CHATEAU, DOMINIQUE & FRANCOIS JOST
Nouveau Cinéma, Nouvelle Sémiologie
Paris: Union Générale D'Éditions, 1979. Original decorated wrappers. Library stamps & labels. Browning & wear throughout text block. Cover discoloured & somewhat worn, especially to lower right corner. Label on spine. ; French language edition. ; 17.8 x 10.7 x 1.3 cms; 314 pages; Nouveau cinéma, nouvelle sémiologie: Essai d’analyse des films d’Alain Robbe-Grillet by Dominique Chateau and François Jost is a seminal 1979 study that re-examines cinematic semiotics through the lens of Robbe-Grillet’s avant-garde films. The authors argue that traditional film semiology—particularly the influential theories of Christian Metz—was insufficient for analysing Robbe-Grillet’s experimental narratives, which disrupt conventional storytelling, visual continuity, and sound-image relationships. Chateau and Jost propose a “new semiology” tailored to the “new cinema” of the 1960s and 1970s. Rather than treating the filmic “shot” as the minimal unit of meaning, they advocate for a parametric analysis that considers how various audiovisual elements—such as motifs, sound patterns, and visual structures—interact across a film’s duration. This approach emphasises the interplay between image and sound, the recurrence of thematic motifs, and the presence of “tele-structures” (long-range structural patterns) that shape the viewer’s experience. The book focuses on Robbe-Grillet’s films—including L’Immortelle, L’Homme qui ment, and L’Éden et après—to demonstrate how these works challenge classical cinematic codes. By doing so, the authors call for a rethinking of semiotic frameworks to accommodate the complexities of modernist and postmodernist cinema. This work remains a foundational text in film theory, particularly for those interested in narrative experimentation, the relationship between sound and image, and the evolution of cinematic language.. Good+ with no dust jacket .

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Keywords: Essays