ERIK TONEN BOOKS: Middeleeuwen
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Re-Thinking Late Antique Armenia: Historiography, Material Culture, and Heritage
Brepols, 2023 Paperback, 191 pages, Size:210 x 270 mm, Illustrations:30 b/w, 125 col., 2 maps color, Language: English. ISBN 9788028003067.
¶ Summary This book questions the place of Armenian visual and material culture in the period known as Late Antiquity, at a time when Armenia is usually presented as an in-between space defined by surrounding external entities: the Roman and the Persian, and later Arab world. The volume includes articles that confront this notion both from the perspective of art history, architecture, and archaeology, and from a historiographical point of view, which examines the reception of Armenian arts by scholars from Italy, Russia, and France. The articles in this richly illustrated volume aim to reposition Armenia as one of the forces of artistic creation and mediation to be reckoned with within the Mediterranean and Eurasian space of Late Antiquity. This project draws on the papers presented at the conference ?Re-Constructing Late Antique Armenia (2nd-8th Centuries CE). Historiography, Material Culture, Immaterial Heritage? that took place in February 2022 at the Center for Early Medieval Studies in Brno, Czech Republic. TABLE OF CONTENTS Introduction Ivan Foletti & Adrien Palladino Late Antiquity and Armenia. From Marginalized Region to Creative Force Articles Patrtick Donabédian Culmination of a Late Antique Legacy? The Golden Age of Armenian Architecture in the Seventh Century Nazénie Garibian The First Armenian Christian Sanctuaries and Shrines. Reconsidering the Received Tradition Lilit Mikayelyan Greco-Roman Ornamental Motifs in Armenia and Iran. Commonality and Sustainability of Tradition (5th-11th Centuries) Zaruhi Hakobyan The Image of St Christopher Cynocephalus in Early Medieval Sculpture of Armenia Adrien Palladino From Desperate Solidarity to Dispassionate Eye. Shifting French Perspectives on Early Medieval Armenian Art (ca 1894-1929) Annalisa Moraschi A Mutual Presentation. Precocious Interests for Medieval Armenia in Nineteenth-Century Italy Beatrice Spampinato A Theoretical Topography of Architecture. On the Problematic Connections between Rome, Byzantium, and Armenia in Italian Historiography (1914-1945) Ruben Campini Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus Ivan Foletti & Pavel Rakitin Re-Inventing Late Antique and Early Medieval Armenia in World War II Soviet Union Afterword Christina Maranci Late Antique Armenia. Past, Present, and Future.
¶ Summary This book questions the place of Armenian visual and material culture in the period known as Late Antiquity, at a time when Armenia is usually presented as an in-between space defined by surrounding external entities: the Roman and the Persian, and later Arab world. The volume includes articles that confront this notion both from the perspective of art history, architecture, and archaeology, and from a historiographical point of view, which examines the reception of Armenian arts by scholars from Italy, Russia, and France. The articles in this richly illustrated volume aim to reposition Armenia as one of the forces of artistic creation and mediation to be reckoned with within the Mediterranean and Eurasian space of Late Antiquity. This project draws on the papers presented at the conference ?Re-Constructing Late Antique Armenia (2nd-8th Centuries CE). Historiography, Material Culture, Immaterial Heritage? that took place in February 2022 at the Center for Early Medieval Studies in Brno, Czech Republic. TABLE OF CONTENTS Introduction Ivan Foletti & Adrien Palladino Late Antiquity and Armenia. From Marginalized Region to Creative Force Articles Patrtick Donabédian Culmination of a Late Antique Legacy? The Golden Age of Armenian Architecture in the Seventh Century Nazénie Garibian The First Armenian Christian Sanctuaries and Shrines. Reconsidering the Received Tradition Lilit Mikayelyan Greco-Roman Ornamental Motifs in Armenia and Iran. Commonality and Sustainability of Tradition (5th-11th Centuries) Zaruhi Hakobyan The Image of St Christopher Cynocephalus in Early Medieval Sculpture of Armenia Adrien Palladino From Desperate Solidarity to Dispassionate Eye. Shifting French Perspectives on Early Medieval Armenian Art (ca 1894-1929) Annalisa Moraschi A Mutual Presentation. Precocious Interests for Medieval Armenia in Nineteenth-Century Italy Beatrice Spampinato A Theoretical Topography of Architecture. On the Problematic Connections between Rome, Byzantium, and Armenia in Italian Historiography (1914-1945) Ruben Campini Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus Ivan Foletti & Pavel Rakitin Re-Inventing Late Antique and Early Medieval Armenia in World War II Soviet Union Afterword Christina Maranci Late Antique Armenia. Past, Present, and Future.
Erik Tonen BooksProfessional sellerBook number: 64336
€ 75.00 [Appr.: US$ 85.78 | £UK 63.25 | JP¥ 12338]
Catalogue: Middeleeuwen
Keywords: Balkans & Western Asia (Near East) (. 1500) Middle Ages (c.500 1000) Schilderkunst kunst paint schilder Beaux Sciences antiek deco beeldhouwkunst beelden sculpturen & schilderen Kunst Fotografie Histoire et patrimoine Nouveautés plastiques histoire livre
caduta di Acri 1291. Raccolta delle imprese legate allo sterminio di Acri - Taddeo di Napoli, Storia della desolazione e della distruzione della città di Acri e di tutta la Terra Santa
Brepols, 2023 Paperback, 168 pages, Size:156 x 234 mm, Illustrations:2 tables b/w., Language: Italian. ISBN 9782503602646.
¶ Summary La caduta di San Giovanni d'Acri nel 1291, che segna la fine degli stati crociati d'Oltremare, rappresenta un punto di svolta nella storia medievale, già percepito come tale dai contemporanei. Sulla scia immediata dell'evento, due scritti narrano e commentano la battaglia: l'anonima Excidii Aconis gestorum collectio (composta probabilmente nel Nord della Francia) e l'Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte di Taddeo di Napoli, venata di influssi gioachimiti. Entrambi ripercorrono con impressionante vividità le vicende che hanno portato allo scontro e soprattutto la disperata resistenza della città, mettendo in scena una molteplicità di personaggi nelle loro dinamiche di collaborazione e dissenso: i maestri degli Ordini Militari, i governanti e il patriarca, la folla dei combattenti e delle vittime inermi; dall'altra parte, i due sultani che si succedono nel corso degli eventi con il loro popolo di ?infedeli?, sinistri eppure valorosi. Lo stile adottato dall'Anonimo e da Taddeo è improntato a un preziosismo al limite talvolta della comprensibilità, che rende ardua la lettura nell'originale latino. La traduzione italiana mette a disposizione in modo più facilmente accessibile due fonti fondamentali per la storia delle crociate e della percezione di esse nella cultura del tempo. La versione latina originale dei testi qui tradotti è pubblicata nella collana Corpus Christianorum, Continuatio Mediaeualis con il titolo Excidii Aconis gestorum collectio; Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte (CC CM, 202), a cura di R.B.C. Huygens (2004). I rimandi alle pagine corrispondenti dell'edizione sono forniti a margine di questa traduzione. TABLE OF CONTENTS Introduzione Bibliografia Raccolta delle imprese legate allo sterminio di Acri Taddeo di Napoli, Storia della desolazione e della distruzione della città di Acri e di tutta la Terra Santa Appendice 1: Gli ordini militari Appendice 2: Armi e macchine d'Assedio notevoli. Il lessico della guerra medievale Indici.
¶ Summary La caduta di San Giovanni d'Acri nel 1291, che segna la fine degli stati crociati d'Oltremare, rappresenta un punto di svolta nella storia medievale, già percepito come tale dai contemporanei. Sulla scia immediata dell'evento, due scritti narrano e commentano la battaglia: l'anonima Excidii Aconis gestorum collectio (composta probabilmente nel Nord della Francia) e l'Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte di Taddeo di Napoli, venata di influssi gioachimiti. Entrambi ripercorrono con impressionante vividità le vicende che hanno portato allo scontro e soprattutto la disperata resistenza della città, mettendo in scena una molteplicità di personaggi nelle loro dinamiche di collaborazione e dissenso: i maestri degli Ordini Militari, i governanti e il patriarca, la folla dei combattenti e delle vittime inermi; dall'altra parte, i due sultani che si succedono nel corso degli eventi con il loro popolo di ?infedeli?, sinistri eppure valorosi. Lo stile adottato dall'Anonimo e da Taddeo è improntato a un preziosismo al limite talvolta della comprensibilità, che rende ardua la lettura nell'originale latino. La traduzione italiana mette a disposizione in modo più facilmente accessibile due fonti fondamentali per la storia delle crociate e della percezione di esse nella cultura del tempo. La versione latina originale dei testi qui tradotti è pubblicata nella collana Corpus Christianorum, Continuatio Mediaeualis con il titolo Excidii Aconis gestorum collectio; Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte (CC CM, 202), a cura di R.B.C. Huygens (2004). I rimandi alle pagine corrispondenti dell'edizione sono forniti a margine di questa traduzione. TABLE OF CONTENTS Introduzione Bibliografia Raccolta delle imprese legate allo sterminio di Acri Taddeo di Napoli, Storia della desolazione e della distruzione della città di Acri e di tutta la Terra Santa Appendice 1: Gli ordini militari Appendice 2: Armi e macchine d'Assedio notevoli. Il lessico della guerra medievale Indici.
Erik Tonen BooksProfessional sellerBook number: 64496
€ 45.00 [Appr.: US$ 51.47 | £UK 38 | JP¥ 7403]
Catalogue: Middeleeuwen
Keywords: Crusades Medieval Latin literature Religious history (c. 500 1500) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie Art Histoire patrimoine Nouveautés a
Paganism in the Middle Ages : Threat and Fascination
UPL, 2013 Softcover with flaps, 250 pages, ENG edition, 240 x 160 x 20 mm, New condition, a few b/w illustrations. ISBN 9789058679338.
¶ Interdisciplinary study of pagan culture from late antiquity to the emergent Renaissance In this volume the persistence, resurgence, threat, fascination, and repression of various forms of pagan culture are studied in an interdisciplinary perspective from late antiquity to the emergent Renaissance. Contributions deal with the survival of pagan beliefs and practices, as well as with the Christianization of pagan rural populations or with the different strategies of oppression of pagan beliefs. The authors examine problems raised by the encounter with pagan cultures outside the Muslim world and show how philosophers contrived to ?save' the great philosophers and poets from ancient culture notwithstanding their paganism. The contributors also study the fascination of classic ?pagan' culture among friars during the fourteenth and fifteenth centuries and the imitation of pagan models of virtue and mythology in Renaissance poetry. Contributors Carlos Steel (University of Leuven), John Marenbon (Trinity College, Cambridge), Ludo Milis (University of Ghent), Marc-André Wagner ? (Paris, Ministère de la Culture), Brigitte Meijns (University of Leuven), Rob Meens (University of Utrecht), Edina Bozoky (Université de Poitiers), Henryk Anzulewicz (Albertus-Magnus Institut, Bonn), Robrecht Lievens (University of Leuven), Stefano Pittaluga (Università di Genova), Anna Akasoy (Ruhr-Universität Bochum).
¶ Interdisciplinary study of pagan culture from late antiquity to the emergent Renaissance In this volume the persistence, resurgence, threat, fascination, and repression of various forms of pagan culture are studied in an interdisciplinary perspective from late antiquity to the emergent Renaissance. Contributions deal with the survival of pagan beliefs and practices, as well as with the Christianization of pagan rural populations or with the different strategies of oppression of pagan beliefs. The authors examine problems raised by the encounter with pagan cultures outside the Muslim world and show how philosophers contrived to ?save' the great philosophers and poets from ancient culture notwithstanding their paganism. The contributors also study the fascination of classic ?pagan' culture among friars during the fourteenth and fifteenth centuries and the imitation of pagan models of virtue and mythology in Renaissance poetry. Contributors Carlos Steel (University of Leuven), John Marenbon (Trinity College, Cambridge), Ludo Milis (University of Ghent), Marc-André Wagner ? (Paris, Ministère de la Culture), Brigitte Meijns (University of Leuven), Rob Meens (University of Utrecht), Edina Bozoky (Université de Poitiers), Henryk Anzulewicz (Albertus-Magnus Institut, Bonn), Robrecht Lievens (University of Leuven), Stefano Pittaluga (Università di Genova), Anna Akasoy (Ruhr-Universität Bochum).
Erik Tonen BooksProfessional sellerBook number: 62800
€ 59.50 [Appr.: US$ 68.05 | £UK 50.25 | JP¥ 9788]
Catalogue: Middeleeuwen
Keywords: Natuur Milieu Wetenschap Filosofie Italian Glas NL oorlog Schilderkunst art kunst paint schilder Beaux Arts Sciences
Organising a Literary Corpus in the Middle Ages. The Corpus Nazianzenum and the Corpus Dionysiacum
Brepols, 2024 Hardback, 700 pages, Size:156 x 234 mm, Illustrations:6 b/w, 15 col., 12 tables b/w., Language(s):English, French, German. ISBN 9782503610962.
¶ Summary Through the word corpus, the metaphor of the body is applied to a collection of works by the same author that are transmitted together. These works not only share the same skin, the manuscript, but also function organically thanks to a complex system of paracontents. It is possible to see this system at work in the case of only a very few medieval authors throughout history, cultures and languages; the Corpus Nazianzenum and the Corpus Dionysiacum are such instances. Both Gregory of Nazianzus and Dionysius the Areopagite are super-authors, who forged their own literary identity as much as they shaped the body of their writings. This sets both corpora apart from other collections of patristic works. They are also exceptional because of the large scale and enduring character of their cultural impact in the different cultures in which the corpora were translated, commented and annotated. By confronting these two exceptional cases, it is possible to gain some new light on the intellectual and book-historical aspects of literary creation and reception in Late Antiquity and the Middle Ages. TABLE OF CONTENTS Introduction 1. Caroline Macé: Living Bodies of Texts 2. Ekkehard Mühlenberg: Das Akademievorhaben ?Dionysius Areopagita? in Göttingen 3. Bernard Coulie: Le Centre d'études sur Grégoire de Nazianze à Louvain-la-Neuve I. Origins and Evolutions of the Corpora 1. Margherita Matera: Le palimpseste Parisinus graecus 1330, le plus ancien témoin manuscrit du Corpus Dionysiacum 2. Caroline Macé: Éléments d'une histoire ancienne de la tradition des discours de Grégoire de Nazianze: les variantes arméno-latines du discours 38 3. Alessandro Capone: Alle origini delle antiche versioni latine delle Orazioni di Gregorio di Nazianzo 4. Véronique Somers: Sur les traces d'une édition byzantine des Discours de Grégoire de Nazianze ? 5. Pierre-Marie Picard: Les divisions mauristes des ?uvres poétiques de Grégoire de Nazianze, des sous-corpus évolutifs à interroger 6. Jost Gippert: Ephrem the Minor's Preface Revisited 7. Maia Matchavariani: Books for Bibliophiles: Two Ancient Collections of the Georgian Translations of Gregory of Nazianzus' Works - NCM S-1696 and NCM A-87 II. Scholia and Commentaries 1. Chiara Faraggiana: Gehören ???????????, ?????????????, ??????????? zum literarischen oder zum kodikologischen Vokabular? Überlegungen über die spätantike Exegese als Paratext 2. Joseph Church: The Ancient Lexica to the Corpus Dionysiacum 3. Thomas Schmidt: Les Commentaires de Basile le Minime aux Discours de Grégoire de Nazianze: le cas particulier du Discours 38 4. Gaëlle Rioual: Basile le Minime, commentateur de quel texte de Grégoire de Nazianze? 5. Jonathan Loopstra: Reading the Corpus Nazianzenum in Syriac by Way of the Margins 6. Emiliano Fiori: School and Scholia in the Syriac Miaphysite Tradition: The Syriacisation of Dionysius the Areopagite as a Collective Exegetical Effort 7. Sergio La Porta: Reading the Areopagite: The Armenian Scholia on the Corpus Dionysiacum and Their Use in the Medieval School Curriculum 8. Thamar Otkhmezuri: The Corpus Nazianzenum and the Corpus Dionysiacum in the Georgian Literary Tradition.
¶ Summary Through the word corpus, the metaphor of the body is applied to a collection of works by the same author that are transmitted together. These works not only share the same skin, the manuscript, but also function organically thanks to a complex system of paracontents. It is possible to see this system at work in the case of only a very few medieval authors throughout history, cultures and languages; the Corpus Nazianzenum and the Corpus Dionysiacum are such instances. Both Gregory of Nazianzus and Dionysius the Areopagite are super-authors, who forged their own literary identity as much as they shaped the body of their writings. This sets both corpora apart from other collections of patristic works. They are also exceptional because of the large scale and enduring character of their cultural impact in the different cultures in which the corpora were translated, commented and annotated. By confronting these two exceptional cases, it is possible to gain some new light on the intellectual and book-historical aspects of literary creation and reception in Late Antiquity and the Middle Ages. TABLE OF CONTENTS Introduction 1. Caroline Macé: Living Bodies of Texts 2. Ekkehard Mühlenberg: Das Akademievorhaben ?Dionysius Areopagita? in Göttingen 3. Bernard Coulie: Le Centre d'études sur Grégoire de Nazianze à Louvain-la-Neuve I. Origins and Evolutions of the Corpora 1. Margherita Matera: Le palimpseste Parisinus graecus 1330, le plus ancien témoin manuscrit du Corpus Dionysiacum 2. Caroline Macé: Éléments d'une histoire ancienne de la tradition des discours de Grégoire de Nazianze: les variantes arméno-latines du discours 38 3. Alessandro Capone: Alle origini delle antiche versioni latine delle Orazioni di Gregorio di Nazianzo 4. Véronique Somers: Sur les traces d'une édition byzantine des Discours de Grégoire de Nazianze ? 5. Pierre-Marie Picard: Les divisions mauristes des ?uvres poétiques de Grégoire de Nazianze, des sous-corpus évolutifs à interroger 6. Jost Gippert: Ephrem the Minor's Preface Revisited 7. Maia Matchavariani: Books for Bibliophiles: Two Ancient Collections of the Georgian Translations of Gregory of Nazianzus' Works - NCM S-1696 and NCM A-87 II. Scholia and Commentaries 1. Chiara Faraggiana: Gehören ???????????, ?????????????, ??????????? zum literarischen oder zum kodikologischen Vokabular? Überlegungen über die spätantike Exegese als Paratext 2. Joseph Church: The Ancient Lexica to the Corpus Dionysiacum 3. Thomas Schmidt: Les Commentaires de Basile le Minime aux Discours de Grégoire de Nazianze: le cas particulier du Discours 38 4. Gaëlle Rioual: Basile le Minime, commentateur de quel texte de Grégoire de Nazianze? 5. Jonathan Loopstra: Reading the Corpus Nazianzenum in Syriac by Way of the Margins 6. Emiliano Fiori: School and Scholia in the Syriac Miaphysite Tradition: The Syriacisation of Dionysius the Areopagite as a Collective Exegetical Effort 7. Sergio La Porta: Reading the Areopagite: The Armenian Scholia on the Corpus Dionysiacum and Their Use in the Medieval School Curriculum 8. Thamar Otkhmezuri: The Corpus Nazianzenum and the Corpus Dionysiacum in the Georgian Literary Tradition.
Erik Tonen BooksProfessional sellerBook number: 64174
€ 115.00 [Appr.: US$ 131.53 | £UK 97 | JP¥ 18918]
Catalogue: Middeleeuwen
Keywords: Eastern Fathers influence & (general or comparative) Greek literature Early Christian & (c. 500 1500) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie A
Institutiones humanarum litterarum di Cassiodoro. Commento alle redazioni interpolate ? ?
Brepols, 2023 Hardback, 554 pages, Size:156 x 234 mm, Illustrations:72 b/w, 15 tables b/w., Language(s):Italian, Latin. ISBN 9782503595900.
¶ Summary The Institutiones humanarum litterarum - that is, the second book of Cassiodorus' masterpiece, devoted to secular learning - have come down to us in three different textual forms: the 'authentic' recension ?, corresponding to Cassiodorus' final wishes, and two subsequent recensions, designated as ? and ?. In these two recensions, later interpolations were added on the basis of an earlier authorial draft, providing modern readers with valuable information both about Cassiodorus' progressive revisions and about the early fortune of his work. This volume provides a full commentary to the first critical edition of the interpolated recensions ? and ? (CC SL 99A). In doing so, it conveys a full picture of the complex history of the Institutiones saeculares, from their first appearance in the monastery of Vivarium to the Carolingian Renaissance, at which time they knew their greatest success and circulation. TABLE OF CONTENTS Parte I: Le redazioni d'autore delle Institutiones humanarum litterarum I. Introduzione e stato dell'arte 1. Caratteristiche e contenuto delle tre redazioni 2. Rimaneggiamenti delle Institutiones 3. Redazioni intermedie delle Institutiones humanae 4. Alcune obiezioni all'ipotesi tradizionale di Courcelle 5. Piano del presente lavoro II. Il testo-base di ? ?: varianti d'autore alle Institutiones 1. Un ulteriore rimaneggiamento d'autore ? alla base di II? 2. Analisi testuale di ?: errori d'archetipo nel brouillon 3. Il brouillon di Cassiodoro è stato scritto a Vivarium? Parte II: La redazione II I. Interpolazioni interne alle Institutiones 1. Gli estratti da Marziano Capella 2. Gli estratti dal De topicis differentiis di Boezio II. L'appendice II 1. Il trattato De topicis 2. De syllogismis, De paralogismis e De propositionum modis 3. Il Computus Paschalis 4. I Praecepta artis rhetoricae di Severiano 5. Il trattato De dialecticis locis 6. Conclusioni sull'Appendice II Parte III: La redazione III I. Institutiones humanarum litterarum 1. Il capitolo De grammatica 2. Il capitolo De rethorica 3. Il capitolo De dialectica 4. I capitoli del Quadriuium 5. Conclusioni sulle Institutiones ? II. Interpolazioni lunghe all'interno delle Institutiones 1. Gli estratti da Quintiliano 2. Estratti dal De institutione arithmetica di Boezio 3. I Principia geometricae disciplinae III. L'appendice ? 1. L'interpolazione sugli elementi 2. Gli estratti da Agostino 3. Schema In exponendis considerare conuenit haec 4. Schema Aut cantantium 5. Il Carmen de uentis e la Rota uentorum 6. La dedica Dominus qui iussit 7. Estratti dal De institutione musica di Boezio 8. L'Anecdoton Holderi 9. Conclusioni sull'Appendice ? Parte IV: Conclusioni 1. La redazione ? delle Institutiones humanarum litterarum 2. La redazione II 3. La redazione III Appendice di immagini Bibliografia Indici.
¶ Summary The Institutiones humanarum litterarum - that is, the second book of Cassiodorus' masterpiece, devoted to secular learning - have come down to us in three different textual forms: the 'authentic' recension ?, corresponding to Cassiodorus' final wishes, and two subsequent recensions, designated as ? and ?. In these two recensions, later interpolations were added on the basis of an earlier authorial draft, providing modern readers with valuable information both about Cassiodorus' progressive revisions and about the early fortune of his work. This volume provides a full commentary to the first critical edition of the interpolated recensions ? and ? (CC SL 99A). In doing so, it conveys a full picture of the complex history of the Institutiones saeculares, from their first appearance in the monastery of Vivarium to the Carolingian Renaissance, at which time they knew their greatest success and circulation. TABLE OF CONTENTS Parte I: Le redazioni d'autore delle Institutiones humanarum litterarum I. Introduzione e stato dell'arte 1. Caratteristiche e contenuto delle tre redazioni 2. Rimaneggiamenti delle Institutiones 3. Redazioni intermedie delle Institutiones humanae 4. Alcune obiezioni all'ipotesi tradizionale di Courcelle 5. Piano del presente lavoro II. Il testo-base di ? ?: varianti d'autore alle Institutiones 1. Un ulteriore rimaneggiamento d'autore ? alla base di II? 2. Analisi testuale di ?: errori d'archetipo nel brouillon 3. Il brouillon di Cassiodoro è stato scritto a Vivarium? Parte II: La redazione II I. Interpolazioni interne alle Institutiones 1. Gli estratti da Marziano Capella 2. Gli estratti dal De topicis differentiis di Boezio II. L'appendice II 1. Il trattato De topicis 2. De syllogismis, De paralogismis e De propositionum modis 3. Il Computus Paschalis 4. I Praecepta artis rhetoricae di Severiano 5. Il trattato De dialecticis locis 6. Conclusioni sull'Appendice II Parte III: La redazione III I. Institutiones humanarum litterarum 1. Il capitolo De grammatica 2. Il capitolo De rethorica 3. Il capitolo De dialectica 4. I capitoli del Quadriuium 5. Conclusioni sulle Institutiones ? II. Interpolazioni lunghe all'interno delle Institutiones 1. Gli estratti da Quintiliano 2. Estratti dal De institutione arithmetica di Boezio 3. I Principia geometricae disciplinae III. L'appendice ? 1. L'interpolazione sugli elementi 2. Gli estratti da Agostino 3. Schema In exponendis considerare conuenit haec 4. Schema Aut cantantium 5. Il Carmen de uentis e la Rota uentorum 6. La dedica Dominus qui iussit 7. Estratti dal De institutione musica di Boezio 8. L'Anecdoton Holderi 9. Conclusioni sull'Appendice ? Parte IV: Conclusioni 1. La redazione ? delle Institutiones humanarum litterarum 2. La redazione II 3. La redazione III Appendice di immagini Bibliografia Indici.
Erik Tonen BooksProfessional sellerBook number: 64374
€ 125.00 [Appr.: US$ 142.97 | £UK 105.5 | JP¥ 20563]
Catalogue: Middeleeuwen
Keywords: Western Fathers (c. 160 735) Christian Philosophy (Tertullian Bede) Education Medieval literature Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie Art H
art médiéval est-il contemporain ? Is Medieval Art Contemporary?
Brepols, 2023 Hardback, 247 pages, Size:178 x 254 mm, Illustrations:5 b/w, 66 col., Language(s):English, French. ISBN 9782503599731.
¶ Summary This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche à Jan Dibbets" that was held at the Bibliothèque Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus's De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art's treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists' experiments with form? In what way does contemporary artists' engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on the theory of images'both approaches having already produced an important body of comparative readings of medieval and contemporary art'the essays in this volume address the question of medieval art's contemporaneity thematically, through three trans-chronological topics: authorship, semiosis and mathematics, and performance. Engaging the artists' works as well as their writings, these studies conflate conceptual and esthetic perspectives. TABLE OF CONTENTS Préface Charlotte Denoël, Larisa Dryansky, Isabelle Marchesin et Erik Verhagen Partie 1. Introduction Au-delà des périodisations : Parcours passés et futurs potentiels Nancy Thebaut Partie 2. Auctoritas/authorship Qui était Jean Fouquet pour François Robertet ? Une question d'auctorialité dans l'art de la fin du Moyen Âge Elliot Adam L'artiste conceptuel à son pupitre Valérie Mavridorakis Art conceptuel et scolastique : le Chêne de Michael Craig-Martin est-il thomiste ? Benjamin Riado Partie 3. Signe et mathématiques ?All form is a process of notation?: Hrabanus Maurus's ?exemplativist? art Aden Kumler' Les nombres de la forme et les formes du nombre. Essai sur les carolingiens et l'abstraction. Isabelle Marchesin Abstraction in Medieval Art: The Chiasm in Hagia Sophia Bissera Pentcheva Hollis Frampton, médiéval Larisa Dryansky Partie 4. Performance La conversion du précieux sang : Gina Pane et la mystique médiévale Janig Bégoc Automata, Kineticism, and Automation: An Oblique History of Animacy in the Art of the Long 1960s Roland Betancourt Coda Zoe Leonard's Suitcases Amy Knight Powell Liste des contributeurs.
¶ Summary This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche à Jan Dibbets" that was held at the Bibliothèque Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus's De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art's treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists' experiments with form? In what way does contemporary artists' engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on the theory of images'both approaches having already produced an important body of comparative readings of medieval and contemporary art'the essays in this volume address the question of medieval art's contemporaneity thematically, through three trans-chronological topics: authorship, semiosis and mathematics, and performance. Engaging the artists' works as well as their writings, these studies conflate conceptual and esthetic perspectives. TABLE OF CONTENTS Préface Charlotte Denoël, Larisa Dryansky, Isabelle Marchesin et Erik Verhagen Partie 1. Introduction Au-delà des périodisations : Parcours passés et futurs potentiels Nancy Thebaut Partie 2. Auctoritas/authorship Qui était Jean Fouquet pour François Robertet ? Une question d'auctorialité dans l'art de la fin du Moyen Âge Elliot Adam L'artiste conceptuel à son pupitre Valérie Mavridorakis Art conceptuel et scolastique : le Chêne de Michael Craig-Martin est-il thomiste ? Benjamin Riado Partie 3. Signe et mathématiques ?All form is a process of notation?: Hrabanus Maurus's ?exemplativist? art Aden Kumler' Les nombres de la forme et les formes du nombre. Essai sur les carolingiens et l'abstraction. Isabelle Marchesin Abstraction in Medieval Art: The Chiasm in Hagia Sophia Bissera Pentcheva Hollis Frampton, médiéval Larisa Dryansky Partie 4. Performance La conversion du précieux sang : Gina Pane et la mystique médiévale Janig Bégoc Automata, Kineticism, and Automation: An Oblique History of Animacy in the Art of the Long 1960s Roland Betancourt Coda Zoe Leonard's Suitcases Amy Knight Powell Liste des contributeurs.
Erik Tonen BooksProfessional sellerBook number: 64422
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Catalogue: Middeleeuwen
Keywords: ( ) Artistic influence reception (incl. ) Schilderkunst kunst paint schilder Beaux Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie Histoire patrimoine Nouveauté plastiques culture histoire livre si
Théodulf d'Orléans (vers 760-821). Histoire et mémoire d'un évêque carolingien
Brepols, 2023 Paperback, 291 pages, Size:156 x 234 mm, Illustrations:3 col., 4 tables b/w., Language: French. ISBN 9782503601588.
¶ Summary Parmi les lettrés entrés au service de Charlemagne à la fin du VIIIe siècle, Théodulf est une figure à la fois représentative et singulière. Par ses productions et ses fonctions de missus, d'évêque, d'abbé, il contribue à l'élaboration et à la mise en ?uvre des réformes et fait partie des proches du souverain. Sa déposition en 818 jette cependant une ombre sur sa carrière et sur ce qu'il est possible d'en reconstituer. À partir de l'étude de son ?uvre et des variations de son image dans les sources du premier Moyen Âge, y compris manuscrites, cet ouvrage examine les différentes facettes de son action et de son parcours, comme lettré et comme prélat, et met en lumière le jeu d'échelles qui caractérise les réformes carolingiennes. Grâce à l'analyse de son environnement relationnel, la participation de Théodulf à la révolte de Bernard d'Italie et sa disgrâce font l'objet de nouvelles hypothèses. TABLE OF CONTENTS Liste des illustrations Remerciements Avertissement Introduction Théodulf : un bilan historiographique Pour une approche biographique Prologue. La déposition de Théodulf La courte épitaphe d'un prélat mort en exil Un fait marquant pour les contemporains Théodulf et la révolte de Bernard d'Italie dans l'historiographie Un corpus affecté par sa déposition ? Chapitre 1. Le souvenir et la mémoire du prélat Théodulf dans l'historiographie carolingienne Théodulf dans la mémoire locale Des strates mémprielles entremêlées Conclusion Chapitre 2. Mobilité et déplacements au service du souverain De l'Espagne à la cour L'installation de Théodulf à Orléans Les déplacements d'un agent du roi Sous Louis le Pieux, la mise à l'écart de Théodulf Conclusion Chapitre 3. Un évêque réformateur entre la cour et Orléans Un Savant engagé dans les travaux intellectuels de la cour Un agent de la mise en ordre carolingienne Un bâtisseur dans l'Orléanais Un artisan de la Renaissance carolingienne Conclusion Chapitre 4. Théodulf, un homme de réseaux Un proche de Charlemagne Rivalités et amitiés autour de Théodulf Des liens en recomposition sous Louis le Pieux Conclusion Épilogue. Le retour en grâce Le poème Hesperia genitus Un contexte favorable La diffusion du corpus d'exil Jeux d'échelles Bibliographie Index des noms de personnes Index des noms de lieux.
¶ Summary Parmi les lettrés entrés au service de Charlemagne à la fin du VIIIe siècle, Théodulf est une figure à la fois représentative et singulière. Par ses productions et ses fonctions de missus, d'évêque, d'abbé, il contribue à l'élaboration et à la mise en ?uvre des réformes et fait partie des proches du souverain. Sa déposition en 818 jette cependant une ombre sur sa carrière et sur ce qu'il est possible d'en reconstituer. À partir de l'étude de son ?uvre et des variations de son image dans les sources du premier Moyen Âge, y compris manuscrites, cet ouvrage examine les différentes facettes de son action et de son parcours, comme lettré et comme prélat, et met en lumière le jeu d'échelles qui caractérise les réformes carolingiennes. Grâce à l'analyse de son environnement relationnel, la participation de Théodulf à la révolte de Bernard d'Italie et sa disgrâce font l'objet de nouvelles hypothèses. TABLE OF CONTENTS Liste des illustrations Remerciements Avertissement Introduction Théodulf : un bilan historiographique Pour une approche biographique Prologue. La déposition de Théodulf La courte épitaphe d'un prélat mort en exil Un fait marquant pour les contemporains Théodulf et la révolte de Bernard d'Italie dans l'historiographie Un corpus affecté par sa déposition ? Chapitre 1. Le souvenir et la mémoire du prélat Théodulf dans l'historiographie carolingienne Théodulf dans la mémoire locale Des strates mémprielles entremêlées Conclusion Chapitre 2. Mobilité et déplacements au service du souverain De l'Espagne à la cour L'installation de Théodulf à Orléans Les déplacements d'un agent du roi Sous Louis le Pieux, la mise à l'écart de Théodulf Conclusion Chapitre 3. Un évêque réformateur entre la cour et Orléans Un Savant engagé dans les travaux intellectuels de la cour Un agent de la mise en ordre carolingienne Un bâtisseur dans l'Orléanais Un artisan de la Renaissance carolingienne Conclusion Chapitre 4. Théodulf, un homme de réseaux Un proche de Charlemagne Rivalités et amitiés autour de Théodulf Des liens en recomposition sous Louis le Pieux Conclusion Épilogue. Le retour en grâce Le poème Hesperia genitus Un contexte favorable La diffusion du corpus d'exil Jeux d'échelles Bibliographie Index des noms de personnes Index des noms de lieux.
Erik Tonen BooksProfessional sellerBook number: 64456
€ 80.00 [Appr.: US$ 91.5 | £UK 67.5 | JP¥ 13160]
Catalogue: Middeleeuwen
Keywords: Political & institutional history (. 1500) Kingdom the Franks & Carolingian Empire Early Middle Ages (c.500 1000) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst
Monastères, convergences, échanges et confrontations dans l'Ouest de l'Europe au Moyen Âge. Actes du Colloque Anciennes Abbayes de Bretagne, Université de Toronto 5-6 mai, 2016
Brepols, 2023 Paperback, 390 pages, Size:156 x 234 mm, Illustrations:5 b/w, 2 col., 14 tables b/w., 8 maps b/w, 12 maps color, Language: French. ISBN 9782503599854.
¶ Summary L'orientation vers les convergences, échanges et confrontations dans l'histoire monastique du grand Ouest européen au Moyen Âge permet de porter un regard nouveau sur la dynamique de divers établissements en observant les relations qui s'y sont développées tant au sein des communautés, qu'avec la société environnante. Les influences externes subies par les monastères et les conflits internes qui s'y jouent, les échanges dus aux pèlerinages, aux rouleaux des morts et aux confraternités sont au nombre des thèmes explorés. TABLE OF CONTENTS Liste des cartes et des illustrations Abréviations Remerciements Introduction, Catherine Vincent, MéMo, Université Paris Nanterre I. Monastères bretons Caroline Brett, Université de Cambridge, 'Monastères, migration et modèles. L'église bretonne du haut Moyen Âge' Joseph-Claude Poulin, Université de Montréal, 'Alet, Landévennec, Redon. Trois ateliers d'écriture hagiographique vers 870' Yves Gallet, AUSONIUS, Université de Bordeaux, 'Landévennec, Redon, le Mont Saint-Michel. Topographie et architecture des abbayes de Bretagne dans le monde carolingien' Joëlle Quaghebeur, Université de Bretagne-Sud (E. R.), 'Les abbayes Sainte-Croix de Quimperlé et Saint-Sauveur de Redon aux XIe et XIIe siècles. Fraternitas, amicitia et calumpnia Julien Bachelier, Université de Bretagne occidentale, 'Les abbayes en Haute-Bretagne aux XIe-XIIe siècles. Convergences et confrontations' II. Tensions internes dans le monde monastique de l'Ouest Bernard Ardura, Commission historique, Vatican, 'Les chapitres généraux comme modèles de l'interaction entre le centre et la périphérie des ordres religieux au Moyen Âge' Guy Jarousseau, LEM, Université catholique de l'Ouest, 'Relations et ruptures au sein du courant réformateur monastique du Val de Loire et ses marges (vers 950-vers 1050)' Jean-Michel Picard, University College Dublin, 'Échanges et divergences. Monastères doubles et conhospitae dans les pays celtes du haut Moyen Âge III. Échanges, influences, convergences Catherine Vincent, MéMo, Université Paris Nanterre, 'Monastères et pèlerinages aux trois derniers siècles du Moyen Âge, à travers quelques exemples de l'Ouest du royaume de France' Marielle Lamy, Centre Roland Mousnier, Université Paris-Sorbonne, 'Sermons bénédictins et cisterciens pour la fête de saint Benoît au XIIe siècle' Esther Dehoux, IRHiS, Université de Lille, 'Orate pro nostris, ut oravimus pro vestris. Échanges et solidarités de salut dans les abbayes de l'Ouest (Xe-XIVe siècle)' Stéphane Lecouteux, CRAHAM, Université de Caen Basse Normandie, 'Une manière efficace d'appréhender les échanges entre monastères. L'étude des associations spirituelles et des réseaux de confraternité' Sébastien Barret, IRHT, Orléans, 'Jeux d'influences et modèles diplomatiques. Deux chartes clunisiennes (910 et 1065)' Index des noms de lieux Liste des Contributeurs.
¶ Summary L'orientation vers les convergences, échanges et confrontations dans l'histoire monastique du grand Ouest européen au Moyen Âge permet de porter un regard nouveau sur la dynamique de divers établissements en observant les relations qui s'y sont développées tant au sein des communautés, qu'avec la société environnante. Les influences externes subies par les monastères et les conflits internes qui s'y jouent, les échanges dus aux pèlerinages, aux rouleaux des morts et aux confraternités sont au nombre des thèmes explorés. TABLE OF CONTENTS Liste des cartes et des illustrations Abréviations Remerciements Introduction, Catherine Vincent, MéMo, Université Paris Nanterre I. Monastères bretons Caroline Brett, Université de Cambridge, 'Monastères, migration et modèles. L'église bretonne du haut Moyen Âge' Joseph-Claude Poulin, Université de Montréal, 'Alet, Landévennec, Redon. Trois ateliers d'écriture hagiographique vers 870' Yves Gallet, AUSONIUS, Université de Bordeaux, 'Landévennec, Redon, le Mont Saint-Michel. Topographie et architecture des abbayes de Bretagne dans le monde carolingien' Joëlle Quaghebeur, Université de Bretagne-Sud (E. R.), 'Les abbayes Sainte-Croix de Quimperlé et Saint-Sauveur de Redon aux XIe et XIIe siècles. Fraternitas, amicitia et calumpnia Julien Bachelier, Université de Bretagne occidentale, 'Les abbayes en Haute-Bretagne aux XIe-XIIe siècles. Convergences et confrontations' II. Tensions internes dans le monde monastique de l'Ouest Bernard Ardura, Commission historique, Vatican, 'Les chapitres généraux comme modèles de l'interaction entre le centre et la périphérie des ordres religieux au Moyen Âge' Guy Jarousseau, LEM, Université catholique de l'Ouest, 'Relations et ruptures au sein du courant réformateur monastique du Val de Loire et ses marges (vers 950-vers 1050)' Jean-Michel Picard, University College Dublin, 'Échanges et divergences. Monastères doubles et conhospitae dans les pays celtes du haut Moyen Âge III. Échanges, influences, convergences Catherine Vincent, MéMo, Université Paris Nanterre, 'Monastères et pèlerinages aux trois derniers siècles du Moyen Âge, à travers quelques exemples de l'Ouest du royaume de France' Marielle Lamy, Centre Roland Mousnier, Université Paris-Sorbonne, 'Sermons bénédictins et cisterciens pour la fête de saint Benoît au XIIe siècle' Esther Dehoux, IRHiS, Université de Lille, 'Orate pro nostris, ut oravimus pro vestris. Échanges et solidarités de salut dans les abbayes de l'Ouest (Xe-XIVe siècle)' Stéphane Lecouteux, CRAHAM, Université de Caen Basse Normandie, 'Une manière efficace d'appréhender les échanges entre monastères. L'étude des associations spirituelles et des réseaux de confraternité' Sébastien Barret, IRHT, Orléans, 'Jeux d'influences et modèles diplomatiques. Deux chartes clunisiennes (910 et 1065)' Index des noms de lieux Liste des Contributeurs.
Erik Tonen BooksProfessional sellerBook number: 64442
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Catalogue: Middeleeuwen
Keywords: Christian Church : religious orders & monasticism Religious history (. ) (. 1500) Early (500 ) High Middle Ages (c.1000 1300) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & schilderen Kunst F
Llanthony Stories. A Translation of the Narrationes aliquot fabulosae
Brepols, 2021 Paperback, x + 173 pages, Size:152 x 229 mm, Language: English. ISBN 9780888443090.
¶ Summary Compiled in the early thirteenth century, The Llanthony Stories is a fragmentary collection of exemplaria gathered by an anonymous canon at the Augustinian priory of Llanthony Secunda, Gloucester. While intended primarily for the edification of readers and those who heard the stories preached in sermons, many of the thirty-five exempla offer humorous (even ribald) glimpses of life in the Severn watershed and beyond. Filled with short tales of greedy archdeacons, licentious monks, pious laymen and prelates trying to navigate their world with decorum and piety, the work expands our knowledge of ecclesiastical politics and evangelical priorities in the Anglo-Norman church. Although the work survives in a single manuscript witness, it has long been known to historians and scholars of medieval literature. This volume makes the collection available in modern English for the first time. The translation, accompanied by extensive notes, is complemented by a contextualizing historical introduction and an edition of the Latin text.
¶ Summary Compiled in the early thirteenth century, The Llanthony Stories is a fragmentary collection of exemplaria gathered by an anonymous canon at the Augustinian priory of Llanthony Secunda, Gloucester. While intended primarily for the edification of readers and those who heard the stories preached in sermons, many of the thirty-five exempla offer humorous (even ribald) glimpses of life in the Severn watershed and beyond. Filled with short tales of greedy archdeacons, licentious monks, pious laymen and prelates trying to navigate their world with decorum and piety, the work expands our knowledge of ecclesiastical politics and evangelical priorities in the Anglo-Norman church. Although the work survives in a single manuscript witness, it has long been known to historians and scholars of medieval literature. This volume makes the collection available in modern English for the first time. The translation, accompanied by extensive notes, is complemented by a contextualizing historical introduction and an edition of the Latin text.
Erik Tonen BooksProfessional sellerBook number: 65392
€ 22.50 [Appr.: US$ 25.73 | £UK 19 | JP¥ 3701]
Catalogue: Middeleeuwen
Keywords: & preaching Religious history (. ) British Isles (c. 500 1500) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie Art Histoire et patrimoine Nouveautés ar
From the Domesday Book to Shakespeare's Globe. The Legal and Political Heritage of Elizabethan Drama
Brepols, 2023 Hardback, 456 pages, Size:156 x 234 mm, Illustrations:1 col., Language: English. ISBN 9782503601311.
¶ Summary The phrase 'Jus Uncommon' summarizes England's claim to independence from Europe, a claim supported by its unique legal system and Elizabethan theatre, and their strong interconnexion. Elizabethan tragedy begins at the Inns of Court. It was no mere coincidence, but a result of the long history of intersecting processes of law, politics, and theatre. This book sets out to contextualize and explore such legal and literary intersections, charting the emergence of Elizabethan legal culture from its various English and European sources over the course of the four hundred years running from Magna Carta to Shakespeare. It encompasses the major strands of legal history and culture that formed the background to Elizabethan political drama, republican tradition, theories of monarchical sovereignty,?European and English theories of'imperium,?pedagogical and rhetorical practices of the Inns of Court,?legal-antiquarian research, parliamentary privilege, and Tudor political pamphleteering. Legal texts, discourses, and social practices constructed a pervasive intellectual culture from which Elizabethan drama - like Shakespeare's - emerged. Shakespeare is not the central object of this study, but he is central to its argument. What he knew about law was what collective memory had stored from centuries past at home and abroad. The issues, characters, themes, theories, and metaphors dramatized by the Elizabethan playwrights followed the way opened at the Inns. Emblematic figures of lawyers-writers and their Senecan patterns paved the way to Gorboduc and to Shakespeare's histories. TABLE OF CONTENTS Editorial Note Introduction : Law or Liberty? Part I. Jus uncommon. Freedom of the State Chapter 1. Dreams of Empire Early Steps to Singularity Clashes of Jurisdictions Sacred Monarchy Chapter 2. England's Mixed Polity English Democrats Good Counsel Model Parliaments Right of Conquest Chapter 3. Rival Law Codes Roman Law The Common Law of the Realm Emergence of the Inns Upward Mobility Part II. Fair Trial. Freedom of Magistrates Chapter 4. Learned Counsel A Display of Legalism The Courtly Muses of Europe Chapter 5. Divorcing Rome King's Conscience King's Printer King's Games Chapter 6. Fortune's Wheels Common Prayers Heretics on Trial 'Something Tawdry'. The Political Pageant 'An Axe or an Acte'. The Execution of Justice Part III. The Conscience of England. Freedom of Speech Chapter 7. The Languages of Law The Legal Nursery Won in Translation Chapter 8. Theatres of Law Dramatic Justice Political Tragedy Chapter 9. Lawyers in Parliament 'Shall Cassandra Bee Punished?' The Liberties of the House Clean and Unclean Money The Lawyer's Glasses of Governance Chapter 10. Kings do but Play Us Lawyers in Resistance A Parliament of Voices Conclusion. 'This Magnificent Theatre of Heaven and Earth' Select Bibliography Index of Acts, Statutes, and Treatises Index of Plays, Poems, Dialogues, and Masques General Index.
¶ Summary The phrase 'Jus Uncommon' summarizes England's claim to independence from Europe, a claim supported by its unique legal system and Elizabethan theatre, and their strong interconnexion. Elizabethan tragedy begins at the Inns of Court. It was no mere coincidence, but a result of the long history of intersecting processes of law, politics, and theatre. This book sets out to contextualize and explore such legal and literary intersections, charting the emergence of Elizabethan legal culture from its various English and European sources over the course of the four hundred years running from Magna Carta to Shakespeare. It encompasses the major strands of legal history and culture that formed the background to Elizabethan political drama, republican tradition, theories of monarchical sovereignty,?European and English theories of'imperium,?pedagogical and rhetorical practices of the Inns of Court,?legal-antiquarian research, parliamentary privilege, and Tudor political pamphleteering. Legal texts, discourses, and social practices constructed a pervasive intellectual culture from which Elizabethan drama - like Shakespeare's - emerged. Shakespeare is not the central object of this study, but he is central to its argument. What he knew about law was what collective memory had stored from centuries past at home and abroad. The issues, characters, themes, theories, and metaphors dramatized by the Elizabethan playwrights followed the way opened at the Inns. Emblematic figures of lawyers-writers and their Senecan patterns paved the way to Gorboduc and to Shakespeare's histories. TABLE OF CONTENTS Editorial Note Introduction : Law or Liberty? Part I. Jus uncommon. Freedom of the State Chapter 1. Dreams of Empire Early Steps to Singularity Clashes of Jurisdictions Sacred Monarchy Chapter 2. England's Mixed Polity English Democrats Good Counsel Model Parliaments Right of Conquest Chapter 3. Rival Law Codes Roman Law The Common Law of the Realm Emergence of the Inns Upward Mobility Part II. Fair Trial. Freedom of Magistrates Chapter 4. Learned Counsel A Display of Legalism The Courtly Muses of Europe Chapter 5. Divorcing Rome King's Conscience King's Printer King's Games Chapter 6. Fortune's Wheels Common Prayers Heretics on Trial 'Something Tawdry'. The Political Pageant 'An Axe or an Acte'. The Execution of Justice Part III. The Conscience of England. Freedom of Speech Chapter 7. The Languages of Law The Legal Nursery Won in Translation Chapter 8. Theatres of Law Dramatic Justice Political Tragedy Chapter 9. Lawyers in Parliament 'Shall Cassandra Bee Punished?' The Liberties of the House Clean and Unclean Money The Lawyer's Glasses of Governance Chapter 10. Kings do but Play Us Lawyers in Resistance A Parliament of Voices Conclusion. 'This Magnificent Theatre of Heaven and Earth' Select Bibliography Index of Acts, Statutes, and Treatises Index of Plays, Poems, Dialogues, and Masques General Index.
Erik Tonen BooksProfessional sellerBook number: 63359
€ 120.00 [Appr.: US$ 137.25 | £UK 101.25 | JP¥ 19741]
Catalogue: Middeleeuwen
Keywords: Medieval & ( . 1650) Modern & literature ( Milton) Cultural & (. ) British Isles (c. 1501 1800) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie Art His
Materiality of Sound in Chant Manuscripts in the West. Scriptor, Cantor & Notator (Volume I)
Brepols, 2023 Paperback, 328 pages, Size:216 x 280 mm, Illustrations:107 b/w, 33 tables b/w., 2 maps b/w, Language(s):English, Italian, French. ISBN 9782503606149.
¶ Summary Scriptor, Cantor & Notator is an innovative multi-author project dealing with the complex interconnections between learning, writing and performing chant in the Middle Ages. A number of different methodological approaches have been employed, with the aim of beginning to understand the phenomenon of chant transmission over a large geographical area, linking and contrasting modern definitions of East and West. Thus, in spite of this wide geographical spread, and the consequent variety of rites, languages and musical styles involved, the common thread of parallels and similarities between various chant repertoires arising from the need to fix oral repertories in a written form, and the challenges involved in so doing, are what bring this wide variety of repertoires and approaches together. This multi-centric multi-disciplinary approach will encourage scholars working in these areas to consider their work as part of a much larger geographical and historical picture, and thus reveal to reader and listener more, and far richer, patterns of connections and developments than might otherwise have been suspected. Scriptor, Cantor & Notator is published in two books. The first, The Materiality of Sound in Chant Manuscripts in the West, brings together articles on several different families of early music scripts in the Latin West and provides a vividly diverse picture of some of the best current scholarship on the various types of ancient and medieval musical notation. TABLE OF CONTENTS Methodology Concepts and Taxonomies of Music Scripts (Rankin, Susan) Design, and the Historiography of Early Music Scripts (Varelli, Giovanni) Appunti metodologici sullo studio del canto liturgico (Albiero, Laura) Indeterminacy. New Aspect of Meaning in Gregorian Chant (Mascareñas Garza, 'scar) Guiding Silence. The Function of Melodic Interruptions in Medieval Chant (Lousberg, Leo) « Et gloriosus in saecula ». Paléographie des notations franques nord-occidentales (970-1120) (Goudesenne, Jean-François) Manuscripts and Manuscript Fragments Reuniting Fragments and Reconsidering the Scribal History of the Beneventan Zone (Nardini, Luisa) Frammenti di un antifonario in notazione nonantolana (Roncroffi, Stefania) Notation in Transition? A Palaeographical Study of the Insular Missal EXcl 3515 (Mannion, Anne) Regional Scripts and Repertories Notazioni neumatiche dei secoli XI-XII nella Biblioteca Capitolare di Verona. Riflessioni e spunti di ricerca (Cunego, Giovanni) La notation musicale dans la Catalogne médiévale. Autour des origines et son évolution (Garrigosa i Massana, Joaquim) The Scribe and the Notator as the Bearer of Identity. Bohemian Notation in Late Mediaeval Manuscripts of Central Europe (Veselovska, Eva).
¶ Summary Scriptor, Cantor & Notator is an innovative multi-author project dealing with the complex interconnections between learning, writing and performing chant in the Middle Ages. A number of different methodological approaches have been employed, with the aim of beginning to understand the phenomenon of chant transmission over a large geographical area, linking and contrasting modern definitions of East and West. Thus, in spite of this wide geographical spread, and the consequent variety of rites, languages and musical styles involved, the common thread of parallels and similarities between various chant repertoires arising from the need to fix oral repertories in a written form, and the challenges involved in so doing, are what bring this wide variety of repertoires and approaches together. This multi-centric multi-disciplinary approach will encourage scholars working in these areas to consider their work as part of a much larger geographical and historical picture, and thus reveal to reader and listener more, and far richer, patterns of connections and developments than might otherwise have been suspected. Scriptor, Cantor & Notator is published in two books. The first, The Materiality of Sound in Chant Manuscripts in the West, brings together articles on several different families of early music scripts in the Latin West and provides a vividly diverse picture of some of the best current scholarship on the various types of ancient and medieval musical notation. TABLE OF CONTENTS Methodology Concepts and Taxonomies of Music Scripts (Rankin, Susan) Design, and the Historiography of Early Music Scripts (Varelli, Giovanni) Appunti metodologici sullo studio del canto liturgico (Albiero, Laura) Indeterminacy. New Aspect of Meaning in Gregorian Chant (Mascareñas Garza, 'scar) Guiding Silence. The Function of Melodic Interruptions in Medieval Chant (Lousberg, Leo) « Et gloriosus in saecula ». Paléographie des notations franques nord-occidentales (970-1120) (Goudesenne, Jean-François) Manuscripts and Manuscript Fragments Reuniting Fragments and Reconsidering the Scribal History of the Beneventan Zone (Nardini, Luisa) Frammenti di un antifonario in notazione nonantolana (Roncroffi, Stefania) Notation in Transition? A Palaeographical Study of the Insular Missal EXcl 3515 (Mannion, Anne) Regional Scripts and Repertories Notazioni neumatiche dei secoli XI-XII nella Biblioteca Capitolare di Verona. Riflessioni e spunti di ricerca (Cunego, Giovanni) La notation musicale dans la Catalogne médiévale. Autour des origines et son évolution (Garrigosa i Massana, Joaquim) The Scribe and the Notator as the Bearer of Identity. Bohemian Notation in Late Mediaeval Manuscripts of Central Europe (Veselovska, Eva).
Erik Tonen BooksProfessional sellerBook number: 63240
€ 99.00 [Appr.: US$ 113.23 | £UK 83.5 | JP¥ 16286]
Catalogue: Middeleeuwen
Keywords: (up c. 1400) Palaeography & Studies Hymn chants & song church Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie Art Histoire patrimoine Nouveautés art ar
Reynaert leven met een middeleeuws meesterwerk
Prometheus, 2023 Hardcover, 592 pag. NL, 235 x 160 x 45 mm, Nieuw, met ill. ISBN 9789044642674.
¶ Van den vos Reynaerde geldt als hét meesterwerk van onze middeleeuwse letterkunde, en misschien wel van de hele Nederlandse literatuur. Wat is het geheim van deze klassieker, die in elke tijd ook leest als een moderne roman, en die zoveel heeft betekend voor zovelen? Met de eruditie van de kenner en het enthousiasme van de liefhebber besloot Frits van Oostrom om een boek te wijden aan de Reynaert, met het doel te laten zien wat deze tekst zo uniek maakt voor al die generaties lezers en onderzoekers die ? soms op het obsessieve af ? met de Reynaert hebben geleefd. En uiteindelijk gaat het ook over Van Oostroms eigen levenslange omgang met onze beroemdste middeleeuwer: een vos. De Reynaert. Leven met een middeleeuws meesterwerk biedt in zijn breedte en diepte een weergaloos panorama van literatuur, geschiedenis en wetenschap. Met een nieuwe editie naar alle bronnen van de Middelnederlandse tekst, door Ingrid Biesheuvel en Frits van Oostrom. Frits van Oostrom is universiteitshoogleraar te Utrecht. Hij ontving talloze prijzen en eerbewijzen, waaronder de AKO Literatuurprijs, de Spinozaprijs en in Vlaanderen de Keizer Karelprijs en de Gouden Penning van de Belgische Academie van Wetenschappen. Zijn meest recente boek, Nobel streven, werd in 2018 bekroond met de Libris Geschiedenis Prijs.
¶ Van den vos Reynaerde geldt als hét meesterwerk van onze middeleeuwse letterkunde, en misschien wel van de hele Nederlandse literatuur. Wat is het geheim van deze klassieker, die in elke tijd ook leest als een moderne roman, en die zoveel heeft betekend voor zovelen? Met de eruditie van de kenner en het enthousiasme van de liefhebber besloot Frits van Oostrom om een boek te wijden aan de Reynaert, met het doel te laten zien wat deze tekst zo uniek maakt voor al die generaties lezers en onderzoekers die ? soms op het obsessieve af ? met de Reynaert hebben geleefd. En uiteindelijk gaat het ook over Van Oostroms eigen levenslange omgang met onze beroemdste middeleeuwer: een vos. De Reynaert. Leven met een middeleeuws meesterwerk biedt in zijn breedte en diepte een weergaloos panorama van literatuur, geschiedenis en wetenschap. Met een nieuwe editie naar alle bronnen van de Middelnederlandse tekst, door Ingrid Biesheuvel en Frits van Oostrom. Frits van Oostrom is universiteitshoogleraar te Utrecht. Hij ontving talloze prijzen en eerbewijzen, waaronder de AKO Literatuurprijs, de Spinozaprijs en in Vlaanderen de Keizer Karelprijs en de Gouden Penning van de Belgische Academie van Wetenschappen. Zijn meest recente boek, Nobel streven, werd in 2018 bekroond met de Libris Geschiedenis Prijs.
Erik Tonen BooksProfessional sellerBook number: 61697
€ 35.00 [Appr.: US$ 40.03 | £UK 29.75 | JP¥ 5758]
Catalogue: Middeleeuwen
'Genuesische Weltkarte von 1457'. Bild und Stimme einer ambiguen Welt
Brepols, 2024 Hardback, 504 pages, Size:210 x 270 mm, Illustrations:33 b/w, 17 col., 4 tables b/w., Language(s):German, Latin. ISBN 9782503601892.
¶ Summary Dieses Buch lenkt den Fokus auf die Rolle vormoderner Karten als potenzielle Stimmen, die Überzeugungen und Handlungsaufforderungen vermittelten. Es stellt ein neues Konzept zur Analyse vormoderner Karte vor und setzt es am Beispiel der sogenannten 'Genuesischen Weltkarte' von 1457 um, einer anonymen, dem nordmediterranen Raum entstammenden Karte, von der weder der genaue Erstellungsort noch der unmittelbare Nutzungskontext bekannt sind. Im ausgehenden Mittelalter beschäftigten sich verschiedenartige Kreise intensiv mit geographischen und kartographischen Fragen. Zusätzlich zu den Zeugnissen gelehrter Mönche und Kleriker wird nun das Interesse von weltlichen Gelehrten, Fürsten, Notaren, Händlern, Seefahrern und humanistischen Zirkeln an Karten greifbarer. Angeregt wurde dieses Interesse durch das Anwachsen des Wissens über die Welt. Lateineuropäische Reisende und Gesandte aus fernen Ländern berichteten über ihre Erfahrungen aus Asien und Afrika. Frühe Humanisten fanden Handschriften fast vergessener antiker Werke wieder, so dass sich der Blick auf das Autoritätenwissen änderte. Insbesondere die spätestens 1409 fertiggestellte lateinische Übersetzung der ?Geographia' des Alexandriner Astronomen Klaudios Ptolemaios machte Furore und wird in der Forschung als Anstoß einschneidender Veränderungen der Kartographie gesehen. Der Abgleich der 'Genuesischen Weltkarte' mit Karten aus über 130 Archivsignaturen zeigt, dass sie sich in mehrfacher Hinsicht von den üblichen Karten des 14./15. Jahrhunderts der nordmediterranen Region abhebt. Ihre Kartenmacher waren keine konventionellen Ersteller von Küstenlinienkarten oder Serienkarten. Vielmehr waren sie humanistisch interessiert, mathematisch gebildet und entstammten wahrscheinlich dem Umfeld der Kurie und des Konzils von Ferrara-Florenz (1438-1445). Es greift zu kurz, ihre innovative Anlehnung an Ptolemaios als Verengung des Fokus rein auf topographische Genauigkeit zu deuten, vielmehr zeichneten sie ein raumzeitliches, als kohärente heilsgeschichtliche Erzählung zu verstehendes Bild der Welt. TABLE OF CONTENTS Einleitung Kapitel Eins: Grundlagen Kapitel Zwei: Kartenmachende - Annäherung an den Handlungsraum Kapitel Drei: Kartenbild - Strukturen der dargestellten Welt Kapitel Vier: Kommunikation - Stimmen der Kartenmachenden im Kartenbild Epilog Summary in English Anhang: I. Erläuterungen, Transkriptionen und Übersetzungen zu den Kartenzeichen der ?Genuesischen Weltkarte' II. Liste der Vergleichskarten III. Vergleich der ?Genuesischen Weltkarte' mit den Koordinaten des Ptolemaios IV. Vergleich der Größen verschiedener Karten.
¶ Summary Dieses Buch lenkt den Fokus auf die Rolle vormoderner Karten als potenzielle Stimmen, die Überzeugungen und Handlungsaufforderungen vermittelten. Es stellt ein neues Konzept zur Analyse vormoderner Karte vor und setzt es am Beispiel der sogenannten 'Genuesischen Weltkarte' von 1457 um, einer anonymen, dem nordmediterranen Raum entstammenden Karte, von der weder der genaue Erstellungsort noch der unmittelbare Nutzungskontext bekannt sind. Im ausgehenden Mittelalter beschäftigten sich verschiedenartige Kreise intensiv mit geographischen und kartographischen Fragen. Zusätzlich zu den Zeugnissen gelehrter Mönche und Kleriker wird nun das Interesse von weltlichen Gelehrten, Fürsten, Notaren, Händlern, Seefahrern und humanistischen Zirkeln an Karten greifbarer. Angeregt wurde dieses Interesse durch das Anwachsen des Wissens über die Welt. Lateineuropäische Reisende und Gesandte aus fernen Ländern berichteten über ihre Erfahrungen aus Asien und Afrika. Frühe Humanisten fanden Handschriften fast vergessener antiker Werke wieder, so dass sich der Blick auf das Autoritätenwissen änderte. Insbesondere die spätestens 1409 fertiggestellte lateinische Übersetzung der ?Geographia' des Alexandriner Astronomen Klaudios Ptolemaios machte Furore und wird in der Forschung als Anstoß einschneidender Veränderungen der Kartographie gesehen. Der Abgleich der 'Genuesischen Weltkarte' mit Karten aus über 130 Archivsignaturen zeigt, dass sie sich in mehrfacher Hinsicht von den üblichen Karten des 14./15. Jahrhunderts der nordmediterranen Region abhebt. Ihre Kartenmacher waren keine konventionellen Ersteller von Küstenlinienkarten oder Serienkarten. Vielmehr waren sie humanistisch interessiert, mathematisch gebildet und entstammten wahrscheinlich dem Umfeld der Kurie und des Konzils von Ferrara-Florenz (1438-1445). Es greift zu kurz, ihre innovative Anlehnung an Ptolemaios als Verengung des Fokus rein auf topographische Genauigkeit zu deuten, vielmehr zeichneten sie ein raumzeitliches, als kohärente heilsgeschichtliche Erzählung zu verstehendes Bild der Welt. TABLE OF CONTENTS Einleitung Kapitel Eins: Grundlagen Kapitel Zwei: Kartenmachende - Annäherung an den Handlungsraum Kapitel Drei: Kartenbild - Strukturen der dargestellten Welt Kapitel Vier: Kommunikation - Stimmen der Kartenmachenden im Kartenbild Epilog Summary in English Anhang: I. Erläuterungen, Transkriptionen und Übersetzungen zu den Kartenzeichen der ?Genuesischen Weltkarte' II. Liste der Vergleichskarten III. Vergleich der ?Genuesischen Weltkarte' mit den Koordinaten des Ptolemaios IV. Vergleich der Größen verschiedener Karten.
Erik Tonen BooksProfessional sellerBook number: 64189
€ 130.00 [Appr.: US$ 148.69 | £UK 109.75 | JP¥ 21386]
Catalogue: Middeleeuwen
Keywords: Geography & cartography (. ) Cultural & intellectual history (. 500 ) Late Middle Ages (c. 1300 1500) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie A
I Capitoli di conoscenza. Centurie I-V. Testo siriaco e traduzione italiana
Brepols, 2023 Paperback, 288 pages, Size:180 x 265 mm, Language(s):Syriac, Italian. ISBN 9782503606491.
¶ Summary Déjà considéré anciennement comme le grand théoricien de la mystique syro-orientale, Joseph Hazzaya (VIIIe siècle) est né en Perse d'une famille mazdéenne, puis s'est converti au christianisme et s'est fait moine. Fils de la réforme d'Abraham de Kashkar, il est spirituellement apparenté à Isaac de Ninive et Jean de Dalyatha. Sur la base d'une quinzaine de manuscrits, les Chapitres de connaissance édités et traduits en italien dans ce fascicule font partie d'une ?uvre dans laquelle Hazzaya déploie son enseignement sous une forme expressive qui, depuis Évagre le Pontique, a connu une grande diffusion. TABLE OF CONTENTS Introduzione Abbreviazioni e sigle Bibliografia Testo e traduzione - Centuria I (Primo discorso) - Centuria II (Secondo discorso) - Centuria III (Terzo discorso) - Centuria IV (Capitoli di conoscenza disposti in ordine alfabetico e per ogni lettera dieci capitoli) - Centuria V (Secondo discorso [posto] secondo le lettere dell'alfabeto. [Dalla] lettera Lamed) Indice biblico Indice dei termini siriaci Indice degli autori antichi Indice onomastico e tematico.
¶ Summary Déjà considéré anciennement comme le grand théoricien de la mystique syro-orientale, Joseph Hazzaya (VIIIe siècle) est né en Perse d'une famille mazdéenne, puis s'est converti au christianisme et s'est fait moine. Fils de la réforme d'Abraham de Kashkar, il est spirituellement apparenté à Isaac de Ninive et Jean de Dalyatha. Sur la base d'une quinzaine de manuscrits, les Chapitres de connaissance édités et traduits en italien dans ce fascicule font partie d'une ?uvre dans laquelle Hazzaya déploie son enseignement sous une forme expressive qui, depuis Évagre le Pontique, a connu une grande diffusion. TABLE OF CONTENTS Introduzione Abbreviazioni e sigle Bibliografia Testo e traduzione - Centuria I (Primo discorso) - Centuria II (Secondo discorso) - Centuria III (Terzo discorso) - Centuria IV (Capitoli di conoscenza disposti in ordine alfabetico e per ogni lettera dieci capitoli) - Centuria V (Secondo discorso [posto] secondo le lettere dell'alfabeto. [Dalla] lettera Lamed) Indice biblico Indice dei termini siriaci Indice degli autori antichi Indice onomastico e tematico.
Erik Tonen BooksProfessional sellerBook number: 64331
€ 130.00 [Appr.: US$ 148.69 | £UK 109.75 | JP¥ 21386]
Catalogue: Middeleeuwen
Keywords: Semitic langs & lits Early Medieval Christian theology (. 650 1200) Eastern & Orthodox Christianity & Churches (from c. 312) Schilderkunst kunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schild
Music in the Carolingian World. Witnesses to a Metadiscipline, Essays in Honor of Charles M. Atkinson
Brepols, 2023 Paperback, 455 pages, Size:178 x 254 mm, Illustrations:33 b/w, 12 col., 19 tables b/w., 23 musical examples, Language(s):English, French. ISBN 9782503603308.
¶ Summary Music in the Carolingian World stems from a conference honoring the career and wide-ranging research of Prof. Charles M. Atkinson, leading scholar in early-medieval studies and author of the award-winning monograph, The Critical Nexus (2010). The volume brings together seventeen essays to explore the broad ramifications of music as an arena of study in early-medieval culture; taken together, they manifest the status of music not just as a field of research, but as a metadiscipline that embraces numerous fields and specializations in medieval studies, including philosophy, theology, literature, philology, paleography, liturgy, education, political and institutional history, as well as the practice, theory, and transmission of chant and related musical repertories. The essays are grouped into the four thematic categories of Verbum, Numerus, Ars, and Cultus, bookended by three keynote essays that touch in different ways on the theme of metadisciplinarity. TABLE OF CONTENTS Preface ? Graeme M. Boone Prolegomena ? Charles M. Atkinson Verbum Virgil and Music in the Carolingian World ? Jan M. Ziolkowski Glimpses of Carolingian Latin Song: A Laon Verse Collection Reconsidered ? Sam Barrett Resonet coram te rex: Reflections on the Role of the King in Early Proses and Tropes ? Gunilla Iversen Numerus Musica ex numeris ? Michel Huglo?, edited and translated by Barbara Haggh-Huglo; appendices by Manuel Pedro Ferreira and Barbara Shailor Symbolic and Rhetorical Use of Numbers in Arabic and Hebrew Writings on Music ? Amnon Shiloah? Medieval Readings of the Division of the World Soul (Timaeus 35b-36b) in Latin Philosophical Commentaries ? Béatrice Bakhouche Keynote 1 Placing Music in Carolingian Monastic Culture ? Patrick J. Geary Ars The Liberal Arts and Study of the Bible in the Carolingian Age ? David Ganz The Ars musica in Glosses and Commentary Traditions from the Carolingian Period ? Mariken Teeuwen ?Let Schools be Established ?? For What? The Meaning of Admonitio generalis, cap. 70 (olim 72) ? John J. Contreni Les plus anciens témoins des notations françaises conservés dans les collections de la Bibliothèque nationale de France ? Marie-Noël Colette To Speak Well and to Sing Wisely: Liturgical Chant and Carolingian Correctio ? Susan Rankin The Poet as Historian: Walahfrid Strabo on the Shaping of Office Repertory ? Felix Heinzer The Responsories of Easter Week: On the Development of the Office Antiphoner in the Ninth Century ? Andreas Pfisterer Textual and Melodic Variance in Carolingian Chant ? Rebecca Maloy Keynote 2 The Meta-Nexus Underlying Disciplina musica ? Calvin M. Bower Bio-Bibliography of Charles M. Atkinson Works Cited General Index Index of Manuscripts.
¶ Summary Music in the Carolingian World stems from a conference honoring the career and wide-ranging research of Prof. Charles M. Atkinson, leading scholar in early-medieval studies and author of the award-winning monograph, The Critical Nexus (2010). The volume brings together seventeen essays to explore the broad ramifications of music as an arena of study in early-medieval culture; taken together, they manifest the status of music not just as a field of research, but as a metadiscipline that embraces numerous fields and specializations in medieval studies, including philosophy, theology, literature, philology, paleography, liturgy, education, political and institutional history, as well as the practice, theory, and transmission of chant and related musical repertories. The essays are grouped into the four thematic categories of Verbum, Numerus, Ars, and Cultus, bookended by three keynote essays that touch in different ways on the theme of metadisciplinarity. TABLE OF CONTENTS Preface ? Graeme M. Boone Prolegomena ? Charles M. Atkinson Verbum Virgil and Music in the Carolingian World ? Jan M. Ziolkowski Glimpses of Carolingian Latin Song: A Laon Verse Collection Reconsidered ? Sam Barrett Resonet coram te rex: Reflections on the Role of the King in Early Proses and Tropes ? Gunilla Iversen Numerus Musica ex numeris ? Michel Huglo?, edited and translated by Barbara Haggh-Huglo; appendices by Manuel Pedro Ferreira and Barbara Shailor Symbolic and Rhetorical Use of Numbers in Arabic and Hebrew Writings on Music ? Amnon Shiloah? Medieval Readings of the Division of the World Soul (Timaeus 35b-36b) in Latin Philosophical Commentaries ? Béatrice Bakhouche Keynote 1 Placing Music in Carolingian Monastic Culture ? Patrick J. Geary Ars The Liberal Arts and Study of the Bible in the Carolingian Age ? David Ganz The Ars musica in Glosses and Commentary Traditions from the Carolingian Period ? Mariken Teeuwen ?Let Schools be Established ?? For What? The Meaning of Admonitio generalis, cap. 70 (olim 72) ? John J. Contreni Les plus anciens témoins des notations françaises conservés dans les collections de la Bibliothèque nationale de France ? Marie-Noël Colette To Speak Well and to Sing Wisely: Liturgical Chant and Carolingian Correctio ? Susan Rankin The Poet as Historian: Walahfrid Strabo on the Shaping of Office Repertory ? Felix Heinzer The Responsories of Easter Week: On the Development of the Office Antiphoner in the Ninth Century ? Andreas Pfisterer Textual and Melodic Variance in Carolingian Chant ? Rebecca Maloy Keynote 2 The Meta-Nexus Underlying Disciplina musica ? Calvin M. Bower Bio-Bibliography of Charles M. Atkinson Works Cited General Index Index of Manuscripts.
Erik Tonen BooksProfessional sellerBook number: 63361
€ 80.00 [Appr.: US$ 91.5 | £UK 67.5 | JP¥ 13160]
Catalogue: Middeleeuwen
Keywords: (up . 1400) Cultural & intellectual (c. 500 1500) Kingdom Franks & Empire Schilderkunst kunst paint schilder Beaux Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Kunst Fotografie Art Histoire et patrimoine Nouveau