Dupuis, Nicolas (1698-1771) after Visscher, Cornelis (1628/29-1658)

PHILIPPUS WOUWERMAN PICTOR BATAVUS

Portrait of the painter Philip Wouwerman in an elaborate frame including elements recalling subjects usually represented by the painter: horses, hunting scenes a palette with brushes and birds. Lettered in the bottom center: 'PHILIPPUS / WOUWERMAN PICTOR / BATAVUS', signed on the bottom left:'C. de Visscher delineavit' and on the right:'N. Dupuis Sculp.' and in the center:'a Paris chez Huquier vis a vis le grand Chatelet.'l Engraving on paper, trimmed to platemark; total: 424 x 285 mm. Th.B 10, p. 184, Le Blanc 34, Nagler 3 PP01W (Wouwerman) / in black folders A-D [Dupuis]

Antiquariaat GoltziusVendeur professionnel

N° du livre: 60052

Catalogue: Portraits Portraits Portretten Portretten Prenten Prints prent

Dyck, Anthonie van (1599-1641) and Vorsterman, Lucas I (1595-1675)

Titian and his mistress [self portrait of Titian and Pictura]

An old man on the left in profile reaching out towards a younger woman to the right. This impressive work on paper is said o be based on a lost self-portrait by Titian. Rather than a mistress, the young woman might be seen as a personification of Pictura, or Painting. She is clearly oversized in respect to the painter. Titian had used an extra-large woman in a series of paintings of a nude Venus, in each of which the woman is larger than the male musician. This discrepancy in scale might mean that the man is an "artist" creating his "work of art". Music, as a metaphor for the creation of art, has been a common theme in painting in every century since the Renaissance. Instead of music here Titian (or possibly Van Dyck) constructed a composition in which touch becomes the metaphor for "painting." A skull is positioned within a niche under the elbow of the woman. The lower part of the print has been cut out. The text would read: 'Ecco il belveder ó che felice sorte! / Che la fruttifera frutto in ventre porte // Ma ch'ella, ó me vita et morte piano / demone tra l'arte del magno Titiano // Al molto illustre, magnifico et osseruandis.mo sig.re il SIG LUCA VAN UFFEL, in segno d'affectione et inclinatione / amorevole como Patrone et singularis.mo amico suo dedicato il vero ritratto del unico Titiano Ant. van Dyck.' The dedicatee of the print is Lucas van Uffelen (1586-1638) art dealer and patron of van Dyck. l Etching and engraving on paper pasted on cardboard; total 261 x 224 mm; traces of glue visible on the surface, some dirt and a tear on the right margin repaired while attaching the print to the cardboard. Bright impression; late state; Hollstein 21

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N° du livre: 60940

Catalogue: (general) Allegory Portraits Portretten

EDELINCK, GERARD,

François Chauveau

Oval portrait of French engraver François Chauveau (1613-1676).Etching and engraving on hand laid paper, sheet size 244 x 356 mm., platemark 188 x 262 mm., engraved by Gerard Edelinck (1649-1707) after Claude Lefèbvre (1632-1675). This print was published in Perrault's 'Les Hommes illustres' (Paris, 1696-1700), volume II.In good condition, some light foxing in the margins, a crease in the right margin, and a dampstain in the top left corner (only very slightly covering the image area).References: Robert-Dumesnil 240-1: 166; LeBlanc ii.186: 168.

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N° du livre: 70023

Catalogue: Portraits

EDELINCK, GERARD,

Fredericus Leonard Bruxellensis, Regis, Serenissimi Delphini et Cleri Gallicani Architypographus

Portrait of Frédéric Leonard (1624-1711), with bookcases and a Doric column in the background. Leonard was printer in Ordinary to the King of France.Etching and engraving on hand laid paper, sheet size 346 x 467 mm., engraved by Gerard Edelinck (1640-1707) after Hyacinthe Rigaud (1659-1743). In fair condition, cropped within the platemark. With three small closed tears in the left edge. Some foxing in the caption below the image.References: IFF XVII IV.32: 119; LeBlanc II.189: 246 ii/2

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N° du livre: 70014

Catalogue: Portraits

EDELINCK, GERARD,

Jean de la Fontaine

Oval portrait of the author Jean de la Fontaine (1621-1695).Etching and engraving on hand laid paper, sheet size 247 x 329 mm., platemark 220 x 287 mm., engraved by Gerard Edelinck (1640-1707) after Hyacinthe Rigaud (1659-1743). In good condition, margins lightly soiled, a small nick in the left margin. some creases in the corners. A faint dampstain in the lower edge of the image.References: LeBlanc II.187: 199

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N° du livre: 70012

Catalogue: Portraits

EDELINCK, GERARD,

Jean-Baptiste de Blye

Oval portrait of Jean-Baptiste de Blye (1629-?), the first president of the Parliament of Tournay.Etching and engraving on hand laid paper, sheet size ca. 259 x 213 mm., engraved by Gerard Edelinck (1640-1707) after Ghislain François Ladam (ca. 1659-1708). In good condition, but cropped in an oval around the portrait, with loss of the caption around the portrait.References: Robert-Dumesnil 247-8: 179 ii/2

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N° du livre: 70013

Catalogue: Portraits

EDELINCK, GERARD,

Ludovicus Moreri presbyter SS. the. doc. a. aet. XXXVII

Oval bust of Louis Moréri (1643-1680), a French priest and encyclopedist.Etching and engraving with stipple on hand laid paper. Sheet size 248 x 385 mm., platemark 220 x 328 mm. Engraved by Gerard Edelinck (1640-1707) after François de Troy (1645-1730). This portrait was published in Moréri's 'Le grand dictionaire historique', Lyon: J. Gyrin et B. Rivière, 1683. In good condition, some creases in the margins, left edge browned, right edge unevenly cut (probably while removing from the book).References: LeBlanc II.190: 273 (II/2)

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N° du livre: 70005

Catalogue: Portraits

EDELINCK, GERARD,

Math. Savary Sagiensis episcopus, reginae Christian. ab eleemosynis ordinarius

Portrait of Mathurin Savary, who died in 1698, a bishop of Séez.Etching and engraving on hand laid paper, sheet size 317 x 390 mm., engraved by Gerard Edelinck (1640-1707) after Louis Ferdinand Elle (II), dit Louis Le Vieux (1612 -1689).In poor condition, cropped within platemark. A brownish stain in the are around the face of the portrayed person. Several repaired damages in the top left edge of the sheet, and stains in the sheet edges. The condition of this print is reflected in the price.References: LeBlanc II.191: 311; Robert-Dumesnil 324: 3153

Antiquariaat GoltziusVendeur professionnel

N° du livre: 70016

Catalogue: Portraits

EDELINCK, GERARD,

Nicolaus Rigaltius in Suprema curia Metensi Decanus

Portrait of Nicolas Rigault (Rigaltius; 1577-1654), a French classical scholar.Etching and engraving on hand laid paper, sheet size 219 x 283 mm., platemark 192 x 258 mm., engraved by Gerard Edelinck (1640-1707) after Sylvain Bonnet.In good condition, a faintly visivble diagonal crease from the left to the right margin.References: LeBlanc II.190: 299; Robert-Dumesnil 317-18: 304

Antiquariaat GoltziusVendeur professionnel

N° du livre: 70015

Catalogue: Portraits

EDELINCK, GERARD,

Portrait of Gebrand van Leeuwen

Oval portrait with the caption: "Gebrandus van Leeuwen leerar der H. Godtgeleertheit in de kerke en dooluchtige schoole te Amsterdam". Engraving by Gerard Edelinck after Arnold Boonen, with a 4-line poem in Dutch by Jan van Beuningen, sheet size: 380 x 313 mm., platemark: 354 x 290 mm., in fine condition.Gebrand van Leeuwen (1643-1721) was a Dutch theologian and professor.Ref.: Robert-Dumesnil VII.280:239 (2/III), LeBlanc 243 (2/III), Muller 3143.

Antiquariaat GoltziusVendeur professionnel

N° du livre: 69842

Catalogue: Portraits

EDELINCK, GERARD,

Portrait of Gerbrand van Leeuwen

Gerbrand van Leeuwen (1643-1721), Professor of Theology in Amsterdam.Etching and engraving on hand laid paper, sheet size 351 x 436 mm., platemark 290 x 355 mm. Engraved by Gerard Edelinck (1640-1707) after Arnold Boonen (1669-1729), ca. 1675.In good condition, the margins quite foxed and with minimal paper loss top left. A crease over the middle of the sheet, and two smaller creases in the lower half of the image area.Refernce: Robert-Dumesnil 180: 239 I (early state, before lettering).

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N° du livre: 69994

Catalogue: Portraits

EDELINCK, GERARD,

Portrait of Charles-René d'Hozier

Three-quarter length portrait with a three-line caption in French. Engraving by Gerard Edelinck after Hyacinthe Rigaud, sheet size: 465 x 346 mm., in good condition, cropped within platemark, a small repaired tear in the top right corner.Charles-René d'Hozier (1640-1732) was a French genealogist and historical commentator.Ref.: Robert-Dumesnil VII.250:184 (only state), IFF 122.

Antiquariaat GoltziusVendeur professionnel

N° du livre: 69843

Catalogue: Portraits

Eichel, Emanuel (1717-1782) after Krause, Carl August (1724-1764)

Portrait of Anna Maria van Schurman (Schuurman).

Bust portrait of Anna Maria van Schurman, artist and poet. While turning to the left, she looks at the viewer, in an oval. Inscribed on the bottom: 'ANNA MARIA VON SCHURMANN.'; signed at the very bottom: 'G.M. Kraus del. / E. Eichel sculp. A.V.'.l Engraving with etching on paper, trimmed to plate, total: 167 x 102 mm.

Antiquariaat GoltziusVendeur professionnel

N° du livre: 63594

Catalogue: Portraits Portretten, Prenten, Prints Utrecht Vrouwen, Woman Women

Unknown engraver

Portrait of Michiel de Ruyter (1607-1676)

Bust portrait of admiral Michiel de Ruyter in armour. Titled below: 'Michiel de Ruiter'; from p. 88 of Het Nederlandsch Magazijn: familiebibliotheek, Volume 3 (1835)l Wood engraving on paper, total: 101 x 78 mm

Antiquariaat GoltziusVendeur professionnel

N° du livre: 60824

Catalogue: Portraits Portretten

Fokke, Simon (1712-1784), on a drawing by Schouman, Aert (1710-1792), after painting by Baen, Jan de (1633-1702)

Aftekening der Schilderye, op 't Stadhuis te Dordrecht geplaatst, ter gedagtenisse van de Overwinning by Chattam, in 't Jaar 1667, onder 't beleid van KORNELIS DE WIT. Rurwaard van Putten.

Glorification of Cornelis de Witt: the commander in armour, holding a commandostaf, is represented on the left, being crowned with laurel by flying putti while a Fame is blowing a trumpet. On the background the trip to Chatham (June 1667). On the left also a cornucopia with symbols of the prosperity of land and wealth. This illustration was used in Jan Wagenaar's "Vaderlandsche historie", published in Amsterdam between 1749-1759, in 21 volumes. This pint belongs to vol. XIII, p. 478. The original painting in the town hall of Dordrecht was destroyed in 1672, soon after the horrifying death of the de Witt brothes. Signed lower right corner: "S.Fokke fec"; on the left corner: "A. Schoumann del, naar 't Originele Model"l Etching on laid paper; tot.213 x 282 mm with margins, some damages along the margins. Signs of folding. PH4F

Antiquariaat GoltziusVendeur professionnel

N° du livre: 59602

Catalogue: Admiraliteit History prints Portraits Portretten Prenten Prints prent