Author: Levy, Alphonse Jacques (Said)
Title: Versailles Paris. Embrassons Nous. . Et Que Ca Finisse...... (Versailles Paris. Kiss Us . . and There It Ends...... )
Description: Paris, France: Duclaux, [1870-1871]. Hand-colored broadside on paper 10” x 12”. Very Good. Printed in France. Print depicting Adolphe Thiers embracing a soldier. Print from a set of caricatures, broadsheets and illustrations in ten volumes. Each volume is half-bound in red leather, gold tooled and stamped with imperial emblems, title etc. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal (Vosges), the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars, these images became extremely popular as Pellerin's printing house, Imagerie d'Épinal, cornered the market on commemorative historical prints. During the Great War, the traditional style of these prints appealed to French artists looking to show their patriotism, as in the eyes of an increasingly anti-German public, the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. .
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See more books from our catalog: Ephemera
Title: Versailles Paris. Embrassons Nous. . Et Que Ca Finisse...... (Versailles Paris. Kiss Us . . and There It Ends...... )
Description: Paris, France: Duclaux, [1870-1871]. Hand-colored broadside on paper 10” x 12”. Very Good. Printed in France. Print depicting Adolphe Thiers embracing a soldier. Print from a set of caricatures, broadsheets and illustrations in ten volumes. Each volume is half-bound in red leather, gold tooled and stamped with imperial emblems, title etc. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal (Vosges), the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars, these images became extremely popular as Pellerin's printing house, Imagerie d'Épinal, cornered the market on commemorative historical prints. During the Great War, the traditional style of these prints appealed to French artists looking to show their patriotism, as in the eyes of an increasingly anti-German public, the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. .
Keywords:
Price: US$ 100.00 Seller: Wittenborn Art Books
- Book number: 18-2265
- Book number: 18-2265
See more books from our catalog: Ephemera