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[De Ruyter & Meijer]
Een avond op het land, Gekleurde Centsprent, met vijf afbeeldingen en tweeregelige rijmende onderschriften. Meijer's prenten, tweede serie, nr. 35.
[Amsterdam] : [De Ruyter & Meijer], tussen 1873 en 1913. De datering is door de KB gebaseerd op werkzaamheid van de drukker/uitgever. Boerma (Kinderprenten), p. 808.43x34cm.
Grimbergen BoekenProfessional seller
Book number: 952566
€  55.00 [Appr.: US$ 59.09 | £UK 47.5 | JP¥ 9197]
Catalogue: kinderboeken

 
Centsprent betr. de haringvangst, 1 blad, plano, uitg. C.C.L. van Staden, Amsterdam "letter H", 8 houtsneden, gesigneerd Bal.
Tekst: De nijvre haringvangst ... aan den disch. M14063
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Book number: 57894
€  97.75 [Appr.: US$ 105.01 | £UK 84.25 | JP¥ 16345]
Catalogue: Haring Visserij

 , Centsprent: Hier ziet gij, lieve Jeugd! een overschoon Tafreel, / Van Genoveva’s deugd, en hoe God haar beloonde, / Hoe zij Onschuldig leed, en werd in haar regt hersteld. / Nadat zij Zeven jaar een Wildernis bewoonde ... No. 22.
Centsprent: Hier ziet gij, lieve Jeugd! een overschoon Tafreel, / Van Genoveva’s deugd, en hoe God haar beloonde, / Hoe zij Onschuldig leed, en werd in haar regt hersteld. / Nadat zij Zeven jaar een Wildernis bewoonde ... No. 22.
Catchpenny print. Children’s print presenting twelve moments in the life of Genoveva, married to earl Siegfried. When falsely accused of infidelity she was sent away to live in the forest. She remained virtuous and pious and was rewarded by God, who brought her husband back to her. The story of Genoveva was mostly printed in the form of books, such as ‘de Historie van Genoveva, huisvrouw van Siegfried’. The woodblocks Ulrich used for the current print were probably originally also used to illustrate books. These images have a clear popular character as is visible from the style of the figures, which are strongly reminiscent of theatre puppets.The series of Ulrich’s children’s prints was advertised in Nieuwsblad voor den Boekhandel on December 7 1836: “Een geheel nieuw soort van kinderprenten. Op schrijfpapier best gekleurd ƒ7,00; dito zwart ƒ5,00; op ordinair papier, gekleurd ƒ 3,20; dito zwart ƒ 3,00. 25 Riem gelijk nemende één tot premie. Deze Prenten laten zich door de aardige rijmpjes, benevens de goede spelling, bijzonder boven alle andere soorten van dien aard, voor de Kinderen aanbevelen, dewijl de Schoolmeesters gerust deze op hunne Scholen kunnen gebruiken.”Rotterdam, J. B. Ulrich, (1816 – 1849), numbered ‘no 22.’ in the bottom left corner.l Twelve woodcut illustrations (each ca 60 x 80 mm) on paper; hand coloured with orange and blue; under each image a 4-line verse in letterpress; total: 415 x 330 mm; Pro Patria watermark; folded twice, small restorations on the vertical fold on the verso.De Meyer p. 320, Boerma p. 833 (Ulrich 22).
Antiquariaat GoltziusProfessional seller
Book number: 63123
€  230.00 [Appr.: US$ 247.09 | £UK 198 | JP¥ 38460]

 , Centsprent: Paasch-Prys No. 32.
Centsprent: Paasch-Prys No. 32.
Catchpenny print. Religious print of Christ (Christus) with his disciples seated around a table during the Last Supper (Laatste Avondmaal), in a room with two large windows; signed J. v. Lieshout, 1793 (Johannes Egbertus).Rotterdam, Jacobus Thompson (1786 – 1810),’Te Rotterdam, gedrukt by Jacobus Thompson, Boekverkooper op de Hoogstraat, by de Nauwemarktsteeg.’ numbered ‘No 32’ in upper right corner.l Large woodcut illustration (305 x 305 mm) on paper, total: 390 x 325 mm; small stains in the centre of the image, small hole in the bottom margin.De Meyer p. 315, Boerma p. 830 (Thompson 32).
Antiquariaat GoltziusProfessional seller
Book number: 63126
€  373.75 [Appr.: US$ 401.53 | £UK 321.5 | JP¥ 62497]

 , Centsprent: Zie hier drie vaderen van de eerste wereld, met / De drie aartsvaderen van Isrel, vóór de wet ... No. 112.
Centsprent: Zie hier drie vaderen van de eerste wereld, met / De drie aartsvaderen van Isrel, vóór de wet ... No. 112.
Catchpenny print. Religious print showing a set of stairs, with on each of the thirteen steps a figure of the old-testament patriarchs, kings and prophets: Mozes, Adam, Methusalem, Noah, Abraham, Isaak, Iacob, Moses, Aron, Josua, David, Saolom, Esaya, Jeremia. In the arch under the stairs is a scene with the temptation of Adam and Eve by the serpent at the tree of knowledge of good and evil.Inspired by a copper engraving by Ottens (Boerma p. 492). The print is part of a series of stairs Stichter published with senses, planets, virtues, and biblical figures (Boerma p. 825, Stichter 99 – 101, 110-113).Amsterdam, Erve de Wed. C. Stichter (1715 – 1813); address mentioned on the print: ‘Te Amsterdam, by de Erfgen van de Wed. C. Stichter, Boekverkopers op ‘t Rokkin, in de Oude Berg Calvarie’; numbered ‘No 112.’ in upper right corner.l Large woodcut illustration (245 x 255 mm) on paper, with a verse in two columns; total: 410 x 320 mm; Pro Patria watermark; lightly frayed edges; mounted on yellow cardboardDe Meyer p. 307, Boerma p. 825 (Stichter 112).
Antiquariaat GoltziusProfessional seller
Book number: 63130
€  316.25 [Appr.: US$ 339.75 | £UK 272.25 | JP¥ 52882]

 , Centsprent: Beschouw, o vaderlandsche Jeugd! / Der vadren Trouw en Moed en Deugd. / En dat uw teeder hartontbrand / In zucht voor hun en ’t Vaderland, A.
Centsprent: Beschouw, o vaderlandsche Jeugd! / Der vadren Trouw en Moed en Deugd. / En dat uw teeder hartontbrand / In zucht voor hun en ’t Vaderland, A.
Catchpenny print with 16 events from Dutch history, mainly from the Eighty Years’ War (Tachtigjarige Oorlog), showing famous historical figures such as Albert Beijling being burried alive, Jan van Schaffelaar jumping of the tower in Barneveld, Kenau Hasselaer defending Haarlem against the Spanish, and the murder of Prins Willem (William I). At the top, the seal ‘Tot nut van ‘t algemeen’ of the Maatschappij tot Nut van ’t Algemeen, and signed ‘G. oortman’. When in 1784 the Maatschappij tot Nut van ’t Algemeen was founded, several publishers received permission to use their stamp on prints that had been approved by the association, as being of moral and pedagogical value. Stichter commissioned the brothers G. and J. Oortman to create a series of ‘Nutsprenten’ of which only 6 prints appeared.Amsterdam, Erve de Wed. C. Stichter (1715 – 1813) ‘Te Amsterd., bij d’Erven van de Wed. C. Stichter, Boekverk. in de Warmoesstraat, schuin over de Oude kerksteeg, in de Oude Berg Calvarie, in N. 159’; lettered ‘A.’ in upper right corner, the first print in Stichter’s series of ‘nutsprenten’.l 16 woodcut illustrations (each ca 70 x 60 mm) on paper; under each image a 4-line verse; total: 410 x 330 mm; Pro Patria watermark; folded twice.De Meyer p. 309, Boerma p. 827 (Stichter A).
Antiquariaat GoltziusProfessional seller
Book number: 63132
€  161.00 [Appr.: US$ 172.97 | £UK 138.5 | JP¥ 26922]

 , Centsprent: Ziet hier, ô Kinderen! De vier Hoofdstoffen samen / Verbeeld; Lucht, Water, Vuur en Aarde ... No. 64.
Centsprent: Ziet hier, ô Kinderen! De vier Hoofdstoffen samen / Verbeeld; Lucht, Water, Vuur en Aarde ... No. 64.
Catchpenny print. Allegorical Children’s print showing medallions with the four elements air, water, fire and earth personified as individual figures and couples. Between the medallions are flowers, fruits, weapons, and musical instruments.Signed Robyn (J. or A.)Amsterdam, Erve de Wed. C. Stichter (1715 – 1813); with address mentioned on the print: ‘Te Amsterdam, by de Erfgen. van de Wed. C. Stichter, Boekverkopers op ‘t Rokkin, in de Oude Berg Calvarie’; numbered ‘No. 64.’ in upper right corner.l 8 wood engravings (each ca 255 x 235 mm) on paper; under the image a verse in two columns; total: 396 x 295 mm; mounted on cardboard, small stain at the bottom.De Meyer p. 305, Boerma p. 824 (Stichter 64).
Antiquariaat GoltziusProfessional seller
Book number: 63197
€  230.00 [Appr.: US$ 247.09 | £UK 198 | JP¥ 38460]

 , Centsprent: I. Abdy van Rynsburg, 2. ’t Slot te Maarssen, 3. Van Speyks Boot, 4. Gevecht bij Bautersem ... DD.
Centsprent: I. Abdy van Rynsburg, 2. ’t Slot te Maarssen, 3. Van Speyks Boot, 4. Gevecht bij Bautersem ... DD.
Catchpenny print. Images of various locations in the Netherlands and abroad, events in Dutch history, and instances from Dutch everyday life, including: the abbey of Rijnsburg, a castle in Maarssen, Van Speyk’s ship, the battle at Bautersem, the battle at Houthalen, the Citadel of Antwerp, the Chêne Chapelle at Allouville, a fortune-teller, and a beggar (Abdij van Rijnsburg, Slot te Maarssen, Van Speyks schip, de slag bij Bautersem, de slag bij Houthalen, de Citadel van Antwerpen, de eik te Allouville, een waarzegster, een bedelaar).Signed: A. (Alexander) Cranendoncq.Amsterdam, C.C.L. van Staden (1812 – c. 1850); address mentioned on the print: ‘Te Amsterdam, bij C.C.L. van Staden, op de Waal bij de Oude Schans, no. 72.’; lettered ‘Letter DD.’ in upper right corner.l 12 woodcut illustrations (each ca 60 x 70 mm) on paper; hand coloured in yellow and brown; above each image a title, under each image a 2-line verse; total: 430 x 340 mm; folded twice; some small holes, affecting one of the images;Not mentioned in De Meyer; it is a later impressions pulled from the same plate by P.C.L. van Staden under number 19: De Meyer p. 295 (Staden 19).Boerma, p. 820 (Staden DD).
Antiquariaat GoltziusProfessional seller
Book number: 63200
€  57.50 [Appr.: US$ 61.77 | £UK 49.5 | JP¥ 9615]

 , Centsprent: Zes Fab’len, lieve jeugd, word’u hier voorgesteld ... No. 45.
Centsprent: Zes Fab’len, lieve jeugd, word’u hier voorgesteld ... No. 45.
Catchpenny print. Children’s print with 6 moralising and pedagogical fables, teaching children lessons in gratitude, prudence, and understanding that unfortunate events can be a blessing in disguise. Amsterdam, P.C.L. van Staden (c. 1850 – c. 1870); numbered ‘No. 45.’ in upper right corner.l 6 woodcut illustrations (each ca 85 x 105 mm) on paper; hand coloured with yellow, red and blue; under each image a 4-line verse; total: 375 x 295 mm; folded twice.De Meyer p. 296, Boerma p. 821 (Staden 45).
Antiquariaat GoltziusProfessional seller
Book number: 63202
€  51.75 [Appr.: US$ 55.6 | £UK 44.75 | JP¥ 8653]

 , Centsprent: Het Stadhuis te Delft / Het Koninklijk Paleis te Amsterdam, No. 47.
Centsprent: Het Stadhuis te Delft / Het Koninklijk Paleis te Amsterdam, No. 47.
Catchpenny print. Two large woodcut illustrations showing the City Hall in Delft, and the bottom the Royal Palace of Amsterdam (Paleis op de Dam). The top woodcut is probably a reused block of a waste collector, who is loading his cart. The bottom woodcut, with three drummers, was likely used as a New Year wish. Both woodcuts are signed ‘LUB’ (D. and H. van Lubeek?).Zutphen, W.C. Wansleven (c.1820 - c.1845); address mentioned on print: ‘Te Zutphen, ter Boekdrukkerij van W. C. Wansleven.’; numbered ‘no. 47.’ in the upper right corner.l Two woodcut illustrations on hand-made paper; stencil coloured with blue and brown; under each image a caption; total: 420 x 340 mm; Pro patria watermark; folded three times, some small holes, scribbles in pencil on the verso, frayed edges.Meyer p. 328, Boerma p. 835 (Wansleven 47). CP018
Antiquariaat GoltziusProfessional seller
Book number: 63209
€  345.00 [Appr.: US$ 370.64 | £UK 297 | JP¥ 57690]

 , Centsprent: Bedelaar / Krygsman / Boer / Edelman, No. 2
Centsprent: Bedelaar / Krygsman / Boer / Edelman, No. 2
Catchpenny print. Popular print showing the four classes: a beggar, soldier, farmer and nobleman. In each image an inscription: ‘Aes en Aes en heeft niet’; ‘Deux Aes en geeft niet’; ‘Quater trois moet geeven’; ‘Daer Sinque Six van moet leven’,This appears to be a reference to the ‘Deux-Aesbijbel’, named after a note with Nehemia 3:5, describing how the rich refused to contribute to the rebuilding of Jerusalem. The note reads: ‘Deux aes en heeft niet, six cinque en gheeft niet, quater dry die helpen vrij’. This refers to a dice game, meaning that the poor (deux aes) do not own anything, the rich (six and five) do not give anything, but the middle class (three and four) are the ones willing to help.Amsterdam, J. Wendel en Zoon (1819 - 1842); address mentioned on print: ‘Te Amsterdam, by, J. Wendel, Boekdrukker, op de Angeliesgragt, by de tweede Dwarsstraat’; numbered ‘no. 2.’ in the upper right corner. l Four woodcut illustrations (each ca 145 x 110 mm) on hand-made paper; above each image a caption identifying the figure, and under each a 4-line verse; total: 395 x 320 mm; Pro Patria watermark; slightly frayed edges; small restorations on verso.Meyer p. 337, Boerma, p. 837 (Wendel 2).
Antiquariaat GoltziusProfessional seller
Book number: 63211
€  431.25 [Appr.: US$ 463.3 | £UK 371 | JP¥ 72112]

 , Centsprent: Zie hier wat in den Spaanschen tijd, / Het trouwe Leijden heeft geleden ... no 33.
Centsprent: Zie hier wat in den Spaanschen tijd, / Het trouwe Leijden heeft geleden ... no 33.
Catchpenny print: The history of the siege and relief of Leiden (Beleg en Ontzet van Leiden, 1573-1574), displaying how the citizens of the city remained loyal to William of Orange and persevered, despite the harshness of the war and famine.Rotterdam, T. J. Wijnhoven-Hendriksen (1819 - 1849); address mentioned on print: ‘Te Rotterdam, bij T. J. Wijnhoven Hendriksen, Boek en Plaatsdrukker op de Hoogstraat’; numbered ‘No. 33.’ in the upper right corner.l 12 woodcut illustrations (each ca 50 x 70 mm) on hand-made paper; hand coloured in yellow and orange; 4 verses, under each image a 2-line verse, explaining the depicted event; total: 400 x 330 mm; Pro Patria watermark, in good condition.Meyer p. 343, Boerma p. 840 (Wijnhoven 33).
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Book number: 63218
€  287.50 [Appr.: US$ 308.87 | £UK 247.5 | JP¥ 48075]

 , Centsprent: Deez’ prent vertoont aan klein en groot, / Van dwazen Robinson den nood ... no. 27.
Centsprent: Deez’ prent vertoont aan klein en groot, / Van dwazen Robinson den nood ... no. 27.
Catchpenny print with the history of Robinson Crusoe, showing how the ‘foolish’ Robinson survives after his shipwreck, by farming, hunting and gathering supplies. Despite his hardship, all ends well when a ship appears to take him home.The story of Robinson Crusoe was very successful with publishers of Dutch Children’s prints. Already one year after the appearance of Defoe’s The Life and strange surprising adventures of Robinson Crusoe (London 1719), a Dutch translation was made, and later Dutch versions of the story were published with a Robinson from Holland (1743), from Walcheren (1752) and The Hague (1758). Although neither the English nor the Dutch versions were intended for children, the story became a very popular topic for children’s prints in the nineteenth century (De Meyer p. 519).Wijnhoven printed several fairy tales and stories that had become popular in the Netherlands at the start of the 19th century, such as Little Red Riding Hood (nr. 20).Rotterdam, T. J. Wijnhoven-Hendriksen (1819 - 1849); via D. Pouwels, Bergen op Zoom, whose address is mentioned on the print: ‘Bij D. Pouwels, Handelaar in Schoolbehoeften enz. te Bergen op Zoom’; numbered ‘No. 27.’ in upper right corner.l 16 woodcut illustrations (each ca. 55 x 50 mm) on handmade paper; hand coloured in blue and orange; under each image a 2-line verse, narrating the story; total: 405 x 340 mm; folded twice; heavily restored on verso; browning at the edges.Meyer p. 343, Boerma p. 839 (Wijnhoven 27).
Antiquariaat GoltziusProfessional seller
Book number: 63221
€  138.00 [Appr.: US$ 148.26 | £UK 118.75 | JP¥ 23076]

 , Centsprent: Hoe moed en trouw, gepaard aan list, / Weleer de Groot te redden wist; / En hoe hij vlugtte als metselaar, / Wordt ge in deez’ fraaije prent gewaar, no. 32.
Centsprent: Hoe moed en trouw, gepaard aan list, / Weleer de Groot te redden wist; / En hoe hij vlugtte als metselaar, / Wordt ge in deez’ fraaije prent gewaar, no. 32.
Catchpenny print. Popular print showing the escape of Hugo de Groot (Grotius) from Loevestein Castle, highlighting his wife’s courage and loyalty combined with Elsje’s clever ruse of smuggling him out in a book chest.Rotterdam, T. J. Wijnhoven-Hendriksen (1819 - 1849); via J. C. Post, whose address is mentioned on the print: ‘Te Leeuwarden, bij J.C. Post’, Leeuwarden; numbered ‘No. 32.’ in upper right corner.l 12 woodcut illustrations (each ca. 50 x 70 mm) on paper; hand coloured in blue and red; under each image a 2-line verse, narrating the story; total: 400 x 330 mm; Pro Patria Watermark; folded twice, small tears along the folds and edges; a few light stains.Meyer p. 343, Boerma p. 839-840 (Wijnhoven 32).
Antiquariaat GoltziusProfessional seller
Book number: 63223
€  230.00 [Appr.: US$ 247.09 | £UK 198 | JP¥ 38460]

 , Centsprent: Let, schrandre Jeugd! Op 't nut dat u deez' prent-tafreelen / Van veel Historiën des Bybels mededelen, no. 88.
Centsprent: Let, schrandre Jeugd! Op 't nut dat u deez' prent-tafreelen / Van veel Historiën des Bybels mededelen, no. 88.
Catchpenny print. Children’s print telling the biblical events of Joseph (Josef) and Moses (Mozes) in Egypt. The first half, focusing on Joseph, narrates his imprisonment after Potiphar’s wife tries to seduce him, how he wins the king’s favour by explaining his dream, and how he is later reunited with his brothers and father. The second half lays out Moses’ birth, God’s calling of Moses from the burning bush, the ten plagues, and how Moses led the Israelites out of Egypt.Signed Robyn.Amsterdam, Erve de Wed. C. Stichter (1715 – 1813); address mentioned on the print: ‘Te Amsterdam, by de Erfgen van de Wed. C. Stichter, Boekverkopers op ‘t Rokkin, in de oude berg Calvarie’; numbered ‘No. 88.’ in upper right corner.l 12 woodcut illustrations (each ca. 50 x 70 mm) on handmade paper; 4 verses, under each image a 4-line verse; total: 375 x 310 mm; nice print, relatively rare; fragile, and partially torn along one of the two folds.Meyer p. 306, Boerma p. 824 (Stichter 88).
Antiquariaat GoltziusProfessional seller
Book number: 63226
€  143.75 [Appr.: US$ 154.43 | £UK 123.75 | JP¥ 24037]

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