Bak Middle School of the Arts

2010 Bak Middle School of the Arts Yearbook

West Palm Beach, FL, Bak Middle School of the Arts, 2010. 1st Edition. Hardcover. 192p. A glossy hardcover book in fine condition. 2010 yearbook, the Masterpiece, for Bak Middle School of the Arts in West Palm Beach, Florida. .

Kubik Fine Books Ltd.Professional seller

Book number: 149693

Catalogue: American History

SMU Meadows School of the Arts

Announcement for 1986 Auction for the Benefit of the Book Purchase Program of Colophon the Friends of the Smu Libraries

Dallas, TX: SMU Meadows School of the Arts, 1986. 4to. 12 pages. Very Good. Stapled wraps. From the estate of Herb Yellin (1935 - 2014), the publisher of the Lord John Press. .

Wittenborn Art BooksProfessional seller

Book number: 19-7530

Catalogue: Ephemera

SCHOOL OF THE ARTS

ARCHITECTURAL DESIGNG

Utrecht n,d,., text, photos and ill. c366

Moby DickProfessional seller

Book number: 243209

Catalogue: Architecture

Shkola Dramaticheskogo Iskusstva = The School of Dramatic Arts

Rabochij Positiv: Kino Video = Workprint: Film and Video

East Berlin, Germany: Kino Arsenal, 1988. Folio. 62 x 43 cm. Wove Paper. Edition of 500 copies. .

Wittenborn Art BooksProfessional seller

Book number: 16-2626

Catalogue: Ephemera

Keywords: art soviet film German

SASKATCHEWAN SUMMER SCHOOL OF THE ARTS

Saskatchewan Summer School of the Arts; Cantos July 11, 1975

Fort San, Saskatchewan, Saskatchewan Summer School of the Arts NONE. 1975. (Mass market paperback) Fine. 4pp. 8vo. Single yellow sheet, folded in half. The program from the Saskatchewan Summer School of the Arts, July 11, 1975, which featured work by Ken Mitchell, Russell Peck, Anne Szumigalski, and Brent Dutton. Includes the poem 'Victim' and is signed by Anne Szumigalski.

Spafford BooksProfessional seller

Book number: 129067

Catalogue: Canadiana

Keywords: Canadian Prairies, Canadian Literature, Prairie Writers, Saskatchewan Authors

Columbia School of the Arts Visual Arts

Visual Arts 2017 Mfa Thesis Exhibition : Columbia School of the Arts Visual Arts

New York : Columbia University, 2017. 8vo. 128p. Softcover. Very Good, very minor markings on cover, very minor creasing on cover. B&W and color prints throughout. From the Collection of the Art Historian Peter Selz. .

Wittenborn Art BooksProfessional seller

Book number: 18-9819

Catalogue: Ephemera

Martha (North Carlina School of the Arts) Ruskai (Autor),? Allison (Wig and Makeup Specialist, Austin Performing Arts Center, University of Texas, Austin, TX, USA) Lowery (Autor)

Wig Making and Styling: A Complete Guide for Theatre & Film

, Taylor & Francis Ltd, 2015. 322, 24,1 x 3,2 x 22,9 cm, Hardcover. Zustand: 2. Wig Making and Styling: A Complete Guide for Theatre and Film, Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics, from styling tools to creating beards, it ramps up to advanced techniques for making, measuring, coloring, and cutting wigs from any time period. Whether you’re a student or a professional, you‘ll find yourself prepared for a career as a skilled wig designer with tips on altering existing wigs, multiple approaches to solving wig-making problems, and industry best practices. "The first of its kind and a must-have for students and professionals alike. Filled with photographs and detailed, step-by-step instructions for every sort of wig and hairpiece, Wig Making and Styling now occupies a prominent place in my professional library. I will refer to it often as I work." -William Ivey Long, five-time Tony Award winning costume designer Buchrückseite: Top off that costume with the perfect accoutrement with this first real guide to creating and styling costume wigs. No longer will you need to comb through old references on hairstyles of different time periods, Wig Making and Styling contains everything you need to be a cut above, offering snippets on styling tools, hair types, wig making and measuring, coloring, cutting, and even creating beards and toupees. Other great features include: -Versatile techniques to create all different historical hairstyles -Tips on altering existing wigs and creating wigs from scratch -Multiple approaches and solutions to solving wig-making problems and needs -Information about the industry, including history and best practices Full of inspirational and directive photographs, this book will groom anyone from novice to professional stylist into a skilled wig designer. Neben den 2 anderen Bänden "Historical Wig Styling" habe ich mir auch diesen zugelegt. Es werden eher die Basics erklärt, keine komplett fertigen Frisuren für diese oder jede Epoche. Doch gerade als Einstieg ist es gut sich zunächst mit allen wichtigen Aspekten des Perückenmachens zu beschäftigen, bevor man gleich loslegt und dann im Prozess etwas versemmelt. In der Hinsicht ist es eine gute Hilfe. Ein Auszug der behandelten Themen: - Techniken und Gerätschaften - Basics der Perückenherstellung - Akkurates Massnehmen - Aufsetzen und Abnehmen - Haarteile herstellen - Schneiden, Färben, etc... - Perückenpflege Content: Chapter 1: Wig-Making Terms, Tools, and Techniques Glossary of Wig and Hair Terms Wig-Making Tool Kit Wig Styling Tool Kit Hairpins and Clips Rollers/Curlers A Well-Equipped Wig Area Handling a Wig Blocking a Wig Blocking Hard-Front Wigs Blocking Lace-Front Wigs Basic Hand Sewing Stitches Chapter 2: Wig Application and Removal Hair Prep Long Hair Nylon Wig Caps vs Fishnet Wig Caps Short Hair Prepping for Film How to Hold and Put on a Lace-Front Wig Applying Hard-Front Wigs and Falls Removing Wigs After a Performance A Word About Quick Changes and Tap Dancing Chapter 3: Care and Maintenance of Wigs Cleaning Wig Laces Cleaning Facial Hair Touching up a Wig Washing Wigs A Note About Hair Washing Products Washing the Wig off the Block Washing the Wig on the Block Storing Your Wigs Storage Systems Chapter 4: Wig-Making Basics: Learning to Ventilate Ventilating Needles and Holders Loading Your Needle Wig-Making Laces and Nets Fronting Laces Back/Foundation Laces Stretch Laces Other Wig-Making Materials The Direction and Stretch of the Lace Types of Hair Basic Wig-Knotting/Ventilating Technique Double Knotting Ventilating Positions Hair Density and Ventilating Patterns Ventilating Direction Untying Knots Color Blending Sewing with Invisible Thread Hair Punching Chapter 5: Taking Accurate Measurements Proper Head Measurements Transferring Head Measurements to a Block Plastic-Wrap Head Tracings Padding Out a Block with a Plastic Tracing Chapter 6: Facial Hair Creating the Pattern for the Facial Hair Piece Tracing method, free hand method, & stock paper patterns Adding Texture to the Hair Individual Hairpiece Characteristics Eyebrows Mustaches Sideburns Beards and Goatees Cutting and Styling the Facial Hair Applying the Facial Hair Removing the Facial Hair Direct Application Techniques Hair Laid On Facial Hair Floating Beards Historical Timeline of Facial Hair Styles Gallery of Natural Facial Hair Chapter 7: Working with and Adapting Commercial Wigs and Weft Cleaning Old Wigs Bringing Back the Shine of an Old Wig Dulling the Shine of a New Synthetic Wig Removing Weft Thinning a Wig with Thinning Shears Sewing Weft to the Underside of a Wig Adding Weft to Wigs Sewing Weft to a Pre-Made Foundation Piecing Together Wigs Full Bottom Wig Piecing Together Wigs to Increase Size Styling Tricks to Conceal the Front Edge of a Wig Using the Performer's Own Hair to Conceal the Front Edge of the Wig Chapter 8: Fronting Wigs Fronting and Other Adaptations of Commercial Wigs Types of Fronts The Human Hairline Changing the Hairline Building the Fronts Variation 1 Variation 2 Variation 3 Truing the Hairline Lace Direction and Hair Growth Direction Quick Front: A Step-by-Step Example Standard Front Deep Fronts Deep Front Variation 1 Variation 2 Variation 3 Mini Fronts Silk Blenders Nape Lace Chapter 9: Building a Wig From Scratch Types of Foundations Building a Circumference-Band Foundation Vegetable Net & Caul Net/Circumference Band/Right-Side-Out/Hand Sewn Variations on Circumference Band Foundations Variations on Nape-Piece Foundations Variations on One-Piece Foundations Notes About Adding Hair Parts, Crown Swirls, and Cowlicks Miscellaneous Foundations Balding Wigs Fringes Sewing Weft to a Pre-Made Foundation Summary Chapter 10: Partial Wigs, Toupees, and Hairpieces Toupee Graying Temple Pieces Pull-Throughs Falls Type 1 Type 2 Type 3 Type 4 Switches Kabuki-Inspired Lion Wig Making Custom Weft Using Weft to Make Clip-In Extensions ã Chapter 11: Wig Styling Techniques Elements of a Hairstyle Straight Hair Wetting and Drying Flat-Ironing and Roller Setting Steaming the Hair Wavy Hair Finger Waves/Water Waves Marcel Waves Pin curls Waving and Crimping Irons Curly Hair Roller Setting Roller Setting: Ringlets/Sausage Curls Roller Setting: Spiral Rolling Techniques Spiral Curls/Medusa Set Braids The Standard Basic Braid French Braids Reverse French Braid Rope Braids Herringbone Braids Dreadlocks Chapter 12: Creating a Hairstyle Break the Hairstyle Down into Sections Understand the Hairstyle Interpreting Research Draw Your Setting Pattern Set Your Wig Comb Out the Set Teasing and Stuffing Wire Frames Styling Men's Wigs Wig Setting and Styling Tips From Set to Style: Examples Example 1: Cosette in Les Miserables Example 2: 1930s Hollywood Movie-Star Look Gallery of Historical Hairstyles Chapter 13: Choosing, Cutting, Coloring, and Perming the Hair Dyeing Wigs and Wig Fibers Universal Hair Color Systems American Cosmetology Hair Level System Types of Hair Color Products Dyeing Protein Fibers Using Fabric Dyes Preparing Hair Bundles for Dye Dyeing Synthetic Fibers Perming Wigs and Wig Fibers Cutting Wigs Chapter 14: Hair that Isn't Hair: Wigs Made from Other Materials Bases and Foundations Fosshape (TM) Bases Buckram and Felt Bases Other Types of Bases Covering the Cap Building a Structural Support Frame Combining Hair and Non-Hair Materials Working with Jumbo Braid Example of the Step-by-Step Process of Creating an Unusually Shaped Wig Gallery of Non-Hair/Fantasy Wigs Chapter 15: The Business Of Wigs and Hair Analyzing and Understanding the Play Forms of Drama Basic Plot Structure Scene Breakdowns Organizing Your Production Bible Character Design Group Relationships Designing an Overall Look for a Production Budgeting for a Production During the Production Wig Jobs and How to Get Them A Note About Unions, Licenses, and Certifications Charging for Your Work Appendix 1: Wig Resource/Supply List Appendix 2: Blank Forms for Shop Use Index Zusatzinfo 851 Halftones, color Verlagsort London Sprache englisch Masse 229 x 229 mm Kunst Musik Theater Film TV Künstler Musik Theater Theaterwissenschaften Ballett ISBN-10 1-138-81918-2 / 1138819182 ISBN-13 978-1-138-81918-4 / 9781138819184 ISBN: 1138819182. Gewicht/weight: 2000 gr.

LLU BuchserviceProfessional seller

Book number: BN38972

Keywords: Wig Making and Styling: A Complete Guide for Theatre and Film, Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics, from styling tools to creating beards, it ramps up to advanced techniqu

Oliver Lee Jackson; Wake Forest University.; Southeastern Center for Contemporary Art.; North Carolina School of the Arts

Oliver Lee Jackson: Wake Forest University, Southeastern Center for Contemporary Art [and] North Carolina School of the Arts Artist-in-Residence Program : Sponsored by the Rockefeller Foundation, 18 October - 23 November 1980. (Signed by Oliver Lee Jackson)

Winston-Salem, N.C. Southeastern Center for Contemporary Art, 1980. Autographed. 4to. 15 pp. Oblong. Soft illustrated wraps. Very Good. Color plates throughout. Staple binding. Some spots of foxing on edge of front wrap, else fine. Signed by the artist. Extremely Scarce. From the Collection of the Art Historian Peter Selz. .

Wittenborn Art BooksProfessional seller

Book number: 17-1571

Catalogue: Books

Register, John; Fitzpatrick, J. Allen (text); Berkson, Bill (text); Allan P. Kirby Arts Center Gallery at the Lawrenceville School (Lawrenceville)

John Register: May 1 - 21, 1992. The Alan P. Kirby Arts Center Gallery, the Lawrenceville School

Lawrenceville, NJ: The Lawrenceville School. 1992. 18mo. Oblong. [14 pp]. Soft, stapled white wraps with color plate. Very good with some highlighter marks on interior pages. Mostly color plates. Includes texts by J. Allen Firtzpatrick, John Register and Bill Berkson. Selected artist chronology included. Catalogue created on occasion of exhibition at the Alan P. Kirby Arts Center Gallery, The Lawrenceville School from May 1 through 21, 1992. Scarce. From the Collection of the Art Historian Peter Selz. .

Wittenborn Art BooksProfessional seller

Book number: 18-4477

Catalogue: Books

Stevenson Macadam, Ph.D., F.R.S.E., F.C.S., Lecturer on Chemistry in the Medical School, Surgeon's Hall ; in the School of Arts ; and to the Pharmaceutical Society of Great Britain, Edinburgh.

The Detection of Strychnine, Poison. An uncommon original article from the British Association for the Advancement of Science Report, 1856.

John Murray, London, 1857. First Edition, Disbound. Very Good Condition. 3 pages. Note; this is an original article separated from the volume, not a reprint or copy. Size: 22 x 15 cms. Quantity Available: 1. Category: British Association for the Advancement of Science; Inventory No: 512671.

Cosmo BooksProfessional seller

Book number: 512671

Catalogue: British Association for the Advancement of Science

Keywords: BZDB395 British Association for the Advancement of Science; Unbranded Stevenson Macadam, Ph.D., F.R.S.E., F.C.S., Lecturer on Chemistry in the Medical School, Surgeon's Hall ; in the School of Arts ; and to the Pharmaceutical Society of Great Britain, Edi

New York University, School of the Arts

Drama Review, Vol. 19, No. 3, T-67. September 1975. Expressionism Issue

New York: New York University, 1975. 4to. 116 pp. Trade Paperback, Very Good. Illustrated, photographs. .

Wittenborn Art BooksProfessional seller

Book number: 15-9652

Catalogue: Ephemera

New York University, School of the Arts

Drama Review, Vol. 20, No. 1, T-69. March 1976. Theatre and Therapy

New York: New York University, 1976. 4to. 110 pp. Trade Paperback, Very Good. Illustrated, photographs. .

Wittenborn Art BooksProfessional seller

Book number: 15-9653

Catalogue: Ephemera

New York University, School of the Arts

Drama Review, Vol. 20, No. 4, T-72. December 1976. Theatrical Theory Issue

New York: New York University, 1976. 4to. 125 pp. Trade Paperback, Very Good with small tears on spine, some creasing & wear to covers. Illustrated, photographs. .

Wittenborn Art BooksProfessional seller

Book number: 15-9654

Catalogue: Ephemera

New York University, School of the Arts

Drama Review, Vol. 21, No. 2, T-74. June 1977. Theatricalism Issue

New York: New York University, 1977. 4to. 118 pp. Trade Paperback, Very Good. Illustrated, photographs. .

Wittenborn Art BooksProfessional seller

Book number: 15-9655

Catalogue: Ephemera

New York University, School of the Arts

Drama Review, Vol. 22, No. 3, T-79. September 1978. Analysis Issue

New York: New York University, 1978. 4to. 126 pp. Trade Paperback, Very Good. Illustrated, photographs. .

Wittenborn Art BooksProfessional seller

Book number: 15-9656

Catalogue: Ephemera