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| found: 103 books on 5 pages. This is page 1 - Next page |
A Selected Treasury For Sportsmen: AUDOBON GAME ANIMALS Maplewood, New Jersey, Hammond, Incorporated. 1968, 1st Edition. Cloth - (Hardcover) , 8 11/16 x 11 1/8 x 1. Ill.: Audobon, John James/ Woodhouse-Audobon, John. Book, 172 pages/1st Edition/1968. This is a beautiful, collectible, cloth cover book with text side by side with illustrations. The cover could use a bit of mild dish soap. There is a prior bookseller's price notations on the front endpaper. The pages are clean and crisp, and there aren't any other markings in the book. Near Fine-Fine. Book number: 023465 USD 140.00 [Appr.: EURO 106.25 | £UK 89 | JP¥ 10873]
Keywords: Audobon, John James/ Woodhouse-Audobon, John | In shopping cart More information div> |
A Selected Treasury For Sportsmen: AUDOBON GAME ANIMALS Maplewood, New Jersey, Hammond, Incorporated. 1968, 1st Edition. Cloth - (Hardcover) , 8 11/16 x 11 1/8 x 1. Ill.: Audobon, John James/ Woodhouse-Audobon, John. Book, 172 pages/1st Edition/1968. This is a beautiful, collectible, cloth cover book with text side by side with illustrations. The cover could use a bit of mild dish soap. There is a prior bookseller's price notations on the front endpaper. The pages are clean and crisp, and there aren't any other markings in the book. Very Fine (Very Fine). Book number: 023466 USD 150.00 [Appr.: EURO 113.75 | £UK 95.25 | JP¥ 11649]
Keywords: Audobon, John James/ Woodhouse-Audobon, John | In shopping cart More information div> |
Audubon Game Animals; a Selected Treasury for Sportsmen Maplewood, Hammond. 1968. Cloth, 4to - over 9¾" - 12" tall. (16)171pp. References. Indexed. 82 full color prints from Audubon. Very Good/No Dust Jacket. -- Artis BooksBook number: 17089 USD 12.50 [Appr.: EURO 9.5 | £UK 8 | JP¥ 971] Catalogue: Natural History
Keywords: Audubon | In shopping cart More information div> |
Audubon's Animals. the Quadrupeds of North America New York, Studio Publications, (1951).First edition, Quarto, cloth spine over boards, Spine ends and board edges a little rubbed, boards and title page dust soiled, else fine. Profusely illustrated. ¶ Audubon's collaborator in this great work, the Rev. John Bachman, actually wrote a large part of the text. Although a practicing minister, Bachman became well known in scientific circles for his careful observations. His two daughters married Audubon's two sons. Book number: 45204 USD 20.00 [Appr.: EURO 15.25 | £UK 12.75 | JP¥ 1553]
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The Imperial Collection of Audubon Animals: The Quadrupeds of North America Maplewood, NJ, Hammond, Inc. 1967. Hard Cover, Folio - over 12" - 15" tall. Ill.: John James Audubon and John Woodhouse Audubon. F/none; 307 pages plus introduction; edition not stated; Fine in taupe cloth stamped in brown, olive endpapers; no dustjacket. Contains 150 numbered color plates plus the color frontis portrait of Audubon. Book number: 002627 USD 16.50 [Appr.: EURO 12.75 | £UK 10.5 | JP¥ 1281] Catalogue: Mammals
Keywords: Illustrated Nature John James Audubon and John Woodhouse Audubon | In shopping cart More information div> |
The Imperial Collection of Audubon Animals: The Quadrupeds of North America. Maplewood, New Jersey: Hammond Incorporated 1967. Hardbound 4to (about 11'' to 12.5'' tall) 307 pages. Index. Description: Illustrated in color by John James Audubon and John Woodhouse Audubon. BINDING/CONDITION: light olive green cloth; a Very Good book, no dust jacket. ISBN: B0006BQYIA -- The BookwormBook number: 048932 USD 8.00 [Appr.: EURO 6.25 | £UK 5.25 | JP¥ 621] Catalogue: Natural Sciences
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Imperial Collection of Audubon Animals, the Quadrapeds of North America Hammond. 1967, First Edition. Hard Cover, Folio - over 12" - 15" tall. fine hardcover in nearfine dustjacket, very small nick at top rear of dustjacket, no markings, 150 color prints, first edition origianl price not clipped, 308 pages. Fine/Near Fine. Book number: 505626 USD 50.00 [Appr.: EURO 38 | £UK 31.75 | JP¥ 3883] Catalogue: Nature
Keywords: Victor H. Cahalane Fairfield Osborn | In shopping cart More information div> |
The Imperial Collection of Audubon Animals. The quadrupeds of North America New York, Bonanza Books, (1967). Small folio, original blind stamped green boards, dark blue cloth spine lettered in gilt, tan endpapers, pictorial dust jacket, Fine. Profusely illustrated with 150 full color prints. Book number: 16686 USD 20.00 [Appr.: EURO 15.25 | £UK 12.75 | JP¥ 1553]
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Pl. 53 Texan Skunk : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John James Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American naturalist painters: John James, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4443 USD 450.00 [Appr.: EURO 341.25 | £UK 285.5 | JP¥ 34948] Catalogue: Audubon, John James
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Pl 135 Richardson's Meadow Mouse : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4388 USD 75.00 [Appr.: EURO 57 | £UK 47.75 | JP¥ 5825] Catalogue: Audubon, John James
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Pl. 99 Prairie Dog- Prairie Marmot Squirrel : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John James Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American naturalist painters: John James, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to the American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4442 USD 225.00 [Appr.: EURO 170.75 | £UK 142.75 | JP¥ 17474] Catalogue: Audubon, John James
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Pl 108 Bachman's Hare : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine and rare original lithotint on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed and printed by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American naturalist painters: John James, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Archivally matted and framed as shown, sized to 19 x 16.75 inches. Fine condition. Book number: 4365 USD 900.00 [Appr.: EURO 682.5 | £UK 570.75 | JP¥ 69897] Catalogue: Audubon, John James
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Pl 109 Mexican Marmot-Squirrel : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4367 USD 150.00 [Appr.: EURO 113.75 | £UK 95.25 | JP¥ 11649] Catalogue: Audubon, John James
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Pl 111 Musk Ox : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4369 USD 1500.00 [Appr.: EURO 1137.5 | £UK 951.25 | JP¥ 116495] Catalogue: Audubon, John James
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Pl. 74 Brewer's Shrew Mole : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John James Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American naturalist painters: John James, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to the American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4429 USD 95.00 [Appr.: EURO 72.25 | £UK 60.25 | JP¥ 7378] Catalogue: Audubon, John James
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Pl. 82 Red Texan Wolf : The Quadrupeds of North America New York: V.G. Audubon, 1856 . A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife parinters: John James, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to the American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Near Fine with rich original hand-coloring. Book number: 4435 USD 475.00 [Appr.: EURO 360.25 | £UK 301.25 | JP¥ 36890] Catalogue: Audubon, John James
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Pl 69 Common Star-Nose Mole : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John James Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American naturalist painters: John James, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to the American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine condition with original coloring. Book number: 4425 USD 150.00 [Appr.: EURO 113.75 | £UK 95.25 | JP¥ 11649] Catalogue: Audubon, John James
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Pl 123 the Sewellel : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4381 USD 125.00 [Appr.: EURO 95 | £UK 79.5 | JP¥ 9708] Catalogue: Audubon, John James
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Pl. 80 Leconte's Pine Mouse : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John James Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American naturalist painters: John James, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to the American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4434 USD 75.00 [Appr.: EURO 57 | £UK 47.75 | JP¥ 5825] Catalogue: Audubon, John James
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Pl 126. Caribou or American Rein-Deer : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4383 USD 950.00 [Appr.: EURO 720.5 | £UK 602.5 | JP¥ 73780] Catalogue: Audubon, John James
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Pl 129 Northern Meadow Mouse : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4385 USD 75.00 [Appr.: EURO 57 | £UK 47.75 | JP¥ 5825] Catalogue: Audubon, John James
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Pl 101. The Jaguar : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Archivally matted and framed as shown. 17.25 x 15.25 inches. Fine with original hand-coloring. Book number: 4361 USD 1800.00 [Appr.: EURO 1365 | £UK 1141.5 | JP¥ 139794] Catalogue: Audubon, John James
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Pl 104 Collies Squirrel : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4363 USD 150.00 [Appr.: EURO 113.75 | £UK 95.25 | JP¥ 11649] Catalogue: Audubon, John James
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Pl 107 Lewis' Marmot : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4364 USD 125.00 [Appr.: EURO 95 | £UK 79.5 | JP¥ 9708] Catalogue: Audubon, John James
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Pl 144 Townsend's Arvicola, Sharp-Nosed Arvicola : The Quadrupeds of North America New York: V.G. Audubon, 1849-54. A Fine original hand-colored lithograph on rag stock. Royal Octavo (10.5 x 7 inches). Drawn from nature by John Woodhouse Audubon, drawn on stone by William E. Hitchcock and lithographed, printed and colored by JT Bowen, Philadelphia. This print is accompanied by the original scientific text about the animal written by Rev. John Bachman. The Quadrupeds of North America, which encompassed a total of 155 native American four-legged (thus quadruped) mammals individually documented and portrayed in their landscape and natural settings, was a collaborative effort between premier Nineteenth Century American wildlife painters: John James Audubon, his sons John Woodhouse and Victor Gifford Audubon and the naturalist Reverend John Bachman. To document and portray what John James Audubon considered a dwindling resource; the native mammals set among the splendor and majesty of the uninhabited American landscape, the team traveled westward from Audubon's home in Mill Grove, Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark, from the Canadian border of the Northern Russian Territories, now Alaska, southward to Mexico. Arduous and monumental, the journey influenced the pathos of the compositions, however, the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen, The Quadrupeds of North American is a wildlife classic: an essential and timeless reflection of Nineteenth Century American Culture and contribution to American Wildlife Art. The American Review, a Whig journal, heralded the national origin of the Quadrupeds: "We have at last a Great National Work, originated and completed among us- authors, artists and artisans of which are our own citizens. the Bible of Nature!" (John James Audubon in the West. New York: Henry H. Abrams, 2000). Matted in Ivory Rag Board, 12 x 16 inches. Fine with original hand-coloring. Book number: 4394 USD 75.00 [Appr.: EURO 57 | £UK 47.75 | JP¥ 5825] Catalogue: Audubon, John James
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