| found: 5 books |
The Performance
Hatje Cantz, 2005. Linnen band. Pp: 112. ISBN: 3775715894. Cond./Kwaliteit: Redelijk.
De SlegteProfessional sellerBook number: 601855
€ 110.00 [Appr.: US$ 126.8 | £UK 94.25 | JP¥ 18439]
Catalogue: Kunst
Keywords: 3775715894
Michaël Borremans. Magnetics
Hatje Cantz, 2012. 16,5 x 11 cm, 60 pages, 19 illustrations. Soft cover. New copy. Edited by Bawag Contemporary, texts by Christine Kintisch, graphic design by Kim Beirnaert
¶ Originally trained as a photographer and graphic designer, Belgian artist Michaël Borremans (°1963 in Geraardsbergen) has made a name for himself with absurdly ominous and enigmatic works of art. This publication presents a unique selection of a dozen paintings in a revealing text and significant pictures. The artist's paintings are closely intertwined with his other drawings, and films. Borremans operates in an area bordered by all the various media. His scenarios are full of references and allusions that afford viewers a variety of possible interpretations while resisting being joined together to form a definitive whole. What are actually mutually exclusive elements, such as realism and fantasy, the ephemeral and the manifest, irony and confusion, are closely interwoven in his visual worlds, and there is only a fine line between a recognizable, everyday reality and a bizarre dream world. Exhibition schedule: BAWAG Contemporary, Vienna November, 2012-January 20, 2013
¶ Originally trained as a photographer and graphic designer, Belgian artist Michaël Borremans (°1963 in Geraardsbergen) has made a name for himself with absurdly ominous and enigmatic works of art. This publication presents a unique selection of a dozen paintings in a revealing text and significant pictures. The artist's paintings are closely intertwined with his other drawings, and films. Borremans operates in an area bordered by all the various media. His scenarios are full of references and allusions that afford viewers a variety of possible interpretations while resisting being joined together to form a definitive whole. What are actually mutually exclusive elements, such as realism and fantasy, the ephemeral and the manifest, irony and confusion, are closely interwoven in his visual worlds, and there is only a fine line between a recognizable, everyday reality and a bizarre dream world. Exhibition schedule: BAWAG Contemporary, Vienna November, 2012-January 20, 2013
Marc Van de Wiele AntiquariaatProfessional sellerBook number: 17419
€ 16.95 [Appr.: US$ 19.54 | £UK 14.5 | JP¥ 2841]
Keywords: Art - kunst
Michael Borremans The Performance
, Hatje Cantz Verlag, 2005. 112, 24,6 x 17,5 x 1,8 cm, Hardcover. Zustand: 2. Die auffallend virtuos ausgeführten, in zurückhaltend-tonigen Farben gehaltenen Gemälde von Michaël Borremans (*1963 in Geraardsbergen, Belgien) zeigen zumeist einzelne Figuren oder kleine Gruppen, die sehr konzentriert und mit betonter Gestik agieren. Da nicht erkennbar ist, was genau die Protagonisten tun, wirken diese Bilder mysteriös und surreal; vor nur sparsam ausgeführtem Hintergrund führen sie in ihrer deutlich zeitlosen, an Stillleben gemahnenden Welt letztlich sinnlose Handlungen aus - ein durchaus ironischer Kommentar des Malers auf bürgerliche Normierungen und Zwänge. Vorlagen und Einflüsse für seine komplexen und faszinierenden Arbeiten findet Borremans in alten Fotografien aus den 1930er und 1940er Jahren, Porzellan-Kitschfiguren, bekannten TV-Serien wie in der Literatur. Diese disparaten Elemente führt er, in einer mit Joseph Cornell vergleichbaren Art und Weise, in seine intimen und poetischen Tableaux zusammen. Ausstellungen: S.M.A.K., Stedelijk Museum voor Actuele Kunst, Gent 5.2.-10.4.2005 · Parasol Unit, London 3.5.-30.6.2005 · The Royal Hibernian Academy, Gallagher Gallery, Dublin 14.7.-4.9.2005 If you are a lover of painting and art books, this first work on Belgian artist Michael Borremans is well worth adding to your collection. I think Borremans has something quite new to bring to the figurative tradition. His subtle, subdued, gorgeous works seem to come from the 1930s or 40s, yet they express the anxiety of our era. The book is small, just 9.75 x 6 inches, so the reproductions are small too. Most are well-presented, though the color on some looks iffy. Some works have been enlarged to cross the gutter, which can be frustrating. But this is still a painter worth getting to know, and thus the book is worth it. A decade from now you'll be glad that you have this first book on the artist on your shelf. Borremans's Zeichnungen/Tekeningen/Drawings is an excellent book, but it's harder to get and his drawings are quite different from the paintings. I recommend both books. Contemporary artist Michael Borremans. Published for the exhibition at the Royal Hibernian Academy, Gallagher Gallery, Dublin, Eire Ausstellungskataloge Kunst Borremans, Michael Borremans, Michaël Borremans, Micha‰l contemporary Art Dublin Museen Gent London Malerei painting Parasol unit foundation for contemporary art Royal Hibernian Academy Dublin Stedelijk Museum voor Actuele Kunst Gent Zeitgenössische Kunst ISBN-10 3-7757-1589-4 / 3775715894 ISBN-13 978-3-7757-1589-8 / 9783775715898 Ausstellungskataloge Kunst Borremans, Michael Borremans, Michaël Borremans, Micha‰l contemporary Art Dublin Museen Gent London Malerei painting Parasol unit foundation for contemporary art Royal Hibernian Academy Dublin Stedelijk Museum voor Actuele Kunst Gent Zeitgenössische Kunst ISBN: 3775715894. Gewicht/weight: 1000 gr.
LLU BuchserviceProfessional sellerBook number: BN12806
€ 99.90 [Appr.: US$ 115.16 | £UK 85.5 | JP¥ 16746]
Keywords: contemporary Art Dublin Museen Gent London Malerei painting Parasol unit foundation for contemporary art Royal Hibernian Academy Dublin Stedelijk Museum voor Actuele Kunst Gent Zeitgenössische Kunst Ausstellungskataloge Kunst Borremans, Michael Borremans,
Michael Borremans Fire from the Sun,
David Zwirner Books, 2018 Gebonden, Hardcover met stofomslag compleet. HB, 254 x 178 mm, 80 pages, throughout colour illustrations. English edition. ISBN 9781941701836.
¶ Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremans's depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremans's recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell.takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, "The art of Michael Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poetics-accosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign." Published on the occasion of Borremans's eponymous exhibition at David Zwirner in Hong Kong,.
¶ Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremans's depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremans's recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell.takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, "The art of Michael Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poetics-accosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign." Published on the occasion of Borremans's eponymous exhibition at David Zwirner in Hong Kong,.
Erik Tonen BooksProfessional sellerBook number: 51559
€ 34.99 [Appr.: US$ 40.33 | £UK 30 | JP¥ 5865]
Catalogue: Belgische kunst na 1830 ; Belgium art after 1830 ; Belgium art after 1830 ; Belgium art after 1830
Keywords: peint 9781941701836 Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre siècle Artiste peintre
Michael Borremans Mark Manders - Double Silence
21st Century Museum Of Art, 2020 Softcover, 164 pages, ills colour & bw, 21 x 27 cm, pb, Japanese/English. *NEW CONDITION ISBN 9784903205878.
¶ Published in conjunction with a combined exhibition of work by Michaël Borremans and Mark Manders at the 21st Century Museum of Contemporary Art, Kanazawa, this volume documents what turned out to be an remarkable encounter between these two European artists. The delicate experiment of a double show like this one forces interference and tension between two distinct bodies of work, with the work of one artist providing the framework for the other, and vice versa. Nevertheless, it is an exemplary show in which a kind of choreography between Borremans, a painter, and Manders, a sculptor and installation architect, emerges through a sombre colours and formal contrasts.
¶ Published in conjunction with a combined exhibition of work by Michaël Borremans and Mark Manders at the 21st Century Museum of Contemporary Art, Kanazawa, this volume documents what turned out to be an remarkable encounter between these two European artists. The delicate experiment of a double show like this one forces interference and tension between two distinct bodies of work, with the work of one artist providing the framework for the other, and vice versa. Nevertheless, it is an exemplary show in which a kind of choreography between Borremans, a painter, and Manders, a sculptor and installation architect, emerges through a sombre colours and formal contrasts.
Erik Tonen BooksProfessional sellerBook number: 56572
€ 99.00 [Appr.: US$ 114.12 | £UK 84.75 | JP¥ 16595]
Catalogue: Belgische kunst na 1830 ; Belgium art after 1830 ; Belgium art after 1830 ; Belgium art after 1830
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre siècle Artiste peintre photo fotografie ar
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