CATHCART, LINDA L; VENICE; RICHARD DIEBENKORN

RICHARD DIEBENKORN.

Cathcart, Linda L. RICHARD DIEBENKORN. 79 pp. catalogue for the Venice Biennial, 16 color plates and 10 b&w illustrations. Large 4to, wraps. New York, American Federation of Arts, 1978.

-- Ursus Books and Prints Ltd.

Book number: 24130

RICHARD ARMSTRONG; LINDA L. CATHCART; SUZANNE DELEHANTY

Richard Artschwager's Theme(S)

Albright-Knox Art Gallery. PAPERBACK. 0934418004 Very good in rubbed dust jacket.. Very Good .

-- Robinson Street Books

Book number: BING785A020

Keywords: 0934418004

DELEHANTY, SUZANNE, AND CATHCART, LINDA L., AND ARMSTRONG, RICHARD

Richard Artschwager's Theme(s)

Buffalo, NY, Philadelphia, PA, and San Diego, CA, Albright-Knox Art Gallery; Institute of Contemporary Art, University of Pennsylvania; La Jolla Museum of Contemporary Art. 1979. (ISBN: 0934418004) Soft Cover , 4to - over 9¾" - 12" tall. Exhibition Catalogue, 103 pp. illus. (some col.), biblio.; 26 cm. Exhibition held Albright-Knox Art Gallery, July 6-August 12, 1979, Institute of Contemporary Art, University of Pennsylvania, October 16-November 18, 1979, La Jolla Museum of Contemporary Art, January 18-March 2, 1980. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Very Good.

-- Left Coast Books

Book number: 004967

Catalogue: American::6. Late Modern, 1945-1999

Keywords: 0934418004

DIEBENKORN, RICHARD & ROBERT T. BUCK & LINDA L. CATHCART

Richard Diebenkorn Paintings and Drawings, 1943-1976

Albright-Knox Art Gallery 1976, Reprint, Paperback. . 978-0914782070 0.4 x 10.7 x 8.2 Inches; This book is from a traveling exhibition in 1976-1977 that commenced at the Albright-Knox Art Gallery in Buffalo, New York. In addition to photographs of the works in the exhibition, the book includes essays by Robert T. Buck, Jr., Linda L. Cathcart, Gerald Nordland, and Maurice Tuchman. Richard Diebenkorn's work changed considerably as it evolved over the three decades represented here, demonstrating the artist's capacity for continuous self-criticism and awareness rarely matched by any of his contemporaries. This willingness to transform his images radically has been misinterpreted by some art critics who see these shifts as signs of weakness. The opposite is the case: Diebenkorn comprehends the nature of art at its most fundamental as a mutating, vibrant, and even evolving force contrasted to packaged and predictable presentations. An independent figure who understandably guarded his personal privacy and artistic integrity carefully, Diebenkorn nevertheless evokes in the art world-at-large reflections and feelings about California more than any other artist. Although he was the best known painter on the West Coast at the time of the exhibition, a position he had held for some time, Diebenkorn is a painter's painter. Very Good.

-- Books On The Boulevard

Book number: 38805