ERIK TONEN BOOKS: kunst wetenschappen ; Art studies ; Art sudies ; Art studies
| found: 170 books on 12 pages. This is page 1 - Next page |
Ars Viva 2012-13,
GE, Hatje Cantz, 2012 Hardback, 215x285mm, 144p, 132 colour illustrations, English edition. ISBN 9783775735148.
¶ This year's ars viva prize from the Kulturkreis der deutschen Wirtschaft investigates the potential of art to reveal, cast doubt upon, and creatively use systems of any kind.
¶ This year's ars viva prize from the Kulturkreis der deutschen Wirtschaft investigates the potential of art to reveal, cast doubt upon, and creatively use systems of any kind.
Erik Tonen BooksProfessional sellerBook number: 38666
€ 29.80 [Appr.: US$ 32.41 | £UK 25.5 | JP„ 5084]
Keywords: science d
Awakening the Night Art from Romanticism to the Present,
UK, Prestel, 2012 Hardback, 230x280mm, 320p, 300 colour illustrations, English edition. ISBN 9783791352602.
¶ This absorbing volume explores how artists have expressed their fascination with the night and its mysteries over two centuries. Delving deep into the subjects of philosophy, psychology, and astronomy, this beautifully illustrated and wide-ranging volume offers a chronological approach to understanding how artists of all kinds have dealt with the subject of nighttime. It opens with the early 19th century, focusing on the tension between romanticism and enlightenment, idealism and realism, beauty and science. It then goes on to explore the introduction of electricity, the subsequent illumination of urban spaces, and light pollution. Finally, it investigates contemporary images of places that come alive in the darkness: subways, mines, theaters, movie houses, and nightclubs. Filled with the work of renowned painters, photographers, sculptors, and filmmakers, the volume is enhanced by a series of insightful essays that help us understand how artists' depictions of nighttime have evolved in tandem with developments in technology, science, and philosophy.
¶ This absorbing volume explores how artists have expressed their fascination with the night and its mysteries over two centuries. Delving deep into the subjects of philosophy, psychology, and astronomy, this beautifully illustrated and wide-ranging volume offers a chronological approach to understanding how artists of all kinds have dealt with the subject of nighttime. It opens with the early 19th century, focusing on the tension between romanticism and enlightenment, idealism and realism, beauty and science. It then goes on to explore the introduction of electricity, the subsequent illumination of urban spaces, and light pollution. Finally, it investigates contemporary images of places that come alive in the darkness: subways, mines, theaters, movie houses, and nightclubs. Filled with the work of renowned painters, photographers, sculptors, and filmmakers, the volume is enhanced by a series of insightful essays that help us understand how artists' depictions of nighttime have evolved in tandem with developments in technology, science, and philosophy.
Erik Tonen BooksProfessional sellerBook number: 38705
€ 56.95 [Appr.: US$ 61.95 | £UK 48.5 | JP„ 9716]
Bulletin van het Koninklijk Instituut voor het Kunstpatrimonium 26: 1994/1995 / Le Bulletin de l'Institut royal du Patrimoine artistique
1994/1995 softcover, 253 pages NL/FR.
Erik Tonen BooksProfessional sellerBook number: 50911
€ 25.00 [Appr.: US$ 27.19 | £UK 21.5 | JP„ 4265]
BULLETIN. KONINKLIJK INSTITUUT VOOR HET KUNSTPATRIMONIUM/ INSTITUT ROYAL DU PATRIMOINE ARISTIQUE. 28 / 1999/2000
2002 softcover, 299 pages illustre.
¶ Bulletin 28 - 1999/2000 L. Masschelein-Kleiner, Editorial / Ten geleide 5 R. Donceel, L. Wouters, A. Aerts, K. Janssens, F. Adams, Ch. Fontaine-Hodiamont, Antique Glass from Khirbet Qumran. Archaeological Context and Chemical Determination 9 D. De Jonghe, Merkwaardig Textiel : de pontifikaalhandschoenen van de H. Germanus van Parijs en een linnen fragment met griffioenen : een technologisch onderzoek / Des tissus remarquables : les gants pontificaux de saint Germain de Paris et un fragment de toile de lin decore de griffons : etude technologique 41 D. Otjacques-Dustin, L. Reper (?), J. Sanyova, M. Serck-Dewaide, La Vierge a l'Enfant de la basilique Notre-Dame de Tongres / Madonna met Kind van de Onze-Lieve-Vrouwbasiliek van Tongeren 63 I. Leirens, B. Reynders, Les sculptures du portail occidental de la collegiale des Saints-Pierre-et-Guidon d'Anderlecht. Apport de l'etude technique et materielle / De beelden van het westelijke portaal van de collegiale Sint-Pieter- en Guidokerk van Anderlecht. Bijdrage van het materieel en technisch onderzoek 85 J. Jansen, Maarten Van Calster "beldesnyder tot Mechelen" (?° ca.1574 - ? 1628) / Maarten Van Calster, tailleur d'images de Malines (?° ca.1574 - ? 1628) 97 De Bekering van Sint-Bavo door Pieter Paul Rubens. Studie, onderzoek en behandeling / La Conversion de saint Bavon de Pierre-Paul Rubens. Etude, examen et traitement 123 L. Robijns, Kunsthistorische beschouwingen / Le point de vue de l'histoire de l'art 123 L. Collin, De lotgevallen van het schilderij tot vandaag / Les tribulations du tableau jusqu'a nos jours 141 D. Verloo, Traitement de l'?uvre et technique picturale / Behandeling van het werk en picturale techniek 162 J. Wouters, Laboratoriumanalysen van bindmiddelen / Les liants au laboratoire 183 H. Coenen, Henri Evenepoel en het Belgisch orientalisme van de 19de eeuw / Henri Evenepoel et l'orientalisme belge du XIXe siecle 191 Recherches de laboratoire / Laboratoriumonderzoeken J. Vynckier, Dendrochronologisch onderzoek van enkele panelen uit van Eyck's retabel van het Lam Gods / Analyse dendrochronologique de quelques panneaux du retable de l'Agneau mystique de Van Eyck 237 Selection des activites recentes / Selectie uit recente werkzaamheden I. Geelen et W. Wailliez, Ensemble sculpte et Apotres du triforium, vers 1400-1409, Hal, ch'ur de l'eglise Saint-Martin / Triforiumensemble met apostelbeelden, ca. 1400-1409, Halle, koor van de Sint-Martinuskerk 243 L. Depuydt-Elbaum, R. Ghys, Antoine Van Dyck (1599-1641), Golgotha, 1630, Gand, eglise Saint-Michel / Antoon Van Dyck (1599-1641), Golgotha, 1630, Gent, Sint-Michielskerk 251 G. Dewanckel, Chef reliquaire et chasse de saint Vincent, XIIIe, XVIIIe, XIXe siecles, Soignies, collegiale Saint-Vincent / Reliekhoofd en schrijn van Sint-Vincentius, 13de, 18de, 19de eeuw, Zinnik, collegiale Sint-Vincentius. 255 K. Housiaux, Tunique copte en lin ecru, Egypte (Akhmim), Ve-VIe siecle, Bruxelles, Musees royaux d'Art et d'Histoire / Koptische tuniek in ecru linnen, Egypte (Akhmim), 5de-6de eeuw, Brussel, Koninklijke Musea voor Kunst en Geschiedenis 259 V. Vereecken, Antependium " Abraham ", 17de eeuw, Antwerpen, Sint-Carolus Borromeuskerk / Antependium " Abraham ", XVIIe s., Anvers, eglise Saint-Charles-Borromee 263 Ch. Fontaine-Hodiamont, H. Wouters, Ensemble de sept verres gallo-romains provenant de tombes diverses, Liege, Musee d'Archeologie et d'Arts decoratifs (Musee Curtius) / Ensemble van zeven gallo-romeinse glazen uit verschillende graven, Luik, Musee d'Archeologie et d'Arts decoratifs (Musee Curtius) 267 Ch. Fontaine-Hodiamont, Calice elance a tige creuse, fin du XIVe -debut du XVe siecle, Liege, Musee d'Art religieux et d'Art mosan / Slanke kelk met hol voetstuk, einde 14de-begin 15de eeuw, Luik, Musee d'Art religieux et d'Art mosan 273 Ch. Fontaine-Hodiamont, Blason en vitrail aux armes de Bourgogne, dernier tiers du XIVe - premier tiers du XVe siecle (blason) et troisieme quart du XVIe siecle (plombs), Coxyde, Musee de l'abbaye des Dunes / Wapenschild in glasraam met de wapens van Bourgondie, laatste derde van de 14de - eerste derde van de 15de eeuw (blazoen) en midden 16de eeuw (lood), Koksijde, Museum van de Duinenabdij 277 Ch. Fontaine-Hodiamont, Masque precolombien mixteque, postclassique recent, 1200-1521, Bruxelles, Musees royaux d'Art et d'Histoire / Pre-Columbiaans masker, Mixteekse cultuur, recente postklassieke periode, 1200-1521, Brussel, Koninklijke Musea voor Kunst en Geschiedenis 285 Bibliographie du personnel et des collaborateurs de l'Institut 1999/ 2000 - Bibliografie van het personeel en van de medewerkers van het Instituut 1999/2000 291.
¶ Bulletin 28 - 1999/2000 L. Masschelein-Kleiner, Editorial / Ten geleide 5 R. Donceel, L. Wouters, A. Aerts, K. Janssens, F. Adams, Ch. Fontaine-Hodiamont, Antique Glass from Khirbet Qumran. Archaeological Context and Chemical Determination 9 D. De Jonghe, Merkwaardig Textiel : de pontifikaalhandschoenen van de H. Germanus van Parijs en een linnen fragment met griffioenen : een technologisch onderzoek / Des tissus remarquables : les gants pontificaux de saint Germain de Paris et un fragment de toile de lin decore de griffons : etude technologique 41 D. Otjacques-Dustin, L. Reper (?), J. Sanyova, M. Serck-Dewaide, La Vierge a l'Enfant de la basilique Notre-Dame de Tongres / Madonna met Kind van de Onze-Lieve-Vrouwbasiliek van Tongeren 63 I. Leirens, B. Reynders, Les sculptures du portail occidental de la collegiale des Saints-Pierre-et-Guidon d'Anderlecht. Apport de l'etude technique et materielle / De beelden van het westelijke portaal van de collegiale Sint-Pieter- en Guidokerk van Anderlecht. Bijdrage van het materieel en technisch onderzoek 85 J. Jansen, Maarten Van Calster "beldesnyder tot Mechelen" (?° ca.1574 - ? 1628) / Maarten Van Calster, tailleur d'images de Malines (?° ca.1574 - ? 1628) 97 De Bekering van Sint-Bavo door Pieter Paul Rubens. Studie, onderzoek en behandeling / La Conversion de saint Bavon de Pierre-Paul Rubens. Etude, examen et traitement 123 L. Robijns, Kunsthistorische beschouwingen / Le point de vue de l'histoire de l'art 123 L. Collin, De lotgevallen van het schilderij tot vandaag / Les tribulations du tableau jusqu'a nos jours 141 D. Verloo, Traitement de l'?uvre et technique picturale / Behandeling van het werk en picturale techniek 162 J. Wouters, Laboratoriumanalysen van bindmiddelen / Les liants au laboratoire 183 H. Coenen, Henri Evenepoel en het Belgisch orientalisme van de 19de eeuw / Henri Evenepoel et l'orientalisme belge du XIXe siecle 191 Recherches de laboratoire / Laboratoriumonderzoeken J. Vynckier, Dendrochronologisch onderzoek van enkele panelen uit van Eyck's retabel van het Lam Gods / Analyse dendrochronologique de quelques panneaux du retable de l'Agneau mystique de Van Eyck 237 Selection des activites recentes / Selectie uit recente werkzaamheden I. Geelen et W. Wailliez, Ensemble sculpte et Apotres du triforium, vers 1400-1409, Hal, ch'ur de l'eglise Saint-Martin / Triforiumensemble met apostelbeelden, ca. 1400-1409, Halle, koor van de Sint-Martinuskerk 243 L. Depuydt-Elbaum, R. Ghys, Antoine Van Dyck (1599-1641), Golgotha, 1630, Gand, eglise Saint-Michel / Antoon Van Dyck (1599-1641), Golgotha, 1630, Gent, Sint-Michielskerk 251 G. Dewanckel, Chef reliquaire et chasse de saint Vincent, XIIIe, XVIIIe, XIXe siecles, Soignies, collegiale Saint-Vincent / Reliekhoofd en schrijn van Sint-Vincentius, 13de, 18de, 19de eeuw, Zinnik, collegiale Sint-Vincentius. 255 K. Housiaux, Tunique copte en lin ecru, Egypte (Akhmim), Ve-VIe siecle, Bruxelles, Musees royaux d'Art et d'Histoire / Koptische tuniek in ecru linnen, Egypte (Akhmim), 5de-6de eeuw, Brussel, Koninklijke Musea voor Kunst en Geschiedenis 259 V. Vereecken, Antependium " Abraham ", 17de eeuw, Antwerpen, Sint-Carolus Borromeuskerk / Antependium " Abraham ", XVIIe s., Anvers, eglise Saint-Charles-Borromee 263 Ch. Fontaine-Hodiamont, H. Wouters, Ensemble de sept verres gallo-romains provenant de tombes diverses, Liege, Musee d'Archeologie et d'Arts decoratifs (Musee Curtius) / Ensemble van zeven gallo-romeinse glazen uit verschillende graven, Luik, Musee d'Archeologie et d'Arts decoratifs (Musee Curtius) 267 Ch. Fontaine-Hodiamont, Calice elance a tige creuse, fin du XIVe -debut du XVe siecle, Liege, Musee d'Art religieux et d'Art mosan / Slanke kelk met hol voetstuk, einde 14de-begin 15de eeuw, Luik, Musee d'Art religieux et d'Art mosan 273 Ch. Fontaine-Hodiamont, Blason en vitrail aux armes de Bourgogne, dernier tiers du XIVe - premier tiers du XVe siecle (blason) et troisieme quart du XVIe siecle (plombs), Coxyde, Musee de l'abbaye des Dunes / Wapenschild in glasraam met de wapens van Bourgondie, laatste derde van de 14de - eerste derde van de 15de eeuw (blazoen) en midden 16de eeuw (lood), Koksijde, Museum van de Duinenabdij 277 Ch. Fontaine-Hodiamont, Masque precolombien mixteque, postclassique recent, 1200-1521, Bruxelles, Musees royaux d'Art et d'Histoire / Pre-Columbiaans masker, Mixteekse cultuur, recente postklassieke periode, 1200-1521, Brussel, Koninklijke Musea voor Kunst en Geschiedenis 285 Bibliographie du personnel et des collaborateurs de l'Institut 1999/ 2000 - Bibliografie van het personeel en van de medewerkers van het Instituut 1999/2000 291.
Erik Tonen BooksProfessional sellerBook number: 50913
€ 25.00 [Appr.: US$ 27.19 | £UK 21.5 | JP„ 4265]
Falschung und Forschung.
Essen, 1976., 208 S. brosch., 16.5x23cm., Deckelillustr. guter Zustand.
¶ Ausstellung, Museum Folkwang Essen, Oktober 1976 - Januar 1977 ; Skulpturengalerie Staatliche Museen Preussischer Kulturbesitz Berlin, Januar - Marz 1977.
¶ Ausstellung, Museum Folkwang Essen, Oktober 1976 - Januar 1977 ; Skulpturengalerie Staatliche Museen Preussischer Kulturbesitz Berlin, Januar - Marz 1977.
Erik Tonen BooksProfessional sellerBook number: 47192
€ 15.00 [Appr.: US$ 16.32 | £UK 13 | JP„ 2559]
Keywords: vervalsingen fake vals
LA VIE MYSTERIEUSE DES CHEFS-D'OEUVRE. LA SCIENCE AU SERVICE DE L'ART,
Paris, Editions de la Reunion des musees nationaux, 1980 Broche, couverture carton illustree en couleurs, 210 x 240mm., 335pp., illustration profonde en couleurs et en n/b. ISBN 2711801616.
¶ Bon etat.
¶ Bon etat.
Erik Tonen BooksProfessional sellerBook number: 27913
€ 35.00 [Appr.: US$ 38.07 | £UK 30 | JP„ 5971]
Keywords: geschiedenis kunstgeschiedenis CHEFS D'OEUVRE. L' 2711801616
Between Tradition and Innovation Gregorio a San Vicente and the Flemish Jesuit Mathematics School
Brill, 2021 Hardcover, 294 pages Illustrated. ISBN 9789004414990.
¶ In Between Tradition and Innovation, Ad Meskens traces the profound influence of a group of Flemish Jesuits on the course of mathematics in the seventeenth century. Using manuscript evidence, this book argues that one of the Flemish mathematics school's professors, Gregorio a San Vicente (1584?1667), had developed a logically sound integration method more than a decade before the Italian mathematician Bonaventura Cavalieri. Although San Vincente's superiors refused to grant him permission to publish his results, his methods went on to influence numerous other mathematicians through his students, many of whom became famous mathematicians in their own right. By carefully tracing their careers and outlining their biographies, Meskens convincingly shows that they made a number of ground-breaking contributions to fields ranging from mathematics and mechanics to optics and architecture.
¶ In Between Tradition and Innovation, Ad Meskens traces the profound influence of a group of Flemish Jesuits on the course of mathematics in the seventeenth century. Using manuscript evidence, this book argues that one of the Flemish mathematics school's professors, Gregorio a San Vicente (1584?1667), had developed a logically sound integration method more than a decade before the Italian mathematician Bonaventura Cavalieri. Although San Vincente's superiors refused to grant him permission to publish his results, his methods went on to influence numerous other mathematicians through his students, many of whom became famous mathematicians in their own right. By carefully tracing their careers and outlining their biographies, Meskens convincingly shows that they made a number of ground-breaking contributions to fields ranging from mathematics and mechanics to optics and architecture.
Erik Tonen BooksProfessional sellerBook number: 56657
€ 149.90 [Appr.: US$ 163.05 | £UK 127.75 | JP„ 25574]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen anvers antwerpen antwerp church kerken & schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre sičcle Artiste p
Between Tradition and Innovation Gregorio a San Vicente and the Flemish Jesuit Mathematics School
Brill, 2021 Hardcover, 294 pages Illustrated. ISBN 9789004414990.
¶ In Between Tradition and Innovation, Ad Meskens traces the profound influence of a group of Flemish Jesuits on the course of mathematics in the seventeenth century. Using manuscript evidence, this book argues that one of the Flemish mathematics school's professors, Gregorio a San Vicente (1584?1667), had developed a logically sound integration method more than a decade before the Italian mathematician Bonaventura Cavalieri. Although San Vincente's superiors refused to grant him permission to publish his results, his methods went on to influence numerous other mathematicians through his students, many of whom became famous mathematicians in their own right. By carefully tracing their careers and outlining their biographies, Meskens convincingly shows that they made a number of ground-breaking contributions to fields ranging from mathematics and mechanics to optics and architecture.
¶ In Between Tradition and Innovation, Ad Meskens traces the profound influence of a group of Flemish Jesuits on the course of mathematics in the seventeenth century. Using manuscript evidence, this book argues that one of the Flemish mathematics school's professors, Gregorio a San Vicente (1584?1667), had developed a logically sound integration method more than a decade before the Italian mathematician Bonaventura Cavalieri. Although San Vincente's superiors refused to grant him permission to publish his results, his methods went on to influence numerous other mathematicians through his students, many of whom became famous mathematicians in their own right. By carefully tracing their careers and outlining their biographies, Meskens convincingly shows that they made a number of ground-breaking contributions to fields ranging from mathematics and mechanics to optics and architecture.
Erik Tonen BooksProfessional sellerBook number: 61994
€ 149.90 [Appr.: US$ 163.05 | £UK 127.75 | JP„ 25574]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen anvers antwerpen antwerp church kerken & schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre sičcle Artiste p
Dazzle painting: kunst als camouflage, camouflage als kunst.
Rotterdam, Kunstprojecten, 1987, softcover, 80 pagina's, met illustraties, goed exemplaar. ISBN 9071893022.
¶ Camouflage is in de Eerste Wereldoorlog voor het eerst systematisch toegepast. Het beschilderen van schepen met grillige patronen en kleuren - Dazzle Painting - had als doel de periscoopwaarneming te bemoeilijken door verwarring te stichten omtrent afstand, koers en snelheid van het waargenomen schip. Behandeld wordt ook de relatie tussen de Dazzle-ontwerpen, de Vorticisten, het Britse Cubisme en de Futuristen.
¶ Camouflage is in de Eerste Wereldoorlog voor het eerst systematisch toegepast. Het beschilderen van schepen met grillige patronen en kleuren - Dazzle Painting - had als doel de periscoopwaarneming te bemoeilijken door verwarring te stichten omtrent afstand, koers en snelheid van het waargenomen schip. Behandeld wordt ook de relatie tussen de Dazzle-ontwerpen, de Vorticisten, het Britse Cubisme en de Futuristen.
Erik Tonen BooksProfessional sellerBook number: 58132
€ 95.00 [Appr.: US$ 103.34 | £UK 81 | JP„ 16207]
Keywords: 978 9071893025 Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen Zeevervoer. Zeehavens Iconografie Tentoonstellingscatalogus & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts p
HEMEL EN AARDE. WERELDEN VAN VERBEELDING.
Amsterdam, Uitgeverij John Benjamins, 1994 Geillustreerde cover, frontispice, 17x24 cm., 280 pp. en XLIX kleurenillustraties. ISBN 9027220891.
¶ Begeleidend boek bij de gelijknamige tentoonstelling in het Bonnefantenmuseum te Maastricht ( 23 november 1991 - 23 februari 1992 ).
¶ Begeleidend boek bij de gelijknamige tentoonstelling in het Bonnefantenmuseum te Maastricht ( 23 november 1991 - 23 februari 1992 ).
Erik Tonen BooksProfessional sellerBook number: 1249
€ 25.00 [Appr.: US$ 27.19 | £UK 21.5 | JP„ 4265]
Keywords: Heaven Earth Semiotiek Verbeeldingswerelden Cartographie Photographie Publicite Reclame Tuinarchitectuur Volkskunst Folklore geschiedenis history 90 272 2089 1
Jean Bellegambe (c. 1470-1535/36) Making, Meaning and Patronage of his Works
Brepols - Harvey Miller, 2023 Hardback,Pages: 160 pages, Size:210 x 297 mm Illustrations:10 b/w, 105 col.Language(s):English. ISBN 9782503574370.
¶ The book by Anna Koopstra about Jean Bellegambe adds an extremely careful, thorough, and beautifully produced study to the monographs on early Dutch painters. (..) More traditional art historical research'iconographic, stylistic, archival, and historiographic'is combined with modern technical research and a keen eye for drawings and graphics as visual sources for the artist. (?) The beautifully produced and clearly written book represents excellent and versatile art historical research that, through in-depth analysis of a small group of characteristic artworks, offers a new perspective on an important artist, his work and methods, as well as the impact of that distinctive body of work." Drs. Lidewij de Koekkoek (VNK, Frans Hals Museum) - Jury President - 2023 Karel van Manderprijs BIO Anna Koopstra (1980) studied art history at the University of Groningen (MA, 2004) and obtained her doctorate from the Courtauld Institute of Art (PhD, 2016). She has held curatorial positions and research fellowships at the Suermondt-Ludwig Museum (2005-08), The Metropolitan Museum of Art (Slifka interdisciplinary Fellow, 2008-10), The National Gallery (2015-17), and the Courtauld (Associate Caroline Villers Research Fellow, 2016/17). Her research focuses on the technical investigation of paintings, and in particular on the making and meaning of early Netherlandish paintings. SUMMARY Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use. This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works. TABLE OF CONTENTS INTRODUCTION CHAPTER I The Artist's Life and Career Life Works Posthumous legacy CHAPTER II Oeuvre and Patrons The Anchin Polyptych Similar patrons, similar commissions Other works CHAPTER III Preliminary Observations on Materials and Working Methods Panels and frames Underdrawing and painting technique Technical evidence and questions of attribution Workshop CHAPTER IV Jean Bellegambe and the Convent of Flines: Reconsidering The Cellier Altarpiece Monastic reform and the convent of Flines The evolution of the composition Interpreting the iconographic program Location, audience, date CHAPTER V Clerical Devotion and the Monastic Milieu: The Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk The Virgin and child as an object of clerical devotion The abbess as exemplar CHAPTER VI Self-Representation and Piety for the Here and the Hereafter: Abbot William of Brussels and the Triptych of the Annunciation William of Brussels as a patron Function and location CHAPTER VII Painting as a Moral Compass: Triptych of the Last Judgment The Last Judgment, the Four Last Things, and visions of heaven and hell Function and audience CHAPTER VIII Civic Duty, Charitable Giving, and the Wish to Be Commemorated: The Pottier Triptych and the Pottier Family Reviewing the archival evidence Iconography and meaning Scenes of the life of Saint Anne, demi-grisaille, and the reality of giving CONCLUSION Bibliography.
¶ The book by Anna Koopstra about Jean Bellegambe adds an extremely careful, thorough, and beautifully produced study to the monographs on early Dutch painters. (..) More traditional art historical research'iconographic, stylistic, archival, and historiographic'is combined with modern technical research and a keen eye for drawings and graphics as visual sources for the artist. (?) The beautifully produced and clearly written book represents excellent and versatile art historical research that, through in-depth analysis of a small group of characteristic artworks, offers a new perspective on an important artist, his work and methods, as well as the impact of that distinctive body of work." Drs. Lidewij de Koekkoek (VNK, Frans Hals Museum) - Jury President - 2023 Karel van Manderprijs BIO Anna Koopstra (1980) studied art history at the University of Groningen (MA, 2004) and obtained her doctorate from the Courtauld Institute of Art (PhD, 2016). She has held curatorial positions and research fellowships at the Suermondt-Ludwig Museum (2005-08), The Metropolitan Museum of Art (Slifka interdisciplinary Fellow, 2008-10), The National Gallery (2015-17), and the Courtauld (Associate Caroline Villers Research Fellow, 2016/17). Her research focuses on the technical investigation of paintings, and in particular on the making and meaning of early Netherlandish paintings. SUMMARY Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use. This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works. TABLE OF CONTENTS INTRODUCTION CHAPTER I The Artist's Life and Career Life Works Posthumous legacy CHAPTER II Oeuvre and Patrons The Anchin Polyptych Similar patrons, similar commissions Other works CHAPTER III Preliminary Observations on Materials and Working Methods Panels and frames Underdrawing and painting technique Technical evidence and questions of attribution Workshop CHAPTER IV Jean Bellegambe and the Convent of Flines: Reconsidering The Cellier Altarpiece Monastic reform and the convent of Flines The evolution of the composition Interpreting the iconographic program Location, audience, date CHAPTER V Clerical Devotion and the Monastic Milieu: The Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk The Virgin and child as an object of clerical devotion The abbess as exemplar CHAPTER VI Self-Representation and Piety for the Here and the Hereafter: Abbot William of Brussels and the Triptych of the Annunciation William of Brussels as a patron Function and location CHAPTER VII Painting as a Moral Compass: Triptych of the Last Judgment The Last Judgment, the Four Last Things, and visions of heaven and hell Function and audience CHAPTER VIII Civic Duty, Charitable Giving, and the Wish to Be Commemorated: The Pottier Triptych and the Pottier Family Reviewing the archival evidence Iconography and meaning Scenes of the life of Saint Anne, demi-grisaille, and the reality of giving CONCLUSION Bibliography.
Erik Tonen BooksProfessional sellerBook number: 62968
€ 100.00 [Appr.: US$ 108.77 | £UK 85.25 | JP„ 17060]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre sičcle Artiste peintre photo fotografie ar
Kubisme
Taschen, 2005 Softcover, 96 pagina's, NL, 230 x 185 mm, met illustraties in kleur, over de meesters in het kubisme. ISBN 9783822842362.
¶ Het kubisme is een stroming binnen de moderne kunst van het begin van de 20e eeuw. Het is een van de vier grote schilderstijlen in de Europese schilderkunst van de 20e eeuw. Het kubisme vierde zijn hoogtijdagen als avant-gardekunststroming in de periode van 1906 tot circa 1920.
¶ Het kubisme is een stroming binnen de moderne kunst van het begin van de 20e eeuw. Het is een van de vier grote schilderstijlen in de Europese schilderkunst van de 20e eeuw. Het kubisme vierde zijn hoogtijdagen als avant-gardekunststroming in de periode van 1906 tot circa 1920.
Erik Tonen BooksProfessional sellerBook number: 59854
€ 29.95 [Appr.: US$ 32.58 | £UK 25.5 | JP„ 5110]
Keywords: Beaux Arts Sciences Geschiedenis History Literature Weer culture histoire livre sičcle Artiste peintre photo fotografie War architectuur Mode Nostalgie/ Flemish / Vlaamse keramiek antiqu beeldhouwkunst beelden sculpturen oorlog
Lam Gods ont(k)Leed / L'agneua mystique se devoile ! / The Ghent altarpiece revealed ! Het Lam Gods.
Oost Vlaanderen, 2017 softcover, 132 pages, Illustrated. 250 mm x 210 text in NL/FR/ENG. ISBN 9789074311786.
¶ In oktober 2016 startten restaurateurs van het Koninklijk Instituut voor het Kunstpatrimonium (KIK) in het Museum van Schone Kunsten (MSK) in Gent met de restauratie van het wereldberoemde Lam Gods veelluik. Een van de belangrijkste publieksactiviteiten hierrond is ongetwijfeld de tentoonstelling Het Lam Gods ont(k)leed! in het Provinciaal Cultuurcentrum Caermersklooster in Gent. De gelijknamige catalogus is een rijk geillustreerd drietalig werk en telt 132 pagina's. Deze uitgave is een boeiende en leerrijke ontmoeting met de geschiedenis, de iconografie, de gebruikte technieken en de verschillende onderzoeksmethoden van het meesterwerk. Het provinciebestuur kon voor deze tentoonstelling en publicatie een beroep doen op dr. Annick Born en prof. dr. Maximiliaan Martens van de UGent, prof. em. Anne Van Grevenstein-Kruse, E.H. Ludo Collin van de kathedrale kerkfabriek en Christina Ceulemans van het KIK.
¶ In oktober 2016 startten restaurateurs van het Koninklijk Instituut voor het Kunstpatrimonium (KIK) in het Museum van Schone Kunsten (MSK) in Gent met de restauratie van het wereldberoemde Lam Gods veelluik. Een van de belangrijkste publieksactiviteiten hierrond is ongetwijfeld de tentoonstelling Het Lam Gods ont(k)leed! in het Provinciaal Cultuurcentrum Caermersklooster in Gent. De gelijknamige catalogus is een rijk geillustreerd drietalig werk en telt 132 pagina's. Deze uitgave is een boeiende en leerrijke ontmoeting met de geschiedenis, de iconografie, de gebruikte technieken en de verschillende onderzoeksmethoden van het meesterwerk. Het provinciebestuur kon voor deze tentoonstelling en publicatie een beroep doen op dr. Annick Born en prof. dr. Maximiliaan Martens van de UGent, prof. em. Anne Van Grevenstein-Kruse, E.H. Ludo Collin van de kathedrale kerkfabriek en Christina Ceulemans van het KIK.
Erik Tonen BooksProfessional sellerBook number: 50163
€ 22.50 [Appr.: US$ 24.47 | £UK 19.25 | JP„ 3839]
Keywords: lams god antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre sičcle Artiste peintre photo fotografie architectuur lifestyle
ART DES FAUSSAIRES ET LES FAUSSAIRES D'ART,
Paris, Laffont, 1960 Relie, toile vert, 140 x 225mm., page de titre au vignette, 342pp.
¶ Traduit de l'allemand par Edith Vincent. Bon etat.
¶ Traduit de l'allemand par Edith Vincent. Bon etat.
Erik Tonen BooksProfessional sellerBook number: 24749
€ 30.00 [Appr.: US$ 32.63 | £UK 25.75 | JP„ 5118]
Keywords: kunstzwendel vervalsing faux false L' D'
Van Giotto tot de Vlaamsche expressionnisten
Uitgeverij Nebe, (ca. 1937), ing. in-8?°, 23,5 x 15,5 cm, b/w ill., orig. wrappers.
¶ Collection of short essays Giotto, Memlinc, Titian, Raphael, Durer, Rubens, Navez, De Smedt.
¶ Collection of short essays Giotto, Memlinc, Titian, Raphael, Durer, Rubens, Navez, De Smedt.
Erik Tonen BooksProfessional sellerBook number: 42161
€ 15.00 [Appr.: US$ 16.32 | £UK 13 | JP„ 2559]
| Pages: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | - Next page