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Illustrated Catalogue of Chinese Government Exhibits for the International Exhibition of Chinese Art in London. 4 Volumes.
Shanghai Commercial Press, Ltd, China. 1936, 1st Edition. Hardcover. Book, English and Chinese text; Hardcover (original blue cloth silk with gilt design - without dust jacket); 19.5 x 27.6 cm; 3.357 Kg; 4 volumes: 1. Bronze (101 pages); 2. Porcelain (3 parts) (244 pages); 3. Painting and Calligraphy (256 pages); 4. Miscellaneous (191 pages) (Tapestry and Embroidery, Jade, Cloisonn, Red Lacquer, Fans, Furniture and Writing Accessories, Archaeological Exhibits and Ancient Books); all with black and white illustrations.; Signs of wear in the hardcover cloth. Minor edgeworn. Minor scuffs on the front cover of the four volumes and on the back cover of the second and third volumes; The gilt designs on the front cover of the second and forth volume show minor yellowing marks. The interior is in very good condition with minor signs of wear.; Catalogue for the International Exhibition of Chinese Art held by the Royal Academy of Arts at Burlington House, London, from the 28th November 1935 to 7th March 1936. This was the largest exhibition of Chinese Art ever mounted. More than 780 works from the Chinese government collection were shown at the exhibition, along with an additional 3,100 pieces belonging to some 240 collections from other countries. This catalogue shows the government exhibits selected that comprise Bronze, Porcelain, Painting, Calligraphy, Jade, Carvings in Red Lacquer, Cloisonn, etc, some of these works were never seen before by Westerners and are from the Palace Museum, The National Museum, The Academia Sinica, The Henan Provincial Museum and the Anhui Provincial Library. The exhibition was well received and attended, attracting a total of 401,768 visitors and increased the study of Chinese art revolutionizing Chinese art history as an intellectual discipline. Very Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 161ABE
GBP 2000.00 [Appr.: EURO 2290.5 US$ 2560.66 | JP 285095]
Keywords: CHINESE ART,EXHIBITIONS,BRONZE,PORCELAIN,PAINTING,CALLYGRAPHY,TAPESTRY,EMBROIDERY,JADE,CLOISONN,RED LACQUER,FANS,FURNITURE,ANCIENT BOOKS

 
Museums of the World (36 Volumes - Complete)
Kodansha, Tokyo. 1968. Hardcover, with dust jacket. Book, Japanese text with table of contents, list of plates and captions of each plate also in english.; Hardcover (white vellum with gilt lettering on spine covered by the dust jacket. In slipcase); 36.3 x 26.3 cm, 2.100 Kg, 184 pages, with colour and black and white plates (each volume); Used books with signs of wear, namely on the slipcases. Some of the dust jacket spines are: slightly faded, chipped, show wrinkles and tears. The interior is in good condition. Each of the slip cases has a sticker with the volume number in the spine, which helps to identify the volume number when the books are in a shelf, as the volume number appears in the front cover.; This 1965-1971 edition set consists of 36 volumes showing illustrations of the main works of art, such as paintings, sculptures, ceramics, etc. from the following museums: Volume 1: Muse du Louvre (I of II); Volume 2: Muse du Louvre (II of II); Volume 3: British Museum (I of II); Volume 4: British Museum (II of II); Volume 5: Egyptian Museum, Cairo; Volume 6: National Archaeological Museum, Athens; Volume 7: Museo Nazionale Romano; Volume 8: Musei Vaticani; Volume 9: National Museum, New Delhi; Volume 10: The Metropolitan Museum of Art; Volume 11: Museum of Fine Arts, Boston, Western Art; Volume 12: Tokyo National Museum (I of II); Volume 13: Tokyo National Museum (II of II); Volume 14: Muse Guimet; Volume 15: Museum of Fine Arts, Boston, Oriental Art; Volume 16: Galleria Degli Uffizi; Volume 17: National Gallery, London; Volume 18: National Gallery of Art, Washington; Volume 19: Museo del Prado; Volume 20: Staatliche Museem Munchen (I of II); Volume 21: Kunsthistorisches Museum (II of II); Volume 22: Rijksmuseum Amsterdam; Volume 23: State Tretyakov Gallery; Volume 24: Muse National D'Art Moderne, Paris; Volume 25: State Hermitage; Volume 26: State Museums of The Moscow Kremlin, State Russian Museum; Volume 27: Staaliche Museen Preussischer Kulturbesitz, Berlin; Volume 28: Art Institute of Chicago; Volume 29: Pinacoteca di Brera; Volume 30: National Museum of Greece; Volume 31: Archaeological Museum of Istanbul; Volume 32: Indian Museum of Calcutta; Volume 33: Kyoto National Museum; Volume 34: Museo Nacional de Antropologia; Volume 35: Freer Gallery of Art (I of II); Volume 36: Freer Gallery of Art (II of II). Good/Dust Jacket Included.
Jorge Welsh BooksProfessional seller
Book number: 213ABE
GBP 800.00 [Appr.: EURO 916.25 US$ 1024.27 | JP 114038]
Keywords: MUSEUMS,COLLECTIONS,PAINTINGS,SCULPTURES,STATUES,CERAMICS,ART

 
JÖRG, CHRISTIAAN J. A . AND VAN CAMPEN, JAN
Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam: The Ming and Qing Dynasties
Philip Wilson Publishers Limited, London. 1997, 1st Edition. (ISBN: 9789071450136). Soft cover. Book, English text; Paperback; 21.8 x 28.7 cm, 1.668 Kg; 352 pages with various colour illustrations.; Used. Good condition overall, showing some marks on the front cover, spine and back cover and also on the outside text block. One of the pages is slightly loose but still firmly attached to the binding.; The Chinese ceramics in the Rijksmuseum comprise one of the finest but least published collections of Chinese porcelain in the world. The Dutch were the first and most successful of the Western nations to develop trading links with China. This book is the first scholarly publication of the Rijksmuseum's magnificent collection of Ming and Qing seventeenth and eighteen-century wares exported to Holland. The 400 pieces included, many published here for the first time, are described and illustrated in full colour. These include Kraak and Transitional porcelains, a wide selection of Kangxi underglaze blue and polychrome wares, famille rose and other eighteen-century enamelled wares, Chine de commande, blanc de Chine and Yixing wares. In addition there is a selection of imperial wares and pieces made for the Chinese market which includes rare and unusual pieces. The importance of the book lies in the quality of the collection and the scholarly commentaries to the pieces which include the most up-to-date research. Extensive introductory sections provide background information to the wares described and illustrated and place the objects in historical context. Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 307ABE
GBP 150.00 [Appr.: EURO 172 US$ 192.05 | JP 21382]
Keywords: 9789071450136 CHRISTIAAN J. A .JORG, JAN VAN CAMPEN, RIJKSMUSEUM, CHINESE CERAMICS,PORCELAIN

 
JÖRG, CHRISTIAAN J. A . AND VAN CAMPEN, JAN
Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam: The Ming and Qing Dynasties
Philip Wilson Publishers Limited, London. 1997, 1st Edition. (ISBN: 0856674893). Hardcover. Book, English text; Hardcover (with dust jacket); 22.5 x 29.5 cm, 1.979 Kg; 352 pages with various colour illustrations.; Used. Good condition overall, showing some marks on the front cover, spine and back cover of the dust jacket. The rear of the dust jacket show some wear marks, only seem if the dust jacket is removed. The dust jacket is now protected with a clearcover. Minor signs of wear in the interior.; The Chinese ceramics in the Rijksmuseum comprise one of the finest but least published collections of Chinese porcelain in the world. The Dutch were the first and most successful of the Western nations to develop trading links with China. This book is the first scholarly publication of the Rijksmuseum's magnificent collection of Ming and Qing seventeenth and eighteen-century wares exported to Holland. The 400 pieces included, many published here for the first time, are described and illustrated in full colour. These include Kraak and Transitional porcelains, a wide selection of Kangxi underglaze blue and polychrome wares, famille rose and other eighteen-century enamelled wares, Chine de commande, blanc de Chine and Yixing wares. In addition there is a selection of imperial wares and pieces made for the Chinese market which includes rare and unusual pieces. The importance of the book lies in the quality of the collection and the scholarly commentaries to the pieces which include the most up-to-date research. Extensive introductory sections provide background information to the wares described and illustrated and place the objects in historical context. Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 388B
GBP 210.00 [Appr.: EURO 240.5 US$ 268.87 | JP 29935]
Keywords: 0856674893 CHRISTIAAN J. A .JORG, JAN VAN CAMPEN, RIJKSMUSEUM, CHINESE CERAMICS,PORCELAIN

 
ADDIS, JOHN; CARSWELL, JOHN; S. SMART, ELLEN; GRAY, BASIL; CROWE, YOLANDE; CAPON, EDMUND
Transactions of the Oriental Ceramic Society 1975-1976 1976-1977 Volume 41
The Oriental Ceramic Society. 1977, 1st Edition. Hardcover. Book, English text; Hardcover (cloth); 22.5 x 28.8 cm; 1.814 Kg; 29 pages (Members of the Council, List of Members, Transactions and obituaries) plus 293 pages (articles) and 120 plates; one of 1500 limited copies; Used book with signs of shelf wear and edgeworn, the interior is in good condition apart from some minor rusty marks on the front hinge. Protected with a clearcover.; Includes the following articles: A Visit to Ching-t-Chn by Sir John Addis; Hung-wu and Yung-lo White by Sir John Addis; Oriental Ceramics Excavated in North Sumatra by Mr. E.P. Edwards McKinnon; China and Islam in the Maldive Islands by Professor John Carswell; Fourteenth Century-Chinese Porcelain from a Tughlaq Palace in Delhi by Dr. Ellen S. Smart; The Export of Chinese Porcelain to the Islamic World: Some reflections on its significance for Islamic Art before 1400 by Mr. Basil Gray; Early Islamic Pottery and China by Dr. Yolande Crowe; and Chinese Tomb Figures of the Six Dynasties Period by Dr. Edmund Capon. Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: ABE53
GBP 35.00 [Appr.: EURO 40.25 US$ 44.81 | JP 4989]
Keywords: CERAMICS,PORCELAIN,ASIAN

 
ALEXANDER, HÉLÈNE
Made in China: Catalogue/Chinese Export Fans from the Edrina Collection and the Fan Museum
The Fan Museum. 2015, 1st Edition. (ISBN: 0954031989). Soft cover. Book, English text; Paperback; 220 pages with various colour illustrations; 21 x 15 cm; 0.55 Kg; Exhibition catalogue for the collaborative project between The Fan Museum and Hong Kong based author, collector and philanthropist, Edwin Mok. A mutual admiration for the art and craft of Chinese fans recently led to the kindling of a friendship between The Fan Museums founder and Mr Mok. Following several animated discussions, it was agreed that an exhibition showcasing the very best of Chinese export fan design was, quite simply, a must! This landscape format catalogue includes a fascinating foreword by the museums director, Hlne Alexander, along with information about each of the exquisite objects on display in the exhibition. It is decorated with high quality images of each and every fan and serves as a great souvenir for this unique exhibition.The Fan Museum in London with its premises in Greenwich, is the only museum in the United Kingdom devoted in its entirely to all aspects of the ancient art and craft of the fan. New.
Jorge Welsh BooksProfessional seller
Book number: ABE12
GBP 20.00 [Appr.: EURO 23 US$ 25.61 | JP 2851]
Keywords: 0954031989 THE FAN MUSEUM,HLNE ALEXANDER,EDWIN MOK,CHINA,FAN

 
CORT, LOUISE ALLISON; AND STUART, JAN; WITH A CONTRIBUTION BY TAM, LAURENCE CHI-SING
Joined Colours: Decoration and Meaning in Chinese Porcelain. Ceramics from Collectors in the Min Chiu Society, Hong Kong
Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C.in association with Tai Yip Company, Hong Kong. 1993. (ISBN: 9623210248). Soft cover, with dust jacket. Book, English text; Paperback; 21.8 x 28.2 cm; 0.720 Kg; 158 pages with 165 colour plates and 7 black-and-white illustrations.; Used with minor signs of wear; Catalogue from the exhibition at the Arthur M. Sackler Gallery, January 31-November 28, 1993.; The Gemlike beauty of multicoloured enamel decoration on white porcelain - sometimes akin to painting, sometimes echoing the rich texture of silk brocades, lacquers, and cloisonne - is the focus of this volume of seventy-nine Chinese porcelains of the Ming and Qing dynasties drawn from renowned collections of members of the Min Chiu Society, Hong Kong. Although polychrome porcelain is most often examined from the perspectives of authenticity, dating, and stylistic development, this study addresses the crucial issue of meaning. Through an exploration of the emblematic significance of individual colours and of colour combinations (including the famed doucai color scheme from which this book takes its name) and the auspicious meaning of imagery, the authors have placed these impressive ceramics within a framework of Chinese cultural values. The catalogue is lavishly illustrated in colour, with detailed descriptions of the objects focusing on decoration and the use of under - and overglazed enamels. Reign marks are illustrated for each piece. This book will be of great interest to collectors and students of porcelain, scholars, and all those who love ceramics and Chinese art. Very Good/Dust Jacket Included.
Jorge Welsh BooksProfessional seller
Book number: 328ABE
GBP 40.00 [Appr.: EURO 46 US$ 51.21 | JP 5702]
Keywords: 9623210248 CHINA,CERAMICS,PORCELAIN,CHINESE ART,ENAMELS,DECORATION

 
CHRISTIE'S AMSTERDAM
Christie's Amsterdam, Two Auction Catalogues: Fine and Important Late Ming and Transitional Porcelain, Recently Recovered from an Asian Vessel in the South China Sea. The Property of Captain Michael Hatcher: Wednesday 14 March 1984; Fine and Important Late Ming and Transitional Porcelain the Second and Final Part of the Hatcher Collection Recently Recovered from an Asian Vessel in the South China Sea, Tuesday 12 and Wednesday 13 June 1984
Christie's Amsterdam. 1984. Soft cover. Book, English text; Paperback; Two auction catalogues from Christies Amsterdam; Catalogue 1: Fine and Important Late Ming and Transitional Porcelain, recently recovered from an Asian Vessel in the South China Sea. The Property of Captain Michael Hatcher. Wednesday 14 March 1984; 88 pages with colour and black and white illustrations. 587 lots; 18.8 x 24.2 cm; 0.251 Kg; Catalogue 2: Fine and Important Late Ming and Transitional Porcelain The Second and Final Part of the Hatcher Collection Recently Recovered from an Asian Vessel in the South China Sea, Tuesday 12 and Wednesday 13 June 1984; 102 pages with colour and black and white illustrations; 1166 lots; 18.8 x 24.2 cm; 0.285 Kg; Both catalogues show some signs of wear (the front cover is slightly faded in the bottom left side of catalogue 2). No markings on the interior. Both protected with a clearcover.; "It is unusual to find an extensive cache of standard trade porcelain preserved from the 17 century, and the contents of this shipwreck should be of particular interest to scholars and collectors of Chinese porcelain for a number of reasons. The range of shapes of wares available include a number which are extremely rare in a European context; flanged kendis, spouted wall-vases, finely pencilled Transitional boxes and bowls, peach-shaped wineewers, night lights modelled as crouching cats. The range illustrates graphically what a south Asian porcelain trading vessel in the mid 17th Century might be expected to contain and re-inforces the view that the Chinese blue and white porcelain, cherished in the West in the first half of the 17th century, represented Chinese wares only of completely typical trade quality." excerpt from the introduction by C.D. Sheaf. Good.
Jorge Welsh BooksProfessional seller
Book number: ABE14
GBP 450.00 [Appr.: EURO 515.5 US$ 576.15 | JP 64146]
Keywords: CHINESE PORCELAIN, SHIPWRECK, CAPTAIN MICHAEL HATCHER,CHRISTIE'S AMSTERDAM 1984

 
SOTHEBY'S AMSTERDAM
Made in Imperial China: 76,000 Pieces of Chinese Export Porcelain from the Ca Mau Shipwreck, Circa 1725, Sotheby's Amsterdam, 29,30 & 31 January 2007
Sotheby's Amsterdam. 2007. Soft cover. Book, English text; Paperback; auction catalogue from Sotheby's Amsterdam sale on the 29, 30 & 31 January 2007; 276 pages; 1208 lots with colour illustrations; 21.9 x 27.2 cm; 1.26 Kg; Used book with signs of wear on the front cover, spine and back cover. Small tear on the bottom of the spine.No markings on the interior. Good working copy.; Articles by Dr. Nguyen Dinh Chien, Paul A. Van Dyke and Prof. Dr. Christiaan J.A. Jorg; The 1208 lots in this sale have been immersed in the South China Sea for nearly 280 years and then recovered from the shipwreck in 1998. "The CA MAU SHIPWRECK was salvaged in 1998/9 by the Vietnam Salvage Company (Visal) off the coast of Ca Mau Province in southern Vietnam after two fisherman found Chinese porcelain objects in the vicinity. An extensive maritime archaeological expedition yielded much unique information. It was clear that the vessel, measuring about 23 by 8 meters, was heading south-east when it caught fire and sank. Unfortunately, most of the timber had rotted, and the remaining fragments were insufficient for the origin of the ship to be established with any certainty. In all, about 130.000 pieces of porcelain were retrieved from the site, indicating that porcelain was the main cargo. Some pieces bear the four or six-character mark of the Qing emperor Yongzheng, regnant between 1723 and 1735 (lots 109-111). This establishes an ante quem date for these objects: they cannot have been made before 1723 when Yongzheng succeed his father, Emperor Kangxi, who reigned from 1662 to 1722. (.) To conclude, the Ca Mau cargo offers a wide variety of beautiful pieces for different markets, it poses some interesting questions and adds greatly to our knowledge of the inter-Asian porcelain trade in the Yongzheng period." excerpt from the article by Prof. dr. Christian J.A. Jorg. Fair.
Jorge Welsh BooksProfessional seller
Book number: 426B
GBP 150.00 [Appr.: EURO 172 US$ 192.05 | JP 21382]
Keywords: SOTHEBYS,PORCELAIN,CHINA,CA MAU,NGUYEN DINH CHIEN, PAUL A. VAN DYKE, PROF. DR. CHRISTIAAN J.A. JRG

 
CHRISTIE'S AMSTERDAM
The Nanking Cargo, Chinese Porcelain and Gold at the Hilton Hotel, Amsterdam, Monday 28 April - Friday 2 May 1986
Christie's Amsterdam. 1986. Hardcover. Book, English text; Hardcover; 21 x 26.5 cm; 1.128 Kg; 282 pages with colour illustrations.; Used with signs of wear. Edgeworn.; Auction catalogue from Christie's Amsterdam sale from Monday 28 April to Friday 2 May 1986 at the Hilton Hotel, Amsterdam.; Includes 4 page addenda featuring two important dated dutch V.O.C. bronze canons and a 12 page addenda with additional lots both loosely inserted.; "Nothing had prepared the international art world for the arrival at Christie's in 1983/4, of an extensive cargo of Chinese porcelain, recovered from a Chinese junk. The cargo become known as the 'Hatcher Shipwreck; named after Captain Michael Hatcher, the salvage expert who recovered over 23.000 pieces of 'new' Chinese porcelain in the unprecedented salvage operation. It was finally dispersed in four sales and the cargo attracted enormous international interests from collectors, dealers and academics. Fired by the excitement that this sale had generated, Captain Hatcher continued searching for other early cargoes. In late spring of 1985, he began to excavate a second ship. The salvage operation, carried out with considerable care and recorded on film in great detail, recovered a cargo of well over a hundred thousand pieces of Chinese porcelain, supplemented by finds of western metalwork, stonewares and gold. The ceramics from the Nanking cargo will probably become most famous for the enormous quantities of mid eighteenth century blue and white porcelain found on board, which was destined for western markets. For historians, collectors and dealers the Nanking cargo will be every bit as fascinating as the first 'Hatcher' one, but for different reasons. The recoveries from the 'Nanking' cargo have a different significance. The chronology of eighteenth century export porcelain design is very well established and datable with considerable precision. Much is also known about the pattern of trade, the 'Canton' system, and particularly about the growth of the tea and porcelain trade with the west, from the archives primarily of the English, Dutch, and Swedish East India Companies. But the records have always seemed to exaggerate the volume of porcelain carried on the East India merchantmen returning to the west, in the peak years of the trade during the eighteenth century." excerpt from the introduction by Colin Sheaf. Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 355B
GBP 100.00 [Appr.: EURO 114.75 US$ 128.03 | JP 14255]
Keywords: AUCTION CATALOGUE,NANKING CARGO,MICHAEL HATCHER

 
KAWAMURA, YAYOI; VILLANUEVA, ALICIA ANCHO; AND AZCÁRATE, BERTA BALDUZ (ESSAYS)
Laca Namban: Brillo de Japón En Navarra
Fondo de Publicaciones del Gobierno de Navarra. 2016, 1st Edition. (ISBN: 9788423534081). Soft cover. Book, Spanish text; Paperback; 24.5 x 29.3 cm; 1.208 Kg; 212 pages with illustrations in colour; Catalogue from the exhibition held at Museo de Navarra from the 29 October 2015 to the 28 February 2016; A catalogue for the exhibition held at Museo de Navarra from the 29 October 2015 to the 28 February 2016. It shows fine examples of Namban pieces from Navarra, Spain and includes historical and artistic studies, including the relationship of this art with Spanish American pieces and the conservation and restoration treatments applied to the pieces. It includes studies by Yayoi Kawamura, curator of the exhibition, a doctor in Art History, Professor at the Universidad de Oviedo and specialist in Namban Art. She explains the genesis of the project, the characteristics of Japanese Namban lacquer, the commercialisation of the latter through the transoceanic routes and the influences of Namban art in the several arts of the Viceroyalty of Spain, an influence that has now been established and is being studied through the cultural patrimony preserved in Navarra, and is now available to the public in this temporary exhibition. The catalogue includes a new Namban piece from the Parish of San Pedro de Mendigorra, which has come to light because of this exhibition. In the following section, it offers the results of the conservation and restoration work done to the pieces, written by the restorers of the Direccin General de Cultura-Institucin Prncipe de Viana, Alicia Ancho Villanueva, curator of the exhibition and chief of the Seccin de Bienes Muebles y Registro del Patrimonio, and Berta Balduz, restorer of Museo de Navarra, who directed and supervised the work. New/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 190ABE
GBP 40.00 [Appr.: EURO 46 US$ 51.21 | JP 5702]
Catalogue: Japanese Art
Keywords: 9788423534081 NAMBAN,JAPAN,JAPON,NAVARRA

 
BARRIE, J.M., INTRODUCTION BY BIRKIN, ANDREW AND ILLUSTRATIONS BY REGO, PAULA
Peter Pan or the Boy Who Would Not Grow Up
The Folio Society, London. 1992. Hardcover. Book, English text; Hardcover with slipcase; 19.2 x 28.7 cm; 0.750 Kg; 106 pages with colour illustrations; Signs of shelf wear and some markings on the slipcase. No markings on the interior except our logo glued on the front free endpaper.; The story of Peter Pan first appeared in book as the novel Peter and Wendy in 1911. Although the play Peter Pan was written and first performed in 1904, it was not published until 1928. The text of this book is based on the 1928 Library Edition of the play, published by Hodder and Stoughthon Ltd. which contains Barries embellished stage directions, and his final revisions. Good.
Jorge Welsh BooksProfessional seller
Book number: 183ABE
GBP 40.00 [Appr.: EURO 46 US$ 51.21 | JP 5702]
Catalogue: Art Books
Keywords: PETER PAN,J.M.BARRIE,ANDREW BIRKIN,PAULA REGO

 
JACKSON, ANNA AND JAFFER, AMIN (INTRODUCTION); WOODWARD, DAVID; GSCHWEND, ANNEMARIE JORDAN; KERR, ROSE; GUY, JOHN; JAFFER, AMIN; HEVIA, JAMES L.; IRVINE, GREG; BAILEY, GAUVIN ALEXANDER; GOMES, PAULO VARELA; BLUSSÉ, LEONARD; LOSTY, J.P.; CHOI, KEE IL JR; D
Encounters: The Meeting of Asia and Europe, 1500-1800
V&A Publications. 2004, 1st Edition. (ISBN: 1851774319). Soft cover. Book, English text; Paperback; 25 x 28.9 cm, 2.147 Kg; 396 pages with colour illustrations; Used book with signs of wear on cover, spine and back cover. Some scuffs on the spine. The hinge is loose but not shaken. The interior is in good condition, with our logo glued on front free endpaper; This book accompanies a major V&A exhibition that explores three hundred years of mutual fascination between East and West, a period of discoveries, encounters and exchanges initiated by the Portuguese explorer Vasco da Gama's discovery of a sea route to India in 1948. This established, for the first time, direct relations between Europe and maritime Asia and ushered in a dynamic period of commercial, artistic and technological exchange. This compelling story is presented through wide-ranging essays by leading international scholars, including specialists from the V&A. The text is complemented by a sumptuous range of images, many of these remarkable and luxurious pieces being published for the first time. Discoveries, the book's opening section, examines the western fascination for the materials and technologies of Asia, which existed even before direct contact was established, and charts the route that early Europeans took to the Indies and the new, sophisticated worlds they found there. Encounters, the second section, looks at the human dimension of the story, the meeting of peoples from East and West in different spheres, from highly formalised court audiences to intimate relationships. The exotic visitors from the West aroused much curiosity in Asia as demonstrated in the many Asian depictions of foreigners and their ships. This section also explores how these pale-skinned, strangely dressed peoples were perceived in the East and how images of them were appropriated into existing Asian iconographies. The final section, Exchanges, explores cross-influences in taste, technology and trade. In Europe there was an immediate demand for luxuries such as porcelain, lacquer and textiles made in Asia but suited to western living. In Asia, it was European technology that was most sought after. Clocks, guns, maps and lenses were all imported and simulated by different Asian cultures. In its close examination of the relationships - diplomatic, religious and personal - between East and West, this book provides both an important scholarly record of this vibrant period in world history and a beautiful document of the works of art and industry that it produced. Fair/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: ABE129
GBP 50.00 [Appr.: EURO 57.5 US$ 64.02 | JP 7127]
Catalogue: Asian Art
Keywords: 1851774319 PORCELAIN,ASIAN TRADE,LACQUER,FURNITURE,TEXTILES,ASIA

 
PINTO DE MATOS, MARIA ANTÓNIA; AND KERR, ROSE
Tankards and Mugs: Drinking from Chinese Export Porcelain
Jorge Welsh Research & Publishing, London. 2016, 1st Edition. (ISBN: 9780955743276). Hardcover. Book, English text; Hardcover; 352 pages with 431 colour illustrations; 23.5 x 29.7 cm; 2,440 kg; LIMITED EDITION OF 500 COPIES.; The first comprehensive study on Chinese Porcelain Tankards and Mugs, with pieces from 23 museums, 18 private collectors and 3 dealers, from around the world.; Tankards and mugs are vessels that illuminate many aspects of social, economic and art history. This book focuses on Chinese export porcelain tankards and mugs dating from the 15th to the 19th century. Drinking is a pleasurable and social activity, enjoyed by most cultures of the world. In China, alcohol was used for feasts, festivals and religious ritual as early as the Neolithic age. In the West, beer, cider and porter were drunk on both convivial and solemn occasions. Vessels used to contain drink were often treasured containers, and time and care was spent on their manufacture and decoration. They needed to be practical, functional utensils, but also beautiful. When Chinese porcelain reached Europe an ideal match was made. Top quality wares were highly regarded luxury items, and they included tankards and mugs. This book is illustrated with 197 Chinese porcelain tankards and mugs, each catalogued and referenced in detail. They range from blue and white to delicately enamelled vessels, some emblazoned with western designs and coats of arms. The introductory essays discuss the history of a vessel that played an important role in society, stimulating design and decoration while also being symbolic of kinship and harmony. New/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: BOOK7
GBP 160.00 [Appr.: EURO 183.25 US$ 204.85 | JP 22808]
Catalogue: Our Publications
Keywords: 9780955743276 TANKARDS,MUGS,CHINESE EXPORT PORCELAIN,CHINA,CERAMICS,ROSE KERR,MARIA ANTONIA PINTO DE MATOS,JORGE WELSH Porcelain and China

 
WRIGGLESWORTH, LINDA; IN ASSOCIATION WITH MYERS, MYRNA
Where Antique Korean Textiles Meet Contemporary Art
Linda Wriggleworth Ltd. London. 1997. Soft cover. Book, English text; 18.5 x 18.8 cm; 0.495 Kg; 59 loose leaf cards with: text by Linda Wrigglesworth; and 46 colour plates, each with caption and text; Asian textile dealer catalogue; Used with signs of wear. The outside edges are slightly bended. The cards are good condition.; I have been struck by the rarity of these textiles, sourcing most of my pieces in Korea (.). Korea, like Japan, was a very closed society and pieces were never brought out of Korea by Western travellers in the same quantities as they were from China. Korean textiles also had a great sentimental value, being treasured by the families who owned them. I (.) am delighted to have found as my other source, Myrna Myers of Paris who with her husband Sam have collected Korean textiles for many years. Their collection is proudly part of this exhibition. Korean costume and textiles are a subject worthy of recognition in the worlds collection today. Rank badges are almost impossible to find, costumes even more so. Our collection of badges is indeed one of the largest on the open market. excerpt from the text accompanying the catalogue by Linda Wrigglesworth. Good.
Jorge Welsh BooksProfessional seller
Book number: ABE70
GBP 30.00 [Appr.: EURO 34.5 US$ 38.41 | JP 4276]
Keywords: ASIAN TEXTILES, EPHEMERA

 
ATTERBURY, PAUL (EDITOR)
Ceramics Issue III May/June 1986 the International Journal of Ceramics and Glass
Monthly by Art Focus, London. 1986. Soft cover. Magazine, English text; Paperback magazine; 21.2 x 30.1 cm; 0.602 Kg; 162 pages with illustrations. Used with signs of wear. Edgeworn.; Includes: Focus by Antony Thorncroft, The International Ceramics Fair and Seminar; Preview Exhibitions, Profile, Market, Sales, Opinion, Books, Diary, Societies; Worcester in Oxford: Ian Lowe reflects on H Rissik Marshall's collection of first period Worcester porcelain and the Ashmolean Museum 1951 to 1986, Simon Spero re-atrributtes some 'Worcester' porcelain at the Ashmolean Museum; Display or Dust and Decay: Terence Lockett & Paul Atterbury unearth hidden ceramics at Salford Museum; George Owen, Master reticulator: Dr Leonard S & Jullette K Rakow study two private collections in America; Bow figures: Anton Gabszewicz traces the development and decline of Bow figures 1747 to 1770; A Flash in the Pan: Lynn Miller & JK des Fontaines reveal new information concerning Wedgwood's pyrophorus vase; The Wood Family: Pat Halfpenny reviews traditional dates and attributions associated with Wood Figures; The Richardsons of Wordsley: Charlers R Hajdamach explains which brother was really the guiding light behind this company; Painted glass: Robert Kleiner gives Western collectors a valuable introduction to Chinese inside-painted snuff bottles; English Glass Export 1670-1760: Geoffrey Godden has discovered, by chance, new information relating to early glass exports. Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 270ABE
GBP 20.00 [Appr.: EURO 23 US$ 25.61 | JP 2851]
Keywords: EUROPEAN CERAMICS,EUROPEAN PORCELAIN,MAGAZINE,SNUFF BOTTLES

 
ATTERBURY, PAUL (EDITOR)
Ceramics the First Issue the International Journal of Ceramics and Glass
Monthly by Art Focus, London. 1985. Soft cover. Magazine, English text; Paperback magazine; 21.2 x 30.1 cm; 0.477 Kg; 104 pages with illustrations. Used with signs of wear. Edgeworn.; Includes: Setting the Historical Scene: J.V.G. Mallet visits the new Wedgwood Museum at Barlaston; The Sites of the Chelsea Porcelain Factory: Elizabeth Adams uses new evidence to challenge the accepted view.; Painted Shells and Feathers on Porcelain: Henry Sandon analyses the painters, their techniques and the factories responsible.; The Mystery of Melbourne: Terence Lockett sifts through the evidence surrounding the origins of Melbourne creamware.; Reid and Ball of Liverpool: Maurice Hillis reconsiders the activities and identities of William Reid and William Ball.; Some Documentary Porcelain: Geoffrey Godden surveys dated blue and white porcelain in his reference collection. Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 269ABE
GBP 20.00 [Appr.: EURO 23 US$ 25.61 | JP 2851]
Keywords: EUROPEAN CERAMICS,EUROPEAN PORCELAIN,MAGAZINE

 
PHILLIPS AUCTIONEERS
Fine Chinese and Japanese Art Including Fans and Textiles
Phillips Son and Neale Limited, London. 2000. Soft cover. Book, English text; Paperback ; 21.2 x 27.1 cm; 0.665 Kg; 148 pages with 468 lots with colour and black-and-white illustrations, all with caption.; Used in good condition with signs of wear in the cover and back cover. Some lot numbers are pen crossed.Edgeworn.; Auction catalogue for the sale 30,983 held at Phillips Auctioneers London on the 13th of November 2000 including Chinese Art: Jades, Hardstone carvings and glass, Ceramics, Works of Art and Snuff Bottles, Japanese and Chinese Textiles, other Asian Works of Art; Japanese Art: Early Ceramics, Lacquer, Works of Art and Netsuke, Later Ceramics, Metalwork, Paintings and Prints. Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 300ABE
GBP 15.00 [Appr.: EURO 17.25 US$ 19.2 | JP 2138]
Keywords: CHINA,JAPAN,FANS,TEXTILES,JADES,CERAMICS,SNUFF BOTTLES,LACQUER,METALWORK,PAINTINGS,PRINTS,NETSUKE

 
AUDSLEY, GEORGE ASHDOWN; CUTLER, THOMAS W.; NEWTON, CHARLES (INTRODUCTION)
The Grammar of Japanese Ornament
Studio Editions, London. 1989. Hardcover. Ex-Library, English text; Hardcover (lacks the dust jacket); 24 x 34 cm; 1.981 Kg; 248 pages plus 37 plates. Including many illustrated images, namely of ceramics, lacquer, textiles, paintings.; Ex-library book showing signs of wear on the cover, spine and back cover. The spine is cracked. The front free endpaper has a bar code glued on the bottom of the page and also part of an old sticker on the top of the page. Ex-library stamp on copyright page. Good readable copy.; ISBN: 0851702180; "In England the two works which attempted the most comprehensive survey of Japanese art were Thomas Cutler's: A Grammar of Japanese Ornament and Design, 1879-1880 and George Audsley's: The Ornamental Arts of Japan, 1882-1885. Extracts and reproductions have been selected from these publications to form the major part of this present book. Also included (.) are some plates reproduced from the portfolio published by Henry Ernst: Etoffes de Soie du Japan, c.1900. These half-tone colour plates were made from photographs of Japanese textiles in French public collections in Paris and Lyons. The portfolio was issued for connoisseurs and collectors, as well as providing a source of design ideas for textile designers and interior decorators." excerpt from the introduction by Charles Newton. Fair/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 231ABE
GBP 15.00 [Appr.: EURO 17.25 US$ 19.2 | JP 2138]
Catalogue: Japanese Art
Keywords: JAPAN,JAPANESE ART,ARCHITECTURE,SCULPTURE,PAINTING,LACQUER,CERAMICS,TEXTILE FABRICS,TEXTILE FABRICS,METALWORK

 
AYERS, JOHN
The Baur Collection, Geneva, Chinese Ceramics Volume Three: Monochrome-Glazed Porcelains of the Ch'Ing Dynasty
Collections Baur-Genve, Switzerland. 1972, 1st Edition. Hardcover, with dust jacket. Book, English and French text; Hardcover (cloth with dust jacket); 24 x 29.3 cm; 2.252 Kg; Introduction of 22 pages followed by an extensive catalogue with black and white and colour illustrations, each with caption.; Limited edition of 1000 copies of which this is number 188.; Signs of wear in the dust jacket, with some yellowing on spine and some peeling of the laminated layer of the dust jacket on the top and bottom of the spine and also on the top of the front and back cover. The dust jacket is now protected with a clearcover. The outside text block shows some yellowing. The interior is in very good condition, apart from an old bookseller sticker glued to the front free endpaper and a tiny mark on the bottom right of one page (bent in the past).; When the Baur Collection museum opened in 1964, few people were aware that this private museum housed one of the most important collections of Chinese ceramics in Europe."In these last two volumes of the catalogue therefore our scope will be found limited almost entirely to wares produced during the reigns of K'ang Hsi (1662-1722), Yung Chng (1723-1735), and Ch'in Lung (1736-1795). But few periods have been more prolific in invention: and to all lovers of Chinese porcelain these are familiar and evocative names calling to mind a succession of styles of unusual brilliance.(.) The present volume is devoted exclusively to the porcelains with monochrome glazes. (.) Their representation in the Baur Collection is one of quite exceptional richness and strengh. Shown here (with relatively few lacunae) is the full gamut of tones and colours that the 18th century potters of the Ching-t-chn were able to devise, while some of the rarest and most prized effects are present in generous measure. Outstanding among the latter are the "peachbloom" pinks, pale "clair-de-lune" blues and muchfavoured soft celadon greens, the development of which seems to belong especially to the period about 1715-1745. This part of the collection may therefore be said to offer much of unusual value both to the student, and to the casual visitor." excerpt from the introduction by John Ayers, Keeper at the Victoria and Albert Museum, London, 1972. Good/Dust Jacket Included.
Jorge Welsh BooksProfessional seller
Book number: 160ABE
GBP 1400.00 [Appr.: EURO 1603.5 US$ 1792.46 | JP 199566]
Keywords: PORCELAIN,CHINA,SONG,YUAN,MING,QING,BAUR COLLECTION,CHINESE CERAMICS Collections and exhibitions

 
AYERS, JOHN
Chinese and Japanese Works of Art in the Collection of Her Majesty the Queen
Thames & Hudson Ltd, London. 2016, 1st Edition. (ISBN: 9781905686490). Hardcover, with dust jacket. Book, English text; Hardcover (cloth with dust jacket in slipcase); 3 VOLUMES.; 1296 pages; 2,400 colour illustrations; 24.5 x 30 cm; 8,514 kg.; The Royal Collection includes some of the most historically important examples of eastern arts now in the western world. With more than 2,000 pieces distributed among the royal residences in England and Scotland, this collection presents a rich cross-section of the porcelains, jades, lacquers and other works of art produced in China and Japan and brought here over a period of several centuries, reflecting the West's long-standing appetite for rarities from distant lands. More than 2,400 colour images are used to illustrate the collection, including intricate decorative details and makers' marks. Introductory essays cover the provenance of the collection and the ways in which the works of art were displayed in the royal palaces and adapted according to the fashions of the day. This three-volume catalogue raisonn is the first of its kind to cover significant elements of this substantial and important collection in comprehensive detail. A striking feature of the collection is the mounting in the eighteenth and nineteenth centuries of many objects in gilt bronze: the mounts themselves, made in French and British workshops, are often of superb quality and of great historical importance and are published here for the first time. New/Dust Jacket Included.
Jorge Welsh BooksProfessional seller
Book number: 375B
GBP 300.00 [Appr.: EURO 343.75 US$ 384.1 | JP 42764]
Keywords: 9781905686490 CHINA,JAPAN,ROYAL COLLECTION

 
AYERS, JOHN; THOMPSON, JULIAN; TAM, LAURENCE C. S.; CHAO, KO SHIH
Chinese Porcelain the S.C. Ko Tianminlou Collection (Part I and II)
Urban Council, Hong Kong. 1987, 1st Edition. (ISBN: 9622150829). Hardcover. Book, English and Chinese text.; Hardcover (silk cloth without dust jacket - as issued. Two volumes In slipcase.); 27.5 x 37 cm; 5,481 Kg; 364 (volume I) and 240 pages (volume II) with 400 colour illustrations including 59 panoramic views.; Used books. The spines and the exterior of the slipcase are faded and show signs of wear. The spines have wear marks. The interior is in very good condition with minor signs of wear.; Catalogue from the exhibition at the Hong Kong Museum of Art of 163 objects, the majority are products of the imperial kilns of Jingdezhen.; "The Hong Kong Museum of Art is proud to present an exhibition of pieces selected from the Tianminlou Collection of Chinese porcelain, a collection that has been assembled over the last four decades with meticulous care and discriminating taste. The exhibition features sixty-five pieces of blue and white, fifty-four pieces of polychrome and forty-four pieces of monochrome, totalling one hundred and sixty-tree objects dating from the 13th to the 18th century, they are the very best of Mr. Ko Shih Chao's acquisitions made in the last twenty years. A large majority of the pieces are products of the imperial kilns of Jingdezhen. They present a spectrum of techniques and styles, and tell the story to the constant striving by potters of Jingdezhen to refine the porcelain body, to master the intricacies of firing, and to invent new glazes from metals, a forth element provided by nature. It is an extraordinary chapter - and the climatic chapter - from the seven-thousand year saga of ceramics. Through the generosity of Mr. Ko Shih Chao the Tianminlou Collection has been put in public view. In addition to lending his collection for exhibition, Mr. Ko has also sponsored the publication of the catalogue that accompanies the exhibition. To the catalogue itself he has contributed many entries as well as one of the essays. The value of the catalogue has been enhanced by the essays contributed by Mr. John Ayers, Mr Julian Thompson and Mr Laurence Tam. It was Mr. Ko Shih Chao idea to include in the catalogue panoramic illustrations of a number of pieces so that the swept and subtlety of their designs can be fully appreciated. The catalogue is itself a visual delight thanks to the superb technique of the photographers: Mr Ogawa Tadahiro who did the panoramic photographs, Mr Wakisaka Susumu who took most of the colour transparencies for Volume I of the catalogue. " excerpt from the Preface by Christina Chu, Curator of the Hong Kong Museum of Art, July 1987. Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 361B
GBP 1000.00 [Appr.: EURO 1145.25 US$ 1280.33 | JP 142547]
Keywords: 9622150829 CERAMICS,TIANMINLOU COLLECTION,HONG KONG MUSEUM OF ART,REFERENCE,IMPERIAL KILNS,JINGDEZHEN

 
AYERS, JOHN
La Collection de Porcelaines Chinoises de/the Chinese Porcelain Collection of: Marie Vergottis
Fondation Georges et Marie Vergottis, Lausanne; La Bibliotheque. 2004, 1st Edition. (ISBN: 2884531165). Hardcover, with dust jacket. Book, English and French text; Hardcover (with dust jacket); 25.5 x 27.8 cm; 1.473 Kg; 223 pages with colour illustrations.; Used book in very good condition, showings signs of wear on the front, spine and back cover of the dust jacket. Edgeworn.; The interior is in very good condition with same pages slight bent on the top right corner.; Exhibition catalogue from the Vergottis collection of Chinese porcelain at the Foundation de l'Hermitage in Lausanne, Switzerland in January 2003 including Celadon Wares, Ming Tomb Figures, Ming Imperial Porcelains, Blanc de Chine Porcelains. Also included are porcelains from the late Ming and Qing dynasties, namely: Blue-and-White, Decorated in Coloured Enamels of the "Famille Verte", Decorated in "Famille Verte" Enamels on the Biscuit, Yellow and Green-Glazed, Coral-Red-Glazed, White-Glazed, Turquoise-Glazed, "Famille Rose", Blue-Glazed and Copper-Red-Glazzed.; "Collectors of oriental ceramics today have an enviable range of choice, but more than some others the Vergottis collection conveys the impression of a very personal taste. It is composed almost entirely of the colourful porcelains made in China during the eighteenth century, and especially of the monochrome glazes that are renowned for their constant purity of tint, and for complementing perfectly the delicate symmetry of the forms they cover. The display of these wares in the newly designed gallery at l'Hermitage in Lausanne in January 2003 gave a brilliant public airing to a collection that was made solely for private pleasure, and bears witness to its owner's special appreciation of porcelain." excerpt from the introductory text "The Vergottis Collection of Chinese Porcelain at the Fondation de l'Hermitage in Lausanne" by John Ayers. Very Good/Dust Jacket Included.
Jorge Welsh BooksProfessional seller
Book number: 338ABE
GBP 75.00 [Appr.: EURO 86 US$ 96.02 | JP 10691]
Keywords: 2884531165 CERAMICS,PORCELAIN,CHINA,CHINESE CERAMICS,CELADON WARES,MING TOMB FIGURES,MING IMPERIAL PORCELAINS,BLANC DE CHINE,BLUE AND WHITE PORCELAIN,FAMILLE VERTE,GREEN-GLAZED PORCELAIN,CORAL-RED-GLAZED PORCELAIN,WHITE-GLAZED PORCELAIN,PURPLE-GLAZED PORC

 
AYERS, JOHN
Far Eastern Ceramics in the Victoria and Albert Museum
Sotheby Parke Bernet Publications by Philip Wilson Publishers Ltd, London. 1980, 2nd Edition. (ISBN: 0856670766). Hardcover, with dust jacket. Book, English text; Hardcover (cloth with dust jacket); 27.3 x 37.4 cm; 2,190 kg; 174 pages with colour illustrations Includes ribbon bookmark.; Used in very good condition showing minor signs of shelf wear, namely some marks on the front and back cover. The ribbon bookmark is slightly scuffed on the bottom.; First published in 1975 by Kodansha Ltd, Tokyo, as Oriental Ceramics: The World Great Collections, Volume 6, Victoria and Albert Museum.; The collection of oriental ceramics at the Victoria and Albert Museum is among the world's finest. Numbering over nine thousand items which are for the most part on permanent view to the public, it owes much to a long line of benefactors and to such gifted curator historians as Bernard Rackham, W.B. Honey and Arthur Lane, each of whom contributed to its unique character. The elegant Chinese porcelains so abundantly represented in George Salting's great bequest of 1910 are balanced by a comprehensive range of earlier wares that was notably reinforced in the late '30s by the acquisition of the Eumorfopoulos Collection for the nation. Japanese, Korean and South-east Asian wares are also very fully represented. The selection of ninety-four masterpieces, magnificently photographed in colour, together with an extended series of black-and-white illustrations, here provide an overall view of the collection for the first time. The choice was made by John Ayers, the Keeper and himself a noted authority, who also contributes descriptive notes and an introductory essay on the collection. Very Good/Dust Jacket Included.
Jorge Welsh BooksProfessional seller
Book number: 296ABE
GBP 70.00 [Appr.: EURO 80.25 US$ 89.62 | JP 9978]
Keywords: 0856670766 CERAMICS,PORCELAIN,VICTORIA AND ALBERT MUSEUM,CHINA

 
CURTIS, JULIA B. WITH AN ESSAY BY LITTLE, STEPHEN
Chinese Porcelains of the Seventeenth Century: Landscapes, Scholars' Motifs and Narratives
China Institute Gallery, New York. 1995. (ISBN: 0295974672). Soft cover. Book, English text; Paperback; 21.5 x 28 cm; 0.745 kg; 168 pages with black-and-white and colour illustrations.; Used in very good condition. Minor signs of wear on the front and back cover. Interior as new.; Exhibition catalogue.; "According to Dr. Curtis, with the decline of the imperial court of the Ming dynasty in the early years of the seventeenth century, patronage of the kilns at Jingdezhen shifted to the scholar-official and merchant classes. Then, at the end of the century, as the Manchu established control over the country under a new dynasty, the Qing (1644-1911), patronage of the kilns was returned again to the imperial court. As a result, during much of the seventeenth century, the decorative schemes which appeared on the pots reflected the interests and concerns of non-imperial patronage groups - the scholar-officials and merchants. Taken in combination with the evidence of the painting on the pots themselves, the argument was compelling and intellectually elegant. As is so often the case in art exhibitions, the scholarship represents many years of hard work exploring collections, gathering information, trying out theoretical models, and constantly refining views and perceptions. This is certainly true of this exhibition; Julia Curtis has unstintingly thrown herself into the task for over a decade. In the writing of the catalogue, she has produced a noteworthy new body of research on the significance of the inscriptions, both prose and poetic, which are found on many of the porcelains." excerpt from the foreword by Candance J. Lewis, Director of the China Institute Gallery. Very Good/No Jacket.
Jorge Welsh BooksProfessional seller
Book number: 425B
GBP 100.00 [Appr.: EURO 114.75 US$ 128.03 | JP 14255]
Keywords: 0295974672 china,chinese porcelain,chinese ceramics

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