The True Story of the Novel - Doody, Margaret Anne

New Brunswick [NJ], Rutgers University Press, (1996). orig.wrappers. 23x15cm, xx,580,(24) pp, PAPERBACK.. 24pp photoplates.. Minor rubbing. VG. ¶ One of the most successful literary lies", declares Margaret Anne Doody, "is the English claim to have invented the novel.... One of the best-kept literary secrets is the existence of novels in antiquity". In fact, as Doody goes on to demonstrate, the Novel of the Roman Empire is a joint product of Africa, Western Asia, and Europe. It is with this argument that The True Story of the Novel devastates and reconfigures the history of the novel as we know it. Twentieth-century historians and critics defending the novel have emphasized its role as superseding something else, as a sort of legitimate usurper that deposed the Epic, a replacement of myth, or religious narrative. To say that the Age of Early Christianity was really also the Age of the Novel rumples such historical tidiness - but so it was. From the outset of her discussion, Doody rejects the conventional Anglo-Saxon distinction between Romance and Novel. This eighteenth-century distinction, she maintains, served both to keep the foreign - dark-skinned peoples, strange speakers, Muslims, and others - largely out of literature and to obscure the diverse nature of the novel itself. This deeply informed and truly comparative work is staggering in its breadth. Doody treats not only recognized classics, but also works of usually unacknowledged subgenres - new readings of novels like The Pickwick Papers,Pudd'nhead Wilson, L'Assommoir, Death in Venice, and Beloved are accompanied by insights into Death on the Nile or The Wind in the Willows...." - Publisher's description.

Doody, Margaret Anne - The True Story of the Novel