Author: Massimiliano Sala (ed)
Title: Music Publishing and Composers (1750-1850)
Description: Brepols, 2020 Hardback, 336 pages, Size:210 x 260 mm, Illustrations:30 b/w, Languages: English, Italian, French. ISBN 9782503588155. ¶ Summary The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music profession. The proliferation of publications substantially altered the conception of the musical work and the nature and extent of intellectual property. Increasingly this allowed composers to support themselves financially through the sale of their own works, or even to establish, or collaborate in, publishing houses. The needs of contemporary consumers of music and new approaches to the production and dissemination of the musical work conditioned, and were conditioned by, the ever-evolving spheres of public and domestic performance that, in turn, stimulated the emergence of new musical forms and genres. This book focuses on the role of music publishing within the daily life and activities of composers at the turn nineteenth century, and its impact on subsequent patterns of development that influenced the course of nineteenth-century music. TABLE OF CONTENTS Massimiliano Sala, Preface Composers, Editions and the Musical Work Nancy November, Beethoven's Symphonies Arranged for the Chamber by His Contemporaries Rainer Kleinertz, Werk und Zyklus. Zur Reihenfolge der Streichquartette in Haydns Opus 33 und Mozarts Opus 10 Maria Birbili, The Proliferation of Musical Sources in the 19th Century: An Abridged Editorial History of Rossini, Verdi, and Puccini's Italian Opera Myron Gray, What Is an Author of Early American Music? «Die Zauberflöte» and the Culture of Reprinting The Market, the Rights and Publishing Strategies David Rowland, Composers, Publishers and the Market in Late Georgian Britain Bianca Maria Antolini, Compositori, editori, fruitori: una rete di rapporti Giovanna Carugno, A chi apparteneva il «Nabucco»? Note storiche sulla «proprietà dello spartito» e sulla controversa tra gli editori Lucca e Ricordi Floris Meens, «Eine heillose Geschichte!»: The Discourse on Publishers in Dutch Music Journals (ca. 1839-1860) Circulation Henri Vanhulst, Compositeurs 'belges' de musique instrumentale édités à Paris au XVIIIe siècle: la quête reconnaissance internationale Stephanie Klauk, Handschriftliche Überlieferung von Streichquartetten im Rom des 18. Jahrhunderts Sarah Noemi Schulmeister, Musikverleger des 18. Jahrhunderts als international agierende Akteure des Transfers: Der Fall Antoine Huberty Elisabetta Righini, Disavventure editoriali e concertistiche di Giovanni Battista Cirri dal soggiorno londinese (1764-1775) al rientro in patria Repertoire and Public Maria João Albuquerque, Music Printing and Publishing in Portugal (1750-1850): The Rise of a New Industry Francisco J. Giménez-Rodríguez, Four Unknown Waltzes by Beethoven? The Beginnings of Sheet Music Publishing in Spanish Periodicals (1805-1834) Gloria Araceli Rodríguez Lorenzo, «La Iberia Musical y Literaria» (1842-1846): Connecting the Public and Private Sphere.
Keywords: (from . 1500) Musicology: Rococo & classical period (. 1725 ) Romantic (c. 1800 1900) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie Art Histoire et p
See more books from our catalog: Muziek ; Music ; Musique ; Music
Title: Music Publishing and Composers (1750-1850)
Description: Brepols, 2020 Hardback, 336 pages, Size:210 x 260 mm, Illustrations:30 b/w, Languages: English, Italian, French. ISBN 9782503588155. ¶ Summary The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music profession. The proliferation of publications substantially altered the conception of the musical work and the nature and extent of intellectual property. Increasingly this allowed composers to support themselves financially through the sale of their own works, or even to establish, or collaborate in, publishing houses. The needs of contemporary consumers of music and new approaches to the production and dissemination of the musical work conditioned, and were conditioned by, the ever-evolving spheres of public and domestic performance that, in turn, stimulated the emergence of new musical forms and genres. This book focuses on the role of music publishing within the daily life and activities of composers at the turn nineteenth century, and its impact on subsequent patterns of development that influenced the course of nineteenth-century music. TABLE OF CONTENTS Massimiliano Sala, Preface Composers, Editions and the Musical Work Nancy November, Beethoven's Symphonies Arranged for the Chamber by His Contemporaries Rainer Kleinertz, Werk und Zyklus. Zur Reihenfolge der Streichquartette in Haydns Opus 33 und Mozarts Opus 10 Maria Birbili, The Proliferation of Musical Sources in the 19th Century: An Abridged Editorial History of Rossini, Verdi, and Puccini's Italian Opera Myron Gray, What Is an Author of Early American Music? «Die Zauberflöte» and the Culture of Reprinting The Market, the Rights and Publishing Strategies David Rowland, Composers, Publishers and the Market in Late Georgian Britain Bianca Maria Antolini, Compositori, editori, fruitori: una rete di rapporti Giovanna Carugno, A chi apparteneva il «Nabucco»? Note storiche sulla «proprietà dello spartito» e sulla controversa tra gli editori Lucca e Ricordi Floris Meens, «Eine heillose Geschichte!»: The Discourse on Publishers in Dutch Music Journals (ca. 1839-1860) Circulation Henri Vanhulst, Compositeurs 'belges' de musique instrumentale édités à Paris au XVIIIe siècle: la quête reconnaissance internationale Stephanie Klauk, Handschriftliche Überlieferung von Streichquartetten im Rom des 18. Jahrhunderts Sarah Noemi Schulmeister, Musikverleger des 18. Jahrhunderts als international agierende Akteure des Transfers: Der Fall Antoine Huberty Elisabetta Righini, Disavventure editoriali e concertistiche di Giovanni Battista Cirri dal soggiorno londinese (1764-1775) al rientro in patria Repertoire and Public Maria João Albuquerque, Music Printing and Publishing in Portugal (1750-1850): The Rise of a New Industry Francisco J. Giménez-Rodríguez, Four Unknown Waltzes by Beethoven? The Beginnings of Sheet Music Publishing in Spanish Periodicals (1805-1834) Gloria Araceli Rodríguez Lorenzo, «La Iberia Musical y Literaria» (1842-1846): Connecting the Public and Private Sphere.
Keywords: (from . 1500) Musicology: Rococo & classical period (. 1725 ) Romantic (c. 1800 1900) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie Art Histoire et p
Price: EUR 115.00 = appr. US$ 124.99 Seller: Erik Tonen Books
- Book number: 65755
- Book number: 65755
See more books from our catalog: Muziek ; Music ; Musique ; Music