Antiquariaat Goltzius: History prints Portraits Portretten
found: 11 books

 
BERTHOLDE. Engraved from an Original Picture (dwerg hofnar Bertholde, de dwerg van Normandie).
Engraving portraying Bertholde, a dwarf prime minister to Alboinus, King of Lombardy (c.530-572). This plate was in 'The London Magazine' (c.1753), where he is described as follows: "[He had] a large head, as round as a football, adorned with red hair, very straight, and which had a great resemblance to the bristles of a hog; an extremely short forehead, furrowed with wrinkles; two little blear eyes, edged round with a border of bright carnation, and over-shadowed by a pair of large eyebrows, which upon occasion might be made use of as brushes; a flat red nose, resembling an extinguisher; a wide mouth, from which proceeded two long crooked teeth, not unlike the tusks of a boar, and pointing to a pair of ears like those which formerly belonged to Mydas; a lip of a monstrous thickness, which hung down on a chin that seemed to sink under the load of a beard, thick, straight, and bristly; a very short neck, which nature had adorned with a kind of necklace, formed of ten or twelve small wens. The rest of his body was perfectly agreeable to the grotesque appearance of his visage; so that, from head to foot he was a kind of monster, who by his deformity and the hair with which he was covered had a greater resemblance to a bear half licked into form than to a human creature. But though nature had treated him so ill with respect to his body, she had recompensed him by the subtlety, the agreeableness, and the solidity of the mind she had united to it."Inscribed at bottom: 'BERTHOLDE./ Engraved from an Original Picture'.l Engraving on paper, mounted on laid paper, in passepartout; total (picture) 183 x 103 mm; framing line in black ink on mount.
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Book number: 63588
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 Baillie, William (1723-1810) Captain, Spectamur Agendo.
Baillie, William (1723-1810) Captain
Spectamur Agendo.
Portrait of Cornet Daniel Brown, whole-length standing facing towards the viewer, looking to left, in uniform and tricorn, right hand on hip above sword-hilt, left hand holding a staff, with a cavalry skirmish in the background. Lettered above the image "Spectamur Agendo", with the engraver's monogram and date 1769, and below the image with a Greek inscription and the information in Italian that the print was drawn and engraved in four hours by Baillie, captain of the 3rd light horse regiment: "?? µ?? ??f?e?e / Delineato & inciso in Quatr'Ore WBaillie Capt. di 3d. Rego Caval Legiera". The Greek transliterates as 'Il mio Alfiere', or 'my flag-bearer'.l Etching and drypoint on paper with tiny margins; plate mark 150 x 75 mm, total: 158 x 82 mm; in very good condition, bottom left corner slightly damaged but not affecting the plate; Le Blanc 92.
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Book number: 63392
€  172.50 [Appr.: US$ 186.49 | £UK 147.25 | JP¥ 29293]

 
Fokke, Simon (1712-1784), on a drawing by Schouman, Aert (1710-1792), after painting by Baen, Jan de (1633-1702)
Aftekening der Schilderye, op 't Stadhuis te Dordrecht geplaatst, ter gedagtenisse van de Overwinning by Chattam, in 't Jaar 1667, onder 't beleid van KORNELIS DE WIT. Rurwaard van Putten.
Glorification of Cornelis de Witt: the commander in armour, holding a commandostaf, is represented on the left, being crowned with laurel by flying putti while a Fame is blowing a trumpet. On the background the trip to Chatham (June 1667). On the left also a cornucopia with symbols of the prosperity of land and wealth. This illustration was used in Jan Wagenaar's "Vaderlandsche historie", published in Amsterdam between 1749-1759, in 21 volumes. This pint belongs to vol. XIII, p. 478. The original painting in the town hall of Dordrecht was destroyed in 1672, soon after the horrifying death of the de Witt brothes. Signed lower right corner: "S.Fokke fec"; on the left corner: "A. Schoumann del, naar 't Originele Model"l Etching on laid paper; tot.213 x 282 mm with margins, some damages along the margins. Signs of folding. PH4F
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Book number: 59602
€  63.25 [Appr.: US$ 68.38 | £UK 54 | JP¥ 10741]

 Haid, Johann Jakob (1704–1767) after Huber, Johann Rudolph (1668-1748), DANIEL BERNOULLIUS.
Haid, Johann Jakob (1704–1767) after Huber, Johann Rudolph (1668-1748)
DANIEL BERNOULLIUS.
Half length portrait of the physicist and mathematician Daniel Bernoulli (1700-1782). He is particularly remembered for his applications of mathematics to mechanics, especially fluid mechanics, and for his pioneering work in probability and statistics. His name is commemorated in the Bernoulli's principle, a particular example of the conservation of energy, which describes the mathematics of the mechanism underlying the operation of two important technologies of the 20th century: the carburetor and the airplane wing. (From Wikipedia). With two attached pages with information concerning Bernoulli. In rococó frame, with inscription below: 'DANIEL BERNOULLIUS / Med.... Nat d. 29 Ian. A.S.R. MDCC.' Signed: 'I. Rudolph Huber, Senat Basil. pinx. / I. Iacob Haid, sculps et excud Aug. Vind.'.l Mezzotint on paper with margins, two pages in letterpress; plate mark: 311 x 189 mm, total: 248 x 354; in outstanding condition.
Antiquariaat GoltziusProfessional seller
Book number: 63586
€  138.00 [Appr.: US$ 149.19 | £UK 117.75 | JP¥ 23435]

 
Kramm, (circle of?) Christiaan (Utrecht, 1797-1875) after Andries Jacobsz Stock
Portrait of Lucas van Leyden
After the original engraving by Andries Jacobsz Stockl Black chalk heightened with white on blue-greyish paper, 250 x 180 mm. Tipped onto a sheet of cream coloured laid paper, annotated in pencil: 'C. Kramm, geb. 1797 te Utrecht, aldaar x 1875'.
Antiquariaat GoltziusProfessional seller
Book number: 60394
€  172.50 [Appr.: US$ 186.49 | £UK 147.25 | JP¥ 29293]

 
Unknown maker
COMOEDIA VETUS
Engraved frontispiece of the first Edition of the political pamphlet 'Comoedia Vetus'. Though anonymously published, it commonly accepted that the author was Willem Meerman (?-1612), a seafaring man. In 1612, the year this pamphlet was published, Meerman embarked on a voyage to America, from which he never returned. In this pamplet, Meerman uses maritime expressions as an allegory on the political situation in Holland. The pamphlet is written in a clear and witty style. It attacks the protestant clergy in Holland as being little better than their Catholic predecessors. Hence the title, which translates as "the old game". The illustrated titlepage print shows prince Maurits, seated at a table with seven other gentlemen. He holds a stick, a man with a head shaped like church pulls at the other end of the stick. At the front of the scene, several sailors are approaching and watch the scene in surprise. At the foot of the title are the words "Eij Maet, siet is 't lant vol gecken? Noom wil mijn Heer de stock onttrecken". In the same year 1612 another edition was issued, slightly smaller, with the extended title "Comoedia Vetus, of anders ghenoemt Het Bootsmanspraetjen". The addition "bootmans praetjen" stuck and came back in later editions, which were issued well into the 18th century, until 1740. On the verso collector's mark: Gemeente Museum of The Hague (L. 1096); here are also pencil scribbles. l Etching and engraving on paper, trimmed within plate mark, margins restored; total: 197 x 146 mm; traces of previous mounting on the verso
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Book number: 61662
€  80.50 [Appr.: US$ 87.03 | £UK 68.75 | JP¥ 13670]

 
Nunnink, Adolf Carel (1813-1894) after Pieneman, Nicolaas (1809-1860)
ADMIRAAL DE RUYTER. 22 APRIL 1676
Representation of the death of admiral Michiel de Ruyter (1607-1676). During the battle of Augusta in Sicily de Ruyter was heavily injured: a cannon ball shot from the French hit him on the leg. This injury costed de Ruyter's life. Here the admiral is represented with his soldiers watching over him during his last moments on the ship he commanded. Inscribed above: 'N. PIENEMAN', and signed below the representation: 'A.C. Nunnink / Uitgave van J.J. VAN BREDERODE te Haarlem / Lith. van Emrik & Binger.' Titled on the bottom: 'ADMIRAAL DE RUYTER. 22 APRIL 1676'l Lithograph; total: 252 x 333 mm; some stains and light foxing along the external margins
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Book number: 60846
€  28.75 [Appr.: US$ 31.08 | £UK 24.75 | JP¥ 4882]

 
Rochussen, Charles (1814-1894)
The reconciliation between Cornelis Tromp and Michiel de Ruyter
Cornelis Tromp shaking hands with Michiel de Ruyter in sign of reconciliation. During the second war against the English, De Ruyter accused Tromp to have inefficiently lead the battle on St. James’s Day in August 1666. The dispute was ended after a while with a reconciliation of the two. Monogrammed on the bottom right: 'CR' l Lithography on paper with margins; plate mark: 288 x 199 mm, total: 352 x 251 mm; nice impression on thick paper; with accompanying text
Antiquariaat GoltziusProfessional seller
Book number: 60848
€  28.75 [Appr.: US$ 31.08 | £UK 24.75 | JP¥ 4882]

 Steelink, Willem (1856-1928) after Scheltema, Taco (1760-1837), Jan P. Sweelinck at the organ [Arti et Amicitiae].
Steelink, Willem (1856-1928) after Scheltema, Taco (1760-1837)
Jan P. Sweelinck at the organ [Arti et Amicitiae].
The composer and organist Jan Pieterszoon Sweelinck at the organ. Other persons seated around him listening to the Master. Signed on the bottom: 'Taco Scheltema pinx. / W. Steelink sculps.' From a collection of steel engravings after paintings in the 'Historische Galerij der Maatschappij Arti et Amicitiae'. Two pages with the biography of the composer. l Steel engraving on paper with margins; total: 206 x 272 mm; some foxing on the margins. Two pages of text.
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Book number: 63628
€  92.00 [Appr.: US$ 99.46 | £UK 78.5 | JP¥ 15623]

 Steelink, Willem (1856-1928) after after Muller, Jan (1571-1628), Portrait of Jan P. Sweelinck.
Steelink, Willem (1856-1928) after after Muller, Jan (1571-1628)
Portrait of Jan P. Sweelinck.
The composer and organist Jan Pieterszoon Sweelinck after the engraved portrait by Jan Muller. Titled at the bottom: 'JAN PIETERSZ SWEELINCK'. Signed at bottom: 'W. Steelink sculp.'.l Steel engraving on paper with margins; total: 338 x 243 mm; in passepartout.
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Book number: 63632
€  57.50 [Appr.: US$ 62.16 | £UK 49.25 | JP¥ 9764]

 Voet, Alexander II (c. 1635-after 1695), Galle, Cornelis II (1615-1678) after Rubens, Peter Paul (1577-1640), LUCIUS ANNAEUS SENECA.
Voet, Alexander II (c. 1635-after 1695), Galle, Cornelis II (1615-1678) after Rubens, Peter Paul (1577-1640)
LUCIUS ANNAEUS SENECA.
The death of Seneca. A pupil on the right describes the last words of the Philosopher; two soldiers on the right background. The old man is standing in the center, with his left hand raised and the right arm towards the ground. Some blood is dropping out of his forearm. A bearded man on the left is drying Seneca's skin. The philosopher is standing on a basin. Lettered in lower margin with production details and title: "Petr. Paul Rubbens pinxit" and "[A. Voet iunior sc] Corn. Galle excudit". Text in squared brackets added in brown ink, after reworking of plate. The figure of Seneca is after a Roman statue of an old fisherman 'Vieux pêcheur, dit Sénèque mourant' in the Musée du Louvre, Paris, inv.no.MR 314.l Engraving on paper, trimmed to plate mark; total: 404 x 275 mm; state II/2; Hollstein 11 (Voet).
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Book number: 63600
€  517.50 [Appr.: US$ 559.46 | £UK 441.25 | JP¥ 87879]

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