ERIK TONEN BOOKS: 17e-eeuwse kunst
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Magiasta Laaketieteeseen [From Magic to Medicine: Science and Belief in 16th to 18th Century Art]
Finland, Sinebrychoffin Taidemuseo, 2004 Hardcover. 229 pages, Bluish boards. illustrated in bw and half-tone. 28x23cm.
¶ Text is in English and Finnish. Catalogue for an exhibition held at the Sinebrychoff Art Museum from March 11 to May 30, 2004 and organized by the Finnish National Gallery.
¶ Text is in English and Finnish. Catalogue for an exhibition held at the Sinebrychoff Art Museum from March 11 to May 30, 2004 and organized by the Finnish National Gallery.
Erik Tonen BooksProfessional sellerBook number: 57887
€ 65.00 [Appr.: US$ 69.79 | £UK 55 | JP¥ 11013]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre siècle Artiste peintre photo fotografie ar
PORTRET VAN JAN VEKEMANS. CORNELIS DE VOS,
Brussel, Koning Boudewijnstichting, 2006 softcovergeillustreerd in kleur, 175 x 240mm., 44pp., uitgebreide illustratie in kleur en z/w. ISBN 9789051305388.
¶ Een publicatie over het portret van Jan Vekemans, van de hand van de bekende portretschilder Cornelis De Vos. Het schilderij maakt deel uit van een reeks familieportretten van de 17de eeuwse koopman Joris Vekemans. In permanente bruikleen gegeven aan het Antwerpse Museum Mayer van den Bergh.
¶ Een publicatie over het portret van Jan Vekemans, van de hand van de bekende portretschilder Cornelis De Vos. Het schilderij maakt deel uit van een reeks familieportretten van de 17de eeuwse koopman Joris Vekemans. In permanente bruikleen gegeven aan het Antwerpse Museum Mayer van den Bergh.
Erik Tonen BooksProfessional sellerBook number: 39793
€ 10.00 [Appr.: US$ 10.74 | £UK 8.5 | JP¥ 1694]
Keywords: schilderkunst peinture painting netherlands Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livr
Johannes Vermeer Eng. version
National Gallery of Art / Mauritshuis 1995, 1995 Softcover, 229 pages, ENG, 310 x 245 mm, book is in good shape, with illustrations / images in colour and b/w. ISBN 9780894682193.
¶ Johannes Vermeer (baptized in Delft, October 31, 1632 ? buried there, December 15, 1675) was a Dutch painter in the Golden Age. Vermeer had a preference for timeless, subdued moments. It remains enigmatic because of the inimitable color scheme and the astonishing light content. Vermeer's paintings, mostly genre scenes and a few history paintings, allegories and cityscapes, are distinguished by a subtle use of color and an ideal composition. He sometimes used expensive pigments and had a great preference for ultramarine and lead tin yellow.
¶ Johannes Vermeer (baptized in Delft, October 31, 1632 ? buried there, December 15, 1675) was a Dutch painter in the Golden Age. Vermeer had a preference for timeless, subdued moments. It remains enigmatic because of the inimitable color scheme and the astonishing light content. Vermeer's paintings, mostly genre scenes and a few history paintings, allegories and cityscapes, are distinguished by a subtle use of color and an ideal composition. He sometimes used expensive pigments and had a great preference for ultramarine and lead tin yellow.
Erik Tonen BooksProfessional sellerBook number: 58429
€ 20.00 [Appr.: US$ 21.47 | £UK 17 | JP¥ 3388]
Keywords: & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre siècle Artiste peintre
Power Flower bloemstillevens in de nederlanden
BE, KMSKA-Rockox, 2016 Hardcover, 198 pages. met illustraties in kleur tekst in het Nederlands
¶ Door de groeiende interesse voor botanica en de ontluikende liefde voor de natuur gingen kunstenaars rond 1600 bloemen behandelen als een zelfstandig motief. In die tijd en nog lang daarna raakten schilders helemaal in de ban van de -Power Flower-. Jan Brueghel, Jan Davidz De Heem, Osias Beert, Daniel Seghers, Rachel Ruysch en vele anderen pronken op deze tentoonstelling met hun mooiste ruikers./// Due to the growing interest in botanics and the budding love for nature, artists started treating around 1600 flowers as an independent motif. At that time and long afterwards, painters became completely captivated by the -Power Flower-. Jan Brueghel, Jan Davidz De Heem, Osias Beert, Daniel Seghers, Rachel Ruysch and many others show off their most beautiful scents at this exhibition.; Hoefnagel, Hondius de oude, Matthieu de L'obel, Charles de l'Rcluse, Emmanueel sweert, Adriaen Collaert, De Bry, Crispijn de Passe de oude, A Wierix, R Savery, Van de Hoecke, Ambroius Bosschart, Osias Beert, Breughel, Van Der Ast, Jacob van Hulsdonck, Paulus Pontius, Hans Coenraadt, Philips de Marlier, Abram Dircksz, Galle, Johannes Fijt, Jan Davidsz de Heem, Dirck de Bray, Crel de Moor, Rachel Ruysch, Van Huijsum, Ziesel, Eliaerts, Bas Meeuws.
¶ Door de groeiende interesse voor botanica en de ontluikende liefde voor de natuur gingen kunstenaars rond 1600 bloemen behandelen als een zelfstandig motief. In die tijd en nog lang daarna raakten schilders helemaal in de ban van de -Power Flower-. Jan Brueghel, Jan Davidz De Heem, Osias Beert, Daniel Seghers, Rachel Ruysch en vele anderen pronken op deze tentoonstelling met hun mooiste ruikers./// Due to the growing interest in botanics and the budding love for nature, artists started treating around 1600 flowers as an independent motif. At that time and long afterwards, painters became completely captivated by the -Power Flower-. Jan Brueghel, Jan Davidz De Heem, Osias Beert, Daniel Seghers, Rachel Ruysch and many others show off their most beautiful scents at this exhibition.; Hoefnagel, Hondius de oude, Matthieu de L'obel, Charles de l'Rcluse, Emmanueel sweert, Adriaen Collaert, De Bry, Crispijn de Passe de oude, A Wierix, R Savery, Van de Hoecke, Ambroius Bosschart, Osias Beert, Breughel, Van Der Ast, Jacob van Hulsdonck, Paulus Pontius, Hans Coenraadt, Philips de Marlier, Abram Dircksz, Galle, Johannes Fijt, Jan Davidsz de Heem, Dirck de Bray, Crel de Moor, Rachel Ruysch, Van Huijsum, Ziesel, Eliaerts, Bas Meeuws.
Erik Tonen BooksProfessional sellerBook number: 48819
€ 30.00 [Appr.: US$ 32.21 | £UK 25.5 | JP¥ 5083]
Keywords: fleur paint peint schilder tuinen garden Lobel l'Rcluse Cripijn pPasse
ÉTOFFE DES FLAMANDS : Mode et peinture au XVIIeme siècle
Snoeck Publishers, 2022 Paperback, 144 pages, Texte en Francais, 280 x 220 mm, Nouveau, avec 125 illustrations en couleur / n/b. ISBN 9789461617996.
¶ Cette exposition sur le thème du costume et de sa représentationpar les écoles du Nord au XVIIe siècle prend comme point d'appui les collections de peinture des écoles du Nord (Flandres et Pays-Bas) de ces trois musées. L'exposition rassemblera plus d'une soixantaine d'oeuvres, principalement des tableaux, des gravures et des archives qui dialogueront avec des éléments de vêtements et pièces de tissus, anciens ou modernes, aidant le public à appréhender les différentes textures représentées ainsi qu'à comprendre l'agencement habits. La collaboration entre les trois institutions permettra également la venue de tableaux qui pourront être confrontés pour la première fois avec des oeuvres similaires de la collection mancelle.
¶ Cette exposition sur le thème du costume et de sa représentationpar les écoles du Nord au XVIIe siècle prend comme point d'appui les collections de peinture des écoles du Nord (Flandres et Pays-Bas) de ces trois musées. L'exposition rassemblera plus d'une soixantaine d'oeuvres, principalement des tableaux, des gravures et des archives qui dialogueront avec des éléments de vêtements et pièces de tissus, anciens ou modernes, aidant le public à appréhender les différentes textures représentées ainsi qu'à comprendre l'agencement habits. La collaboration entre les trois institutions permettra également la venue de tableaux qui pourront être confrontés pour la première fois avec des oeuvres similaires de la collection mancelle.
Erik Tonen BooksProfessional sellerBook number: 59510
€ 25.00 [Appr.: US$ 26.84 | £UK 21.25 | JP¥ 4236]
Keywords: Beaux Arts Sciences Geschiedenis History Literature Weer culture histoire livre Artiste peintre photo fotografie War architectuur Nostalgie/ Flemish / Vlaamse keramiek antique antiek deco beeldhouwkunst beelden sculpturen oorlog & Architecture schilderen
ALLART VAN EVERDINGEN, THE DRAWINGS, A Complete Catalogue, Including the Studies for Reynard the Fox.
Nunspeet, 2007, Aetas Aurea, Davaco., Bound in cloth with dust jacket,. 4to. 504 pages, containing an Introduction, the main text comprising of 12 chapters, an extensive bibliography and indexes; 756 illustrations, from which 10 are in colour.fine condition Aetas Aurea, Vol. XXI ISBN 9070288974.
¶ Allart van Everdingen, born at Alkmaar in 1621, launched his career as a landscape and marine specialist at Haarlem in the 1640s, then moved to Amsterdam in 1652 where he was active as a painter, printmaker, draftsman and art dealer up to his death in 1675. He was renowned in his day for the Scandinavian subjects he depicted following his trip to Norway and Sweden in 1644.This catalogue of Everdingen's drawings presents 670 authentic water colors, ink drawings and oil sketches on paper in comprehensive, illustrated entries. The accompanying text explores many facets of his activity as a draftsman, including his use of paper, and also discusses later collectors of his sheets, their marks and inscriptions, and many imitations and copies of the master's drawing extant today. High points from Everdingen's production include his trip sketches (both from his travels to Scandinavia and from a trip he made to the Ardennes in 1656), his masterworks showing Dutch scenery, his allegorical series (Twelve Month, Four Seasons and Four Elements) and his studies and transfer drawings for both his Scandinavian landscape etchings and the prints he made to illustrate the fable Reynard the Fox.The volume is an important reference work for all those with a general interest in seventeenth-century Dutch landscape and old master drawings, or with a particular interest in allegorical landscape subjects, book illustration or the Reynard the Fox fable.The author, Alice I. Davies, published an Everdingen monograph and catalogue of the artist's paintings (in collaboration with Frederik J. Duparc) in 2001. Her other publications includes a book on the life and work of Jan van Kessel (1641-1680) and a catalogue of the 16th- and 17th-century Dutch and Flemish paintings at the Springfield Museum of Fine Arts. She was an editor of Shop Talk, the 1995 Festschrift in honor of Seymour Slive.
¶ Allart van Everdingen, born at Alkmaar in 1621, launched his career as a landscape and marine specialist at Haarlem in the 1640s, then moved to Amsterdam in 1652 where he was active as a painter, printmaker, draftsman and art dealer up to his death in 1675. He was renowned in his day for the Scandinavian subjects he depicted following his trip to Norway and Sweden in 1644.This catalogue of Everdingen's drawings presents 670 authentic water colors, ink drawings and oil sketches on paper in comprehensive, illustrated entries. The accompanying text explores many facets of his activity as a draftsman, including his use of paper, and also discusses later collectors of his sheets, their marks and inscriptions, and many imitations and copies of the master's drawing extant today. High points from Everdingen's production include his trip sketches (both from his travels to Scandinavia and from a trip he made to the Ardennes in 1656), his masterworks showing Dutch scenery, his allegorical series (Twelve Month, Four Seasons and Four Elements) and his studies and transfer drawings for both his Scandinavian landscape etchings and the prints he made to illustrate the fable Reynard the Fox.The volume is an important reference work for all those with a general interest in seventeenth-century Dutch landscape and old master drawings, or with a particular interest in allegorical landscape subjects, book illustration or the Reynard the Fox fable.The author, Alice I. Davies, published an Everdingen monograph and catalogue of the artist's paintings (in collaboration with Frederik J. Duparc) in 2001. Her other publications includes a book on the life and work of Jan van Kessel (1641-1680) and a catalogue of the 16th- and 17th-century Dutch and Flemish paintings at the Springfield Museum of Fine Arts. She was an editor of Shop Talk, the 1995 Festschrift in honor of Seymour Slive.
Erik Tonen BooksProfessional sellerBook number: 17479
€ 130.00 [Appr.: US$ 139.58 | £UK 110 | JP¥ 22025]
Keywords: 9789070288976 . . 2007. 4to. 504 12 ; 756 10 colourBound 90 70288 974
ANTHONIE VAN BORSSOM (1630-1677) A Catalogue of His Drawings
NL-, Davaco, 2014 Hardcover with dusjacket, in 4to. 141 pp., including 186 illustrations (91 in color) Cloth bound with dustjacket. English. ISBN 9789070288099.
¶ Anthonie van Borssom was a resident of Amsterdam his entire life, active primarily as a landscape artist, who is associated with Rembrandt at the onset of his career. Werner Sumowski catalogued many of Borssom's drawings and paintings in 1979 and in 1983, respectively, in the sixteen volumes he devoted to fifty-four members of Rembrandt's school. Hollstein (1951) lists eight Borssom etchings of domestic animals and birds in landscape settings. A comprehensive monograph has not been published, and some confusion remains concerning aspects of the artist's life, including the year of his birth. New information about Anthonie van Borssom's life is presented in the introductory essay for this updated catalogue of his watercolors and ink wash drawings. There is a growing consensus that Borssom's true talent and originality find their best expression in his drawings, and not in his largely derivative paintings. The new attention paid to his works on paper has brought a clearer understanding of his production. Besides elucidating the artist's biography and the complexities involving his name, the introductory text presents a discussion of his subjects (mostly Dutch landscapes, garden scenes, birds and animals, five church interiors, three allegorical series, and a few figures); the trips and excursions he made to depict identifiable sites in The Nether-lands and at Cleves, just over the German border; and the characteristics of his style which help secure attributions to his hand. New attributions are reported in the essay, involving both his contemporaries (mainly from Rembrandt's school) and also his dedicated followers in the 18th and 19th centuries. The catalogue of Borssom's drawings is limited to those accepted by the author as authentic, and for which an illustration is available. The independent sheets are grouped by medium (watercolor; brown ink with brown wash; brown ink with grey or grey and brown wash; grey ink and black chalk), organized by size (larger to smaller). The most important work is the artist's sketchbook preserved at the British Museum, which is fully illustrated here. Sumowski (1979) reproduced six pages from the sketchbook, and illustrated 78 independent drawings by Borssom, while mentioning twelve more as authentic works. This catalogue contains 122 independent sheets (not always in agreement with Sumowski's selection), some with sketches on their versos (likewise illustrated), in addition to the 94 complete sketches (sometimes several to a page) in the British Museum book. The independent drawings are supported by full entries: heading, inscriptions/marks, watermark, chain lines, provenance, literature, exhibitions, and notes. The volume is completed by a full bibliography (books and articles, exhibition catalogues, and sale catalogues) and two indexes (present collections and owners).
¶ Anthonie van Borssom was a resident of Amsterdam his entire life, active primarily as a landscape artist, who is associated with Rembrandt at the onset of his career. Werner Sumowski catalogued many of Borssom's drawings and paintings in 1979 and in 1983, respectively, in the sixteen volumes he devoted to fifty-four members of Rembrandt's school. Hollstein (1951) lists eight Borssom etchings of domestic animals and birds in landscape settings. A comprehensive monograph has not been published, and some confusion remains concerning aspects of the artist's life, including the year of his birth. New information about Anthonie van Borssom's life is presented in the introductory essay for this updated catalogue of his watercolors and ink wash drawings. There is a growing consensus that Borssom's true talent and originality find their best expression in his drawings, and not in his largely derivative paintings. The new attention paid to his works on paper has brought a clearer understanding of his production. Besides elucidating the artist's biography and the complexities involving his name, the introductory text presents a discussion of his subjects (mostly Dutch landscapes, garden scenes, birds and animals, five church interiors, three allegorical series, and a few figures); the trips and excursions he made to depict identifiable sites in The Nether-lands and at Cleves, just over the German border; and the characteristics of his style which help secure attributions to his hand. New attributions are reported in the essay, involving both his contemporaries (mainly from Rembrandt's school) and also his dedicated followers in the 18th and 19th centuries. The catalogue of Borssom's drawings is limited to those accepted by the author as authentic, and for which an illustration is available. The independent sheets are grouped by medium (watercolor; brown ink with brown wash; brown ink with grey or grey and brown wash; grey ink and black chalk), organized by size (larger to smaller). The most important work is the artist's sketchbook preserved at the British Museum, which is fully illustrated here. Sumowski (1979) reproduced six pages from the sketchbook, and illustrated 78 independent drawings by Borssom, while mentioning twelve more as authentic works. This catalogue contains 122 independent sheets (not always in agreement with Sumowski's selection), some with sketches on their versos (likewise illustrated), in addition to the 94 complete sketches (sometimes several to a page) in the British Museum book. The independent drawings are supported by full entries: heading, inscriptions/marks, watermark, chain lines, provenance, literature, exhibitions, and notes. The volume is completed by a full bibliography (books and articles, exhibition catalogues, and sale catalogues) and two indexes (present collections and owners).
Erik Tonen BooksProfessional sellerBook number: 50394
€ 80.00 [Appr.: US$ 85.9 | £UK 67.75 | JP¥ 13554]
JAN VAN KESSEL (1641-1680), catalogue raisonne.
Davaco, Aetas Aurea, Vol. X, 1993, Cloth bound with dusjacket, 4to. VIII, 335 pp. text and 411 ills. on 244 plts. (11 in color). fine condition! ISBN 9070288818.
¶ JAN VAN KESSEL is a monograph and catalogue raisonne introducing a little-known but talented Amsterdam follower of Jacob van Ruisdael. Many art professionals outside of the speciality of seventeenth- century Dutch landscape do not realize that he existed, with the result that his works sometimes are assigned to the contemporary (but unrelated) Antwerp painter of the same name. The monograph text starts with a critique of the artist's reception to date, both in terms of the public exhibition of his work and the appraisals of him in scholarly literature. Next, his biography is updated using primary and secondary sources, including un-published data from the Amsterdam Municipal Archives. Then, Jan van Kessel's paintings and drawings are given a general introduction, with special attention paid to the development that occurred in the way he signed his name. The main body of the monograph is devoted to his art, presented chronologically from the artist's documented start in 1661 until his early death in 1680. The catalogue raisonne contains fully documented entries with discussions up to a thousand words in lenght. The 290 works catalogued are organized into six sections: Authentic, Problematic, Doubtful Paintings, Authentic Drawings, Problematic Drawings, Doubtful Drawings (26). As new!.
¶ JAN VAN KESSEL is a monograph and catalogue raisonne introducing a little-known but talented Amsterdam follower of Jacob van Ruisdael. Many art professionals outside of the speciality of seventeenth- century Dutch landscape do not realize that he existed, with the result that his works sometimes are assigned to the contemporary (but unrelated) Antwerp painter of the same name. The monograph text starts with a critique of the artist's reception to date, both in terms of the public exhibition of his work and the appraisals of him in scholarly literature. Next, his biography is updated using primary and secondary sources, including un-published data from the Amsterdam Municipal Archives. Then, Jan van Kessel's paintings and drawings are given a general introduction, with special attention paid to the development that occurred in the way he signed his name. The main body of the monograph is devoted to his art, presented chronologically from the artist's documented start in 1661 until his early death in 1680. The catalogue raisonne contains fully documented entries with discussions up to a thousand words in lenght. The 290 works catalogued are organized into six sections: Authentic, Problematic, Doubtful Paintings, Authentic Drawings, Problematic Drawings, Doubtful Drawings (26). As new!.
Erik Tonen BooksProfessional sellerBook number: 15149
€ 95.00 [Appr.: US$ 102 | £UK 80.25 | JP¥ 16095]
Keywords: 9789070288815 . . 1641 1680 17th XVII monografie catalogus biografie painting peinture schilderkunst tekeningen dessins
Gerard ter Borch en de Vrede van Munster
Uitgeverij WBOOKS 1998, 1998 Softcover, 56 pagina's, Nederlands, 270 x 210 mm, boek in nieuwstaat, met illustraties. ISBN 9789040092398.
¶ Op 15 mei 1648, werd in het stadhuis van Munster de vrede tussen Spanje en de Republiek der Verenigde Nederlanden gesloten. De schilder Gerard ter Borch (1617-1681) was er ooggetuige van en legde deze plechtige bijeenkomst vast in een groepsportret getiteld De beëdiging van de Vrede van Munster. Dit unieke kunstwerk is de enige geschilderde weergave van de vredessluiting in Munster en is daarmee een historisch document van onschatbare waarde. Het boek is gewijd aan de activiteiten van Ter Borch in de jaren 1646 tot 1648 als portretschilder in Munster, waar hij vele Nederlandse en buitenlandse afgevaardigden portretteerde.
¶ Op 15 mei 1648, werd in het stadhuis van Munster de vrede tussen Spanje en de Republiek der Verenigde Nederlanden gesloten. De schilder Gerard ter Borch (1617-1681) was er ooggetuige van en legde deze plechtige bijeenkomst vast in een groepsportret getiteld De beëdiging van de Vrede van Munster. Dit unieke kunstwerk is de enige geschilderde weergave van de vredessluiting in Munster en is daarmee een historisch document van onschatbare waarde. Het boek is gewijd aan de activiteiten van Ter Borch in de jaren 1646 tot 1648 als portretschilder in Munster, waar hij vele Nederlandse en buitenlandse afgevaardigden portretteerde.
Erik Tonen BooksProfessional sellerBook number: 56523
€ 12.50 [Appr.: US$ 13.42 | £UK 10.75 | JP¥ 2118]
Keywords: Schilderkunst paint Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre siècle Artiste peintre photo fotografie architectuu
Decoration of the Torre de la Parada, IX CORPUS RUBENIANUM LUDWIG BURCHARD. ( volume IX)
Brussels, Arcade, 1971., Bound, black cloth, gilt spine, originale red dust jacket illustrated in b/w, red slip - case, 18x26,5cm, 386pp + 200 plates b/w. **very fine condition !
¶ Part IX: The Decoration of the Torre de la Parada. Complete work of Rubens. The corpus is based on the material assembled over several decades by Ludwig Burchard.
¶ Part IX: The Decoration of the Torre de la Parada. Complete work of Rubens. The corpus is based on the material assembled over several decades by Ludwig Burchard.
Erik Tonen BooksProfessional sellerBook number: 6714
€ 24.99 [Appr.: US$ 26.83 | £UK 21.25 | JP¥ 4234]
Keywords: paintings peinture schilderkunst drawing dessin tekeningen flemish flamand vlaams Antwerp Anvers Antwerpen tapestry
THE DECORATION OF THE TORRE DE LA PARADA. volume IX - CORPUS RUBENIANUM PART IX :
Brussels, Arcade., 1971 Hardcover with imprint on back and illustrated dustjacket, + slipcase, 185 x 265 mm., 386 pp. and 200 illustrations in b/w. neuf / fine condition! ISBN 0714814032.
¶ Definitive Raisonnated Catalogue of teh work of Rubens in 27 parts. Based on the material assembled by Ludwig Burchard. Each part written by a well - known scholar. new price 150.00 euro.
¶ Definitive Raisonnated Catalogue of teh work of Rubens in 27 parts. Based on the material assembled by Ludwig Burchard. Each part written by a well - known scholar. new price 150.00 euro.
Erik Tonen BooksProfessional sellerBook number: 819
€ 25.00 [Appr.: US$ 26.84 | £UK 21.25 | JP¥ 4236]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveauté arts plastiques culture histoire livre siècle Artiste peintre photo fotografie arc
Mythologie et Maniérisme aux Pays-Bas, 1570-1630 : peinture, dessins
Antwerpen, Anvers Fonds Mercator, 1985 Hardcover, 328 pages, Texte en Francais, 340 x 260 x 40 mm, dans un manteau solide,illustrations en couleur / n/b, Nouveau condition ! jaquette illustreé. ISBN 9789061531456.
¶ Le «maniérisme» fait référence au style issu du style Renaissance au XVIe siècle, qui à son tour a précédé le baroque. Le maniérisme est né en Toscane, sous l'impulsion de Michel-Angelo. Rome prend le relais et devient le centre de la nouvelle école, mais Venise lui donne sa sublime sophistication. Avec la Réforme et le Caravagisme apparaît le «troisième» maniérisme si fécond pour les Pays-Bas. Le but de cet ouvrage est de définir les trois maniérismes tels qu'ils se sont développés au XVIe siècle dans un vaste contexte européen: l'Italie, Fontainebleau, la Cour de Bavière et la Cour de Prague, aux Pays-Bas. En particulier, la dernière période de ce style est discutée, qui coïncide avec la division entre le Nord et le Sud. Une étude approfondie, illuminée de nombreux chefs-d'?uvre en couleur.
¶ Le «maniérisme» fait référence au style issu du style Renaissance au XVIe siècle, qui à son tour a précédé le baroque. Le maniérisme est né en Toscane, sous l'impulsion de Michel-Angelo. Rome prend le relais et devient le centre de la nouvelle école, mais Venise lui donne sa sublime sophistication. Avec la Réforme et le Caravagisme apparaît le «troisième» maniérisme si fécond pour les Pays-Bas. Le but de cet ouvrage est de définir les trois maniérismes tels qu'ils se sont développés au XVIe siècle dans un vaste contexte européen: l'Italie, Fontainebleau, la Cour de Bavière et la Cour de Prague, aux Pays-Bas. En particulier, la dernière période de ce style est discutée, qui coïncide avec la division entre le Nord et le Sud. Une étude approfondie, illuminée de nombreux chefs-d'?uvre en couleur.
Erik Tonen BooksProfessional sellerBook number: 55455
€ 90.00 [Appr.: US$ 96.63 | £UK 76.25 | JP¥ 15248]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire patrimoine Nouveautés arts plastiques culture histoire livre Artiste peintre photo fotografie architectuur
Henri de Fromantiou : Royal Illusions , ENG.
Bonnefanten Museum, 2015 Hardback, 120 pages, English edition FINE! ISBN 9789082296525.
¶ Along with the first exhibition on Henri de Fromantiou, looks on this occasion also the first monograph on the artist's light. The book you have before you want it Bonnefantenmuseum fill this gap in art history. There are several chapters included that allow discussed together all aspects of this broad-based man come, as his apprenticeship, his appointment as court painter in Potsdam, his work and his role as an art dealer. After his birth in Maastricht and its nebulous apprenticeship was the Fromantiou based in The Hague and Amsterdam. Samen met de eerste tentoonstelling over Henri de Fromantiou, ziet bij deze gelegenheid ook de eerste monografie over de kunstenaar het licht. Met het voor u liggende boek wil het Bonnefantenmuseum deze kunsthistorische lacune opvullen. Er zijn verschillende hoofdstukken opgenomen die samen alle aspecten van deze breed georienteerde man aan bod laten komen, zoals zijn leertijd, zijn aanstelling als hofschilder in Potsdam, zijn oeuvre en zijn rol als kunsthandelaar. Na zijn geboorte in Maastricht en zijn in nevelen gehulde leerperiode was De Fromantiou werkzaam in Den Haag en Amsterdam.
¶ Along with the first exhibition on Henri de Fromantiou, looks on this occasion also the first monograph on the artist's light. The book you have before you want it Bonnefantenmuseum fill this gap in art history. There are several chapters included that allow discussed together all aspects of this broad-based man come, as his apprenticeship, his appointment as court painter in Potsdam, his work and his role as an art dealer. After his birth in Maastricht and its nebulous apprenticeship was the Fromantiou based in The Hague and Amsterdam. Samen met de eerste tentoonstelling over Henri de Fromantiou, ziet bij deze gelegenheid ook de eerste monografie over de kunstenaar het licht. Met het voor u liggende boek wil het Bonnefantenmuseum deze kunsthistorische lacune opvullen. Er zijn verschillende hoofdstukken opgenomen die samen alle aspecten van deze breed georienteerde man aan bod laten komen, zoals zijn leertijd, zijn aanstelling als hofschilder in Potsdam, zijn oeuvre en zijn rol als kunsthandelaar. Na zijn geboorte in Maastricht en zijn in nevelen gehulde leerperiode was De Fromantiou werkzaam in Den Haag en Amsterdam.
Erik Tonen BooksProfessional sellerBook number: 46898
€ 29.50 [Appr.: US$ 31.67 | £UK 25 | JP¥ 4998]
Keywords: : 13: 9789082296525 Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beeldhouwkunst beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre siècle Artiste peintre
UITBUNDIG VERLEDEN De Bourgondiërs door Romantische ogen
Snoeck Publishers, 2021 PB+, 280 x 250 mm, 160 pages, 132 illustraties. NL edition. fine. ISBN 9789461616777.
¶ Teruggrijpen naar het verleden, het is iets van alle tijden. Net als vandaag was geschiedenis ook in de negentiende eeuw populair. Het is de eeuw waarin verschillende nieuwe naties ontstaan en andere zich sterker gaan profileren op het internationale toneel. Tijdens de Romantiek groeit een hernieuwde belangstelling voor de Bourgondische hertogen, van Filips de Stoute tot de roemrijke keizer Karel. Zo treden de vijftiende- en zestiende-eeuwse Bourgondische vorsten in verschillende Europese landen opnieuw op de voorgrond. Als de aartsvaders van de Lage Landen verschijnen ze op schilderijen, in de literatuur en beeldhouwkunst. Maar het beeld van de vorsten verschilt sterk van land tot land: wat vertellen ze ons over de negentiende-eeuwse visie op het verleden? En over de manier waarop wij vandaag omgaan met onze geschiedenis? In Uitbundig Verleden. De Bourgondiërs door Romantische ogen kijk je vanuit een hedendaagse context, met een kritische blik en een veranderend perspectief naar het verleden. De ondergrondse exporuimte van Museum Hof van Busleyden doet aan als eennegentiende-eeuws monumentaal museum en toont met een veertigtal werken het verlangen naar de grootsheid van weleer. Museum Hof van Busleyden - 27.11.2021 - 27.02.2022. Uitbundig Verleden is een samenwerking tussen Museum Hof van Busleyden en het Monastère royal de Brou in Bourg-en-Bresse (Frankrijk).
¶ Teruggrijpen naar het verleden, het is iets van alle tijden. Net als vandaag was geschiedenis ook in de negentiende eeuw populair. Het is de eeuw waarin verschillende nieuwe naties ontstaan en andere zich sterker gaan profileren op het internationale toneel. Tijdens de Romantiek groeit een hernieuwde belangstelling voor de Bourgondische hertogen, van Filips de Stoute tot de roemrijke keizer Karel. Zo treden de vijftiende- en zestiende-eeuwse Bourgondische vorsten in verschillende Europese landen opnieuw op de voorgrond. Als de aartsvaders van de Lage Landen verschijnen ze op schilderijen, in de literatuur en beeldhouwkunst. Maar het beeld van de vorsten verschilt sterk van land tot land: wat vertellen ze ons over de negentiende-eeuwse visie op het verleden? En over de manier waarop wij vandaag omgaan met onze geschiedenis? In Uitbundig Verleden. De Bourgondiërs door Romantische ogen kijk je vanuit een hedendaagse context, met een kritische blik en een veranderend perspectief naar het verleden. De ondergrondse exporuimte van Museum Hof van Busleyden doet aan als eennegentiende-eeuws monumentaal museum en toont met een veertigtal werken het verlangen naar de grootsheid van weleer. Museum Hof van Busleyden - 27.11.2021 - 27.02.2022. Uitbundig Verleden is een samenwerking tussen Museum Hof van Busleyden en het Monastère royal de Brou in Bourg-en-Bresse (Frankrijk).
Erik Tonen BooksProfessional sellerBook number: 57502
€ 22.00 [Appr.: US$ 23.62 | £UK 18.75 | JP¥ 3727]
Keywords: Schilderkunst paint schilder Beaux Arts Sciences antique antiek deco beelden sculpturen & Architecture schilderen Fotografie Histoire et patrimoine Nouveautés arts plastiques culture histoire livre siècle Artiste peintre photo fotografie architectuur life
Back to the schoolyard: the daily practice of medieval and renaissance education. (studies in european urban history (1100-1800)) (studies in european urban history (1100-1800)
Brepols Publishers, 2008 paperback,324 p., 265 colour ill., 180 x 250 mm, Languages: English. ISBN 9782503525990.
¶ Back to the Schoolyard The Daily Practice of Medieval and Renaissance Education After about 1300, most schools in the Netherlands came under secular rule. It managed to create good and accessible schools, causing a hey-day for education in the 14th, 15th and 16th century. As a result, more than half of the children participated in basic instruction and literacy rate went relatively high. A contemporary Italian visitor noted with awe that ?in the Low Countries everybody could read and write, even the peasants?. In the 16th century, the curriculum changed because of the Reformation and the availability of printed texts. In this book, the favourable situation in the Netherlands is compared with the rest of Western Europe. Medieval and Renaissance schools have been studied before, but never from the perspective of those who experienced it on a daily basis. Recent excavations on the sites of late-medieval schools and boarding houses revealed the objects used by pupils and teachers for reading, writing, mathematics, and school life in general. Combining those finds with texts and hundreds of depictions of school scenes in manuscripts, frescoes, sculpture, stained glass and early prints, the practice of education could be reconstructed. The book gives a detailed overview of the material school culture, allowing a rare glimpse into a late-medieval classroom.
¶ Back to the Schoolyard The Daily Practice of Medieval and Renaissance Education After about 1300, most schools in the Netherlands came under secular rule. It managed to create good and accessible schools, causing a hey-day for education in the 14th, 15th and 16th century. As a result, more than half of the children participated in basic instruction and literacy rate went relatively high. A contemporary Italian visitor noted with awe that ?in the Low Countries everybody could read and write, even the peasants?. In the 16th century, the curriculum changed because of the Reformation and the availability of printed texts. In this book, the favourable situation in the Netherlands is compared with the rest of Western Europe. Medieval and Renaissance schools have been studied before, but never from the perspective of those who experienced it on a daily basis. Recent excavations on the sites of late-medieval schools and boarding houses revealed the objects used by pupils and teachers for reading, writing, mathematics, and school life in general. Combining those finds with texts and hundreds of depictions of school scenes in manuscripts, frescoes, sculpture, stained glass and early prints, the practice of education could be reconstructed. The book gives a detailed overview of the material school culture, allowing a rare glimpse into a late-medieval classroom.
Erik Tonen BooksProfessional sellerBook number: 45654
€ 80.00 [Appr.: US$ 85.9 | £UK 67.75 | JP¥ 13554]
Keywords: bol
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