found: 4 books

 Gero Seelig, Staatliches Museum Schwerin and Liesbeth Helmus, Bloemaert effect, Kleur en compositie in de Gouden Eeuw. Staatliches Museum Schwerin, 24.2.?28.5.2012 Centraal Museum, Utrecht, 11.11.2011 ? 5.2.2012 The father of the Utrecht School experienced and formed in his long life as an artist (1566?1651) at least three important styles of art: mannerism, caravaggism and classicism. Bloemaert created works in all genres except of portraits. He left many drawings and spread his compositions in copper engravings as well. Besides Rembrandt there is no artist with such a wide influence on the art of painting in the 17th century in the northern Netherlands. For the first time this important, but little-known artist is presented in an exhibtion. The catalogue shows life and work of Bloemaert with the help of many colour images.
Gero Seelig, Staatliches Museum Schwerin and Liesbeth Helmus
Bloemaert effect, Kleur en compositie in de Gouden Eeuw. Staatliches Museum Schwerin, 24.2.?28.5.2012 Centraal Museum, Utrecht, 11.11.2011 ? 5.2.2012 The father of the Utrecht School experienced and formed in his long life as an artist (1566?1651) at least three important styles of art: mannerism, caravaggism and classicism. Bloemaert created works in all genres except of portraits. He left many drawings and spread his compositions in copper engravings as well. Besides Rembrandt there is no artist with such a wide influence on the art of painting in the 17th century in the northern Netherlands. For the first time this important, but little-known artist is presented in an exhibtion. The catalogue shows life and work of Bloemaert with the help of many colour images.
Centraal Museum, Utrecht, 2011 hardcover.Text dutch, 23,5 x 28,5 cm, 192 pages, 141 colour and 4 black and white images, *nieuwstaat ISBN 9783865687326.
Erik Tonen BooksProfessional seller
Book number: 31854
€  20.00 [Appr.: US$ 23.25 | £UK 17.5 | JP¥ 3460]

 
HERKLOTS H G G
For such a time as this
Lutterworth 1945 Lutterworth Pr 1945 104pp ex lib binding faded otherwise g Good
Rosemary Pugh BooksProfessional seller
Book number: 9109
GBP 4.00 [Appr.: EURO 4.75 US$ 5.37 | JP¥ 799]

 
OLDHAM, DOUG
The Doug Oldham Songbook: For Such a Time As This
Nashville, TN, U.S.A.: John T. Benson Publishing Co, 1969. First Edition. Paperback. Contains piano music, chords and lyrics for the following songs: A Rich Man I Am; Jesus is His Name; A God of Miracles; Broken Pieces; Each Step I Take; Till There Was Jesus; That Golden Stair; Remind me, Dear Lord; Lonely Road up Calvary's Way; It's In Your Hands; That's What Jesus Said; Burdens are Lifted. "Exciting gospel songs as sung by Doug Oldham with four part harmony guitar chords." - from front cover. Some writing to contents. Above-average wear to covers which have openings along fold. A worthy working copy.; 4to - over 9¾" - 12" tall; Doug Oldham Songbook A Rich Man I Am; Jesus is His Name; A God of Miracles; Broken Pieces; Each Step I Take; Till There Was Jesus; That Golden Stair; Remind me, Dear Lord; Lonely Road up Calvary's Way; It's In Your Hands; That's What Jesus Said; Burdens. Fair .
RareNonFiction.com - Rare Books and Vintage MagazinesProfessional seller
Book number: 232a4914
USD 89.95 [Appr.: EURO 77.5 | £UK 67.25 | JP¥ 13385]
Keywords: ; ; ; ; ; ; ; ; Calvary ; It' ; 's ; Religion

 
(Totill, Richard Compiler).
A VERY PROPER TREATISE, WHEREIN IS BRIEFLY SETT FOR THE ARTE OF LIMMING which teacheth the order in drawing & tracing of letters, vinets, flowers, armes and imagery, & the maner how to make sundry sises or grounds to laye siluer or golde vppon, and how siluer or golde shalbe layed or limmed vppon the sise, & the waye to temper golde [and] siluer and other mettales and diuerse kyndes of colours to write or to limme withall vppon velym, parchement or paper, & howe to lay them vpon the worke which thou entendest to make, & howe to vernish yt when thou hast done, with diuerse other thinges very mete & necessary to be knowne to all such gentlemenne, and other persones as doe delite in limming, painting or in tricking of armes in their right colors, & therfor a worke very mete to be adioined to the bookes of armes, neuer put in printe before this time.
In Flete strete within temple Barre at the signe of the Hande & starre by Richard Tottill, 1573. First Edition. XII leaves. Decorative initial letter. Two hand drawn coat of arms to tail of title with sm. hole with loss, early manuscript index to verso of title page, early notations to rear table, sm. closed tear to fore-edge of Fol. V, upper leading corner curled with sl. loss to last leaf, some browning and soiling, modern marbled e.ps., rebound in full modern calf with double gilt rule to edges of boards, gilt lettering to spine spelling the Authors name as ‘Tottell’ , very minor marking.
¶ Limming Moule 24; STC (2nd ed.) 24252; ESTC S111439 ‘At foot of title: Cum priuilegio. Running title reads: The arte of limming.’ ‘The earliest English printed book on painting and is an orderly treatise describing some of the techniques of the illuminator ... It was popular in the late sixteenth century English, bring reprinted at least five time before 1605,’ ... apart from its technical and historical value, the book is good to read, its vigorous prose part of the bright springtime of the English Language.’ Michael Gullick in his introduction to the modern reprint (included with this item).
Francis Edwards BooksellersProfessional seller
Book number: 291571
GBP 8500.00 [Appr.: EURO 9807 US$ 11402.74 | JP¥ 1696830]
Keywords: ART; GENERAL ART REFERENCE

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