Author: Ruvolo, Felix (American, 1912-1992)
Title: Print Documentation and Contract for the Lithograph "Samson and Delila" Aka "Untitled" from 10 West Coast Artists " by Felix Ruvolo. Signed
Description: San Francisco: Collectors Press, 1967. 2 documents, each signed in ink. Detailed description of the edition of the lithograph. Signed in ink by artist and printer.This describes each color, the proofs and the edition. Collectors Press no. 101 “Many former students will, with fondness, remember Felix as a profound teacher and artist who emphasized that subjectivity is truth. With a passion for jazz and its lyrical meaning, Felix instilled in his students a deep and emotive concern for painting in particular and art in general.” One colleague made this observation and another offered the following. “When Felix was recommended for appointment in 1950, the Art Department faculty voted unanimous approval. This was amazing as usually much discussion of a candidate's merits ensued and rarely was there such complete agreement. There was no doubt that Felix Ruvolo's reputation had gone before him.” He was born in New York City in 1912, but raised in the home of his grandparents in Sicily where he first studied with an Italian artist. At age 12, he returned to the home of his parents, who soon moved to Chicago. They were aware of his intense interest in art and had him continue studies with a local artist and then at the Chicago Art Institute. By 1938 he was exhibiting regularly and was accorded his first invitation to participate in an American Federation of Arts traveling exhibition. Invitations to exhibitions at other major institutions followed--the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, the Phillips Gallery Museum, the Pennsylvania Academy, the Walker Art Center, the “Contemporary American Painting” surveys at the Krannert Museum from 1948 to 1961, the Sao Paulo Biennials in Brazil, the Galerie Creuse in Paris. He was represented in the ground-breaking exhibition at the Museum of Modern Art in New York in 1951, “Abstract Painting and Sculpture in America.” His many one-man shows included those at he Durand Ruel Gallery, the Catherine Viviano Gallery, the Grand Central, the Poindexter Gallery in New York and the University of Southern California. His works entered public and private collections such as the Chicago Art Institute, the Krannert Museum, the Walker Art Center, the Oakland Museum of Art, and the Aukland City Museum in New Zealand. His work was reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum in New York, the Los Angeles County Museum, the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia. His teaching career began at the Art Institute of Chicago in 1945 and continued until 1948 when he moved with his wife Mardi to New York. Mills College in Oakland had established a program of bringing distinguished artists, such as Fernand Leger, to the campus as guest instructors. Felix was invited for the summer session of 1948; during that sojourn, he had solo exhibitions in the Mills College Art Gallery and at the De Young Museum in San Francisco. At that time he met many Bay Area artists who were to become life-long friends of the Ruvolos. His national reputation had been firmly established, when in 1949 Felix was extended the invitation for appointment to the faculty on the Berkeley campus. He accepted, but intended to leave the Chicago-New York scene for just one year. He began teaching here in the fall of 1950 after having driven across the country with Mardin in a classic Ford, a woody station wagon, with their dog, a red Irish setter, in the back seat. They first settled in Walnut Creek, which was then largely a pleasant, rural area. They liked it. The idea of a one-year sojourn faded. Their son, Antonio, was born. More and more people moved into the area, it became suburban. The roads were still two-lane and the commute became unbearable. They moved into Berkeley. Provenance: Estate of Ernest F. De Soto. .
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See more books from our catalog: Ephemera
Title: Print Documentation and Contract for the Lithograph "Samson and Delila" Aka "Untitled" from 10 West Coast Artists " by Felix Ruvolo. Signed
Description: San Francisco: Collectors Press, 1967. 2 documents, each signed in ink. Detailed description of the edition of the lithograph. Signed in ink by artist and printer.This describes each color, the proofs and the edition. Collectors Press no. 101 “Many former students will, with fondness, remember Felix as a profound teacher and artist who emphasized that subjectivity is truth. With a passion for jazz and its lyrical meaning, Felix instilled in his students a deep and emotive concern for painting in particular and art in general.” One colleague made this observation and another offered the following. “When Felix was recommended for appointment in 1950, the Art Department faculty voted unanimous approval. This was amazing as usually much discussion of a candidate's merits ensued and rarely was there such complete agreement. There was no doubt that Felix Ruvolo's reputation had gone before him.” He was born in New York City in 1912, but raised in the home of his grandparents in Sicily where he first studied with an Italian artist. At age 12, he returned to the home of his parents, who soon moved to Chicago. They were aware of his intense interest in art and had him continue studies with a local artist and then at the Chicago Art Institute. By 1938 he was exhibiting regularly and was accorded his first invitation to participate in an American Federation of Arts traveling exhibition. Invitations to exhibitions at other major institutions followed--the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, the Phillips Gallery Museum, the Pennsylvania Academy, the Walker Art Center, the “Contemporary American Painting” surveys at the Krannert Museum from 1948 to 1961, the Sao Paulo Biennials in Brazil, the Galerie Creuse in Paris. He was represented in the ground-breaking exhibition at the Museum of Modern Art in New York in 1951, “Abstract Painting and Sculpture in America.” His many one-man shows included those at he Durand Ruel Gallery, the Catherine Viviano Gallery, the Grand Central, the Poindexter Gallery in New York and the University of Southern California. His works entered public and private collections such as the Chicago Art Institute, the Krannert Museum, the Walker Art Center, the Oakland Museum of Art, and the Aukland City Museum in New Zealand. His work was reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum in New York, the Los Angeles County Museum, the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia. His teaching career began at the Art Institute of Chicago in 1945 and continued until 1948 when he moved with his wife Mardi to New York. Mills College in Oakland had established a program of bringing distinguished artists, such as Fernand Leger, to the campus as guest instructors. Felix was invited for the summer session of 1948; during that sojourn, he had solo exhibitions in the Mills College Art Gallery and at the De Young Museum in San Francisco. At that time he met many Bay Area artists who were to become life-long friends of the Ruvolos. His national reputation had been firmly established, when in 1949 Felix was extended the invitation for appointment to the faculty on the Berkeley campus. He accepted, but intended to leave the Chicago-New York scene for just one year. He began teaching here in the fall of 1950 after having driven across the country with Mardin in a classic Ford, a woody station wagon, with their dog, a red Irish setter, in the back seat. They first settled in Walnut Creek, which was then largely a pleasant, rural area. They liked it. The idea of a one-year sojourn faded. Their son, Antonio, was born. More and more people moved into the area, it became suburban. The roads were still two-lane and the commute became unbearable. They moved into Berkeley. Provenance: Estate of Ernest F. De Soto. .
Keywords:
Price: US$ 400.00 Seller: Wittenborn Art Books
- Book number: 51-2879
- Book number: 51-2879
See more books from our catalog: Ephemera