Author: Donahue, Neil H.; editor:
Title: Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer
Description: University Park [PA], Pennsylvania State Un. Press, (1995). orig.cloth. 24x15cm, xiii,217 pp. Textual illustrations.. Minor rubbing. VG. dustwrapper. ¶ Contains 8 papers. Includes: Introduction: Art History or "Sublime Hysteria"? C.C.W. Waite "Worringer's 'Abstraction & Empathy': Remarks on Its Reception & on Rhetoric Of Its Criticism"; J. Masbeck "Abstraction & Apathy: Crystalline Form in Expressionism & in Minimalism of Tony Smith"; M. Bushart "Changing Times, Changing Styles: Wilhelm Worringer & the Art of His Epoch"; M.W. Jennings "Against Expressionism: Materialism & Social Theory in Worringer's 'Abstraction & Empathy'"; J.E. Ziegler "Worringer's Theory of Transcendental Space in Gothic Architecture: A Medievalist's Perspective"; C.W. Hatxhausen "Modern Art After 'the End of Expressionism':Worringer in the 1020s"; N.H. Donahue "From Worringer to Baudrillard & Back: Ancient Americans & (Post) Modern Culture in Weimar Germany"; G.C.W. Waite "After Worringerian Virtual Reality: Videodromes & Cinema 3, MassCult & CyberWar".

Keywords: German Art History, Expressionism, Expressionist, Criticism, Critical Theory, Wilhelm Worringer, Germany, Modernism, Modernist