pencil: Lith, Ch. Rochussen, Kessel by G.A. Roth, H.A. van Trigt/P.L. Dubourg, Willem Gruyter, Sorensen, E. Koster. Titlepage composition by Ch. Rochussen "naar eene schets van ... H.A. van Trigt". Etching by Ch. Rochussen. Muller listst all artists and the locations. From the library of Prof. Dr. G.P. van de Ven. Gerard van de Ven (1941-2017) was a prominent Dutch scholar, author and professor at the Universiteit van Amsterdam. He was specialised in waterstaatsgeschiedenis (history of water management) and historical geography. He wrote many books, articles and contributed to many publications. Muller (Historieplaten) 7225. See for the locations and the artists the pictures of Mullers entry at www.goltzius.nl.

Antiquariaat GoltziusVendeur professionnel

N° du livre: 68864

Catalogue: History Print

after Picart, Bernard (1673-1733)

'De inquisitie-zaal'

'De inquisitie-zaal' anonieme gravure, tonende een rechtsprekend geestelijke, een griffier en een beklaagde. [EN] The room of the inquisition where a suspect is questioned by the judge. l Engraving on paper; total: 213 x 254 mm

Antiquariaat GoltziusVendeur professionnel

N° du livre: 55744

Catalogue: Law Prenten Print criminality prent

After: Bowles, Thomas (1712-1753); De Poilly, (François, Jean Baptiste or Nicolas)

Se. Marie a Londres (mirrored)

Basset, Paris ca. 1750-1800 330 x 495 mm (plate: 266 x 405 mm) Etching/engraving/watercolour N. 22; Vue de la Maison royale de Somerset avec L'Eglise de St. Marie dans le Strand 'a Londres; A View of Somerset House with St. Marys Church in the strand Londen; De Poilly Sculp. A Paris Basset rue St. Jacques. Little tears and slightly folded margins. Overall state is good.l Hand coloured optical view of London, England. On the left side the façade of Sommerset House is depicted. In the center of the print the church of St. Mary towers above the buildings. The surroundings are coloured in light pastel-like colours, while the

Antiquariaat GoltziusVendeur professionnel

N° du livre: 61193

Catalogue: Handcoloured London Optical Print

After: Bowles, Thomas (1712-1753)

La Ville de Londres (mirrored)

Daumont, Paris ca. 1750-1800 329 x 432 mm (plate: 255 x 395 mm) Engraving, watercolour Vüe générale de la Ville de Londres; a Paris chez Daumont rue St. Martin. Light damp stains and smudges in the margins. The blue paint, used for the sky, is flaky in some parts. l Pencil remains on some of the buildings. A birds-eye view of the city of London, with the Thames in the center. This beautiful print of the English capitol gives a good view on how the city looked in the 18th century. Hand coloured in pastel-like yellow,

Antiquariaat GoltziusVendeur professionnel

N° du livre: 61189

Catalogue: Handcoloured London Optical Print

After: Hiltrop, Johannes van (1764-1814-24) ; Winkler, Georg Gottfried (1710-1786)

Vuë de l'Eglise neuf dit Doopsgezinde á Utrecht (mirrored)

Georg Balthasar Probst, Augsburg ca. 1780-1800 359 x 489 mm (plate: 310 x 425 mm) Etching/engraving/watercolour Vuë de l'Eglise neuf dit Doopsgezinde á Utrecht. 294. Gezicht van de Nieuwe Doopsgezinde Kerk, de Weesbrug en Domstorren. Vuë de l'Eglise neuf dit Doopsgezinde, avec le pont appellé Weesbrug et de la Tour Cathedrale á Utrecht. Vedutta della Chiesa nominato Doopsgezinde, col ponte detto Weesbrug e del Torre di Duomo, á Utrecto. Prospect de neuen Doopsgezinde Kirch, samt der Weesbrug und Doms-Thurn zu Utrecht. Median Folio No. 72. J. van Hiltrop, del. Ad. Viv. G. G. Winckler Sculp. Cum Gratia et Privilegio Sac. Caes. Majestatis. Georg Balthasar Probst excud. A.V. Light folds in corners and an uneven line in the paper (the colouring indicates that this line was there during the printing process). l Optical view of the city of Utrecht, with the 'Dom' of Utrecht in the center of the print. On the right side the 'Doopsgezinde Kerk' is depicted. The bridge which runs over the canal is the 'Weesbrug'. The print is hand coloured in very vibrant colours as

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N° du livre: 61145

Catalogue: Handcoloured Optical Print Utrecht

After; C. Philipp Jacob (?) ; Leizelt, Balthasar Friedrich (active 1750-1799)

Vue de la Porte d'Utrecht á Amsterdam (mirrored)

ca. 1750-1800 409 x 487 mm (plate: 291 x 427 mm) Etching/watercolour. Vue de la Porte d'Utrecht á Amsterdam. Collection des Prospects. Vue de la Porte d'Utrecht á Amsterdam. C. Philipp Jacob ad viv del. Gravé par J. Frederic Leizelt. Se vend á Augsbourg au Negoce commun de l'Academie Imperiale d'Empire des Arts liereaux avec Privilege de Sa Majesté Imperiale et avec Defense n' en faire pas Copie. Scuffed, lightly torn edges. The paint in the sky is a slightly exfoliated. Overall state is good. l Hand coloured print of the bridge leading to the 'Utrechtsepoort' (gate of Utrecht) in Amsterdam. The buildings and the people on the street are coloured in vibrant colours. Uneven line in the paper (the colouring indicates that this line was there during

Antiquariaat GoltziusVendeur professionnel

N° du livre: 61149

Catalogue: Amsterdam Handcoloured Optical Print

After: Moreau, Jean-Michel (1741-1814); Leizelt, Balthasar Friedrich (active 1750-1799)

Vuë de la Place Neuve de Louis XV

.., Augsbourg ca. 1750-1800 296 x 444 mm (plate: 250 x 388 mm) Etching/engraving/watercolour Vuë de la Place Neuve de Louis XV. Le Bien-Aimé à Paris; Se vend à Augsbourg au Negoce common de l'Academie Imperiale d'Empire des Arts libereaux avec Privilege de Sa Majeste Imperiale et avec Defence de nén faire Copie. (Pasted onto the back of the print) Pasted onto cardboard and fixed to a firm frame, which holds itself together with corners made of parchment. Very light smudging in the sky area. Overall state is good. l Illuminated optical view on Place Louis XV, what is now the Place the la Concorde. In the middle of the square the statue of Louis XV is situated. The square is crowded with people. The windows and light sources of the buildings are perforated (dots and c

Antiquariaat GoltziusVendeur professionnel

N° du livre: 61211

Catalogue: Handcoloured Optical Paris Print illuminated

After: Panini, Giovanni Paolo (1691-1765)

Vue des Ruines de Rome

Daumont, Paris ca. 1750-1800 353 x 527 mm (plate: 263 x 375 mm) Etching/engraving/watercolour Ruinae Romae Veteris; 16e. Vüe d'Optique Representant; Vne (n= misprint) des Ruines de Rome; I.P. Panini Del.; A Paris chez Daumont rue St. Martin. Light staining in the margins and a bit rough around the edges. Print is in good state. l Hand coloured optical view of Roman ruins. In the distance a pyramid like figure towers above the ruins. In front of the Roman structures soldiers sit on remains. The surroundings are coloured in light pastel-like colours, while the figures are depicted i

Antiquariaat GoltziusVendeur professionnel

N° du livre: 61217

Catalogue: Handcoloured Optical Print Rome

After: Blankaert, P. van (18th century)

Vuë d'une ruë à Nanking (mirrored)

Georg Balthasar Probst, Augsburg ca. 1730-1750 300 x 430 mm Etching/engraving/watercolour 273.; Straet van Nanking; Veduta d'una Strada (…)nking Tears in the bottom margin and right corner. Fold in the middle of the plate. The bottom of the print itself shows some holes, which have been repaired with see through tape. Fair condition. l This hand coloured optical view shows a busy street in the Chinese city of Nanking. The street in lined by buildings with eastern looking rooftops and large pillars with natural symbols in front of them. On the street merchants in eastern clothing sell th

Antiquariaat GoltziusVendeur professionnel

N° du livre: 61229

Catalogue: China Handcoloured Optical Print

after Wijck, Thomas (1616/24-1677)

The well [set: Landscape scenes with ruins] (de put met vrouw en ezel).

A well in front of a house; a woman and a donkey on the right. Monogrammed on the top right: TW.l Etching on paper, trimmed within plate mark; total: 77 x 119 mm; Hollstein 10 (copy); yellowed paper, with some foxing; mounted on cardboard.

Antiquariaat GoltziusVendeur professionnel

N° du livre: 63262

Catalogue: Boeren, Categories Categorieën, Etching Ets, Farmers Genre, Prenten Prenten, Print Prints

Bergmüller, Johann-Baptist (1724-1785)

Representation de l'Esplanade dans le Fauxbourg de Leipzig (mirrored)

.., Augsbourg ca. 1740-1780 298 x 445 mm (plate: 256 x 415 mm) Etching/engraving/watercolour Collection des Prospects; Representation de l'Esplanade dans le Fauxbourg de Leipzig; Gravé par Bergmüller Pasted onto cardboard en fixed onto a firm frame. The plat itself is in good state. l An illuminated hand coloured optical view of a promenade in a suburb of Leipzig. The square is lined by a decorative fence. In the middle stands a statue. In the front fancy dressed people walk around. The windows and light sources of the buildings are pe

Antiquariaat GoltziusVendeur professionnel

N° du livre: 61219

Catalogue: Handcoloured Optical Print illuminated

Bloteling, Abraham (1640-1690)

TH. KERCKRINGII SPICILEGIUM ANATOMICUM.

Titlepage to Kerckring's Anatomy book published in Amsterdam in 1670: 'Spicilegium anatomicum : continens observationum anatomicarum rariorum centuriam unam : nec non osteogeniam foetuum, in qua quid cuique ossiculo singulis accedat mensibus, quidve decedat & in eo per varia immutetur tempora, accuratissimè oculis subjicitur'. A woman is standing with a knife in her hand, in the act of removing the skin from a corpse. Two children in the foreground are offering some spikes to the woman. Signed on the bottom right: 'A. Blotelingh Sculp.' and lettered below: 'AMSTELODAMI, Sumptibus ANDREAE FRISII, MDCLXX.' l Engraving on paper, trimmed to platemark; total: 206 x 146 mm; only state; Hollstein 125; Wess 121

Antiquariaat GoltziusVendeur professionnel

N° du livre: 60312

Catalogue: (general) Allegory Prenten Print prent

Bolswert, Schelte Adamsz. (c. 1586-1659) after Rubens, Peter Paul (1577-1640) published by Hendricx, Gillis (fl. 1640-1677)

Landscape

Flat landscape with trees and clouds after Rubens; a row of trees line the bank of a river; later state with crudely engraved figures added (at left a rider with two horses drinking from the river) Lettered in lower margin: "P. P. Rubens pinxit. / S à Bolswert sculpsit." and "Gillis Hendricx excudit. / Antuerpiæ". On the verso unidentified collector's mark. l Engraving on paper trimmed to platemark; total: 326 x 456 mm; ter on the left margin, some dirt on the corners; state IV/5; Hollstein 317

Antiquariaat GoltziusVendeur professionnel

N° du livre: 60310

Catalogue: Landscapes Prenten Print prent