Antiquariaat Goltzius: Prints Religion
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Centsprent: Paasch-Prys No. 32.
Catchpenny print. Religious print of Christ (Christus) with his disciples seated around a table during the Last Supper (Laatste Avondmaal), in a room with two large windows; signed J. v. Lieshout, 1793 (Johannes Egbertus).Rotterdam, Jacobus Thompson (1786 – 1810),’Te Rotterdam, gedrukt by Jacobus Thompson, Boekverkooper op de Hoogstraat, by de Nauwemarktsteeg.’ numbered ‘No 32’ in upper right corner. l Large woodcut illustration (305 x 305 mm) on paper, total: 390 x 325 mm; small stains in the centre of the image, small hole in the bottom margin.De Meyer p. 315, Boerma p. 830 (Thompson 32).
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Centsprent: Zie hier drie vaderen van de eerste wereld, met / De drie aartsvaderen van Isrel, vóór de wet ... No. 112.
Catchpenny print. Religious print showing a set of stairs, with on each of the thirteen steps a figure of the old-testament patriarchs, kings and prophets: Mozes, Adam, Methusalem, Noah, Abraham, Isaak, Iacob, Moses, Aron, Josua, David, Saolom, Esaya, Jeremia. In the arch under the stairs is a scene with the temptation of Adam and Eve by the serpent at the tree of knowledge of good and evil.Inspired by a copper engraving by Ottens (Boerma p. 492). The print is part of a series of stairs Stichter published with senses, planets, virtues, and biblical figures (Boerma p. 825, Stichter 99 – 101, 110-113).Amsterdam, Erve de Wed. C. Stichter (1715 – 1813); address mentioned on the print: ‘Te Amsterdam, by de Erfgen van de Wed. C. Stichter, Boekverkopers op ‘t Rokkin, in de Oude Berg Calvarie’; numbered ‘No 112.’ in upper right corner. l Large woodcut illustration (245 x 255 mm) on paper, with a verse in two columns; total: 410 x 320 mm; Pro Patria watermark; lightly frayed edges; mounted on yellow cardboardDe Meyer p. 307, Boerma p. 825 (Stichter 112).
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Centsprent: Bedelaar / Krygsman / Boer / Edelman, No. 2
Catchpenny print. Popular print showing the four classes: a beggar, soldier, farmer and nobleman. In each image an inscription: ‘Aes en Aes en heeft niet’; ‘Deux Aes en geeft niet’; ‘Quater trois moet geeven’; ‘Daer Sinque Six van moet leven’,This appears to be a reference to the ‘Deux-Aesbijbel’, named after a note with Nehemia 3:5, describing how the rich refused to contribute to the rebuilding of Jerusalem. The note reads: ‘Deux aes en heeft niet, six cinque en gheeft niet, quater dry die helpen vrij’. This refers to a dice game, meaning that the poor (deux aes) do not own anything, the rich (six and five) do not give anything, but the middle class (three and four) are the ones willing to help.Amsterdam, J. Wendel en Zoon (1819 - 1842); address mentioned on print: ‘Te Amsterdam, by, J. Wendel, Boekdrukker, op de Angeliesgragt, by de tweede Dwarsstraat’; numbered ‘no. 2.’ in the upper right corner. l Four woodcut illustrations (each ca 145 x 110 mm) on hand-made paper; above each image a caption identifying the figure, and under each a 4-line verse; total: 395 x 320 mm; Pro Patria watermark; slightly frayed edges; small restorations on verso.Meyer p. 337, Boerma, p. 837 (Wendel 2).
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Catalogue: Popular prints Prints Religion
Centsprent: Let, schrandre Jeugd! Op 't nut dat u deez' prent-tafreelen / Van veel Historiën des Bybels mededelen, no. 88.
Catchpenny print. Children’s print telling the biblical events of Joseph (Josef) and Moses (Mozes) in Egypt. The first half, focusing on Joseph, narrates his imprisonment after Potiphar’s wife tries to seduce him, how he wins the king’s favour by explaining his dream, and how he is later reunited with his brothers and father. The second half lays out Moses’ birth, God’s calling of Moses from the burning bush, the ten plagues, and how Moses led the Israelites out of Egypt.Signed Robyn.Amsterdam, Erve de Wed. C. Stichter (1715 – 1813); address mentioned on the print: ‘Te Amsterdam, by de Erfgen van de Wed. C. Stichter, Boekverkopers op ‘t Rokkin, in de oude berg Calvarie’; numbered ‘No. 88.’ in upper right corner. l 12 woodcut illustrations (each ca. 50 x 70 mm) on handmade paper; 4 verses, under each image a 4-line verse; total: 375 x 310 mm; nice print, relatively rare; fragile, and partially torn along one of the two folds.Meyer p. 306, Boerma p. 824 (Stichter 88).
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Centsprent: Bijbelsche Zinnebeelden des Nieuwe Testament, no. 29.
Moralising print of various New Testament parables and miracles, such as the rich man and Lazarus, Christ healing the blind man, and Zaccheus and the sycamore tree.Zaltbommel, Noman (1814 - 1830), mentioned on the print: ‘te Z. Boemel By J. Noman, Boekdrukker’; numbered ‘No. 40’ in upper right corner. l 9 woodcut illustrations (each ca. 50 x 75 mm) on handmade paper; hand coloured in orange and yellow; 4-line verses under each image, in letterpress; total: 408 x 307 mm; Pro Patria watermark; stains at the right edge; right margin cut off, traces of previous mounting on verso.De Meyer p. 246, Boerma p. 791 (Noman 40).
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Centsprent: Les 3 chemins de l’Eternité.
Catchpenny print. Popular print showing an allegorical map based on Matthew 7:13-14: ‘Enter through the narrow gate. For wide is the gate and broad is the road that leads to destruction, and many enter through it. But small is the gate and narrow the road that leads to life, and only a few find it’ (NIV).In this print’s version, there are not two, but three gates. The narrow gate and thorny path to the holy trinity in the heavenly Jerusalem is walked by pilgrims carrying the cross of Christ and the torch of faith. Through the wide gate go the unbelievers playing music and dancing, but they are led to the burning fire of hell. The third road is parallel to that of the true believers, but they failed on the way and are in the end still led to hell, because ‘death is unforgiving’. This is further explained in the inscription at the bottom: ‘Voyez, voici la Porte large, sans cesse ouverte à tout venant; chacun y entre sans obstacle. Qui veut gagner argent et biens, doit y porter ses pas en hâte. Des milliers ont déjà passé, jaloux d’honneur et de fortune: pour la volupté, l’ambition, il n’est pas un autre chemin; les chants, la danse et la musique forment des passagers l’escorte; petits et grands, pauvres et riches, tous croient en suivant cette route aller dans le sein d’Abraham.’Inscribed ‘F. G.’ (Francois Georgin) at the bottom right.Epinal, Jean-Charles Pellerin (1825). l Woodcut illustration (370 x 580 mm) on paper; stencil coloured in blue, green, red, brown and yellow; 16 captions clarifying elements in the illustrations; total: 425 x 645 mm; folded three times, some small tears along the folds; traces of previous mounting on verso.Gernier-Pelle p. 564, Dumont 1965 p. 37, Aynoud 1957 p. 358.
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Centsprent: Zie hier, ô jonge jeugd! Des Waerelds eerste stand; Waarin de boosheid reeds vertoond de overhand. No. 26.
Catchpenny print. Children’s print showing several events from the book of Genesis, such as the creation of man, the Tree of the Knowledge of Good and Evil, The Expulsion from the Garden of Eden, Noah’s Ark, the Tower of Babel, Abraham’s family moving to Canaan, Melchizedek blessing Abraham, Abraham and the three angels, the destruction of Sodom and Gomorrah, Loth and his daughters, and Abimelech and Sarah.Amsterdam, Wendel (1803 - 1845); via Erve H. Rynders, Amsterdam, whose address is mentioned on the print: ‘Te Amsterdam, by d’Erve H. Rynders, in de Tweede Tuindwarsstraat’ numbered ‘No. 26.’ in upper right corner. Later republished under the same number by Rynders under the title ‘Zie hier o jonge jeugd! Een Lusthof voor ‘t gemoed, Hoe zondig ‘t Aardryk is, God schiep ‘t alles goed.’ (De Meyer p. 281, Boerma p. 810). l 16 woodcut illustrations (each ca. 55 x 70 mm) on paper; hand coloured in orange and yellow; 2-line verses under each image with citations of the corresponding verses from Genesis; total: 330 x 420 mm; Pro Patria watermark, countermark: ‘GR’, with crown, encircled with branches, (Voorn 1960, nr. 140, pp. 136, 192); restorations on verso, slightly creased.De Meyer p. 338, Boerma p. 838 (Wendel 26).
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Centsprent: De twaalf Aartsvaderen, de Zonen Jacobs ziet / Men hier ten Trappenrei gesteld ... No. 185.
Religious print showing a set of stairs with on thirteen steps Jacob and his sons, the patriarchs (aartsvaders): Benjamin, Joseph, Naphtali, Asser, Gad, Dan, Isachar, Zabulon, Juda, Levi, Simion, and Ruben. In the arch under the stairs Jacob’s dream, with angels ascending and descending the ladder (Gen. 28:10-19).Inspired by a copper engraving by Ottens (Boerma p. 492). Turnhout, Glenisson en zonen (1856 - 1900); numbered ‘No 185.’ in bottom right corner. The print is published without an address, but the publishing house of Glenisson can be identified by the ‘G’ at the bottom, the sign that was used after his company with Van Genechten had been disbanded in 1856. l Large woodcut illustration (235 x 246 mm) on mechanically produced paper, hand coloured with red; under the image a verse in two columns; total: 395 x 320 mm; folded twice, and folds heavily restored with tape on verso, and slightly torn edges. De Meyer p. 144, Boerma p. 750 (Glenisson 185).
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Protestantse gedenk- en verbondspenning
34x45cm, 1854, lithograph plano sheet by Louis Salomon Leman, Den Haag, compendium of "Protestantse gedenk- en verbondspenning" which medal was issued in reaction to a Roman Catholic medal issued in 1853. This is a protestant anti roman catholic document from the April-beweging (April-movement). The name of the buyer of the medal has not been mentioned on the document. See also: Beschrijving der Nederlandsche of op Nederland en Nederlanders betrekking hebbende penningen geslagen tusschen November 1813 en November 1863, cat.nr. 740. Scarce.
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Catalogue: Prints Religion
CONVOLUTE Prentbijbel, Print bible. 1. Nodig Berigt tot Verklaring der Eerste Landkaarte (A biblical atlas containing 12 maps/plans mostly of the Holy Land, Bachiene 1748-50) 2. Tafereelen des Ouden en Nieuwen Testaments, vertoonende de meeste en merkwaardigste geschiedenissen, in 150 prentverbeeldingen (...) (Scheits, 17xx).
1. Without titlepage, [Gorinchem, Nicolaas Goetzee, 1748-1750. Twelve attractive fold out maps depicting the world from a biblical point of view (J. van Hagen sculp.). Each map is accompanied by a few explanatory textpages [41 pp.]. Some maps are loose. Lit: Reinder Storm 2017 (https://geografie.nl/artikel/de-wereld-van-noachs-nakomelingen) 2. Without titlepage, [Amsterdam (Amsteldam), Reinier en Josua Ottens, 17xx]. There are 171 engravings in total. There are two numbered sets: VT 1-82 (depicting the Old Testament) and NT 1-68 (depicting the New Testament). The other 21 engravings are a frontispiece or semi titlepage mentioning: "te Amterdam, by Reinier en Josua Ottens", a depiction of heaven and earth, 6 fold out maps and some more fold out engravings. Later half linen binding with decorative paper. The hinge of the binding is worn and broken in some places. The construction of the book is still solid and the prints are in good condition with little stains or damages. In the front a loose engraving (undated) is inserted, worn along the edges and the foldlines. It is entitled: "Afbeelding van Hertoge Philips van Bourgondie, zyne Gemalinnen den Graave van Charolois, enz." "Naar 't origineel op de Leenkamer van Holland, J. Kobell sculps." The maps from part 1 of this convolute were never published as a book with the accompanying notes. They have been bound by the owner of this book for the occassion. That explains the absence of a titlepage. The engravings from part 2 (at least the two numbered sets) were first published in 1672 in a Lutherian Bible entitled "Biblia, dat is: die gantze H. Schrifft alten und newen Testaments (...)" known as "Scheitsbibel". The engravings were drawn by Matthias Scheits (1630-1700) and engraved by various famous German and Dutch engravers, for instance Abraham Bloteling (1640-1690) and Jan de Visscher (1633-1693). In later Dutch translations of this Scheitsbible the original engravings were copied by lesser known artists, mostly students of Romeyn de Hooghe. They have an English header, and a French and Dutch translation underneath the engraving. These engravings are known as "Scheitsprenten". To these later translations 12 extra engravings were added, with just a French subtitle. According to the frontispiece of our edition, it concerns an edition by Reinier and Josua Ottens. Usually this edition (as well as a dated editions by Ottens from 1760) comes without the extra engravings, so would just contain the Scheitsprenten. This convolute however, contains the mentioned Scheitsprenten as well as the 12 extra engravings and some more engravings that originally were published in F. Halma, Kanaän, Leeuwarden (1717). It seems to have been bound for the occasion, just like the first part of this convolute. NB: the set of the New Testament engravings in this convolute do not depict God where the same engravings in the Halma edition do depict God (cf. NT 51, NT 62, NT 63 and NT 65). The most obvious example is NT 62 where we see an empty throne. In conclusion: it concerns a unique collection of biblical engravings with a strong connection to the Bachiene and Scheits Bible.
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Catalogue: Prints Religion
The Circumcision of Christ (series The Life of the Virgin)
Twelfth plate of a series of twenty plates showing the life of the Virgin after Crispijn van den Broeck; sixteen plates are engraved by Hans Collaert I, two by Jan Ditmaer, and two by an anonymous engraver. The set was first published in 1576 by Adriaen Huybrechts (fl. 1573-1614) On plate 12 (after the drawing in the National Gallery of Scotland, Edinburgh, inv.no.D3125) The Circumcision of Christ: inside a temple with the high-priest performing the operation at centre, the Virgin and St Joseph holding the Christ child are surrounded by other parents waiting with their babies. Lettered on the bottom center: 'CVB in.' and towards the left: 'Adrianus hubertus excudit 1576'. New Hollstein (van den Broeck, 175) l Engraving, no margins, trimmed around the drawn frame, text underneath is missing; state I or II/2; total: 245 x 185 mm; repaired damages on the right and lower borders. PB01NT
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Catalogue: Prenten Prints Religion prent
Christ dissappears in front of two disciples during meal in Emmaus (Christus verdwijnt voor ogen van twee leerlingen tijdens maaltijd in Emmaus).
Christ disappearing in front of two disciples in Emmaus. From the estate of Cremer van den Berch. l Etching on paper trimmed to plate and pasted on cardboard: 162 x 137 mm; late state, slightly damaged.
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The Virgin and Child in the heavens with Saints
The Virgin and Child in the heavens adored by St Luke, St Thomas Aquinas, St Petronio of Bologna, and St Jerome(?). Some angels making music on the top right corner. According to the BM (U,5.11) record of an earlier version of the present impression, Simonetta Stagni (1988) associated this engraving with a lost painting described by Malvasia in the Palazzo Comunale in Bologna. On the cartouche held by St Luke "SEQUENTIA / SANCTI EVA/GELII SECUN/DUM LUCAM. / IN ILLO TEM/PORE MISSUS / EST ANGELUS / GABRIEL A", on the book held by the sitting angel on the left: "SI TERRES/TRIA DAET / CELES / TIA" On the bottom, under the picture:"Alli Molti Ill.[ri] Sig[ri]: miei Pro[...] Oss.[mi]si Sig.[ri] Correttore, e Consoli dell'Alm. Colleggio/ de Sig. [ri] Notari di Bologna / del primo semestre 1679"; "Dom. Ma. Canutus Inu."; "Carolus Ant: Forus Inudit. D.D." l Etching; total: 400 x 278 mm, damaged along the borders, yet very nice impression. On the back in ink: 'Bajocchi n° 15, probably from a 17th/18th century dealer in Italy. PB01SS
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Catalogue: Music Muziek Prenten Prints Religion
MAHOMETH
Whole size picture of Mahometh holding a pen in his right hand and the sword with the left. From the book: 'Historie der kerken en ketteren van den beginne des Nieuwen Testaments tot aan het jaar onses Heeren 1688', published in Amsterdam by Sebastiaan Petzold in 1701, volume 1, p. 469. Inscribed on the bottom: 'MAHOMETH'. l Etching and engraving with margins; platemark: 263 x 155 mm, total: 322 x 200 mm PB01RF, RdH154
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Catalogue: Prenten Prints Religion
MANES seu MANICHAEUS CORBICUS
Whole size picture of Manichaeus (Manes) Corbicus was a religious leader, born in Ecbatana, Persia and the founder of Manichaeism. From the book: 'Historie der kerken en ketteren van den beginne des Nieuwen Testaments tot aan het jaar onses Heeren 1688', published in Amsterdam by Sebastiaan Petzold in 1701, volume 1, p. 177 l Etching and engraving with margins; platemark: 260 x 152 mm, total: 320 x 196 mm PB01RF, RdH154
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Catalogue: Prenten Prints Religion