Almanakprent Leidsch Studentencorps 1853/ Almanac print

Lithograph print by C.C. Last/P.W.M. Trap as published in the almanac of Leidsch Studentencorps (LSC) for the year 1853. appr. 41x45cm. One repaired tear in left side/corner, as shown on photograph. This print shows the "exciting" and structured life of an organised student living with his parents and a circle of smaller plates showing the real student life: alcohol. hangovers, fights, women and late night activities.

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Book number: 70674

Catalogue: Prints

Amsterdam in vroeger dagen.

Ouderkerk a/d Amstel, Gebr. De Grauw, [1894], oblong leparello, 12 lithograph views of Amsterdam. Lithographs by Gebr. Braakensiek, Amsterdam. In this edition: Mozes- en Aaronkerk, Damrak, Leidsche Poort, St Anthonie's Waag, Het Park, Schreierstoren, Amstel jachtclub, De Oudekerk, De Westerkerk, Pijpenmarkt, Oude Teetuinen, De Zuiderkerk. Scarce.

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Book number: 67325

Catalogue: Prints

Before the woods.

Figures sitting in front of the entrace to the woods, with a dog. Signed on the bottom left: 'K. Vinci (?) fecit 3'. From an unknown series. On the top left collector's mark, not in Lugt. Hand written at the bottom: '5' in pencil and: 'N. 50' in brown ink. l Etching on paper with broad margins; plate mark: 138 x 119 mm, total: 217 x 202 mm.

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Book number: 63274

Catalogue: Biology Categories Categorieën, Etching Landscapes Prenten, Prints

BERTHOLDE. Engraved from an Original Picture (dwerg hofnar Bertholde, de dwerg van Normandie).

Engraving portraying Bertholde, a dwarf prime minister to Alboinus, King of Lombardy (c.530-572). This plate was in 'The London Magazine' (c.1753), where he is described as follows: "[He had] a large head, as round as a football, adorned with red hair, very straight, and which had a great resemblance to the bristles of a hog; an extremely short forehead, furrowed with wrinkles; two little blear eyes, edged round with a border of bright carnation, and over-shadowed by a pair of large eyebrows, which upon occasion might be made use of as brushes; a flat red nose, resembling an extinguisher; a wide mouth, from which proceeded two long crooked teeth, not unlike the tusks of a boar, and pointing to a pair of ears like those which formerly belonged to Mydas; a lip of a monstrous thickness, which hung down on a chin that seemed to sink under the load of a beard, thick, straight, and bristly; a very short neck, which nature had adorned with a kind of necklace, formed of ten or twelve small wens. The rest of his body was perfectly agreeable to the grotesque appearance of his visage; so that, from head to foot he was a kind of monster, who by his deformity and the hair with which he was covered had a greater resemblance to a bear half licked into form than to a human creature. But though nature had treated him so ill with respect to his body, she had recompensed him by the subtlety, the agreeableness, and the solidity of the mind she had united to it."Inscribed at bottom: 'BERTHOLDE./ Engraved from an Original Picture'. l Engraving on paper, mounted on laid paper, in passepartout; total (picture) 183 x 103 mm; framing line in black ink on mount.

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Book number: 63588

Catalogue: Categories Categorieën, Country seats History Portraits Portretten, Prenten, Prints

Boerhaave: portrait

Extract from a calender: Hermannus Boerhaave with text in Dutch 19th century. 9,5x9,5cm. Herman Boerhaave (31 December 1668 - 23 September 1738) was a Dutch botanist, chemist, Christian humanist, and physician of European fame. He is regarded as the founder of clinical teaching and of the modern academic hospital and is sometimes referred to as "the father of physiology," along with Venetian physician Santorio Santorio (1561-1636). Boerhaave introduced the quantitative approach into medicine, along with his pupil Albrecht von Haller (1708-1777) and is best known for demonstrating the relation of symptoms to lesions. He was the first to isolate the chemical urea from urine. He was the first physician to put thermometer measurements to clinical practice. His motto was Simplex sigillum veri: 'Simplicity is the sign of the truth'. He is often hailed as the "Dutch Hippocrates"

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Book number: 69127

Catalogue: Prints

H. Boerhaave: portrait

Lithograph portrait possibly by L. Springer of Herman Boerhaave. 22x15cm including margins, Herman Boerhaave (31 December 1668 - 23 September 1738) was a Dutch botanist, chemist, Christian humanist, and physician of European fame. He is regarded as the founder of clinical teaching and of the modern academic hospital and is sometimes referred to as "the father of physiology," along with Venetian physician Santorio Santorio (1561-1636). Boerhaave introduced the quantitative approach into medicine, along with his pupil Albrecht von Haller (1708-1777) and is best known for demonstrating the relation of symptoms to lesions. He was the first to isolate the chemical urea from urine. He was the first physician to put thermometer measurements to clinical practice. His motto was Simplex sigillum veri: 'Simplicity is the sign of the truth'. He is often hailed as the "Dutch Hippocrates"

Antiquariaat GoltziusProfessional seller

Book number: 69128

Catalogue: Prints

Boerhaave: portrait

Engraved portrait, 12,5x8cm, no margins, pasted on later paper, of Herman Boerhaave (31 December 1668 - 23 September 1738) who was a Dutch botanist, chemist, Christian humanist, and physician of European fame. He is regarded as the founder of clinical teaching and of the modern academic hospital and is sometimes referred to as "the father of physiology," along with Venetian physician Santorio Santorio (1561-1636). Boerhaave introduced the quantitative approach into medicine, along with his pupil Albrecht von Haller (1708-1777) and is best known for demonstrating the relation of symptoms to lesions. He was the first to isolate the chemical urea from urine. He was the first physician to put thermometer measurements to clinical practice. His motto was Simplex sigillum veri: 'Simplicity is the sign of the truth'. He is often hailed as the "Dutch Hippocrates". Muller 505g.

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Book number: 69130

Catalogue: Prints

BOLDINGH, HONDIUS, LEEUWARDEN Litho `Gezigt op den ingang van de stedelijke begraafplaats, Leeuwarden', met randschrift in pen `Reinier Jan Boldingh, geboren te Hoorn 8 maart 1838. Overleden te Leeuwarden 14 mei 1862. Begraven 17 mei afd. 1 regel 3 nr. 20'. In originele lijst uit de tijd. Voorts: grafstuk, vervaardigd o.m. van haar, voorstellende een grafmonument met de tekst `P.S.H. geb. 7 Sep. 1833 ovl. 1 juni 1887' en `M.B. geb. 7 Febr. 1868 ovl. 3 juli 1887'. Op verso het etiket `W. Ooms, kunsthaarwerker en graveur te Hoorn. Voorts verklaring van de letters: `Petronella Suzanna Hondius (gehuwd met Heiman Hendrik Boldingh, een broer van grootvader Claas Boldingh) en hun dochtertje Maria'. In eigentijds ovalen lijstje.

m0070. Rechtsonder mist een stukje van het glas. Very intricate hairwork by Hoorn master W. Ooms. Wolterus Adrianus Ooms, engraver, born Hoorn 25 augustus 1832, died Hoorn 6 oktober 1906. See also: Karin Wester, Haar als liefdevol kunstobject, Klein en fijn als blijvende herinnering, Oud Hoorn, 2004.

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Book number: 10995

Catalogue: Death Great Prints United Kingdom

Centsprent: Hier ziet gij, lieve Jeugd! een overschoon Tafreel, / Van Genoveva’s deugd, en hoe God haar beloonde, / Hoe zij Onschuldig leed, en werd in haar regt hersteld. / Nadat zij Zeven jaar een Wildernis bewoonde ... No. 22.

Catchpenny print. Children’s print presenting twelve moments in the life of Genoveva, married to earl Siegfried. When falsely accused of infidelity she was sent away to live in the forest. She remained virtuous and pious and was rewarded by God, who brought her husband back to her. The story of Genoveva was mostly printed in the form of books, such as ‘de Historie van Genoveva, huisvrouw van Siegfried’. The woodblocks Ulrich used for the current print were probably originally also used to illustrate books. These images have a clear popular character as is visible from the style of the figures, which are strongly reminiscent of theatre puppets.The series of Ulrich’s children’s prints was advertised in Nieuwsblad voor den Boekhandel on December 7 1836: “Een geheel nieuw soort van kinderprenten. Op schrijfpapier best gekleurd ƒ7,00; dito zwart ƒ5,00; op ordinair papier, gekleurd ƒ 3,20; dito zwart ƒ 3,00. 25 Riem gelijk nemende één tot premie. Deze Prenten laten zich door de aardige rijmpjes, benevens de goede spelling, bijzonder boven alle andere soorten van dien aard, voor de Kinderen aanbevelen, dewijl de Schoolmeesters gerust deze op hunne Scholen kunnen gebruiken.”Rotterdam, J. B. Ulrich, (1816 – 1849), numbered ‘no 22.’ in the bottom left corner. l Twelve woodcut illustrations (each ca 60 x 80 mm) on paper; hand coloured with orange and blue; under each image a 4-line verse in letterpress; total: 415 x 330 mm; Pro Patria watermark; folded twice, small restorations on the vertical fold on the verso.De Meyer p. 320, Boerma p. 833 (Ulrich 22).

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Book number: 63123

Catalogue: Centsprenten, Middeleeuwen, Middle Ages Popular prints Prenten, Prints Vrouwen, Women Woodcuts

Centsprent: Paasch-Prys No. 32.

Catchpenny print. Religious print of Christ (Christus) with his disciples seated around a table during the Last Supper (Laatste Avondmaal), in a room with two large windows; signed J. v. Lieshout, 1793 (Johannes Egbertus).Rotterdam, Jacobus Thompson (1786 – 1810),’Te Rotterdam, gedrukt by Jacobus Thompson, Boekverkooper op de Hoogstraat, by de Nauwemarktsteeg.’ numbered ‘No 32’ in upper right corner. l Large woodcut illustration (305 x 305 mm) on paper, total: 390 x 325 mm; small stains in the centre of the image, small hole in the bottom margin.De Meyer p. 315, Boerma p. 830 (Thompson 32).

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Book number: 63126

Catalogue: Categories Categorieën, Centsprenten, Popular prints Prenten, Prints Religion

Centsprent: Zie hier drie vaderen van de eerste wereld, met / De drie aartsvaderen van Isrel, vóór de wet ... No. 112.

Catchpenny print. Religious print showing a set of stairs, with on each of the thirteen steps a figure of the old-testament patriarchs, kings and prophets: Mozes, Adam, Methusalem, Noah, Abraham, Isaak, Iacob, Moses, Aron, Josua, David, Saolom, Esaya, Jeremia. In the arch under the stairs is a scene with the temptation of Adam and Eve by the serpent at the tree of knowledge of good and evil.Inspired by a copper engraving by Ottens (Boerma p. 492). The print is part of a series of stairs Stichter published with senses, planets, virtues, and biblical figures (Boerma p. 825, Stichter 99 – 101, 110-113).Amsterdam, Erve de Wed. C. Stichter (1715 – 1813); address mentioned on the print: ‘Te Amsterdam, by de Erfgen van de Wed. C. Stichter, Boekverkopers op ‘t Rokkin, in de Oude Berg Calvarie’; numbered ‘No 112.’ in upper right corner. l Large woodcut illustration (245 x 255 mm) on paper, with a verse in two columns; total: 410 x 320 mm; Pro Patria watermark; lightly frayed edges; mounted on yellow cardboardDe Meyer p. 307, Boerma p. 825 (Stichter 112).

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Book number: 63130

Catalogue: Categories Categorieën, Centsprenten, Popular prints Prenten, Prints Religion Woodcut

Centsprent: Beschouw, o vaderlandsche Jeugd! / Der vadren Trouw en Moed en Deugd. / En dat uw teeder hartontbrand / In zucht voor hun en ’t Vaderland, A.

Catchpenny print with 16 events from Dutch history, mainly from the Eighty Years’ War (Tachtigjarige Oorlog), showing famous historical figures such as Albert Beijling being burried alive, Jan van Schaffelaar jumping of the tower in Barneveld, Kenau Hasselaer defending Haarlem against the Spanish, and the murder of Prins Willem (William I). At the top, the seal ‘Tot nut van ‘t algemeen’ of the Maatschappij tot Nut van ’t Algemeen, and signed ‘G. oortman’. When in 1784 the Maatschappij tot Nut van ’t Algemeen was founded, several publishers received permission to use their stamp on prints that had been approved by the association, as being of moral and pedagogical value. Stichter commissioned the brothers G. and J. Oortman to create a series of ‘Nutsprenten’ of which only 6 prints appeared.Amsterdam, Erve de Wed. C. Stichter (1715 – 1813) ‘Te Amsterd., bij d’Erven van de Wed. C. Stichter, Boekverk. in de Warmoesstraat, schuin over de Oude kerksteeg, in de Oude Berg Calvarie, in N. 159’; lettered ‘A.’ in upper right corner, the first print in Stichter’s series of ‘nutsprenten’. l 16 woodcut illustrations (each ca 70 x 60 mm) on paper; under each image a 4-line verse; total: 410 x 330 mm; Pro Patria watermark; folded twice.De Meyer p. 309, Boerma p. 827 (Stichter A).

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Book number: 63132

Catalogue: Categories Categorieën, Centsprenten, Education Helden History Nederlandse Opvoeding, Popular prints Prenten, Prints Royals Vaderlandse Vorsten, Woodcut

Centsprent: Ziet hier, ô Kinderen! De vier Hoofdstoffen samen / Verbeeld; Lucht, Water, Vuur en Aarde ... No. 64.

Catchpenny print. Allegorical Children’s print showing medallions with the four elements air, water, fire and earth personified as individual figures and couples. Between the medallions are flowers, fruits, weapons, and musical instruments.Signed Robyn (J. or A.)Amsterdam, Erve de Wed. C. Stichter (1715 – 1813); with address mentioned on the print: ‘Te Amsterdam, by de Erfgen. van de Wed. C. Stichter, Boekverkopers op ‘t Rokkin, in de Oude Berg Calvarie’; numbered ‘No. 64.’ in upper right corner. l 8 wood engravings (each ca 255 x 235 mm) on paper; under the image a verse in two columns; total: 396 x 295 mm; mounted on cardboard, small stain at the bottom.De Meyer p. 305, Boerma p. 824 (Stichter 64).

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Book number: 63197

Catalogue: Astronomy Centsprenten, Popular prints Prenten, Prints Woodcuts

Centsprent: I. Abdy van Rynsburg, 2. ’t Slot te Maarssen, 3. Van Speyks Boot, 4. Gevecht bij Bautersem ... DD.

Catchpenny print. Images of various locations in the Netherlands and abroad, events in Dutch history, and instances from Dutch everyday life, including: the abbey of Rijnsburg, a castle in Maarssen, Van Speyk’s ship, the battle at Bautersem, the battle at Houthalen, the Citadel of Antwerp, the Chêne Chapelle at Allouville, a fortune-teller, and a beggar (Abdij van Rijnsburg, Slot te Maarssen, Van Speyks schip, de slag bij Bautersem, de slag bij Houthalen, de Citadel van Antwerpen, de eik te Allouville, een waarzegster, een bedelaar).Signed: A. (Alexander) Cranendoncq.Amsterdam, C.C.L. van Staden (1812 – c. 1850); address mentioned on the print: ‘Te Amsterdam, bij C.C.L. van Staden, op de Waal bij de Oude Schans, no. 72.’; lettered ‘Letter DD.’ in upper right corner. l 12 woodcut illustrations (each ca 60 x 70 mm) on paper; hand coloured in yellow and brown; above each image a title, under each image a 2-line verse; total: 430 x 340 mm; folded twice; some small holes, affecting one of the images;Not mentioned in De Meyer; it is a later impressions pulled from the same plate by P.C.L. van Staden under number 19: De Meyer p. 295 (Staden 19).Boerma, p. 820 (Staden DD).

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Book number: 63200

Catalogue: Castles and country seats Centsprenten, Helden History Nederlandse Popular prints Prenten, Prints Vaderlandse Woodcut

Centsprent: Zes Fab’len, lieve jeugd, word’u hier voorgesteld ... No. 45.

Catchpenny print. Children’s print with 6 moralising and pedagogical fables, teaching children lessons in gratitude, prudence, and understanding that unfortunate events can be a blessing in disguise. Amsterdam, P.C.L. van Staden (c. 1850 – c. 1870); numbered ‘No. 45.’ in upper right corner. l 6 woodcut illustrations (each ca 85 x 105 mm) on paper; hand coloured with yellow, red and blue; under each image a 4-line verse; total: 375 x 295 mm; folded twice.De Meyer p. 296, Boerma p. 821 (Staden 45).

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Book number: 63202

Catalogue: Centsprenten, Literature Popular prints Prenten, Prints